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      <title>Week 1, Group 2- Vianna Le, Jasmine Lee, Karize Madero, Ketan Mittal,Allison Nguyen by Vianna Le</title>
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      <description></description>
      <language>en-us</language>
      <pubDate>2024-08-05 21:26:58 UTC</pubDate>
      <lastBuildDate>2024-08-12 21:27:27 UTC</lastBuildDate>
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         <title>Group 3</title>
         <author>ahn014</author>
         <link>https://padlet.com/vil021/9ptc3qleyno1dkdk/wish/3068086817</link>
         <description><![CDATA[<p>Mind Map</p>]]></description>
         <enclosure url="" />
         <pubDate>2024-08-05 21:29:45 UTC</pubDate>
         <guid>https://padlet.com/vil021/9ptc3qleyno1dkdk/wish/3068086817</guid>
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         <title>Key Idea: Vargas&#39; writing and Selena&#39;s performance</title>
         <author>k1mittal</author>
         <link>https://padlet.com/vil021/9ptc3qleyno1dkdk/wish/3068089552</link>
         <description><![CDATA[<p>Both Selena's performance and Vargas' writing sort of challenged the gender norms and united communities. </p><p><br></p><p>- Ketan Mittal</p>]]></description>
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         <pubDate>2024-08-05 21:37:14 UTC</pubDate>
         <guid>https://padlet.com/vil021/9ptc3qleyno1dkdk/wish/3068089552</guid>
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         <title>La Onda </title>
         <author>ahn014</author>
         <link>https://padlet.com/vil021/9ptc3qleyno1dkdk/wish/3068090461</link>
         <description><![CDATA[<p>~ used to describe Mexican American/Chicano/Tejano music</p><p><br></p><p>~signifies the collective musical wave that reflects the subordinate experiences of Mexican-descent peoples living in the United States.</p><p><br></p><p><br></p><p>*Allison Nguyen</p>]]></description>
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         <pubDate>2024-08-05 21:39:45 UTC</pubDate>
         <guid>https://padlet.com/vil021/9ptc3qleyno1dkdk/wish/3068090461</guid>
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         <title>La Onda </title>
         <author>vil021</author>
         <link>https://padlet.com/vil021/9ptc3qleyno1dkdk/wish/3068090963</link>
         <description><![CDATA[<p>"The term la onda—what generally translates as the “wave,” “sound wave,” or “force” but operates in this book precisely as the musical wave—is an umbrella term for Mexican American/Chicano/Tejano music. La onda also signifies the ways the broader public and Chicanas/os have claimed music as “our own,” that is, the music that has emerged as a reflection and consequence of subordinate experiences living in the United States." (page 10). La onda represents the cultural movement of Chicano music. -vianna le</p>]]></description>
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         <pubDate>2024-08-05 21:41:28 UTC</pubDate>
         <guid>https://padlet.com/vil021/9ptc3qleyno1dkdk/wish/3068090963</guid>
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         <title>Counter-heteronormative constructions of gender</title>
         <author>jal130</author>
         <link>https://padlet.com/vil021/9ptc3qleyno1dkdk/wish/3068091007</link>
         <description><![CDATA[<p>Vargas writes about several artists who defy the standard with their unconventional ways of singing and incorporation of different cultures, like Selena. </p><p><br></p><p>Jasmine Lee</p>]]></description>
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         <pubDate>2024-08-05 21:41:38 UTC</pubDate>
         <guid>https://padlet.com/vil021/9ptc3qleyno1dkdk/wish/3068091007</guid>
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         <title>Dissonant Divas - Definition:</title>
         <author>k1mittal</author>
         <link>https://padlet.com/vil021/9ptc3qleyno1dkdk/wish/3068091129</link>
         <description><![CDATA[<p>Chicana/Tejana singers who challenge the heteronormative and cultural-nationalist limits of Chicano music. Their music and performances create alternative sonic imaginaries of the borderlands, pushing against traditional norms of gender and sexuality.</p><p><br></p><p>- Ketan Mittal</p>]]></description>
         <enclosure url="" />
         <pubDate>2024-08-05 21:42:08 UTC</pubDate>
         <guid>https://padlet.com/vil021/9ptc3qleyno1dkdk/wish/3068091129</guid>
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         <title>Canonical Chicano/Tejano Music Narratives - Definition:</title>
         <author>k1mittal</author>
         <link>https://padlet.com/vil021/9ptc3qleyno1dkdk/wish/3068091947</link>
         <description><![CDATA[<p>Established histories and representations of Chicano/Tejano music which often exclude or marginalize the contributions of women and non-heteronormative figures.</p><p><br/></p><p>- Ketan Mittal</p>]]></description>
         <enclosure url="" />
         <pubDate>2024-08-05 21:44:04 UTC</pubDate>
         <guid>https://padlet.com/vil021/9ptc3qleyno1dkdk/wish/3068091947</guid>
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         <title>Fem-of-Color Analysis</title>
         <author>ahn014</author>
         <link>https://padlet.com/vil021/9ptc3qleyno1dkdk/wish/3068092023</link>
         <description><![CDATA[<p>~Vargas employs a feminist-of-color perspective to analyze the cultural contributions of Chicana/Tejana singers and musicians.</p><p>~  emphasizes the ways these artists navigate and challenge heteronormative and patriarchal structures within Chicano music and broader cultural contexts.</p><p><br></p><p>*Allison Nguyen</p>]]></description>
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         <pubDate>2024-08-05 21:44:20 UTC</pubDate>
         <guid>https://padlet.com/vil021/9ptc3qleyno1dkdk/wish/3068092023</guid>
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