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      <pubDate>2022-05-25 21:31:17 UTC</pubDate>
      <lastBuildDate>2022-05-25 21:57:28 UTC</lastBuildDate>
      <webMaster>hello@padlet.com</webMaster>
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         <title>Inside VFX by Pierre Grage</title>
         <author>aravenshear2</author>
         <link>https://padlet.com/aravenshear2/9n38yeifepe0zi8f/wish/2199938007</link>
         <description><![CDATA[<div>the current climate is so dire, its almost impossible to run a profitable business.&nbsp;</div>]]></description>
         <enclosure url="https://www.amazon.co.uk/Inside-VFX-Insiders-Effects-Business/dp/1503349241" />
         <pubDate>2022-05-25 21:34:34 UTC</pubDate>
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      <item>
         <title>Avatar </title>
         <author>aravenshear2</author>
         <link>https://padlet.com/aravenshear2/9n38yeifepe0zi8f/wish/2199938486</link>
         <description><![CDATA[<div>-stop motion </div>]]></description>
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         <pubDate>2022-05-25 21:35:24 UTC</pubDate>
         <guid>https://padlet.com/aravenshear2/9n38yeifepe0zi8f/wish/2199938486</guid>
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         <title>Bram stokers Dracula - example of makeup and prosthetics</title>
         <author>aravenshear2</author>
         <link>https://padlet.com/aravenshear2/9n38yeifepe0zi8f/wish/2199940143</link>
         <description><![CDATA[<div>Makeup and prosthetics by Mathew Mungle</div>]]></description>
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         <pubDate>2022-05-25 21:38:19 UTC</pubDate>
         <guid>https://padlet.com/aravenshear2/9n38yeifepe0zi8f/wish/2199940143</guid>
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         <title>Email Interview with Mathew Mungle</title>
         <author>aravenshear2</author>
         <link>https://padlet.com/aravenshear2/9n38yeifepe0zi8f/wish/2199940621</link>
         <description><![CDATA[]]></description>
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         <pubDate>2022-05-25 21:39:11 UTC</pubDate>
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         <title>Interview via Email </title>
         <author>aravenshear2</author>
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         <pubDate>2022-05-25 21:44:16 UTC</pubDate>
         <guid>https://padlet.com/aravenshear2/9n38yeifepe0zi8f/wish/2199943709</guid>
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      <item>
         <title>The Irishman Connection between practical and digital makeup</title>
         <author>aravenshear2</author>
         <link>https://padlet.com/aravenshear2/9n38yeifepe0zi8f/wish/2199944337</link>
         <description><![CDATA[]]></description>
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         <pubDate>2022-05-25 21:45:21 UTC</pubDate>
         <guid>https://padlet.com/aravenshear2/9n38yeifepe0zi8f/wish/2199944337</guid>
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      <item>
         <title>Interview with Pablo Helman</title>
         <author>aravenshear2</author>
         <link>https://padlet.com/aravenshear2/9n38yeifepe0zi8f/wish/2199945217</link>
         <description><![CDATA[]]></description>
         <enclosure url="https://www.imdb.com/name/nm0375666/" />
         <pubDate>2022-05-25 21:46:54 UTC</pubDate>
         <guid>https://padlet.com/aravenshear2/9n38yeifepe0zi8f/wish/2199945217</guid>
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      <item>
         <title>Pablo Herman Interview</title>
         <author>aravenshear2</author>
         <link>https://padlet.com/aravenshear2/9n38yeifepe0zi8f/wish/2199946168</link>
         <description><![CDATA[]]></description>
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         <pubDate>2022-05-25 21:48:32 UTC</pubDate>
         <guid>https://padlet.com/aravenshear2/9n38yeifepe0zi8f/wish/2199946168</guid>
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      <item>
         <title></title>
         <author>aravenshear2</author>
         <link>https://padlet.com/aravenshear2/9n38yeifepe0zi8f/wish/2199946495</link>
         <description><![CDATA[]]></description>
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         <pubDate>2022-05-25 21:49:08 UTC</pubDate>
         <guid>https://padlet.com/aravenshear2/9n38yeifepe0zi8f/wish/2199946495</guid>
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         <title>The curious case of Benjamin button</title>
         <author>aravenshear2</author>
         <link>https://padlet.com/aravenshear2/9n38yeifepe0zi8f/wish/2199948756</link>
         <description><![CDATA[<div>Rick Baker, whom was involved in the makeup department for The Grinch, The Exorcist and Star wars comments that there is still work in the industry for SFX artists, but “Those big jobs don’t exist anymore”. But he managed to get involved with the Benjamin Button film, using 3d prosthetic modelling to help scan the digital final product. It isn’t what it used to be, and makeup artists should adapt to this new climate in order to survive.</div>]]></description>
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         <pubDate>2022-05-25 21:53:17 UTC</pubDate>
         <guid>https://padlet.com/aravenshear2/9n38yeifepe0zi8f/wish/2199948756</guid>
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         <title>Developing my lead question</title>
         <author>aravenshear2</author>
         <link>https://padlet.com/aravenshear2/9n38yeifepe0zi8f/wish/2199949270</link>
         <description><![CDATA[<div>- specific to film&nbsp;<br>- an open ended question with room to debate<br>-unbiased<br><br></div>]]></description>
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         <pubDate>2022-05-25 21:54:17 UTC</pubDate>
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         <title>Computers Killed the Makeup star-  To what extent has digital VFX technology impacted the makeup and prosthetics industry in film?</title>
         <author>aravenshear2</author>
         <link>https://padlet.com/aravenshear2/9n38yeifepe0zi8f/wish/2199949946</link>
         <description><![CDATA[]]></description>
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         <pubDate>2022-05-25 21:55:22 UTC</pubDate>
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         <title>Subsidies Research</title>
         <author>aravenshear2</author>
         <link>https://padlet.com/aravenshear2/9n38yeifepe0zi8f/wish/2199951276</link>
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         <pubDate>2022-05-25 21:57:26 UTC</pubDate>
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