This is when he talks to himself in the hallway and it is one of his most famous soliloquy in the story. The speech appears to be a suicide thought. The speech does imply that death is a very appealing destination and that the only thing keeping us unhappy mortals from pursuing it is our dread of "what dreams may come" in the hereafter. The speech, however, is far more than a mere suicide note. If he is considering suicide, it is almost certainly in the abstract, as a topic of fascination rather than as a viable choice for his own life.

Hamlet says these lines to Rosencrantz and Guildenstern. He claims to be insanity that he only occasionally struck by madness. He being struck by madness from the north-north-west, which is imply as the wind only occasionally blows from. He use well-known expression “I know a hawk from a handsaw”, he says he's still mostly in charge of his faculties and can tell the difference between like and dislike items. Hamlet is effectively alerting his pals that he can distinguish between a friend and an adversary.

This is when Fortinbras arrive in the Denmark castle. Horatio is the one Hamlet trust to speak about what happened in Denmark. Once was a glorious Denmark know fulfil with a bloodbath. At the start of the story talking about the corpse/spirit of King Hamlet. Now, they are not identified as names but as corpses. The start of Denmark started with the sorrowful death of King Hamlet. Now Denmark ends with the death of the royal bloodbath and dominates by the Prince of Norway. 

King Claudius made his statement to the people. King Hamlet was passed away and Claudius becomes a King right after his brother’s die. King Claudius’s statement when he becoming the King is to move on from the natural death of his brother and focus on his will instead. These quotes show us, King Claudius is a cold-blooded person who is moving on from his brother so quickly when he just died for a few days. This shows some foul play involved because he claims the crown right away and married his formal sister-in-law right after his brother’s death. 

After the play, King Claudius was caught by Hamlet confess to his crime of killing his brother to gain power and sexual appetite with his sisters-in-law. We have learned that Claudius is guilty of the murder charges to him. To myself, his action is selfish and cold-blooded. His lust for power and sex obsession direct him to kill his own family to have other people’s attention is cold-blooded in my opinion. In this quote, we understand more about his motivations and could see that he was devastated and fearful for his life. 

This is when Gertrude tries to wipe sweat from Hamlet and offer him a drink to drove away from the tiredness. But this leads to her death because of her husband’s poison. Claudius tries to stop Gertrude but it was too late. It seems like his love for Gertrude somewhat sincere, but it also seems like he married her as a strategies move, to help him win the throne away from Hamlet after King Hamlet’s death. In the end, he still cares about himself than be mourn to his wife’s death because of his poisons. 

Prince Hamlet’s soliloquy about suicide after he encounters his father spirit. Hamlet’s sincerity becomes much more difficult to judge once he has received his supernatural charge. His mood becomes more manic, his language is more explosive and punning. He acts mysterious about his plant to seek revenge on his uncle. At the end of the speech, (“But break my heart, for I must hold my tongue”), he is truly in his miserable element. Through this quote, we could see Hamlet is simply disgusted that his mother, who had to appear to be so much in love with his father but has married Claudius, who was her formal brother-in-law.  

This scene was before the scene he found the death of his loved one, Ophelia. When he talks about death and the afterlife of death. According to Harold Bloom, despite his claims of his deceased father's grandeur, Hamlet did not enjoy a very happy childhood. His father was a renowned military leader who conquered and ruled over conquered nations. Bloom suggests that the closest thing Hamlet had to a loving father was probably Yorick, the court jester, from whom he got his sharp wit, macabre sense of humour, and a slew of other Hamlet-like traits. We don't have to go far in Hamlet to observe the odd mix of fondness and revulsion that Yorick's skull elicits. This is a time of pure and profound death contemplation. The reality of Hamlet's mortality is staring him in the face. Yorick's skull serves as a striking memento mori or death reminder. Hamlet claims that no matter how hard you try to avoid ageing, you'll ultimately end up like Yorick, a filthy, lipless skull buried in the earth, forgotten by all save the gravediggers. With its plagues and widespread hunger, the Renaissance had plenty of opportunities for this type of reminder. They were far more familiar with death than we are. Despite our current aspirations for technological immortality, the universal reality of this last destiny remains.