1. Subject
       The sculpture is considered as God of Rice of Ifugao. The art is carved into wooden figures either standing or seated human body figures.

2. Content (Factual Meaning)
       The wooden art/figure known as “Bu-lul or tinagtaggu” its factual meaning is they are the Deity or rice or the God of rice of Ifugao and people from Northern Luzon. This sacred figure is being worshiped by Ifugao, which represents the granary gods and ancestral spirits.

      The sculpture is considered the ceremonial chair carved for wealthy Ifugao families. The art is carved in Narra wood and styled in animal head ends. 

 The art is known as traditional large ceremonial benches used by wealthy families. It symbolized power, wealth, and prestige. Only wealthy individual has allowed to own a hagabi and uses it inside their house.

References
https://www.preceden.com/timelines/667670-history-of-philippine-art#:~:text=Pre%2DColonial%20or%20Pre%2D Conquest%2Period&text=Arts%20in%20this%20time%20were,in%20written%20and%20oral%20form.

https://en.wikipedia.org/wiki/Bulul

https://www.galenlowe.com/sculpture/form/form-i/hagabi.html#.Yy55nHZBxdg

1. Subject
        The subject of this three-level painting illustrates Mary the Mother of Christ, saints, the Holy Trinity, the Seven Blessed Sacraments, and a macabre portrayal of Hell.

2. Content (Factual Meaning)
        There are three parts to the painting. The upper portion portrays heaven, with the crucifixion of Jesus Christ. Adam and Eve are placed in the center of the painting, beneath the Tree of Knowledge, highlighting the world. Right below them is hell, wherein the mournful faces of the people are depicted there.

1. Subject
       The subject in this painting is the dead people/gladiators who are pulled out by others outside the Coliseum.

2. Content (Factual Meaning)
       The painting portrayed Roman Gladiators being taken into the Coliseum's basements because they were already dead or near death. It is often depicted as an allusion to Imperial Spain’s persecution of the natives.


References:
             Hernandez, E., M. The Spanish Colonial Tradition in Philippine Visual Arts. https://ncca.gov.ph/about-ncca-3/subcommissions/subcommission-on-the-arts-sca/visual-arts/the-spanish-colonial-tradition-in-philippine-visual-arts/#:~:text=The%20Spanish%20friars%20introduced%20Western,was%20limited%20to%20religious%20icons.

 https://discoveringpaete.wordpress.com/infrastructures/san-santiago-apostol/paetenians-work-of-art/

https://www.google.com/urlsa=i&url=https%3A%2F%2Fsalirickandres.altervista.org%2Fspanish-period%2F&psi=AOvVaw 0ClomBdO_OMi8dg_CUoqBv&ust=1664077515449000&source=images&cd=vfe&ved=0CAwQjRxqFwoTCNC82_7BrPoCFQAAAAAdAAAAABAD

1. Subject
       The subject in this sculpture is that there is a man who is naked and standing with wide open arms.

2. Content (Factual Meaning)
      Oblation, the monument of the major State University in the nation, represents the traditional values of restraint, discipline, harmony, and symmetry. It stands without clothing, resolute and bold, with arms open to receive information and changes.


References: 
https://i.pinimg.com/564x/3a/67/07/3a6707ce8d768e25a56d967e431f80e6.jpg

Calaborzonians22. (2020). https://calabarzone.wordpress. com /2020/11/05/the-timeline -of-philippine-art-history/

Almencion, R. (2018). The Philippine Arts During American Colonization.https://www.slideshare.net/RonNelAlmencion/the-philippine-arts-during-american-colonization

1. Subject
         The seven-foot-tall bronze statue shows a woman in a Maria Clara traditional Filipiniana attire who is mourning and wearing blindfolds.

2. Content (Factual Meaning)
       The monument, known as Filipino Comfort Women, is a bronze sculpture that is "more than life-sized." A few kilometers from the grounds of the Japanese embassy, this memorial statue is located on the baywalk along Roxas Boulevard, in front of Manila Bay, which is renowned for beautiful sunsets. This monument is a memorial of the Filipino women who were victims of mistreatment during the occupation of the Japanese soldiers.




References:
Xinhua(2017).http://www.chinadaily.com.cn/a/201712/08/WS5a2a91c6a310eefe3e99ef77.html#:~:text=The%20seven%2Dfeet%20bronze%20sculpture,Japanese%20forces%20from%201942%2D1945.

https://www.preceden.com/timelines/667670-history-of-philippine-art#:~:text=Pre%2DColonial%20or%20Pre %2DConquest%20Period&text=Arts%20in%20this%20time%20were,in%20written%20and%20oral%20form.

1. Subject
       The paintings illustrate three fishermen where they are pulling up a large net that contains a lot of fish.

2. Content ( Factual Meaning)
       The painting portrays a group of three fishermen capturing several fish with a big net in what seems to become midafternoon, as a blood-red sun drags up the center of the painting amidst a wholly dark brown surrounding. The three fishermen are all naked, they contain conceptual anatomy and are described in enforcing but awkward poses.


References:
https://www.preceden.com/timelines/617125-history-of-philippine-art

Agustin, I. (2021).https://medium.com/@funkyboy/a-descriptive-analysis-of-ang-kiukoks-fishermen-a2248477aded