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      <pubDate>2026-02-21 15:02:01 UTC</pubDate>
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         <title>Neil Haigh</title>
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         <description><![CDATA[<p>Neil has been an actor &amp; writer for many years, combining a freelance acting career on stage and screen, with his own theatre making and improvisation.</p><p><br/></p><p>His theatre credits include ‘The Twilight Zone’ at the Almeida Theatre,’The Trial’ at&nbsp; Young Vic, ‘A Christmas Carol’ &amp; ‘World Cup 66’ at Bristol Old Vic, ‘Twilight Zone’ in the West End. Also, work with acclaimed companies Shunt, Sound&amp;Fury, Inspector Sands &amp; FUEL. As a theatre maker he co-wrote &amp; appeared in ‘The Summer House’ with Will Adamsdale (UK tour, Gate London, published by Oberon books) &amp; for 15 years was with Cartoon de Salvo company, making &amp; performing in shows at Lyric Hammersmith, Soho Theatre, Southwalk Playhouse, BAC, touring everywhere from village halls to Hong Kong &amp; the Kennedy Centre in Washington.</p><p><br/></p><p>TV includes - Dalziel &amp; Pascoe, Casualty, Eastenders (BBC), Manhunt (with Martin Clunes) The Bill (ITV), The Killing Kind (Paramount), No Angels (CH4). His role of Gus Harper for Doctors (BBC) was nominated as ‘Best Villain’ at the 2014 British Soap Awards. He has also featured in numerous commercials, including a year talking to a mini-version of himself for a major bank.</p><p><br/></p><p>Neil has also taught at drama schools (East15, ArtsEd, Oxford School of Drama) &amp; Acting or Performing Arts programmes at St Mary’s Twickenham, UCW, Trinity Laban - teaching playful approaches to acting &amp; theatre making, and directing final year productions.</p><p><br/></p><p>Currently performing with ‘Closer Each Day’ improv company at The Wardrobe Bristol &amp; working on two new shows:&nbsp; ‘Neil Haigh’s Comedy Masterclass..ruined by Stewart Wright’ &amp; his new play-script ‘The Right to Remain Silent’.</p><p><br/></p><p>Accolades &amp; Press:</p><p><strong><em>The Summer House</em></strong> GATE THEATRE LONDON, TIME OUT CRITICS CHOICE<br>TIME OUT SHOW OF THE WEEK</p><p><strong><em>Hard Hearted Hannah &amp; Other Stories,</em></strong> LYRIC HAMMERSMITH (An entirely improvised narrative every night) TELEGRAPH “TOP TEN COMEDY GIGS 2008”<br>TIME OUT CRITICS CHOICE</p><p>“<em>You leave awestruck at the power of the imagination and feeling like you’ve just been to the best party in town</em>”<em> </em>Dominic Cavendish, Daily Telegraph<em><br></em>“<em>Adroitly sprinkles specks of emotional truth atop their comic outlandishness – great bit by Haigh: begging latecomers for change</em>” Donald Hutera, The Times</p><p><em>Everything varies every night, except good humour. Off the cuff, but on the button</em>!” Susannah Clapp, The Observer</p><p>“<em>Goofy reckless fun..Inspiring..Mission Accomplished!</em>” Maxie Szalwinska, Metro</p><p><strong><em>Meat &amp; Two Veg</em></strong>, Cartoon de Salvo<br>TOP TEN SHOWS OF THE YEAR – The Observer TIME OUT CRITICS CHOICE</p><p>“..<em>Turn charm and tenderness into an art form” </em>Lyn Gardner, The Guardian</p><p><strong><em>Angels of the universe </em></strong>at GILDED BALLOON and the GATE Theatre London<br>CRITICS CHOICE AWARD ‘Best Production’– Budapest Alternative Theatre Festival 2001<br></p><p>“<em>Neil Haigh gives an exquisitely judged performance in a quiet controlled show that is a must for anyone who believes in angels</em>” Lyn Gardner, the Guardian **** (Guardian Pick of The Week for London Gate transfer)</p><p>“<em>The Black humour and nervous tics all sounds very ‘One Flew Over The Cuckoo’s Nest’, but in Neil Haigh’s terrifically versatile performance, is even more life affirming” </em>Neil Cooper, the Herald ****<br>“<em>Anyone who lets this unobtrusive show whisper in their ear will come out wiser</em>” Maxie Szalwinska, the Scotsman ****<br>“<em>As emotionally engaging as it is entertaining</em>” Rachel Halliburton, London evening standard.</p><p><em>*****FEST, *****THREE WEEKS</em></p><p><strong>The Increased Difficulty of Concentration </strong>at the GATE THEATRE, London<br><em>“Neil Haigh as Machal, proves that less is definitely more, if you know how to throw a look across the stage” TIME OUT</em></p><p><br/></p><p><br/></p>]]></description>
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