As a Red Hat in this process, I would selectively discard some of the rational content and think more intuitively and emotionally as a priority. I will think about what emotional value a certain kind of participation in art or performance can provide to the audience. I will also try to look at the same piece of art from the perspective of different groups of people.

1.Physical installations are yet to reach larger audiences: “It continues to reach art-interested and those who were engaging in digital culture, and there's no change in the finding that this form has not yet helped us to reach different people.”

2.Deprived people may not visit physical exhibitions due to the cost of living, and less likely to visit institutions which are not free to enter. 

3.The team will need to call for strategic investment to support the whole event.

4. Over emphasis on the participation may lead to mutilating what originally made it special. And at worst the whole art piece may be destroyed. The artist's "way of seeing" will be lost when we decide to make them open-ended art practices. 

Deprived people and the disabled group may not be able to attend such events due to the cost of living.

Reflection 

It is the first time for me to work in a group using the 6 thinking hats to challenge and question a discipline. As I choose the black hat, I started to think about the negative sides of current trends. And then I realized that the emphasis on the participation of viewers and spectators may lead to multiple risks and difficulties. For example, due to different groups of people, like the deprived group and the group of older people, the accessibility for all people must be taken into consideration. The black hat’s thinking let me to embrace continuous improvement and become more considerate. From my peers’ research, I can also learn cross-discipline knowledge and ideas based on different hats. I think it will also work by individuals, moving outside habitual ways of thinking, trying out different approaches, and then think constructively about how to move forward and improve our projects. Always keep exploring several ways of viewing a theme. Break our habitual thoughts and get something fresh. 

Sense of the Unknown: "Wishlamp" emphasizes family interaction, where the artwork itself is merely a medium, only becoming an art piece when family members collaborate in its creation. Depending on the different perspectives and interests of each family member, they interpret the artwork in their unique way. Everyone can interact with the art in their own personalized way, leading to a deeper understanding, contemplation, and connection with the artwork. Until the audience completes their participation, the final appearance of the entire artwork remains unknown.

Sense of Fun: "Wishlamp" encourages the audience to become co-creators of the artwork. Viewers can influence the display and evolution of the artwork through their actions, sounds, touches, and other interactions, allowing them to express their creativity in the artistic process.

Leaving a Lasting Impression: Audiences often remember artworks they actively engage with more vividly because they are not merely spectators but participants. Involvement in the artwork can also enhance the emotional connection between the audience and the artwork. Even if, due to some audience actions, installations get damaged – as seen in JR's work, which was damaged shortly after its installation – it can, to some extent, highlight the fragility of cultural heritage and raise awareness about the importance of preserving artistic and cultural treasures, prompting people to contemplate the value and protection of art.

In conclusion, participation in art often stimulates social interaction among the audience. They can share their experiences and viewpoints with other viewers, facilitating dialogue and communication, thereby creating a more enriching and enjoyable artistic experience.

Reflection on the Six Thinking Hats Methodology: I believe this method has the following benefits:

In today's society, delving deeply into the contemplation of an artwork has become increasingly challenging. However, when people step out of virtual spaces and immerse themselves in physical installation art, experiencing the immersive artistic atmosphere, this kind of encounter can stimulate people's contemplation.