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      <title>Final Personal Statement by Madelyn Morneault</title>
      <link>https://padlet.com/madelynm13/aokzf1d9r6tc4xnh</link>
      <description></description>
      <language>en-us</language>
      <pubDate>2022-04-17 21:01:42 UTC</pubDate>
      <lastBuildDate>2022-05-13 18:22:49 UTC</lastBuildDate>
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         <title>Artistic Values</title>
         <author>madelynm13</author>
         <link>https://padlet.com/madelynm13/aokzf1d9r6tc4xnh/wish/2152856805</link>
         <description><![CDATA[<div>When given the opportunity to create new work, I always utilize my core artistic values as a guide to manifest my creative intentions behind a project. I personally feel I am more productive as a creative when asking the “why” before the “what”, allowing my intentions for the audience’s experience to guide what kind of project I should create. Most often, the intention is to create a piece that utilizes the stage to empower its viewer; an agent for change which sparks dialogue outside of the theatre and inspires action.This can mean empowerment through education, debunking misinformation, amplifying unheard yet shared stories/lived experiences, or simply offering barrier free access the arts. These values directly led to the collaboration of a New Works Festival Design Pitch: <a href="https://docs.google.com/document/d/1fu0xcewVBzvyj6Pftl6DLJoF0GQg3_Gdx2x9Ejb08QA/edit?usp=sharing"><em>Side-Effects</em></a><em>. </em>This interactive art installation, constructed out of a maze of medical curtains decorated with side-effect pamphlets of prescription medications, is designed to provoke conversations about informed consent regarding medical practices for chronically ill and disabled AFAB patients. I thoroughly enjoyed collaborating with my partner, who shared a similar drive to create a commentary on accessibility in the arts, so she sketched out an accessible pathway with ramps for mobility aid users in the center of our maze. Our shared values led to an exciting and smooth collaboration; I will always have a passion for projects that embody justice for the disabled and chronically ill community.&nbsp;</div><div>If I had to choose one person who has influenced my values most as a teaching artist it would be Dede Clark, owner of <a href="https://www.kidsactingstudio.com/">kidsActing Studio </a>and lifelong mentor. Her lessons of empathy and inclusion exemplified throughout my childhood can be summed up in her quote, “It’s about letting each person be safe in discovering who they really are… We have kids in shows that range from being really timid to wildly outgoing. We have kids with a various range of disabilities that we teach. We have kids on every gender spectrum. And it’s all good. It’s all wonderful because that’s who they are.”</div><div><br></div>]]></description>
         <enclosure url="https://atxwoman.com/dede-clark/" />
         <pubDate>2022-04-22 00:49:46 UTC</pubDate>
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         <title>Fueling My Fire</title>
         <author>madelynm13</author>
         <link>https://padlet.com/madelynm13/aokzf1d9r6tc4xnh/wish/2152912629</link>
         <description><![CDATA[<div>Writing has always made me feel free. Free to express my deepest insecurities and greatest desires through the shield of the blank page and the anonymity of my computer screen. Ever since my health took a decline, I write as much of my life down on a page as possible, to remind myself not only of how far I’ve come, but how much further I’m capable of going. I also feel writing allows me to shed the shame of my insecurities, reclaiming my identity as a beautifully flawed creature discovering strength within vulnerability. These emotions are exactly what fueled my words in completing the <a href="https://docs.google.com/document/d/13CBIM6dBZ0XsSwxruCxorBDuNy-gddhrWRDAH5q8qcM/edit?usp=sharing">“I AM”</a> poem&nbsp; from "Devising Critically Engaged Theatre with Youth: The Performing Justice Project" by Megan Alrutz and Lynn Hoare. I allowed myself to be vulnerable in expressing my identity as a chronically ill woman attempting to discover purpose through the pain. I’ve always believed vulnerability is a cornerstone, and often the spark, of collaboration. I even got the chance to prove this to myself when I shared my poem with my assigned group for the final project, which inspired the concept of everyone creating their own versions of the poem to be performed for our final collaborative piece.&nbsp;</div><div>The entertainment industry is riddled with competition, but I value my collaborative achievements on a much grander scale than my individual projects. This is because I value experiencing empowerment through community building. I hope to facilitate that for other people as well through my artistic activism. I believe that shame is the opposite of art and shedding a "same shame" through artistic expression builds community.&nbsp;</div><div>One of the most transformative experiences of my life where I was able to put this sentiment into action was co-hosting the <a href="https://www.youtube.com/watch?v=iW7onHiNG-Q">Austin Women’s March in 2020</a>. We successfully and safely completed our event despite an attempted hijacking from a national domestic terrorist group. Planning the event was an intensive workshop on collaboration; my two co-hosts and I entered as complete strangers, and now they are two of my closest friends. It truly taught me the deep value of building relationships through collaboration, vulnerability, and trust while remaining calm in the face of extreme chaos.&nbsp;</div><div><br><br></div>]]></description>
         <enclosure url="https://atxwoman.com/womens-march-rally/" />
         <pubDate>2022-04-22 01:38:06 UTC</pubDate>
         <guid>https://padlet.com/madelynm13/aokzf1d9r6tc4xnh/wish/2152912629</guid>
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         <title>Intentional Healing</title>
         <author>madelynm13</author>
         <link>https://padlet.com/madelynm13/aokzf1d9r6tc4xnh/wish/2153978609</link>
         <description><![CDATA[<div>As a student returning from medical leave, one of my biggest priorities this semester was to honor my body’s boundaries in relation to creating new art. I have left and returned to school three different times now, so I know how much more damaging it can be to my progress in the long run if I don’t listen to my body's limits. I hoped that some of the work I had the opportunity to create this semester could be intertwined into my journey of intentional healing. It can be extremely frustrating as an artist when you feel your work is limited by a part of you that you can not control or a physical barrier isolates you from the support of collaborators. But I’ve learned that it’s in those moments of deep frustration and disappointment where you need to take care of yourself the most. This sentiment was the inspiration behind my alternative assignment for “Retrospective Devising”, which provoked us to create “a performance segment that “surprises and invites” your audience in a simple yet profound way.” After missing a week of school due to illness, I knew I had to create something that fueled me as opposed to draining me. So I created a movement piece titled, <a href="https://drive.google.com/file/d/13OQ5VQVBHNB4aHifQQkrvORKs8laDPht/view?usp=sharing">"Redemption"</a>, based off of my yoga and meditation practices set to music, filmed in my backyard as a way to recenter myself. It can be extremely difficult to maintain self care practices through the chaos of going to work and school full-time, so I love being able to incorporate it into my art.</div><div>Confronting and continuing to heal from trauma has dramatically affected the work I aim to create. When we confront our trauma, we acknowledge the things we've overcome while intentionally deciding to no longer let it hinder our present; including our work. Voicing my experience with chronic illness on public platforms like <a href="https://www.health.com/condition/endometriosis/endometriosis-misdiagnosed-madelyn-morneault">Health.com</a> after being labeled as "hysterical" for so many years was not only cathartic, but granted me the power to help other patients with a shared experience. If my work can influence just a single person’s life in a positive way or inspire them to explore their true identity as an artist free from patriarchal and ableist barriers placed by society, I will consider myself a successful artist.&nbsp;</div><div><br></div>]]></description>
         <enclosure url="https://www.health.com/condition/endometriosis/endometriosis-misdiagnosed-madelyn-morneault" />
         <pubDate>2022-04-22 18:20:26 UTC</pubDate>
         <guid>https://padlet.com/madelynm13/aokzf1d9r6tc4xnh/wish/2153978609</guid>
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         <title>About Me</title>
         <author>madelynm13</author>
         <link>https://padlet.com/madelynm13/aokzf1d9r6tc4xnh/wish/2181851252</link>
         <description><![CDATA[<div>My name is Madelyn Morneault and I am a proud artist, activist, and author. I have created an online platform and website, entitled <a href="http://missmisdiagnosis.com/">Miss Misdiagnosis</a>, to collect my interdisciplinary projects in one place and brand myself as an artistic activist. Miss Misdiagnosis was created to normalize believing womens’ pain, encourage patients to take control of their own health narratives, and promote bodily acceptance through artistic projects.</div><div>I have experienced some level of chronic pain for as long as I can remember, but especially after I started my period at age 13. By 16 years old, I was missing school on a monthly basis and was prescribed birth control to manage my irregular and painful periods. The thought of eating breakfast before attending school became repulsive due to my intense daily nausea and cramping; rarely subsiding before lunchtime. After years of misdiagnosis and being told my painful periods were simply an “initiation into womanhood”, I was diagnosed with Endometriosis at 21 years old through my first laparoscopic surgery. 1 in 10 AFAB (assigned female at birth) patients live with Endometriosis, yet most live their whole lives without a formal diagnosis or treatment. At the age of 23, I finally received life-changing excision surgery in addition to being diagnosed with Adenomyosis at the <a href="https://centerforendo.com/">Center for Endometriosis Care</a> in Atlanta, Georgia on June 10, 2021; a full decade after my symptoms initially began. This decade of dismissal and false diagnoses such as "hysteria" was the inspiration behind the title, “Miss Misdiagnosis”.&nbsp;</div><div>I am forever grateful for my Endometriosis specialist that removed disease from seven organs and even discovered it in my respiratory, digestive, and urinary system. Unfortunately, it was a grueling journey to find the proper treatment. I even had to make the heartbreaking decision to take a 3 year leave from my undergraduate studies and teaching theatre arts therapy. I’ve spent most of my years hearing things from doctors like, “There is nothing that warrants your pain, the cause much be psychiatric”, “it’s just a bad period, every girl deals with this”, “you need to evaluate your mental health, you may have an eating disorder”, and was even blamed by a surgeon for being responsible for giving <em>myself</em> endometriosis from “self-examinations” and masturbation.&nbsp;</div><div>I share my story as an artistic activist so those still waiting for a diagnosis, young girls missing out on their education, and all chronic illness warriors can empower themselves through credible information, positive self affirmations, and build meaningful connections. I use artistic photo editorial projects and community organizing, such as co-hosting the <a href="https://atxwoman.com/womens-march-rally/">2020 Austin Women’s March </a>to form collaborations with like minded artists and convey my message with the world.&nbsp;<br><br></div><div><br></div>]]></description>
         <enclosure url="http://missmisdiagnosis.com/" />
         <pubDate>2022-05-12 19:44:41 UTC</pubDate>
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