In this regard, Wang Jiazhi is a very difficult character to perform, not to mention for an emerging actress. This reflected Tang Wei's acting talent and her dedication.

It argues that the fact that Tang was made into a scapegoat for the patriarchal political class's misogyny in the face of female dissent and sexuality.

This helped the reconstruction of Tang's star image, from a stripping star to a victim and scapegoat.

Tang used her voice, gestures, motions, and facial expressions to depict Oi Lin's internal battle. She subtly conveys Lin's emotional conflicts in a few crucial instances. This could indicate Tang's talented acting skills.

Tang Wei played Anna, a prisoner granted a 72-hour release for visiting family in Seattle. While on the run, she meets and befriends a South Korean guy.

This attempt brought Tang a brand new type of character and strengthened her star image of varied roles.

However, it is still a romance film, which is a genre that Tang frequently involved in.

This is evidenced by her roles which frequently emphasized these features, on-screen interviews, high fashion endorsements as well as the private personal life.

Tang's nomination was alongside famous actor Tony Leung.

This indicates Tang's potential as a great actress and her prominence in the entertainment industry.

Intelligent

Pure and innocent

Naive

Level-headed

Sophisticated

Have the ability to seduce men

This is the statement from SARFT that confirmed the ban on Tang, indicating the challenge that she had to face.

In this article, the author argues that this ban is the censors' responsibility. This support for Tang helped to reshape her image.

Tang took around the donation box to help out victims of the Sichuan earthquake, in plain clothes and without any makeup. Many people did not recognize her. She also volunteered to help clean the rehearsal room and stage.

Tang's acts of kindness demonstrate that she is a selfless star who is willing to contribute and give back to the community. This helps to reconstruct her positive image during the ban.

Tang Wei has donated the qipao to the charity auction, showing her goodwill.

Even in her debut, Tang received critical acclaim from this review, which cemented how her star image was considered that of a talented actress.

In this letter, Tang had been condemned for being "worse than a prostitute". This reflected the negative perceptions of some audiences and was an example of how her star image was portrayed during this period.

This article analyses the reasonableness of the sex scenes in this film, identifies with the dedication of Tang Wei, and brings a positive impact on the reconstruction of her image.

"I am very regretful that Tang Wei has been hurt by this decision," the Oscar-winning director said in a statement. "She gave a great performance in this properly produced and distributed film. I will do everything I can to support her in this difficult time."

Ang Lee's staunch support demonstrated his opposition to this banning decision, defending the image of Tang.

In this news, Chinese celebrity Jin Xing spoke out for Tang on a talk show program, claiming that the ban against Tang alone was unjust. Jin emphasized on Tang's sacrifice.

Support from industry counterparts not only reinforced the public narrative but also solidified Tang Wei's persona - a victim and scapegoat who faced down institutional and gendered biases.

She kept a low-profile appearance, which reinforced her star persona at this period.

There was none of the extravagant and overtly sexy displays that are common among other female stars.

This picture of her wedding echoes the elegant and natural personality she always presents.

It's a sign that she's keeping a low profile and minding her privacy

As a consequence, her star image can be mediated by this media coverage to be an inspiring actress.

Nevertheless, this somewhat neglects the unjust nature of the ban, covering the truth of male-dominated oppression.