When the paper is folded, President Trump's illustration is inside the cup, literally expressing President Trump spits whatever comes to his mind.

This induces audience participation and spontaneous thinking beyond simple viewing, which is a role I think as a visual communicator.

It contains a humorous yet powerful message because the satire method is reborn with stronger criticism.

Suffragette items in the white purple and green colour scheme of the Women's Social and Political Union. The colour of the suffragettes, Purple stood for loyalty and dignity, white for purity and green for hope.

The feminism movement, which is currently emerging in South Korea, is being attacked by the so-called anti-feminist group. 

So, Suffragettes, the national women's movement, can be a good example of changing society as an iconic.

They caught my attention because of the socio-culture they create, much different from the culture I grew up in. The cards create a sense of collective caring and comfort, giving energy of healing to the person in grief. The sending of sympathy cards links people together and “reinforces a sense of community and solidarity in the wake of the calamity of death.”

STATEMENT:
The project “thinking of you” aims to create an immersive experience of collective caring and healing for the people who are currently living in the disturbing environment of the pandemic, inspired by the socio-culture of writing sympathy cards from 20 years ago.  

This newspaper is a ghost legend about the Thames. Every appearance of him indicates Bad things happen.

Everyone has a different view of ghosts. The believer sees ghosts. What kind of ghosts does he see? The person who doesn't believe see the ghost, so what does he see? I hope to carry out in-depth research and exploration through this research. 

In her follow-up book Micromuseology: An Analysis of Small Independent Museums, Dr Fiona Candlin analyses these archives in detail, showing how the curatorial models, interpretation and visitor experience of micro museums differ significantly from those of larger museums. In doing so, she reflects on the 'large public' museum and explores how exhibits can be brought to life - more alive.

She used the academic way to organise and classify things that would otherwise not be treated as 'academic'. This way of organising also adds a formulaic trap to the 'personalised' mini-museum.

The object I chose was the handbook in 1987 from the series archive about London LGBT+ Switchboard which provide guide to their volunteers about how to answer the different types of phone call and offer appropriate information. In the handbook,  phone calls are classified in detail: Silent calls, Problem calls, Coming out calls, etc.  So did the callers: Unemployed and low wage earners, black & ethnic minority callers, Middle aged and older callers, etc. Given the various situation of the calls and callers, the handbook listed surprisingly considerable details that volunteers should pay attention to.

At he first time when I read this handbook, I was somehow comforted from it as the 14-year old girl who wanted to find an answer about sexuality awakening but humiliated by the false information on the Internet. I even started to imagine if I were the “silent caller”in the handbook, how would the volunteers tenderly lead me to talk. I believe that we all have this kind of moment that we don't want to talk to our friends or family but we hope there is someone for us who carefully steers clear of what we don’t want to mention and response to our problems. Maybe we can also be the one who learn from this handbook and become the “volunteer” that always considering other’s plight and feeling while communicating.

This reminds me of Chinese characters. Chinese characters with female radicals and words describing women in Chinese characters usually represent derogatory and stigmatization. For example, [miss]originally meant to be a respectful title for young women, but now women have lost a normal title because of the existence of the pornographic industry [stigmatized sex workers]

Language is the material shell of consciousness, and the structure of Chinese characters has a high information density. The meaning of a Chinese character can be inferred through the dismantling of characters and the components and radicals. Through these stigmatized Chinese characters next to female characters, we can observe the era background and female status reflected behind them. As a woman, I also hope to explore the behind from the metaphor of these Chinese characters The story is passed to you from my standpoint, which is the inspiration and motivation of my creation.

 

The mail contains a candle, a leaflet stated ‘please light to candle enclosed in memory fo all the homeless people who have died this year’, and a hearting touching letter, telling a story of the death of George, a homeless person lived under Westminster Bridge for ten years.

 

This object showed humanity of those individuals. I wanted more people to know the story of homelessness, washing up the stigma attached to them, and called out for help.

One particular memory details a 'favourite' country walk through a small town on the outskirts of London called Hornsey. As London has rapidly changed over the time since the article was written, I was inspired to follow this walk and retrace the steps of a journey made over 150 years ago; to see what remains of the memory of the small town and how it has changed. 

I am inspired by the question of how we remember things, is it a reductive process, foggy, murky, pixelated, or is it additive, accumulative, an amalgamation or layering. In the article in 1910 it talks of ‘Village Landmarks Swept away by Suburban Growth. With London rapidly changing further still, questions regarding gentrification, new developments and the longevity of memory are more important than ever.