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      <title>Third Gender Cultures around the World by Gaia Maria Sovilla</title>
      <link>https://padlet.com/gaiasovilla/9s4f1s5wbsrppiac</link>
      <description>This portfolio explores the different conceptions of gender variant and third-gender people in different cultures and traditions around the world. Each culture is placed in a different column. For each culture, there is a brief introduction, an art piece, a video/documentary and a piece of news. </description>
      <language>en-us</language>
      <pubDate>2024-05-01 17:37:22 UTC</pubDate>
      <lastBuildDate>2024-05-07 10:08:56 UTC</lastBuildDate>
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         <title>Bakla - Third gender culture of Philippines</title>
         <author>gaiasovilla</author>
         <link>https://padlet.com/gaiasovilla/9s4f1s5wbsrppiac/wish/2976841386</link>
         <description><![CDATA[<p>In the Philippines the process of colonization by the Spanish and the United States was successful into changing gender traditions and specific language. In fact, historically in the Philippines there has been the Bakla community, this word, before colonization was used to describe men who presented with a feminine identity, through cross-dressing, traditional feminine occupations and the engaging in homosexual relationships. </p><p>Bakla is a word that combines babae (woman) and lalaki (men), thus it didn't refer to a sexual preference, but to an identity that merged masculine and feminine traits. </p><p>Nowadays, this word is mostly used to describe the homosexual identity and community in the Phillippines, because of the influence of globalization and colonization and the binary view of gender they reproduce. </p><p>Even though the word Bakla now has a different and wider meaning, the traditional Bakla community is still present in the Philippines and is trying to regain the traditional significance of the word. </p><p>Baklas are accepted in the society only if they reproduce a feminine ideals, through the emplyoment in traditional feminine jobs. On the contrary, they are victim of violence and discirmination and they are excluded from society if they present themselves in feminine attires, but choose masculine behaviours and occupation. This situation highlights the embeddnenss of the Western gender binary logic within the Philipino society, since Baklas are accepted only if they totally choose a feminine identity, while they are ostracised if they perform a more fluid gender.</p>]]></description>
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         <pubDate>2024-05-01 17:37:22 UTC</pubDate>
         <guid>https://padlet.com/gaiasovilla/9s4f1s5wbsrppiac/wish/2976841386</guid>
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         <title>ART: &quot;There&#39;s no shame in being who you are&quot; - A series of portraits of Bakla Community</title>
         <author>gaiasovilla</author>
         <link>https://padlet.com/gaiasovilla/9s4f1s5wbsrppiac/wish/2976841389</link>
         <description><![CDATA[<p>This portrait is one in a series commissioned by the CBC to Ally Gonzalo. These portaits want to explore the uniqueness of the Bakla identity and give it a space in the mainstream media. </p>]]></description>
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         <pubDate>2024-05-01 17:37:22 UTC</pubDate>
         <guid>https://padlet.com/gaiasovilla/9s4f1s5wbsrppiac/wish/2976841389</guid>
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         <title>DOCUMENTARY: &quot;The gender-fluid history of the Philippines&quot; - A TEDTalk about Bakla culture</title>
         <author>gaiasovilla</author>
         <link>https://padlet.com/gaiasovilla/9s4f1s5wbsrppiac/wish/2976841390</link>
         <description><![CDATA[<p>In this TED Talk  France Villarta, a native Philipino men, explores the history and traditions connected to gender diversity in his native country. He explains how gender in Philipino tradition is not a binary construct, but is fluid and changing. </p>]]></description>
         <enclosure url="https://www.youtube.com/watch?v=I6xuJu7gLe0" />
         <pubDate>2024-05-01 17:37:22 UTC</pubDate>
         <guid>https://padlet.com/gaiasovilla/9s4f1s5wbsrppiac/wish/2976841390</guid>
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      <item>
         <title>Travesti - The large third gender community of Brasil</title>
         <author>gaiasovilla</author>
         <link>https://padlet.com/gaiasovilla/9s4f1s5wbsrppiac/wish/2976841391</link>
         <description><![CDATA[<p>In Brazil lives one of the largest third-gender communities in all the world, despite the fact that Brazil is a highly transphobic country. </p><p>In fact, gender roles in Brazil are strict and controlled, because of the colonial caste system introduced by Portuguese colonizers in order to control the population. </p><p>However, a strong and diffused community of gender non-conforming people arose and is still thriving in contemporary Brazil. They are called <em>Travestis, </em>and are assigned men at birth who present themselves as women. The <em>travesti </em>community is different from the Western conception of transgendersim, because it merges feminine and masculine traditional features of Brazilian identity. In fact, the majority of <em>travesti </em>doesn't undergo surgical procedures, they are satisfied with their genitals, and they may also display heterosexual behaviour in romantic and sexual relationships.</p><p>In this community appearance is the most important thing, hence travestis work hard on their feminine looks, clothes and makeup. This is also why a part of the community started to undergo gender-related surgery, to fit the beauty standards, even though this is still a less practised solution. </p><p>The social condition in which Travestis live is defined by a contradiction. In fact, on one hand, they undergo high levels of violence, and police brutality and they are murdered because of the stigma associated with the community and the intolerance of Brazilian people towards them. On the other hand, though, during some festivities such as carnivals and beauty competitions, they are highly celebrated. </p>]]></description>
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         <pubDate>2024-05-01 17:37:22 UTC</pubDate>
         <guid>https://padlet.com/gaiasovilla/9s4f1s5wbsrppiac/wish/2976841391</guid>
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         <title>ART: &quot;E se a arte fosse travesti?&quot; - A piece of art about resistance</title>
         <author>gaiasovilla</author>
         <link>https://padlet.com/gaiasovilla/9s4f1s5wbsrppiac/wish/2976841392</link>
         <description><![CDATA[<p>This piece of art is part of the 36th Panorama of Brazilian Art held in 2019. The title of the edition was "Sertao", a sense of experimentation and resistance. </p><p>Rosa Luz proposed, a travesti this self-portrait to express a form of resistance expressed by dissident bodies and identities. </p>]]></description>
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         <pubDate>2024-05-01 17:37:22 UTC</pubDate>
         <guid>https://padlet.com/gaiasovilla/9s4f1s5wbsrppiac/wish/2976841392</guid>
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         <title> DOCUMENTARY: &quot;Boys from Brazil&quot; - A documentary about the struggles of Travestis</title>
         <author>gaiasovilla</author>
         <link>https://padlet.com/gaiasovilla/9s4f1s5wbsrppiac/wish/2976841393</link>
         <description><![CDATA[<p>This documentary made in 1993 follows the journey of travestis Samira and Luciana, their struggles living in Brazil and the difficulties they faced in migrating to Italy, as well as portraying the process undergone by these two travestis to embrace their identity. </p>]]></description>
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         <pubDate>2024-05-01 17:37:22 UTC</pubDate>
         <guid>https://padlet.com/gaiasovilla/9s4f1s5wbsrppiac/wish/2976841393</guid>
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      <item>
         <title>Introduction</title>
         <author>gaiasovilla</author>
         <link>https://padlet.com/gaiasovilla/9s4f1s5wbsrppiac/wish/2976841394</link>
         <description><![CDATA[<p>In recent years what we call Western Countries have started to open up to the possibility of genderqueer identities. Even though identities such as non-binary and agender are slowly becoming more common and less stigmatised in some states, the general idea of gender-deviant people is tied to transgender FTM (female to male) or MTF (male to female) individuals. In our culture, based on principles of heteronormativity and gender binarism, even being a genderqueer person comes with its sets of norms. In fact, we have a common understanding of transnormativity. This means that we accept transgender individuals, but we see them as valuable and fitting, only if they check a number of boxes. These are mostly based on the idea of passing, hence an assigned male at birth person who transitions has to "pass" as a real woman in the society. This means that she has to undergo medical procedures and hormone treatment to shape her body as a feminine one. This medicalized transition allows transgender people to return to the gender binary and thus reinforces the normative gendered binarism. Moreover, transgender identities are only tied to personal identity and are mostly seen as deviant.</p><p>Even though our culture and tradition, mostly because of the Christian religion, are deeply tied to this binaristic understanding of gender, this is not the case for other parts of the world. In fact, in many cultures and traditions around the world, it's possible to find third-gender and gender-deviant communities. These are communities that go beyond the binaristic view of gender, based on male and female features, allowing for different gendered identities and experiences. These cultures are often tied to religious beliefs and spirituality and challenge our idea of a natural gender binary.</p><p>With this digital portfolio, through the use of art, videos and news, I will analyse and portray some of the biggest third-gender cultural traditions around the world, underlying their commonalities and differences to try and reframe our transnormative view of gender-deviant people and underline how these people have always existed as normalised and equal parts of the society in many different traditions, up until Christian colonization. </p><p><br></p><p>The different cultures that I will explore are the following: </p><ul><li><p>Mahu of Hawai'i and Polynesia</p></li><li><p>Hijras of India</p></li><li><p>Muxes of Mexico</p></li><li><p>Two-Spirit of Native American Tribes</p></li><li><p>Bakla of Philippines</p></li><li><p>Travesti of Brazil</p></li><li><p>Bakla of Philippines</p></li></ul>]]></description>
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         <pubDate>2024-05-01 17:37:22 UTC</pubDate>
         <guid>https://padlet.com/gaiasovilla/9s4f1s5wbsrppiac/wish/2976841394</guid>
      </item>
      <item>
         <title>Mahu - Third Gender Culture of Hawaii and Polynesia</title>
         <author>gaiasovilla</author>
         <link>https://padlet.com/gaiasovilla/9s4f1s5wbsrppiac/wish/2976841396</link>
         <description><![CDATA[<p><em>Mahu </em>is a word that refers third gender people in the Hawai'ian and Polynesian traditions. Mahu before the British colonisation were seen as equal parts of the community, and they were considered to possess equal halves of gender traits. They are a community made of assigned males at birth who have a mixed gender identity, they are usually female-looking and marry both men and women. They perform feminine roles in the community and families but don't lose their masculine traits. People who identify as Mahu don't undergo surgery or hormones in order to present themselves as more feminine since their identity is thought of as a combination of the feminine and the masculine. Traditionally, they are the guardians of <em>hula </em>dancing, and they are the main reason why this tradition has survived colonization. Moreover, before the colonization, they frequently became parents through the practice of <em>hanai</em>, by which children were put in the care of Mahu people as they were seen as more compassionate and creative, and thus especially good at educating children.</p><p>After the colonization, the Mahu of Hawai'i and Polynesia were forced to hide and are now discriminated against and medicalized through the Western framing of transgenderism. </p><p>Nowadays, in Hawai'i the Christian church is still one of the most powerful institutions, and its condemnation of third gender people has negative consequences on the lives and freedom of Mahu people, who are victims of discrimination and violence.</p>]]></description>
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         <pubDate>2024-05-01 17:37:22 UTC</pubDate>
         <guid>https://padlet.com/gaiasovilla/9s4f1s5wbsrppiac/wish/2976841396</guid>
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      <item>
         <title>ART: &quot;Thaiti&quot; - A series of decolonising portraits</title>
         <author>gaiasovilla</author>
         <link>https://padlet.com/gaiasovilla/9s4f1s5wbsrppiac/wish/2976841397</link>
         <description><![CDATA[<p>This is one of the portraits of "Thaiti" a series of potraits done by Kehinde Wiley. She took Gauguin 20th century collection of transgender works, and removed all problematic and colonialistic elements.  </p>]]></description>
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         <pubDate>2024-05-01 17:37:22 UTC</pubDate>
         <guid>https://padlet.com/gaiasovilla/9s4f1s5wbsrppiac/wish/2976841397</guid>
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         <title>DOCUMENTARY: &quot;Kumu Hina&quot; - A documentary on Mahu experiences</title>
         <author>gaiasovilla</author>
         <link>https://padlet.com/gaiasovilla/9s4f1s5wbsrppiac/wish/2976841399</link>
         <description><![CDATA[<p>This documentary explores the difficulties of negotiating between the Mahu traditions and the Western ideals present in today's Hawai'ian society. </p>]]></description>
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         <pubDate>2024-05-01 17:37:22 UTC</pubDate>
         <guid>https://padlet.com/gaiasovilla/9s4f1s5wbsrppiac/wish/2976841399</guid>
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      <item>
         <title>Hjiras - Third Gender culture of India, Pakistan and Bangladesh</title>
         <author>gaiasovilla</author>
         <link>https://padlet.com/gaiasovilla/9s4f1s5wbsrppiac/wish/2976841400</link>
         <description><![CDATA[<p>The <em>Hijra </em>community is a community of gender-variant people present in India, Pakistan and Bangladesh tied to Hindu religion and spirituality. Historically, Hijras have been present and valued in these societies, because they were thought to have spiritual powers. For this reason, their main role was tied to religious ceremonies such as weddings, during which Hijras would bless the family with fertility and longevity. Nowadays they still hold part of this spiritual power, but they are also living as outsiders in a society that discriminates against them, following the British colonization.</p><p>Hijra is seen as a third gender in the Indian region, the community is made by assigned males at birth that present themselves as females, using female clothing. A part of the community still undergoes the <em>Nirwaan </em>ritual in order to become a Hijra, this ritual is done to castrate men through the removal of their genitalia, to help their spiritual connection to the divine. Hijras have to renounce their sexuality in order to fully become part of the community and transcend gender.</p><p>As of now, Hijras live in closed and illegal communities spread in different cities and countries. These communities become their houses and families. Through the spiritual leaders of the communities, they find jobs, which are mostly connected to sex work and blessings. This isolation is due to the fact that in 1871 the Hijra community was categorized as a criminal tribe and seen as non-human, because of the British and Christian colonization that brought a different, binary conception of gender with it. </p><p>In recent years Hijras have been considered to fall under categories such as transgender and MSM (Men who have sex with men), but they refuse these categorizations, because of the cultural and spiritual uniqueness of their identity. </p>]]></description>
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         <pubDate>2024-05-01 17:37:22 UTC</pubDate>
         <guid>https://padlet.com/gaiasovilla/9s4f1s5wbsrppiac/wish/2976841400</guid>
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         <title>DOCUMENTARY: &quot;Hijra: The Struggles of Transgender in Bangladesh&quot;</title>
         <author>gaiasovilla</author>
         <link>https://padlet.com/gaiasovilla/9s4f1s5wbsrppiac/wish/2976841401</link>
         <description><![CDATA[<p>This short documentary speaks about the contradictions and discriminations that the Hijra community suffers in Bangladesh.  </p>]]></description>
         <enclosure url="https://www.youtube.com/watch?v=z9h4O4EDRhI" />
         <pubDate>2024-05-01 17:37:22 UTC</pubDate>
         <guid>https://padlet.com/gaiasovilla/9s4f1s5wbsrppiac/wish/2976841401</guid>
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         <title>ART: &quot;Hijra- Eunuchs&quot; - A series of art pieces that shows the process of becoming a Hijra</title>
         <author>gaiasovilla</author>
         <link>https://padlet.com/gaiasovilla/9s4f1s5wbsrppiac/wish/2976841402</link>
         <description><![CDATA[<p>This art piece is one in a series called "Hijra - Eunuchs". With this project the artist wants to shed light on the process of becoming a Hijra. It shows all the traditional stages, from the role of the community, to the castration. </p>]]></description>
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         <pubDate>2024-05-01 17:37:22 UTC</pubDate>
         <guid>https://padlet.com/gaiasovilla/9s4f1s5wbsrppiac/wish/2976841402</guid>
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         <title>NEWS: An Article about hope for the Hijras of Pakistan</title>
         <author>gaiasovilla</author>
         <link>https://padlet.com/gaiasovilla/9s4f1s5wbsrppiac/wish/2976841403</link>
         <description><![CDATA[]]></description>
         <enclosure url="https://www.theguardian.com/world/2010/jan/29/hijra-pakistan-transgender-rights" />
         <pubDate>2024-05-01 17:37:22 UTC</pubDate>
         <guid>https://padlet.com/gaiasovilla/9s4f1s5wbsrppiac/wish/2976841403</guid>
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      <item>
         <title>Muxes - Mexico&#39;s third gender community</title>
         <author>gaiasovilla</author>
         <link>https://padlet.com/gaiasovilla/9s4f1s5wbsrppiac/wish/2976841404</link>
         <description><![CDATA[<p>The Muxe community originates from the Mexican state of Oaxaca, which is part of the Zapotec community and culture. Before the Spanish colonization, the Zapotec community had a vision of gender roles and relationships that was not based on binarism and power, but on the contrary on fluidity, freedom and complementarity. This vision of gender gives space to the Muxe identity, a third gender identity possible for men. Muxes are men who present themselves with feminine features, connected to clothing, makeup and occupations. Not all muxes choose to occupy a traditional female role in society, some of them still work in fields connected to masculinity. Moreover, being a muxe isn't connected to a homosexual identity, in fact, Muxes are both married to men and women alike. They represent a combination of gender roles, they are neither men nor women, and thus evade the gender binary.</p><p>Socially, they are accepted in the Oaxaca region, in which the tradition is stronger. In their Indigenous community, their role is mostly connected to the transmission of culture. Even though in other parts of Mexico they are discriminated against, the Muxe community is generally more accepted than other gender-variant communities both in Mexico and in the general globalized landscape. </p>]]></description>
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         <pubDate>2024-05-01 17:37:22 UTC</pubDate>
         <guid>https://padlet.com/gaiasovilla/9s4f1s5wbsrppiac/wish/2976841404</guid>
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         <title>DOCUMENTARY: &quot;Muxes&quot; - A documentary on Zapotec third gender community</title>
         <author>gaiasovilla</author>
         <link>https://padlet.com/gaiasovilla/9s4f1s5wbsrppiac/wish/2976841406</link>
         <description><![CDATA[<p>This documentary series produced by HBO explores the traditional role of the Muxes in the Zapotec society of Oaxaca in Mexico. </p>]]></description>
         <enclosure url="https://www.youtube.com/watch?v=aV6kKYvYKkA" />
         <pubDate>2024-05-01 17:37:22 UTC</pubDate>
         <guid>https://padlet.com/gaiasovilla/9s4f1s5wbsrppiac/wish/2976841406</guid>
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         <title>ART: &quot;MUXHISIMA&quot; - A piece of art about resilience</title>
         <author>gaiasovilla</author>
         <link>https://padlet.com/gaiasovilla/9s4f1s5wbsrppiac/wish/2976841408</link>
         <description><![CDATA[<p>This piece of art made by Muxe Mexican artist Hugo Ximello-Salido represents the resilience and complexity of Muxes communityi and gender fluidity and expression. </p>]]></description>
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         <pubDate>2024-05-01 17:37:22 UTC</pubDate>
         <guid>https://padlet.com/gaiasovilla/9s4f1s5wbsrppiac/wish/2976841408</guid>
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         <title>Two-Spirit of Turtle Island</title>
         <author>gaiasovilla</author>
         <link>https://padlet.com/gaiasovilla/9s4f1s5wbsrppiac/wish/2976841409</link>
         <description><![CDATA[<p><em>Two-Spirit </em>is an umbrella term introduced in 1990 by Native American tribes, to regain meaning and naming of a long, lost tradition of third and fourth-gender communities. </p><p>Each Native tribe in North America, or as they called it, <em>Turtle Island</em>, has different traditions, cultures and languages when it comes to gender-deviant communities. It is estimated that in 168 different indigenous languages exist terms to define people who are neither male nor female.</p><p>Some of these tribes had up to six different genders, before the British colonization. </p><p>In general, Indigenous people traditionally highly valued concepts of fluidity and self-definition. Children were left free to choose the clothes and occupations they wanted, enabling them to become active and productive members of the community through their self-accomplishment. In this sense, being gender-deviant was more connected to occupations and activities than to clothing and homosexual behaviours.</p><p>Some tribes connected gender variation to spiritual power and for this reason, had sacred positions for third-gender people. In most tribes, gender variance was seen and treated as normal up until the arrival of colonisers, who imposed the gender binary on Indigenous tribes through violence and boarding schools. </p><p>The colonization was successful, because a lot of native tribes lost their traditional third gender populations and the language tied to it, becoming more and more embedded in the binary and patriarchal system. </p><p>Nowadays, some young native are trying to reclaim their third-gender traditions and underline the difference with transgenderism. This process is what led to the introduction of the term <em>Two-Spirit</em>, to differentiate from queer Americans, and underling the merging of two different spirits, one feminine and one masculine, within an individual. </p>]]></description>
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         <pubDate>2024-05-01 17:37:22 UTC</pubDate>
         <guid>https://padlet.com/gaiasovilla/9s4f1s5wbsrppiac/wish/2976841409</guid>
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         <title>DOCUMENTARY: &quot;Two Spirits&quot; - A documentary on Navajo gender fluidity</title>
         <author>gaiasovilla</author>
         <link>https://padlet.com/gaiasovilla/9s4f1s5wbsrppiac/wish/2976841410</link>
         <description><![CDATA[<p>This documentary tells the story of a young two spirt Navajo boy who was killed because of his identity. It explores themes of gender and spirituality in the <em>Navajo </em>tribe.</p>]]></description>
         <enclosure url="https://www.youtube.com/watch?v=L6NtUGQwQIM" />
         <pubDate>2024-05-01 17:37:22 UTC</pubDate>
         <guid>https://padlet.com/gaiasovilla/9s4f1s5wbsrppiac/wish/2976841410</guid>
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         <title>ART: &quot;Honour Dance&quot; - A Cree recovering of traditions</title>
         <author>gaiasovilla</author>
         <link>https://padlet.com/gaiasovilla/9s4f1s5wbsrppiac/wish/2976841411</link>
         <description><![CDATA[<p>This painting made by Cree artist Kent Monkman re-envisions nineteenth-century painter George Catlin’s <em>Dance to the Berdashe </em>from a contemporary Indigenous two-spirit perspective, to counter Indigenous third gender erasure from history and society. </p>]]></description>
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         <pubDate>2024-05-01 17:37:22 UTC</pubDate>
         <guid>https://padlet.com/gaiasovilla/9s4f1s5wbsrppiac/wish/2976841411</guid>
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      <item>
         <title>Conclusion</title>
         <author>gaiasovilla</author>
         <link>https://padlet.com/gaiasovilla/9s4f1s5wbsrppiac/wish/2976841414</link>
         <description><![CDATA[<p>This portfolio has tried to describe and shed some light on some of the third-gender cultures present in native societies around the world. These identities, like any cultural or personal identity, are more complicated and richer than what's presented here. However, using art forms, newspaper articles and videos I've tried to highlight some of the features and issues related to some of the most famous third-gender cultures that still exist in the contemporary world despite the efforts colonization made to end them. </p><p>As seen, many of these cultures and communities reject the definition of transgender, because they are less interested in passing as a "real" woman and more interested in following one's true spirit and combining features of both genders. </p><p>Even though the majority of these communities are made by assigned males at birth, who either dress or work as women in their societies, they are very different in their beliefs and traditions. Some of the cultures here presented, in fact, connect gender variance and gender ambiguity to spirituality and religious power. Other cultures are not spiritually related and thus come closer to the Western understanding of gender performativity and transgenderism. </p><p>Each community and third gender identity presented in this portfolio is unique, but unfortunately, they are all affected by violence and erasure. Colonization played a huge role in defining the present living conditions of these communities. British colonisers and Spanish ones, in fact, tried to eradicate third-gender communities from every territory they occupied, because they challenged the Christian binary understanding of gender relations, and subsequently, they were seen as a threat to the hegemonic, patriarchal order. </p><p>Because of the influence of colonization these communities, which were seen as natural and equal parts of the society in Indigenous cultures, started to be discriminated against and were partially exterminated. Nowadays, third-gender communities around the world are trying to regain their traditional role in their societies, through a process of decolonisation. However, gender-variant people are still victims of violence and discrimination even in these societies that were once naturally queer.  </p>]]></description>
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         <pubDate>2024-05-01 17:37:22 UTC</pubDate>
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         <title>General References</title>
         <author>gaiasovilla</author>
         <link>https://padlet.com/gaiasovilla/9s4f1s5wbsrppiac/wish/2976841415</link>
         <description><![CDATA[<p>Butler, Judith. <em>Bodies That Matter: On the Discursive Limits of Sex</em>. Routledge, 1993.</p><p><br></p><p>Halberstam, J. Jack. <em>In a Queer Time and Place: Transgender Bodies, Subcultural Lives</em>. New York University Press, 2005. </p><p><br></p><p>Malatino, Hill. “Future Fatigue: Trans Intimacies and Trans Presents(or How to Survive the Interregnum). <em>Transgender Studies Quarterly,</em> vol. 6, no. 4, 2019, pp. 635-658.</p><p><br></p><p>Santos, Rita<em>. Beyond Gender Binaries. The History of Trans, Intersex and Third-Gender Individuals</em>. The Rosen Publishing Group, 2019.</p>]]></description>
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         <pubDate>2024-05-01 17:37:22 UTC</pubDate>
         <guid>https://padlet.com/gaiasovilla/9s4f1s5wbsrppiac/wish/2976841415</guid>
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      <item>
         <title>NEWS: An art project to shed light oh Mahu culture</title>
         <author>gaiasovilla</author>
         <link>https://padlet.com/gaiasovilla/9s4f1s5wbsrppiac/wish/2979654100</link>
         <description><![CDATA[]]></description>
         <enclosure url="https://www.nbcnews.com/news/asian-america/hawaii-museum-revisits-history-gender-fluid-healers-rcna37284" />
         <pubDate>2024-05-03 16:29:03 UTC</pubDate>
         <guid>https://padlet.com/gaiasovilla/9s4f1s5wbsrppiac/wish/2979654100</guid>
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      <item>
         <title>NEWS: Violence and support in contemporary Two-Spirit youth communities</title>
         <author>gaiasovilla</author>
         <link>https://padlet.com/gaiasovilla/9s4f1s5wbsrppiac/wish/2979657026</link>
         <description><![CDATA[]]></description>
         <enclosure url="https://www.nbcnews.com/nbc-out/out-community-voices/queer-indigenous-youth-are-finding-safety-support-nex-benedicts-death-rcna150269" />
         <pubDate>2024-05-03 16:32:32 UTC</pubDate>
         <guid>https://padlet.com/gaiasovilla/9s4f1s5wbsrppiac/wish/2979657026</guid>
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      <item>
         <title>NEWS: Violence and murder still present in the Muxe community</title>
         <author>gaiasovilla</author>
         <link>https://padlet.com/gaiasovilla/9s4f1s5wbsrppiac/wish/2979659088</link>
         <description><![CDATA[]]></description>
         <enclosure url="https://www.aljazeera.com/news/2023/11/30/high-profile-murders-inspire-calls-for-justice-at-mexicos-muxe-festival" />
         <pubDate>2024-05-03 16:34:29 UTC</pubDate>
         <guid>https://padlet.com/gaiasovilla/9s4f1s5wbsrppiac/wish/2979659088</guid>
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         <title>NEWS: Brazil and transphobia a cultural issue of violence</title>
         <author>gaiasovilla</author>
         <link>https://padlet.com/gaiasovilla/9s4f1s5wbsrppiac/wish/2979659981</link>
         <description><![CDATA[]]></description>
         <enclosure url="https://agenciabrasil.ebc.com.br/en/direitos-humanos/noticia/2023-01/report-brazil-has-highest-number-trans-people-killed-2022" />
         <pubDate>2024-05-03 16:35:35 UTC</pubDate>
         <guid>https://padlet.com/gaiasovilla/9s4f1s5wbsrppiac/wish/2979659981</guid>
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      <item>
         <title>NEWS: Philippines and the contradictions on accepetance and discrimination</title>
         <author>gaiasovilla</author>
         <link>https://padlet.com/gaiasovilla/9s4f1s5wbsrppiac/wish/2979661996</link>
         <description><![CDATA[]]></description>
         <enclosure url="https://www.mirror.co.uk/news/world-news/philippines-president-rodrigo-duterte-claims-16238495" />
         <pubDate>2024-05-03 16:37:42 UTC</pubDate>
         <guid>https://padlet.com/gaiasovilla/9s4f1s5wbsrppiac/wish/2979661996</guid>
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         <title>Muxe - References</title>
         <author>gaiasovilla</author>
         <link>https://padlet.com/gaiasovilla/9s4f1s5wbsrppiac/wish/2979664335</link>
         <description><![CDATA[<p>Diehl, Alessandra et al. “Social stigma, legal and public health barriers faced by the third gender phenomena in Brazil, India and Mexico: Travestis, hijras and muxes<em>”. International Journal of Social Psychiatry</em>, vol. 63, no. 5, 2017, pp. 389-399.</p><p><br></p><p>Lynn, Stephen. "Sexualities and Genders in Zapotec Oaxaca". <em>Latin American Perspectives</em>, vol. 29, issue 123, 2002, pp. 41-59. </p><p><br></p><p>Pena, Alejandra Gall. <em>Reflections and conceptions of muxe gender identity in contemporary Mexican society</em>. 2022. Linkoping University, Master's thesis.</p>]]></description>
         <enclosure url="" />
         <pubDate>2024-05-03 16:40:28 UTC</pubDate>
         <guid>https://padlet.com/gaiasovilla/9s4f1s5wbsrppiac/wish/2979664335</guid>
      </item>
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         <title>Mahu - References</title>
         <author>gaiasovilla</author>
         <link>https://padlet.com/gaiasovilla/9s4f1s5wbsrppiac/wish/2979665122</link>
         <description><![CDATA[<p>Kalei, Kalikiano. “Hawai’ian Sexuality and the Mahu Tradition”.&nbsp; <em>Medium</em>. 28 Mar. 2019, <a rel="noopener noreferrer nofollow" href="https://kalikianokalei.medium.com/hawaiian-sexuality-and-the-mahu-tradition-b235a76066c6#:~:text='Mahu'%2C%20or%20transgendered%20individuals,the%20ancient%20kauhale%20or%20community">https://kalikianokalei.medium.com/hawaiian-sexuality-and-the-mahu-tradition-b235a76066c6#:~:text='Mahu'%2C%20or%20transgendered%20individuals,the%20ancient%20kauhale%20or%20community</a>.</p><p><br></p><p>Robertson, Carol E. “The Mahu of Hawai‘i”. <em>Feminist Studies</em>, vol. 15, no. 2. 1989, pp. 312-326.</p><p><br></p><p>Robes, Austin. “Mahu Identity and Globalized Queerness: Examining <em>We’re Here”. The American Papers, </em>vol. 41<em>, </em>2023, pp. 157-163.</p><p><br></p><p>Zanghellini, Aleardo. “Sodomy Laws and Gender Variance in Tahiti and Hawai’i“. <em>Laws</em>, vol. 2, 2013, pp. 51-68.</p>]]></description>
         <enclosure url="" />
         <pubDate>2024-05-03 16:41:21 UTC</pubDate>
         <guid>https://padlet.com/gaiasovilla/9s4f1s5wbsrppiac/wish/2979665122</guid>
      </item>
      <item>
         <title>Two-Spirit - References</title>
         <author>gaiasovilla</author>
         <link>https://padlet.com/gaiasovilla/9s4f1s5wbsrppiac/wish/2979665922</link>
         <description><![CDATA[<p>Morgensen, Scott Lauria. <em>Spaces between Us: Queer Settler Colonialism and Indigenous Decolonization</em>. University of Minnesota Press, 2011.</p><p><br></p><p>Robinson, Margaret. “Two-Spirit Identity in a Time of Gender Fluidity”. <em>Journal of Homosexuality</em>, vol. 67, no. 12, 2020, pp. 1675-1690.</p><p><br></p><p>Simpson, Leanne Betasamosake. <em>As We Have Always Done: Indigenous Freedom Through Radical Resistance</em>. University of Minnesota Press, 2017.</p><p><br></p><p>Singer, Phoenix A. <em>Colonialism, Two-spirit identity, and the Logics of White Supremacy</em>. 2020 <a rel="noopener noreferrer nofollow" href="https://files.libcom.org/files/two-spirit%20identity.pdf">https://files.libcom.org/files/two-spirit%20identity.pdf</a></p><p><br></p>]]></description>
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         <pubDate>2024-05-03 16:42:15 UTC</pubDate>
         <guid>https://padlet.com/gaiasovilla/9s4f1s5wbsrppiac/wish/2979665922</guid>
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      <item>
         <title>Travesti - References</title>
         <author>gaiasovilla</author>
         <link>https://padlet.com/gaiasovilla/9s4f1s5wbsrppiac/wish/2979666241</link>
         <description><![CDATA[<p>Diehl, Alessandra et al. “Social stigma, legal and public health barriers faced by the third gender phenomena in Brazil, India and Mexico: Travestis, hijras and muxes<em>”. International Journal of Social Psychiatry</em>, vol. 63, no. 5, 2017, pp. 389-399.</p><p><br></p><p>Fernandes, F. "Murder of Transvestites and 'pais de santo' in Brazil: Homophobia, transphobia and religious intolerance". <em>Saùde em Debate</em>, vol. 37, 2013, pp. 485-492.</p><p><br></p><p>Garcia, Marcos. "Identity as a 'patchwork': Aspects of identity among low-income Brazilian travestis". Culture, Health &amp; Sexuality, vol. 11, 2009, pp. 611-623. </p>]]></description>
         <enclosure url="" />
         <pubDate>2024-05-03 16:42:36 UTC</pubDate>
         <guid>https://padlet.com/gaiasovilla/9s4f1s5wbsrppiac/wish/2979666241</guid>
      </item>
      <item>
         <title>Hijras - References</title>
         <author>gaiasovilla</author>
         <link>https://padlet.com/gaiasovilla/9s4f1s5wbsrppiac/wish/2979666738</link>
         <description><![CDATA[<p>Diehl, Alessandra et al. “Social stigma, legal and public health barriers faced by the third gender phenomena in Brazil, India and Mexico: Travestis, hijras and muxes<em>”. International Journal of Social Psychiatry</em>, vol. 63, no. 5, 2017, pp. 389-399.</p><p><br></p><p>Goel, Ina. "Hjira Communities of Delhi". <em>Sexualities</em>, vol. 19, issue 5, 2016, pp. 535-546. </p>]]></description>
         <enclosure url="" />
         <pubDate>2024-05-03 16:43:07 UTC</pubDate>
         <guid>https://padlet.com/gaiasovilla/9s4f1s5wbsrppiac/wish/2979666738</guid>
      </item>
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         <title>Bakla - References</title>
         <author>gaiasovilla</author>
         <link>https://padlet.com/gaiasovilla/9s4f1s5wbsrppiac/wish/2979670525</link>
         <description><![CDATA[<p>Jackson, Peter A. "The Local, The Regional, And the Global in Southeast Asian Transgender Subcultures". <em>Canberra Anthropology</em>, vol. 21, Issue 1, 2010, pp. 84-89. </p><p><br></p><p>McSherry, Alice et al. "From Deviant to Bakla, Strong to Stronger: Mainstreaming Sexual and Gender Minorities into Disaster Risk Reduction in the Philippines". Forum for Development Studies, vol. 42, issue 1, 2015, pp. 27-40.</p>]]></description>
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         <pubDate>2024-05-03 16:47:26 UTC</pubDate>
         <guid>https://padlet.com/gaiasovilla/9s4f1s5wbsrppiac/wish/2979670525</guid>
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