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      <title>The 57 Bus  by Meredith Irby</title>
      <link>https://padlet.com/meredith_a_irby/bbrwj2uwc6yl</link>
      <description>Essential Question </description>
      <language>en-us</language>
      <pubDate>2018-11-12 17:37:25 UTC</pubDate>
      <lastBuildDate>2018-11-18 20:31:05 UTC</lastBuildDate>
      <webMaster>hello@padlet.com</webMaster>
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         <title>What Do We Do with a Difference?</title>
         <author>meredith_a_irby</author>
         <link>https://padlet.com/meredith_a_irby/bbrwj2uwc6yl/wish/303562875</link>
         <description><![CDATA[<div><br><strong>Purpose:</strong> The story surrounding the incident on the <em>The 57 Bus</em> has a lot to do with how people perceive and deal with difference. This poem will help students consider the various ways in which we react to difference, and the choices we could potentially make vs. the ones we often make in the moment. </div><div><strong>Standards: </strong><a href="http://www.corestandards.org/ELA-Literacy/W/9-10/3/">CCSS.ELA-LITERACY.W.9-10.3</a><br>Write narratives to develop real or imagined experiences or events using effective technique, well-chosen details, and well-structured event sequences.<strong><br>Potential Classroom Use: </strong>As a pre-reading activity, students can read and analyze the poem, and then reflect in their journal about how verbs in the poem connects to a time you experienced difference.<strong> </strong>After students start reading the book, they can make a map or visual with how characters are dealing with difference. <strong><br>Further Information: </strong><a href="https://www.facinghistory.org/">Facing History Resources </a><strong><br>Citation: </strong>What Do We Do with a Difference? (n.d.). Retrieved from https://www.facinghistory.org/holocaust-and-human-behavior/chapter-2/what-do-we-do-difference<strong><br></strong><br></div>]]></description>
         <enclosure url="https://www.facinghistory.org/holocaust-and-human-behavior/chapter-2/what-do-we-do-difference" />
         <pubDate>2018-11-13 04:00:02 UTC</pubDate>
         <guid>https://padlet.com/meredith_a_irby/bbrwj2uwc6yl/wish/303562875</guid>
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      <item>
         <title>Audience &amp; Standards</title>
         <author>meredith_a_irby</author>
         <link>https://padlet.com/meredith_a_irby/bbrwj2uwc6yl/wish/303563232</link>
         <description><![CDATA[<div>Audience: <strong>9th grade ELA</strong></div><div><br><a href="http://www.corestandards.org/ELA-Literacy/RL/9-10/6/">CCSS.ELA-LITERACY.RL.9-10.6</a> Analyze a particular <strong>point of view</strong> or <strong>cultural experience</strong> reflected in a work of literature from outside the United States, drawing on a wide reading of world literature.</div><div><a href="http://www.corestandards.org/ELA-Literacy/W/9-10/9/">CCSS.ELA-LITERACY.W.9-10.9</a> Draw evidence from literary or informational texts to support analysis, reflection, and research.<br><a href="http://www.corestandards.org/ELA-Literacy/SL/9-10/1/">CCSS.ELA-LITERACY.SL.9-10.1</a> Initiate and participate effectively in a range of collaborative discussions (one-on-one, in groups, and teacher-led) with diverse partners on grades 9-10 topics, texts, and issues, building on others' ideas and expressing their own clearly and persuasively.</div>]]></description>
         <enclosure url="" />
         <pubDate>2018-11-13 04:03:12 UTC</pubDate>
         <guid>https://padlet.com/meredith_a_irby/bbrwj2uwc6yl/wish/303563232</guid>
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      <item>
         <title>Essential Question</title>
         <author>meredith_a_irby</author>
         <link>https://padlet.com/meredith_a_irby/bbrwj2uwc6yl/wish/303563442</link>
         <description><![CDATA[<div>How does this story complicate your understanding of the intersections of race, class, and gender in Oakland? </div>]]></description>
         <enclosure url="" />
         <pubDate>2018-11-13 04:04:45 UTC</pubDate>
         <guid>https://padlet.com/meredith_a_irby/bbrwj2uwc6yl/wish/303563442</guid>
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      <item>
         <title>Ted Talk: The Danger of the Single Story </title>
         <author>meredith_a_irby</author>
         <link>https://padlet.com/meredith_a_irby/bbrwj2uwc6yl/wish/303563811</link>
         <description><![CDATA[<div><strong>Purpose: </strong>One of the major themes in <em>The 57 Bus</em> is how important it is to consider the context behind situations, and to question our implicit biases. In this talk, novelist Chimamanda Adichie warns that if we only hear a single story, we risk a critical misunderstanding. <strong><br>Standards: </strong><a href="http://www.corestandards.org/ELA-Literacy/W/9-10/3/">CCSS.ELA-LITERACY.W.9-10.3</a><br>Write narratives to develop real or imagined experiences or events using effective technique, well-chosen details, and well-structured event sequences.<strong><br>Potential Classroom Use: </strong>This video would be a great pre-reading and contracting exercise.  After watching the video as a class, students could reflect on a time when they were stereotyped or understood as a "single story". <strong><br>Further Information: </strong><a href="https://www.chimamanda.com/">Adichie's website </a><strong><br>Citation: </strong>Adichie, C. N. (n.d.). The danger of a single story. Retrieved from https://www.ted.com/talks/chimamanda_adichie_the_danger_of_a_single_story?language=en</div>]]></description>
         <enclosure url="https://www.ted.com/talks/chimamanda_adichie_the_danger_of_a_single_story?language=en" />
         <pubDate>2018-11-13 04:08:07 UTC</pubDate>
         <guid>https://padlet.com/meredith_a_irby/bbrwj2uwc6yl/wish/303563811</guid>
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      <item>
         <title>What gentrification in Oakland, California, sounds like </title>
         <author>meredith_a_irby</author>
         <link>https://padlet.com/meredith_a_irby/bbrwj2uwc6yl/wish/303564123</link>
         <description><![CDATA[<div><strong>Purpose: </strong>This interactive audio map, created by young people working for <a href="https://yr.media/">YouthRadio</a>, provides interviews from longtime West Oakland residents about their experiences of gentrification and the displacement of African Americans in Oakland. West Side Stories serves as an important lens for exploring the rapidly changing landscape of Oakland. <strong><br>Standards: </strong><a href="http://www.corestandards.org/ELA-Literacy/SL/9-10/1/">CCSS.ELA-LITERACY.SL.9-10.1</a><br>Initiate and participate effectively in a range of collaborative discussions (one-on-one, in groups, and teacher-led) with diverse partners on grades 9-10 topics, texts, and issues, building on others' ideas and expressing their own clearly and persuasively.<strong><br>Potential Classroom Use: </strong>Using a microlab protocol, students will work in small groups to explore the map and listen to the interviews of different Oakland residents. After recording evidence of the range of perspectives around African American displacement and gentrification, students will hold a group academic discussion and discuss their findings and further questions.<strong><br>Further Information: </strong><a href="https://source.opennews.org/articles/how-we-made-youth-radios-west-side-stories/"><strong>Youth Radio's West Side Stories </strong></a><strong><br>Citation: </strong>Gentrification in West Oakland. (n.d.). Retrieved from https://youthradio.github.io/</div>]]></description>
         <enclosure url="https://www.vox.com/maps/2015/10/1/9427411/audio-map" />
         <pubDate>2018-11-13 04:10:50 UTC</pubDate>
         <guid>https://padlet.com/meredith_a_irby/bbrwj2uwc6yl/wish/303564123</guid>
      </item>
      <item>
         <title>The Pulse of Oakland: Stories on the intersection of health, wealth and race in Oakland neighborhoods.</title>
         <author>meredith_a_irby</author>
         <link>https://padlet.com/meredith_a_irby/bbrwj2uwc6yl/wish/303564384</link>
         <description><![CDATA[<div><strong>Purpose: </strong>One of the major themes of <em>The 57 Bus </em>is how multiple worlds can exist in one place. This article incorporates a range of interviews, maps, and videos to explore the intersection of health, wealth and race in Oakland neighborhoods. It illustrates how wealth and good health are often concentrated in certain parts of the city. <br><strong><br>Standards: </strong><a href="http://www.corestandards.org/ELA-Literacy/SL/9-10/1/">CCSS.ELA-LITERACY.SL.9-10.1</a><br>Initiate and participate effectively in a range of collaborative discussions (one-on-one, in groups, and teacher-led) with diverse partners on grades 9-10 topics, texts, and issues, building on others' ideas and expressing their own clearly and persuasively.<br><a href="http://www.corestandards.org/ELA-Literacy/W/9-10/1/">CCSS.ELA-LITERACY.W.9-10.1</a><br>Write arguments to support claims in an analysis of substantive topics or texts, using valid reasoning and relevant and sufficient evidence.</div><div><br></div><div><strong>Potential Classroom Use: </strong>Students can <br><br><strong>Further Information: <br>Citation </strong></div>]]></description>
         <enclosure url="http://thepulseofoakland.com/" />
         <pubDate>2018-11-13 04:13:05 UTC</pubDate>
         <guid>https://padlet.com/meredith_a_irby/bbrwj2uwc6yl/wish/303564384</guid>
      </item>
      <item>
         <title>The ABCs of L.G.B.T.Q.I.A.+</title>
         <author>meredith_a_irby</author>
         <link>https://padlet.com/meredith_a_irby/bbrwj2uwc6yl/wish/303564570</link>
         <description><![CDATA[<div><strong>Purpose: </strong>Part 1 of <em>The 57 Bus</em> tells Sasha's story, and Slater describes Sasha's personal journey through their gender and sexual identity. This glossary can serve as an important companion text and resource and resource for students as they navigate through Sasha's story. <strong><br>Standards: </strong><a href="http://www.corestandards.org/ELA-Literacy/W/9-10/2/">CCSS.ELA-LITERACY.W.9-10.2</a><br>Write informative/explanatory texts to examine and convey complex ideas, concepts, and information clearly and accurately through the effective selection, organization, and analysis of content.<strong><br>Potential Classroom Use: </strong>Teachers can use the glossary to help students better understand the ever-evolving language and terminology around gender and sexuality. Before reading Sasha's section, students preview the glossary and then apply the terms in writing as they move through their story. <strong><br>Further Information:</strong><a href="https://www.nytimes.com/spotlight/lgbt-pride"> NYTime's LGBTQ Pride 2018 Stories &amp; Resources </a><strong><br>Citation: </strong>Gold, M. (2018, June 21). The ABCs of L.G.B.T.Q.I.A. Retrieved from https://www.nytimes.com/2018/06/21/style/lgbtq-gender-language.html</div>]]></description>
         <enclosure url="https://www.nytimes.com/2018/06/21/style/lgbtq-gender-language.html" />
         <pubDate>2018-11-13 04:14:54 UTC</pubDate>
         <guid>https://padlet.com/meredith_a_irby/bbrwj2uwc6yl/wish/303564570</guid>
      </item>
      <item>
         <title>Caught Podcast </title>
         <author>meredith_a_irby</author>
         <link>https://padlet.com/meredith_a_irby/bbrwj2uwc6yl/wish/303564730</link>
         <description><![CDATA[<div><strong>Purpose: </strong>In telling Richard's side of the story,<strong> </strong>Dashka Slater presents a critique of the juvenile justice system and asks the reader to rethinking their perceptions of crime and punishment. "Caught" explores how although all teenagers make stupid decisions, depending on your zip code, race, or just bad luck, those mistakes can have a lasting impact. Mass incarceration starts young. In "Caught: The Lives of Juvenile Justice", we hear from kids about the moment they collided with law and order, and how it changed them forever.<strong><br>Standards: </strong><a href="http://www.corestandards.org/ELA-Literacy/SL/9-10/1/">CCSS.ELA-LITERACY.SL.9-10.1</a><br>Initiate and participate effectively in a range of collaborative discussions (one-on-one, in groups, and teacher-led) with diverse partners on grades 9-10 topics, texts, and issues, building on others' ideas and expressing their own clearly and persuasively.<strong><br>Potential Classroom Use: </strong>Students can listen to excerpts from the "Caught" in order to help prepare for a Socratic Seminar about juvenile justice after reading Part 4: Justice. <strong><br>Further Information: </strong><a href="https://www.npr.org/?refresh=true">NPR's KQED resources </a><strong><br>Citation: </strong>Caught. (n.d.). Retrieved from https://www.npr.org/podcasts/589480586/caught</div>]]></description>
         <enclosure url="https://www.npr.org/podcasts/589480586/caught" />
         <pubDate>2018-11-13 04:16:18 UTC</pubDate>
         <guid>https://padlet.com/meredith_a_irby/bbrwj2uwc6yl/wish/303564730</guid>
      </item>
      <item>
         <title>The 57 Bus </title>
         <author>meredith_a_irby</author>
         <link>https://padlet.com/meredith_a_irby/bbrwj2uwc6yl/wish/303576468</link>
         <description><![CDATA[<div>Dashka Slater's <em>The 57 Bus </em>presents the story behind a 2013 incident where a black Oakland High school student (Richard) lit an agender student's (Sasha) skirt on fire. This incredible story goes above and beyond the headlines to reveal the complexity of the lives of these two young people, and asks us to rethink our notions of justice and forgiveness. In doing so, Slater compels us to reconsider what might seem like a simple conflict, and to make connections between the intersections of class, race, and gender in a rapidly shifting Oakland. </div>]]></description>
         <enclosure url="https://images.gr-assets.com/books/1503141060l/33155325.jpg" />
         <pubDate>2018-11-13 05:52:12 UTC</pubDate>
         <guid>https://padlet.com/meredith_a_irby/bbrwj2uwc6yl/wish/303576468</guid>
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