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         <pubDate>2023-10-13 10:36:17 UTC</pubDate>
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         <title>Bahia Shehab</title>
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         <title>Samaar Maakaroun</title>
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         <description><![CDATA[<div>Arranged Marriage</div>]]></description>
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         <pubDate>2023-10-13 10:41:04 UTC</pubDate>
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         <pubDate>2023-10-13 10:41:48 UTC</pubDate>
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         <pubDate>2023-10-13 10:43:36 UTC</pubDate>
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         <pubDate>2023-10-13 10:52:50 UTC</pubDate>
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         <pubDate>2023-10-13 10:57:54 UTC</pubDate>
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         <title>Resources:Haytham Nawar</title>
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Books/Literary Texts/Articles



Signs for Peace, An Impossible Visual Encyclopedia edited by Design2context, Ruedi Baur &amp; Vera Baur Kockot



The Face of Human Rights edited by Lars Müller, Walter Kälin, Judith Wyttenbach



Don’t Brand my Public Space! On the Symbolic Poverty of the Representational Systems of Territorial Collectivities edited by Ruedi Baur, Sébastien Thiéry, Civic City, Head Genève, EnsadLab



Arabic Type Design for Beginners, An Illustrated Guidebook edited by Huda Smitshuijzen-AbiFarès, Khajag Apelian, Lara Assouad-Khoury, Majid Al-Yousef, Yara Khoury-Nammour, Kristyan Sarkis, Wissam Shawkat, and Pascal Zoghbi



Arabic Typography by Huda Smitshuijzen AbiFarès



L’affiche palestinienne - Collection d’Ezzedine Kalak by Yasser Arafat



Modern Art in the Arab World: Primary Documents by MoMA



Linha do Tempo do Design Gráfico No Brasil by Chico Homem de Melo &amp; Elaine Ramos



Thami Mnyele + Medu, Art Ensemble Retrospective edited by Clive Kellner and Sergio-Albio Gonzalez



L’art du livre arabe, du manuscrit au livre d’artist by Annie Vernay-Nouri,Marie-Geneviève Guesdon



The Palestinian Poster: Popularizing National Landmarks and Symbols



Off the Wall: Political Posters of the Lebanese Civil War by Zeina Maasri



Diwan of Arabic Calligraphy in Egypt during the Muhammed Ali Dynasty
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         <pubDate>2023-10-13 11:08:30 UTC</pubDate>
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         <pubDate>2023-10-13 11:27:27 UTC</pubDate>
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         <title></title>
         <author>lh9203r</author>
         <link>https://padlet.com/lh9203r/abh8k58wj3g10v8o/wish/2775109616</link>
         <description><![CDATA[<p>Imagine the typewriter machine has just been invented, you have never seen something like this before, what would you call it?</p><p><br></p><p>&nbsp;Would you decide based on its stocky build or the noise it makes, or just what it does? Type. I do not know personally, what I would call it, nor what I would do when I discover the rest of the world had been privy to its brilliance decades before its trickle down to the less recognised side of the globe. Our side.</p><p><br></p><p>Well they ended up calling it the “door of question and suggestion”, which to be honest, i did like the sound of more than “typewriter”.&nbsp; it felt right to romanticize such a politically charged tool, as they tend to do in the east, for despite what drove it to us, we would be the ones who would finally have a pathway to archiving and communicaton, it was better late than never, right?</p><p><br><br></p><p>Right. That was a lie, I guess the promise of greatness does not surpass the human need for safety, stability, and security within governments. We were so happy to finally receive the tools, going all but insane the first few years with movie scripts and literature and philosophical theories finally being put down on paper and made easily accessible to the wider public; but it would be this very public that we would prioritize over our own legacies, as it is very hard to hold onto a piece of metal that can write perfect letters when a child is begging you for food that you know you can get if you only exchanged it.</p><p><br></p>]]></description>
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         <pubDate>2023-11-03 10:10:47 UTC</pubDate>
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         <author>lh9203r</author>
         <link>https://padlet.com/lh9203r/abh8k58wj3g10v8o/wish/2775110294</link>
         <description><![CDATA[<p>For as long as it has existed, graphic design has been proven an efficient tool in driving ideologies and creating change; We see it all around war stricken countries, from carefully placed leaflets to political comics that hope to embed comedy in the heart of crisis. Its impact in the Middle East is no different, and although this part of the world has seen more tragedy than the rest, its relationship with design has been heavily influenced by political agendas, taboos and violence. Most of the research material we can find on&nbsp; modern Arab design holds some context of war, civil unrest or revolution; consequently, new age designers are absorbing subconscious prejudices regarding the history and practice and failing to develop and progress in the field as they should.</p><p><br><br><br></p><p>&nbsp;In this essay I hope to explore the colonial ties we as arabs hold with the world of design, the impact design has/had on modern day arabs pre and post revolution and the modern day relationship between new and upcoming arab designers and the arab design scene. Specifically, I want to research key movements such as the Arab spring of 2011-2016, the Palestinian Nekba, as well as events significant to the western world such as NATO Involvement in Libya and 9/11. Along with this I hope to research the impact these wars and times of hardship have had on the Arab world of design. Specifically i would like find out more about generational trauma, prejudice, mindset and the current creative space available to members of the diaspora and others.</p><p><br></p>]]></description>
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         <pubDate>2023-11-03 10:11:26 UTC</pubDate>
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         <pubDate>2023-11-03 10:14:23 UTC</pubDate>
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         <pubDate>2023-11-17 09:57:16 UTC</pubDate>
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