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      <title>3-2-1 Analysis of &quot;Visual Evaluation in Film Trailers&quot; (Maier) by Anne A.</title>
      <link>https://padlet.com/acauten/maier_006</link>
      <description>After reading and annotating Carmen Maier&#39;s article, &quot;Visual Evaluation in Film Trailers,&quot; post 3 words, 2 phrases, and 1 sentence that you feel are significant and/or essential to understanding the article&#39;s main point. (Double click anywhere on the screen to create a new post.) Please make sure YOUR NAME is the title of the post, and try to make a UNIQUE post (i.e., different from your classmates&#39; 3-2-1).</description>
      <language>en-us</language>
      <pubDate>2016-06-24 20:26:44 UTC</pubDate>
      <lastBuildDate>2025-10-03 00:26:54 UTC</lastBuildDate>
      <webMaster>hello@padlet.com</webMaster>
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      <item>
         <title>Will Wilson</title>
         <author></author>
         <link>https://padlet.com/acauten/maier_006/wish/115616761</link>
         <description><![CDATA[<div>3 Words: analytical ,semiotic, promotional<br>2 Phrases: "film trailers communicate their promotional message through language," (p. 161)<br>" evaluation can be expressed through various resources while also being context specific," (p. 166)<br>1 Sentence: "In the diegetic context of the film trailer, the clusters of evaluative devices are employed in order to emphasize the specificity of the film advertised by evaluating aspects of the story and its characters."  (p. 174)&nbsp;</div>]]></description>
         <enclosure url="" />
         <pubDate>2016-06-28 20:05:40 UTC</pubDate>
         <guid>https://padlet.com/acauten/maier_006/wish/115616761</guid>
      </item>
      <item>
         <title>James Ferguson</title>
         <author></author>
         <link>https://padlet.com/acauten/maier_006/wish/115616811</link>
         <description><![CDATA[<div>3 words: persuasion, curiosity, complexity<br>2 phrases: "...evaluation can take different forms at all levels of film trailers"(Maier166).<br>"process of repetition brings a significant evaluative power to the visual mode"(Maier172).<br>1 sentence: " In general, film trailers consist of shots selected strategically from the new film and structured in order to sell viewers a product: the film about to be released"(Maier161).&nbsp;</div>]]></description>
         <enclosure url="" />
         <pubDate>2016-06-28 20:06:59 UTC</pubDate>
         <guid>https://padlet.com/acauten/maier_006/wish/115616811</guid>
      </item>
      <item>
         <title>Will Eason</title>
         <author></author>
         <link>https://padlet.com/acauten/maier_006/wish/115618794</link>
         <description><![CDATA[<div>3 words: analytical, details, complexity<br>2 phrases: " In the diegetic context of the film trailer, the clusters of evaluative devices are employed in order to emphasize the specificity of the film advertised by evaluating aspects of the story and its characters." (p. 174)&nbsp;<br>"&nbsp; All these comedy film trailers have persuasive narrative voice-overs." (p. 161)<br>1 sentence: " The evaluative stance in the visual mode is created through an intensifying or repetitive use of close-up shots, camera movements, captions and various special effects" (p. 167)</div>]]></description>
         <enclosure url="" />
         <pubDate>2016-06-28 20:46:26 UTC</pubDate>
         <guid>https://padlet.com/acauten/maier_006/wish/115618794</guid>
      </item>
      <item>
         <title>Connor Francis</title>
         <author></author>
         <link>https://padlet.com/acauten/maier_006/wish/115635796</link>
         <description><![CDATA[<div>3 words:<br>Promote, persuade, intricate&nbsp;<br>2 Phrases:&nbsp;<br>"the process of repetition brings a significant evaluative power" (p.172)<br>"decision to insert a caption might be an evaluative device in itself" (p.170)<br>1 sentence:&nbsp;<br>The process of repetition brings a significant evaluative power.(p.172)</div>]]></description>
         <enclosure url="" />
         <pubDate>2016-06-29 01:44:39 UTC</pubDate>
         <guid>https://padlet.com/acauten/maier_006/wish/115635796</guid>
      </item>
      <item>
         <title>Jordan Jerread</title>
         <author></author>
         <link>https://padlet.com/acauten/maier_006/wish/115637370</link>
         <description><![CDATA[<div><strong>3 Words:</strong> Semiotic, Diegetic, Close-up<br><strong>2 Phrase:</strong> " film trailers are supposed to simultaneously persuade, entertain and inform" <br>(p. 161)<br> "it would be a mistake to limit the evaluation to a certain part of the narrative " (p. 164)<br><strong>1 Sentence:</strong> " A film trailer can be understood as a series of answers to two main underlying questions: why is the story being told and why should the film be seen? " (p. 162) &nbsp;</div>]]></description>
         <enclosure url="" />
         <pubDate>2016-06-29 02:10:18 UTC</pubDate>
         <guid>https://padlet.com/acauten/maier_006/wish/115637370</guid>
      </item>
      <item>
         <title>Kent Klyman</title>
         <author>wkklyman</author>
         <link>https://padlet.com/acauten/maier_006/wish/115676481</link>
         <description><![CDATA[<div>3 words: structural, multimodality, complexity<br>2 phrases: "...structure of these film trailers is motivated by their promotional purpose." "...smallest structural element of a film trailer, namely the frame."<br>1 sentence: "As multimodal texts, film trailers communicate their promotional message through language, images, sounds and music."</div>]]></description>
         <enclosure url="" />
         <pubDate>2016-06-29 14:22:47 UTC</pubDate>
         <guid>https://padlet.com/acauten/maier_006/wish/115676481</guid>
      </item>
      <item>
         <title>Nick Castanho</title>
         <author></author>
         <link>https://padlet.com/acauten/maier_006/wish/115676539</link>
         <description><![CDATA[<div>3 words: dynamic, evaluative, decisive<br>2 phrases: "why is the story being told and why should the film be seen?" (p. 162)<br>"move beyond the advertised film and connect it to other similar films by visually, verbally and/or aurally emphasizing" (p. 174)<br>1 sentence: "The continuous relationships of evaluative enhancement, contrast and subversion between the evaluative devices of the visual mode and those of the other two semiotic modes confer a dynamics and cohesive structure on film trailers." (p. 175)</div>]]></description>
         <enclosure url="" />
         <pubDate>2016-06-29 14:23:23 UTC</pubDate>
         <guid>https://padlet.com/acauten/maier_006/wish/115676539</guid>
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      <item>
         <title>Joseph Calamore</title>
         <author></author>
         <link>https://padlet.com/acauten/maier_006/wish/115684922</link>
         <description><![CDATA[<div>3 Words: intention, persuade, framework&nbsp;<br>2 Phrases: "to eliminate and abbreviate action" (P.166) "I’ll tell you who she isn’t, she isn’t like anyone I’ve ever met" (P.172)</div><div>1 Sentence: "The disgust experienced by the viewer is intensified when the viewer is forced to see the scene in excruciatingly slow motion." (P.172)</div>]]></description>
         <enclosure url="" />
         <pubDate>2016-06-29 16:28:56 UTC</pubDate>
         <guid>https://padlet.com/acauten/maier_006/wish/115684922</guid>
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      <item>
         <title>Jonathan Allen</title>
         <author></author>
         <link>https://padlet.com/acauten/maier_006/wish/115685494</link>
         <description><![CDATA[<div>1. Complexity,&nbsp; diegetic, devices.<br>2. "evaluative devices are extensively employed" (p. 174) "visual evaluative devices inherent in film trailers." (p. 175)<br>3. "No single semiotic mode is supposed to carry the whole or only evaluative information of a shot or scene. " (p.172)</div>]]></description>
         <enclosure url="" />
         <pubDate>2016-06-29 16:36:12 UTC</pubDate>
         <guid>https://padlet.com/acauten/maier_006/wish/115685494</guid>
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      <item>
         <title>Desirea Riley</title>
         <author></author>
         <link>https://padlet.com/acauten/maier_006/wish/115685830</link>
         <description><![CDATA[<div>3 words: diegetic, evaluative, co-deployed<br>2 phrases: "meaning-making combination" (p. 167) ; "Emphasize the specificity of the film advertised" (p.174)<br>1 sentence: "No single semiotic mode is supposed to carry the whole or only evaluative information of a shot or scene." (p. 172)</div>]]></description>
         <enclosure url="" />
         <pubDate>2016-06-29 16:43:37 UTC</pubDate>
         <guid>https://padlet.com/acauten/maier_006/wish/115685830</guid>
      </item>
      <item>
         <title>Thomas Ruocchio</title>
         <author></author>
         <link>https://padlet.com/acauten/maier_006/wish/115697410</link>
         <description><![CDATA[<div>3 words: Semiotic, Diegetic, Multimodality<br>2 phrases: "film trailers are supposed to simutaneously persuade, entertain, and inform" (161)<br>"evaluation can be expressed through various resources while also being context specific." (166)<br>1 sentence: "In the last decade, multimodality has proved to be extremely influential in demonstrating how each semiotic mode is dynamically organized and transformed to make meaning in complex texts." (163) </div>]]></description>
         <enclosure url="" />
         <pubDate>2016-06-29 20:11:23 UTC</pubDate>
         <guid>https://padlet.com/acauten/maier_006/wish/115697410</guid>
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