• rotoscoping

• mix media

• Photoshop frame-by-frame digital painting

0:48 - clear background footage with one element rotoscoped. lacks traditional detail of rotoscoping yet remains a clear representation of subject through form.

1:23 - taking a single subject from the footage and layering the rotoscoped section over a simple animated background

Portfolio website: https://ruffmercy.com/19/

'Rashid realises these events via archive footage, television static and a soundtrack that he says “reflects a shared language between immigrants”. Rashid’s audio visual work is influenced by the sounds of his childhood'

This piece could be quite interesting to have a look at if we decide to go down the route of Migration.

Barbra Kruger uses her iconic/ recognisable pallet of black and white with pops of red.

Another link to this exhibition.

https://www.itsnicethat.com/features/barbara-kruger-thinking-of-you-i-mean-me-i-mean-you-art-exhibition-020224

Really beautiful colour pallet / rich tone + textures

Portfolio website: https://jazzgrantstudio.com/artwork/

There could be a really beautiful potential to just answer all the questions we have, using ourselves (not just our skills) - capturing our stories, individual and shared histories, and contextualising them in critical theories on immigration, globalisation, and asylum seeking.

It critiques the museum's characteristics such as its content, architecture, and so on. What the content of this essay shows is that it offers a new way to engage the Holocaust, without presenting it in an overly scientific and political way, and most importantly, it transmits such a painful past by actively allowing its visitors to engage in historical education, while connecting mourning and commemoration to their experience.

It makes me think a lot about how we can use the space, the archive, and all visual and sonic contributions to engage our audiences emotional memory, so they too can connect to whatever story we are telling and whatever symbols we use - whether or not it directly concerns them.

(This as a tool will be really useful in getting us to think about who we automatically exclude if there isn't something that allows them to access our material and connect with it).

Alison Landsberg, p. 2

This film is linked to events which happened after the war when German soliders fled to America to create thier own mini German community. Where they brainwashed people into a community with propaganda.

A page from the open university I found through the Migration Museum website.

Cute designs with the horrors of war and violence, beliving in one race is superiour than the other.

To put files on and what not.

1:25

Christmas truce, German soldier telling English soldier that he’d lived in England most of his life/ saw it as his home.

4:00

Carol singing, bonfire in no mans land playing football with opposing sides

5:15

Mentions extract of diary in museum about the truce

TO BE CONTINUED IF NEEDED

Showing post-war intergration

AUDIO

the audio features a conversation of praise between both sides complimenting eachothers ability to intergrate into eachothers culture. Maybe this could be disected into the two sides talking? would be great if it was possible to isolate the talking.

I have created a timeline of notable audio and visual clips throughout

DEVELOPED CYCLE 42 frame (RIGHT)

Textures: glass, metal, wood, fabric, dirt, rust etc.

Compiled sequence then distorted

Visually representing data/ code

'one death is a tragedy, a million deaths are a statistic' - Stalin. This quote was delivered by an individual who orchestrated one of the largest mass murders our world has ever seen. It captures the morbid and dehumanising scale which war operates at.