<?xml version="1.0"?>
<rss version="2.0">
   <channel>
      <title>My Geneology Tree - Stephen Younane by </title>
      <link>https://padlet.com/1033922_2/axgbjo66pw7giksx</link>
      <description></description>
      <language>en-us</language>
      <pubDate>2024-06-09 00:14:28 UTC</pubDate>
      <lastBuildDate>2024-07-05 05:41:10 UTC</lastBuildDate>
      <webMaster>hello@padlet.com</webMaster>
      <image>
         <url></url>
      </image>
      <item>
         <title>Stephen Younane</title>
         <author>1033922_2</author>
         <link>https://padlet.com/1033922_2/axgbjo66pw7giksx/wish/3022030840</link>
         <description><![CDATA[]]></description>
         <enclosure url="" />
         <pubDate>2024-06-09 00:15:24 UTC</pubDate>
         <guid>https://padlet.com/1033922_2/axgbjo66pw7giksx/wish/3022030840</guid>
      </item>
      <item>
         <title>James Taylor - Singer Songwriter</title>
         <author>1033922_2</author>
         <link>https://padlet.com/1033922_2/axgbjo66pw7giksx/wish/3022031217</link>
         <description><![CDATA[<p><sub>I started listening to James Taylor when I was in my early teens. I was captured instantly by his warm emotive baritone voice and his story telling ability. I was drawn to his folk style of music but with tones of R&amp;B. His song writing style had the ability to capture and visualize his stories which created an emotional connection . I try to mimic his guitar playing and singing and love watching his live performances, particularly when he assembles his band and back up vocalists. I am in awe of the sound quality and production of his live performances.</sub></p>]]></description>
         <enclosure url="https://elvis.padletcdn.com/fetch/e_in/cdn2.picryl.com/photo/2021/09/15/james-taylor-columbia-9dc035-640.jpg" />
         <pubDate>2024-06-09 00:17:38 UTC</pubDate>
         <guid>https://padlet.com/1033922_2/axgbjo66pw7giksx/wish/3022031217</guid>
      </item>
      <item>
         <title>Ern Rose - Audio engineer &amp; producer</title>
         <author>1033922_2</author>
         <link>https://padlet.com/1033922_2/axgbjo66pw7giksx/wish/3022033417</link>
         <description><![CDATA[<p><sub>I am fortunate to have met Ern. He is an accomplished Audio Engineer and Producer, of more than 50 years in Australia. I am inspired by his love and passion for the music industry and his ability to evolve and adapt to the technological advancements in music production.</sub><em><sub> </sub></em><sub>His determination and persistence at a young age to get into the music industry is inspiring. Now at the age of 76 he is still recording music and a living example, amongst many others that music keeps you young. I feel mostly connected to Ern through his character traits of humility, care and generosity. I am truly honoured that Rose has offered to be my mentor as I create my path to becoming an Audio Engineer.</sub></p>]]></description>
         <enclosure url="https://padlet-uploads.storage.googleapis.com/2527986740/5f774c264bbcdd6fe4270a5d84792609/ernie_rose_2.jpg" />
         <pubDate>2024-06-09 00:31:53 UTC</pubDate>
         <guid>https://padlet.com/1033922_2/axgbjo66pw7giksx/wish/3022033417</guid>
      </item>
      <item>
         <title>The Beatles</title>
         <author>1033922_2</author>
         <link>https://padlet.com/1033922_2/axgbjo66pw7giksx/wish/3022039536</link>
         <description><![CDATA[<p><sub>"In 1968, James Taylor’s first&nbsp;contract was signed with the Beatles’ record label, Apple". (Jacob Uitti, 2021). Through my research, I believe that The Beatles were most likely the biggest influence on Taylor both creatively in their song making and commercially. From a creative perspective, in an interview , Taylor states  "I was a huge Beatles fan. I listened to them – as did millions – with absolute utter focus and attention to every note and every word. And just devoured everything that they came out with, and parsed it and learned it and reinterpreted it."(Zollo,2009). From a commercial perspective, The Beatles also had a big impact on kick starting Taylor's career by signing him to Apple records as the first non-British artist. "Being an avid Beatles fan since he started playing guitar, Taylor was shell shocked when he was asked to be one of the first major signings to the band’s Apple record label". (Coffman, 2024). </sub></p><p><sub>As I continued to delve deeper, I found it interesting that Taylor and The Beatles also did do some minor collaborating.</sub></p><p><sub>Taylor auditioned for Paul McCartney and George Harrison. He performed “Something in the way she moves”, which influenced George Harrison’s Beatles classic “Something” from Abbey Road. "Paul McCartney played bass and back-up vocals on Taylor’s biggest hit on the album, “Carolina In My Mind.” "(Goutman, 2021).</sub></p>]]></description>
         <enclosure url="https://upload.wikimedia.org/wikipedia/commons/b/bd/The_Beatles_with_Jimmie_Nicol_916-5098.jpg" />
         <pubDate>2024-06-09 01:05:22 UTC</pubDate>
         <guid>https://padlet.com/1033922_2/axgbjo66pw7giksx/wish/3022039536</guid>
      </item>
      <item>
         <title>Bob Dylan</title>
         <author>1033922_2</author>
         <link>https://padlet.com/1033922_2/axgbjo66pw7giksx/wish/3022039675</link>
         <description><![CDATA[<p><sub>I have come to learn, that Bob Dylan had a profound impact and influence on Taylor. Dylan’s poetic and emotional style of song writing influenced Taylor’s songwriting style. In an interview in The American Songwriter (Zollo, 2009), when asked about the intimacy of Dylan’s material, Taylor says, &nbsp;“That’s sort of a combination of songwriting and performance art and self-expression that can really be meaningful, can really offer people an emotional path”. Taylor goes on to say “It can be a container for their own emotion. It can help them organize and deal with their own emotions, because someone like Dylan has shown them a way of handling it”. (Zollo, 2009).</sub></p><p><sub>I hadn't previously considered Dylan as an influence however, I can now hear some resemblance to Taylor's music with Dylan's poetic style.</sub></p><p><sub>During an interview with</sub><em><sub> Record Collector</sub></em><sub> in 2008, Taylor talks about Dylan being a "real revelation" with the effect that Dylan and his guitar playing had on on him.  (Taysom, 2023).</sub></p><p><sub>Dylan's influence on Taylor extended even further.  According to my research, in 1966, after dealing with mental health issues, Taylor made the move to the music scene of New York to follow in Dylan's footsteps. "Without Dylan creating the pathway for Taylor to follow, he may have never moved to New York and gambled upon himself carving out a career in the music industry".(Taysom, 2023). Through further research, I come to learn that in the 1960’s, Greenwich Village in New York City was bursting with music. In reference to Dylan, the author of Music + Revolution: Greenwich Village in the 1960s, &nbsp;Richard Barone explains in an interview, “The venues, the audiences, the infrastructure of cafés, shops, the Folklore Center, the folk music fans – everything was in place, built by those who preceded his (Dylan’s) arrival” (Barone R, 2022)</sub></p><p><br/></p>]]></description>
         <enclosure url="https://live.staticflickr.com/7431/9485872031_d15878ded8_b.jpg" />
         <pubDate>2024-06-09 01:06:22 UTC</pubDate>
         <guid>https://padlet.com/1033922_2/axgbjo66pw7giksx/wish/3022039675</guid>
      </item>
      <item>
         <title>Roger Savage</title>
         <author>1033922_2</author>
         <link>https://padlet.com/1033922_2/axgbjo66pw7giksx/wish/3022039713</link>
         <description><![CDATA[<p><sub>According to research (Oldham AL &amp; Dudfield S, 2021), Savage was an experienced Audio engineer from the U.K. having worked at Olympic studios and recorded artists such as the Rolling Stones. He moved to Australia in 1964 and was one of the founding staff at Armstrong Studios.</sub></p><p><sub>It was at Armstrong Studios where Rose met Savage and from my perspective, most likely Rose learned most of his audio engineering skills from Savage.</sub></p><p><sub>In a recent video interview with Rose, he is quoted saying that he would watch Savage at work and that Savage, “taught me everything technical”. He also shares that he became Savage’s assistant and at times would step in and run sessions when Savage had other commitments. (Younane S, 2024). </sub></p><p><sub>Further research of the Audio Engineering Society Melbourne, (2103) it seems that not only did Armstrong Studios attract world-class talent, like Savage, but also invested in the latest technology, which would have given Rose a great training ground in sound engineering.</sub></p>]]></description>
         <enclosure url="https://padlet-uploads.storage.googleapis.com/2527986740/12a4dc7dde1e75497952bf71313c2c08/roger_savage_2.jpg" />
         <pubDate>2024-06-09 01:06:37 UTC</pubDate>
         <guid>https://padlet.com/1033922_2/axgbjo66pw7giksx/wish/3022039713</guid>
      </item>
      <item>
         <title>Ron Tudor</title>
         <author>1033922_2</author>
         <link>https://padlet.com/1033922_2/axgbjo66pw7giksx/wish/3022039738</link>
         <description><![CDATA[<p><sub>Ron Tudor (1924-2020) passed away at the age of 96. He was another pioneer of the Australian Music Industry being acknowledged through many awards including the Member of the Most Excellent Order of the British Empire (MBE) in 1979 for his services to the recording industry. (Cashmere P, 2020). It seems to me that Rose was fortunate in finding opportunities to surround himself with great people in the music recording industry. Firstly, with his connection with Tudor followed by his connection with Armstrong. I have learned that Tudor and Armstrong founded Armstrong Studios which was later renamed AAV.(Eliezer C, 2020).</sub></p><p><sub>Through the video interview with Rose, he describes Tudor as “outstanding in my life”. He talked about Tudor being full of life, effervescent and positive. Rose’s appreciation for Tudor was captured when Rose said ”I thank him (Tudor) for every positive bone in my body” (Younane S, 2024).</sub></p><p><sub>Tudor’s outgoing personality seemed to also have an impact on others as highlighted by Brian Cadd’s post after Tudor’s passing “Ron was never the boss. He was the leader of the pack. He was the loudest, the funniest and maybe the naughtiest”. (Eliezer C, 2020).</sub></p>]]></description>
         <enclosure url="https://padlet-uploads.storage.googleapis.com/2527986740/229462361e0a9b677ef6926e8225613d/ron_tudor.jpg" />
         <pubDate>2024-06-09 01:06:49 UTC</pubDate>
         <guid>https://padlet.com/1033922_2/axgbjo66pw7giksx/wish/3022039738</guid>
      </item>
      <item>
         <title>Dave O&#39;Donnell</title>
         <author>1033922_2</author>
         <link>https://padlet.com/1033922_2/axgbjo66pw7giksx/wish/3022039937</link>
         <description><![CDATA[<p><sub>Dave O'Donnell a Producer, Mixer, and Engineer&nbsp;who started his studio career in 1984, has worked with artists such as James Taylor, Keith Richards, John Mayer, Eric Clapton, among many others. O'Donnell has contributed and influenced Taylor's song recordings working as a co-producer on an earlier album, "October Road" and then being selected to produce one of Taylor's more recent albums "Before This World" in 2015. O'Donnell explains, “As a producer I see my job as making sure the songs are great, by getting great performances, and doing whatever it takes to achieve that,” (Tingen, 2015). I was interested to learn how Taylor continues to produce music while maintaining a consistency of style and sound. The article in Sound On Sound, 2015, gave me a deep insight into the recording techniques that O'Donnell used and how modern and traditional techniques can be blended to achieve the desired outcome. Taylor's approach was to assemble the rhythm section of the band in his home studio, as noted by O'Donnell, "As Taylor explains in his comprehensive liner notes for Before This World, the first step towards making the album consisted of him inviting O’Donnell, drummer Steve Gadd and bassist Jimmy Johnson to his house in rural Massachusetts. It was January 2010, and the aim was to simply record some demos with no particular purpose in mind". (Tingen, 2015). </sub></p><p><sub>I am personally inspired by this approach as I like the idea of being able to assemble the artists and capture the full sound as a starting point, where possible. O'Donnell goes on to say, “Whoever you’re working with, a good record starts with great basic tracks. To achieve this I prefer recording as many musicians as you can all at once, even as I also enjoy overdubbing vocals and additional parts as a way to enhance or add to the song, (Tingen, 2015).</sub></p><p><br/></p><p>&nbsp;</p>]]></description>
         <enclosure url="https://padlet-uploads.storage.googleapis.com/2527986740/50d3cd1e07ca55936621784dbda9e169/Dave_O_Donnel.jpg" />
         <pubDate>2024-06-09 01:07:52 UTC</pubDate>
         <guid>https://padlet.com/1033922_2/axgbjo66pw7giksx/wish/3022039937</guid>
      </item>
      <item>
         <title>Bill Armstrong</title>
         <author>1033922_2</author>
         <link>https://padlet.com/1033922_2/axgbjo66pw7giksx/wish/3022040145</link>
         <description><![CDATA[<p><sup>Through my research, I have been able to learn that Armstrong was one of the pioneers of Australian music recording and was instrumental in creating a pathway for Rose's career. </sup></p><p><sub>In a recent interview with Armstrong, Ian Peel, co-founder of ARCA (Australian Road Crew Association) was</sub> <sub>quoted as saying, “Crews and roadies regard Bill as an absolute legend, a truly unsung hero of the music industry. We’re all aware how Bill pioneered recording music in Australia from the 1940s, whether it be live or studio and against all odds, and we tend to put him up on a pedestal.” (Phillips, 2024). </sub></p><p><sub>In a personal video interview with Rose, I was able to determine that Armstrong gave Rose his first job in audio at Armstrong Studios. This came from Rose being persistent in following up Armstrong for an opportunity for work. (Younane, 2024). &nbsp;This was also evident in the Armstrong interview where I learned that Rose was an Armstrong find and that Rose had rung Armstrong every two days for a year to wrangle a job at Armstrong Studios. (Phillips, 2024). Ern describes Armstrong as helpful, encouraging and also having the ability to find people. (Younane, 2024). It seems to me that Armstrong had the ability to identify and attract talent, which Rose had benefited from. This has been supported in the recent interview with Armstrong where record producer and audio engineer Mark Opitz&nbsp;states, “Bill provided many opportunities. He had faith in people and their capabilities, he put a lot of trust in people who ended up talented and did great work, and remained very loyal to him.” (Phillips, 2024).</sub></p>]]></description>
         <enclosure url="https://padlet-uploads.storage.googleapis.com/2527986740/65eac5ff67a0f4769391bde2aab28adc/bill_armstrong_2.jpg" />
         <pubDate>2024-06-09 01:09:05 UTC</pubDate>
         <guid>https://padlet.com/1033922_2/axgbjo66pw7giksx/wish/3022040145</guid>
      </item>
   </channel>
</rss>
