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      <title>History of photography  by Annalise Saldivar</title>
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      <description>Straight Photography 1900-1999
</description>
      <language>en-us</language>
      <pubDate>2020-12-02 21:05:36 UTC</pubDate>
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         <title>Paul Strand (1890-1976)</title>
         <author>as5612</author>
         <link>https://padlet.com/as5612/awjobqfkoxm87ie/wish/985646325</link>
         <description><![CDATA[<div>Paul Strand was an American photographer and filmmaker who, along with fellow photographers like Alfred Stieglitz and Edward Weston, helped establish photography as an art form in the 20th century.</div>]]></description>
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         <pubDate>2020-12-03 20:43:58 UTC</pubDate>
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         <title>Straight Photography </title>
         <author>as5612</author>
         <link>https://padlet.com/as5612/awjobqfkoxm87ie/wish/985675671</link>
         <description><![CDATA[<div>Straight photography refers to photography that attempts to depict a scene or subject in sharp focus and detail. This art movement originated as early as 1904,  the term was used by critic Sadakichi Hartmann in the magazine Camera Work, and later promoted by its editor, Alfred Stiegliz, as a more pure form of photography than Pictorialism. Although some people see this movement as lack of manipulation, straight photographers in fact applied many common darkroom techniques to enhance the appearance of their prints.<br><br></div><div><br><br></div><div>  </div><div><br><br></div>]]></description>
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         <pubDate>2020-12-03 20:52:47 UTC</pubDate>
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         <title>Abstraction(1916)</title>
         <author>as5612</author>
         <link>https://padlet.com/as5612/awjobqfkoxm87ie/wish/985717706</link>
         <description><![CDATA[<div>By the end of World War I, Straight photography became standard practice in the fields of advertising, design, and journalism in the United States. A commercialized Straight photography went hand-in-hand with the advent of the illustrated magazines that maximized photography for popular influence.</div>]]></description>
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         <pubDate>2020-12-03 21:05:51 UTC</pubDate>
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         <title>Wire Wheel (1917)</title>
         <author>as5612</author>
         <link>https://padlet.com/as5612/awjobqfkoxm87ie/wish/989304676</link>
         <description><![CDATA[<div>Photo by Alfred Stieglitz </div>]]></description>
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         <pubDate>2020-12-04 21:20:13 UTC</pubDate>
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         <title>Alfred Stieglitz ( 1864-1946)</title>
         <author>as5612</author>
         <link>https://padlet.com/as5612/awjobqfkoxm87ie/wish/989312349</link>
         <description><![CDATA[<div>Alfred Stieglitz along with Paul strand pioneered the straight Photography movement. was an American photographer and modern art promoter who was instrumental over his fifty-year career in making photography an accepted art form. In addition to his photography, Stieglitz was known for the New York art galleries that he ran in the early part of the 20th century, where he introduced many avant-garde European artists to the U.S. </div>]]></description>
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         <pubDate>2020-12-04 21:23:26 UTC</pubDate>
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         <title>The Steerage</title>
         <author>as5612</author>
         <link>https://padlet.com/as5612/awjobqfkoxm87ie/wish/989323300</link>
         <description><![CDATA[<div>In 1907 he was sailing to Europe, 4x5 Speed Graflex in tow, when he set off from the first-class deck and came upon the huddled masses in the ship’s steerage. There, the shawled and swathed were crammed together on the compact lower deck, the skewed geometry of the ship emphasizing their claustrophobic accommodations and visually segregating them from those on the upper deck.</div>]]></description>
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         <pubDate>2020-12-04 21:28:24 UTC</pubDate>
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         <title>Blind Woman 1916</title>
         <author>as5612</author>
         <link>https://padlet.com/as5612/awjobqfkoxm87ie/wish/1018024083</link>
         <description><![CDATA[<div>Photo by Paul Strand </div>]]></description>
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         <pubDate>2020-12-14 21:40:09 UTC</pubDate>
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         <title>Percé Beach, Gaspé, Québec(1929)</title>
         <author>as5612</author>
         <link>https://padlet.com/as5612/awjobqfkoxm87ie/wish/1018103093</link>
         <description><![CDATA[<div>Strand used paper with the cold blue tones that had matched his experience on the <em>Percé Beach</em> shoot. In keeping with his fascination of 'how spaces are filled', moreover, Strand was of a mind that a balance of weight and air in the photograph was the most important compositional factor. The weight is created by dark tones in rocks, rooves and boats; the idea of air being expressed by the light in the sky and as it is reflected on the surface of the sea. When one looks for evidence of Strand's commitment to represent the lives of ordinary people, meanwhile, we find a workers' narrative in the bottom foreground of the frame. We see small figures, this time 'dwarfed' by the forces of nature (rather than man-made architecture), grappling with a large fishing boat. It is unclear if the fishermen are about to set sail, or if they are preparing to moor their vessel, but the spectator is left in little doubt of its importance to their lives and livelihoods.</div>]]></description>
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         <pubDate>2020-12-14 22:13:45 UTC</pubDate>
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         <title>The Family, Luzzara, Italy, 1953</title>
         <author>as5612</author>
         <link>https://padlet.com/as5612/awjobqfkoxm87ie/wish/1018125186</link>
         <description><![CDATA[<div>In the early 1950s Paul Strand spent six weeks in the rural northern Italian town of Luzzara, located on the Po River. He traveled the countryside with local townsman Valentino Lusetti, whose family Strand photographed arranged across the front of their family home. This group portrait includes Valentino's widowed mother Anna, standing with a solemn expression in the darkened doorway, and four of his brothers: Bruno, Guerrino, Afro, and Nino, none of whom look directly at the camera.  </div>]]></description>
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         <pubDate>2020-12-14 22:23:51 UTC</pubDate>
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         <title>“New York City, 7 Bleecker Street,” September, 1993.</title>
         <author>as5612</author>
         <link>https://padlet.com/as5612/awjobqfkoxm87ie/wish/1018732802</link>
         <description><![CDATA[<div>Photo by Robert Frank </div>]]></description>
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         <pubDate>2020-12-15 03:40:53 UTC</pubDate>
         <guid>https://padlet.com/as5612/awjobqfkoxm87ie/wish/1018732802</guid>
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         <title>Kandinsky 1937</title>
         <author>as5612</author>
         <link>https://padlet.com/as5612/awjobqfkoxm87ie/wish/1018740612</link>
         <description><![CDATA[<div>In the 1930s, Paul Outerbridge was one of the leading advertising photographers in New York, certainly among the best paid. He gave himself absolute mastery of the sculptural photography of the object-shot which derived its techniques from nineteenth-century studio perfection and its aesthetics from European modernism and surrealism.</div>]]></description>
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         <pubDate>2020-12-15 03:45:42 UTC</pubDate>
         <guid>https://padlet.com/as5612/awjobqfkoxm87ie/wish/1018740612</guid>
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         <title>Studio Promotion Photograph (1986)</title>
         <author>as5612</author>
         <link>https://padlet.com/as5612/awjobqfkoxm87ie/wish/1018816980</link>
         <description><![CDATA[<div>Photo by Dennis Manarchy</div>]]></description>
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         <pubDate>2020-12-15 04:42:23 UTC</pubDate>
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         <title>Parade Hoboken, New Jersey, 1955</title>
         <author>as5612</author>
         <link>https://padlet.com/as5612/awjobqfkoxm87ie/wish/1018825989</link>
         <description><![CDATA[<div>Photo by Robert Frank </div>]]></description>
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         <pubDate>2020-12-15 04:48:26 UTC</pubDate>
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         <title>Trolly – New Orleans, 1955</title>
         <author>as5612</author>
         <link>https://padlet.com/as5612/awjobqfkoxm87ie/wish/1018834333</link>
         <description><![CDATA[<div> American Photographer Robert Frank spent years traveling through the U.S.A. picturing his own image of the American society. His famous picture of a bus depicts the segregation still intact in the 1950s in America. The facial expression of the white boy and black man are very alike, while the woman in the front almost snobbishly looks at the photographer. This is one of the most famous </div>]]></description>
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         <pubDate>2020-12-15 04:54:05 UTC</pubDate>
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