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      <title>Tourism in the News by </title>
      <link>https://padlet.com/matildalynnstubbs/tourisminthenews</link>
      <description>Post online articles about tourism and culture. 
</description>
      <language>en-us</language>
      <pubDate>2022-01-31 17:23:00 UTC</pubDate>
      <lastBuildDate>2025-12-18 15:00:26 UTC</lastBuildDate>
      <webMaster>hello@padlet.com</webMaster>
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      <item>
         <title>Posting for Bryce</title>
         <author>matildalynnstubbs</author>
         <link>https://padlet.com/matildalynnstubbs/tourisminthenews/wish/2059354362</link>
         <description><![CDATA[<div><br>It's known that travel documentation is almost always visual. It can be videos and drawing, and photography. And usually, these visualizations contain people, especially the traveler. However, I have a fascination with places that no longer include humans. So I have insisted on visiting and documenting abandoned places on all of my trips. I have visited Wild West ghost towns, abandoned mines in the Rocky Mountains, old prisons where riots happened, Winston Churchill's war rooms, and many more.<br><br></div><div>I love the places where the disappearance or death of its inhabitants is the main focus. Other sites include the Parisian catacombs, where the deaths of so many people make taking your photo with thousands of skulls bizarre.<br><br></div><div>Part of my fascination with those places is the timeline in which they were abandoned. We know that ancient towns such as those covering Greece are obviously abandoned due to time; however, the timeframe for these abandoned places is uncomfortably close to our lifetimes.<br><br></div>]]></description>
         <enclosure url="https://www.cnn.com/travel/amp/most-fascinating-abandoned-towns/index.html" />
         <pubDate>2022-02-21 20:41:43 UTC</pubDate>
         <guid>https://padlet.com/matildalynnstubbs/tourisminthenews/wish/2059354362</guid>
      </item>
      <item>
         <title>Posting for Hatem</title>
         <author>matildalynnstubbs</author>
         <link>https://padlet.com/matildalynnstubbs/tourisminthenews/wish/2069369718</link>
         <description><![CDATA[<div>It’s very interesting how we easily characterize animals with nations, most of us have seen the photos people take with the camels next to the pyramids of Giza, or the little kid playing with a dolphin in sea world, or even the photos of travelers riding an elephant somewhere in southeast Asia, or maybe the photo of a tourist carrying a koala in Australia, and so on... The wildlife experience is a big attraction to the nations that are able to capitalize from it.</div><div><br></div><div>This relates to this week’s class because we discuss the multiple different Gaze’s. We look into the many lenses that come from making photographic trends (touristic or institutional) as popular as they are. There is a link from institutional releases (magazines/shows) that make people want to indulge with the wildlife in the area when they are there.</div>]]></description>
         <enclosure url="https://www.abc.net.au/news/2016-02-04/top-10-cruellest-animal-tourism-ventures-world-animal-protection/7140492" />
         <pubDate>2022-02-28 12:35:51 UTC</pubDate>
         <guid>https://padlet.com/matildalynnstubbs/tourisminthenews/wish/2069369718</guid>
      </item>
      <item>
         <title>Grace K. </title>
         <author>gkosak</author>
         <link>https://padlet.com/matildalynnstubbs/tourisminthenews/wish/2069789102</link>
         <description><![CDATA[<div>I think this article really relates to the idea of too much photography and tourist photography a lot. Basically, what has happened in this situation is that two wedding photography companies took pictures at locations in Hawaii that require specific permits to commercially photograph at. Not only did they take photos at these locations but they even used drones to fly around and capture specific views. This article goes on to discuss how there are many locations in Hawaii that are illegal to photograph. Some places are illegal to shoot in hope of preserving the land but others are illegal because they are culturally significant. Not only is this bad because it's obviously illegal but because they are advertising wedding pictures like this more and more people are going to want to get the same shot and as the article mentions that can end up being culturally inappropriate. Photography companies like the two mentioned in the article are causing Hawaiian lawmakers to become more and more strict which hurts all of the other photography companies that are following the rules. This really shows how people who don’t know the significance of a place or their actions at a place can really harm the wellbeing of everyone. Is snapping those couple good pictures in this location really worth the fines or even jail time? It is disappointing to think that some people don't care to do research or have enough respect to follow rules that are set because they think that they deserve to snap those pictures and whatever. This is a common theme in all of Hawaii where tourists who don't have any knowledge (or if they do they don't care) the importance of certain things take advantage of the nature and the culture and this can be really harmful.</div>]]></description>
         <enclosure url="https://www.insider.com/hawaii-wedding-photography-companies-told-stop-illegal-operations-2021-10" />
         <pubDate>2022-02-28 16:10:05 UTC</pubDate>
         <guid>https://padlet.com/matildalynnstubbs/tourisminthenews/wish/2069789102</guid>
      </item>
      <item>
         <title>Mae</title>
         <author></author>
         <link>https://padlet.com/matildalynnstubbs/tourisminthenews/wish/2069898577</link>
         <description><![CDATA[<div>I think it's funny when in consideration for “roadside” attractions or just attractions in general that are located in such a desolate place such as the desert like the salvation mountain in slab city or the crochet museum in Joshua tree. I think in terms of tourism photography or just photography in general a lot of people love and are intrigued with juxtaposition so a lot of people go out of their way to these desolate areas to take these pictures. I remember when I was 15 I went to salvation mountain for the first time for a photo shoot, and a big problem was that one of the photographers was pregnant and the heat of the desert was not allowing her to be constantly taking photos or she would faint. So even though you get something in return, a beautiful scenery, you still are not more comfortable than if you were going to take photos in front of the bean.&nbsp;</div><div>&nbsp;</div><div>The article I choose goes more in depth on the construction and why Leonard Knight made this huge sculpture. But what fascinating to me that was point out in the article is that he originally wanted to make a hot air balloon to have it spread the word of god but then since not everything will work out the way you planned he ended up on making “salvation mountain” in the most desolate and dry are I’ve ever been to. You would think that if you would spend so much time and the purpose of the sculpture your building is to spread a message that you would at least want it to be closer to a town or a city, so that people could travel there with a purpose and the mountain will only be part of the thing they are doing in that area. But the most logical reason why it is located in the armpit of southern California is that the armpit was the only place he could put such a large sculpture (even though San Diego county and inland do hold significance to him).</div><div>&nbsp;</div><div>While his message might not have been widespread at first but with the juxtaposition of the photos being taken and shared it allowed for more people to hear about his place and go out of there way to just take a photo there among the colorful mountain surrounded by dirt.</div><div>&nbsp;</div><div>Although this article only talks about salvation mountain I did want to point out that inland southern California there are more of this theme of creating colorful sculptures and attractions placed in a desert area just like the crochet museum in Joshua tree or the metal sculptures in Anza Borrego State Park.</div><div><br><br></div>]]></description>
         <enclosure url="https://www.desertusa.com/desert-people/leonard-knight.html" />
         <pubDate>2022-02-28 17:04:38 UTC</pubDate>
         <guid>https://padlet.com/matildalynnstubbs/tourisminthenews/wish/2069898577</guid>
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      <item>
         <title>Posting for Nicole</title>
         <author></author>
         <link>https://padlet.com/matildalynnstubbs/tourisminthenews/wish/2070372128</link>
         <description><![CDATA[<div><br>I chose this article for the second week of photography, one because this is a very photographed location, and for two, the article itself is written by national geographic which is a topic that we will be talked about this coming week. This could also work for Dark Tourism week due to the nature of the content. But this article talks about the monumental waste problem on Mount Everest.&nbsp;<br><br></div><div>Ever since Hillary and Norgay first scaled the mountain in 1953, thousands of tourists have payed to scale the mountain since to also have the glory of reaching the highest point on earth and hundreds of thousands more have traveled to the base camp each year to just be close to it. However, while this travel does bring revenue and jobs to the region, it is quickly devastating the once secluded region and turning it into a very dangerous place to live. With Everest new nickname becoming "the worlds highest garbage pile" tourist are discarding tons of litter at the top of the mountain instead of returning with it, eroding soil, deforesting at alarming rate and poisoning water resources via the watershed. Efforts to curb this include fining travelers 4,000 dollars for not bringing down their trash.&nbsp;<br><br></div><div>This rocks me to my core, Mount Everest, one of our planets most inaccesible places has become little more than our rubbish bin. It leaves me speechless and infuriated. I understand that revenue is important for the government and the populace of the country. Yet if this horrible, harmful practice of tourism is left unchecked for much longer, the Pixar movie Walle may not become such a stretch for Everest.<br><br></div>]]></description>
         <enclosure url="https://www.nationalgeographic.org/article/trash-and-overcrowding-top-world/" />
         <pubDate>2022-02-28 22:03:18 UTC</pubDate>
         <guid>https://padlet.com/matildalynnstubbs/tourisminthenews/wish/2070372128</guid>
      </item>
      <item>
         <title>Jazmin</title>
         <author>jmarti40</author>
         <link>https://padlet.com/matildalynnstubbs/tourisminthenews/wish/2076606612</link>
         <description><![CDATA[<div>I still find it really interesting how places become filled with tourist. From what I can really grasp is one person will have an experience, and others either need to see it or go there for themselves. People crave for others to stare in awe at their trips and want others to desire what they saw. This can still very accurate today because many of us (including myself) will post pictures of trips or travel, which is neither a good or bad thing. This article gives what I believe to be more connections with some of the things we’ve been talking about the last two weeks with photography. There is a new collection at the George Eastman Museum in Rochester, New York. This collection is focused on professional photographs taken by people who traveled to many places around the world. Cataloger Lilyan Jones said that, “I chose this theme because at the time I was starting to work on this, we were stuck inside. I thought it would be nice to look at pictures from all over the world.” I think again this statement goes back again to the crave of international experience and wanting to be where others show you in some way, in this case because of the pandemic. In the photographs you can reference some direct concepts/issues we talked about such as the different gazes (photographer/subject) and photographers themselves being within the frame of the image. I think it’s important to note that many of these photographers were likely wealthy enough to take these trips and travel to these areas to take such images, while having biased opinions. The images photographers would take were sold in stores or from themselves in order for those who could afford it to purchase. With having the images available for purchase in mind, some would buy them to bring back to their home to show others. I think it’s interesting that people almost need some form of proof to show where they have been, like speaking experience is not enough validation. Seeing the differences in the kind of travel photos we’ve talked about today and what “professional” travel photography was 100 years ago was interesting. Again it is similar to what we’ve been looking at in class. I think how they defined professional travel photography back then and how we do now is also very different. This is mostly because a photographer’s image had to be in store for you to purchase, where as now it wouldn't. </div>]]></description>
         <enclosure url="https://www.buzzfeednews.com/article/piapeterson/photos-travel-photography-history" />
         <pubDate>2022-03-03 20:13:16 UTC</pubDate>
         <guid>https://padlet.com/matildalynnstubbs/tourisminthenews/wish/2076606612</guid>
      </item>
      <item>
         <title>Hariz Raof</title>
         <author></author>
         <link>https://padlet.com/matildalynnstubbs/tourisminthenews/wish/2079425425</link>
         <description><![CDATA[<div>Colonialism plays a huge role in the lens of tourism, shaping and narrating the modernity of stylistics and the techniques applied to exhibit works or history. Museums and cultural centers; as much as they are a space of value and history, the methodology and essentialist qualities that it pertains imbues this perspective of colonialism. Ideas of collection, trade and ownership come to question when 'authenticity' are compared and contrasted, moreover to be showcased for the public. <br><br>I chose this article because it highlights the aspects of tourism in the museum and gallery context, furthermore bringing to light the contextual applications of colonialism and its influence in the production of this cultural center. <br><br>The Portuguese colony in the 16th century transported roughly 4.5 million African slaves, making the largest segments of Brazilian society. Bahia alone imported 1.3 million men, women and children. As the locations of the importation shifted throughout the years, more than 90% of Africans that arrived in Bahia came from either the Bight of Benin or Central Africa. <br><br><em>Bahia, the location in Salvador Brazil is named after the Portuguese word baía, which means "bay." </em><br><br>"Benin City has long been famous for its “bronzes”—actually brass work, some of which is said to date from the 13th century—and for its ivory and wood carvings."<br>&nbsp;<br>"Despite the large influx of Islamic slaves, most of the slaves in Brazil were brought from the Bantu regions of the Atlantic coast of Africa where today Congo and Angola are located, and also from Mozambique." <br><br>(Benin City (country in West Africa)&nbsp; - "Casa do Benin")<br><br>There is something to be said by the formation of this cultural center on the very bay of slave trade, perhaps re-contextualizing the historical narrative of colonialism, or even the strategies of post-colonialism. Moreover, many of the works were from the collection of French photographer Pierre Verger during his trips to Africa, to study the ebb and flow between Africa and Bahia.<strong><br><br></strong>An interest point of mine is the incorporation of various works that highlight the provenance of culture and the metaphorical applications the curators applied when communicating the idea and histories of African roots. Along the ceilings and walls are textile fabrics that were historically produced and founded in Indonesia, though through the trade relations and colonialism by the Dutch colonies, it is highly visible the impact of the Dutch and their movements along the coasts of Southeast Asia and the West Africas. <br><br><em>Does the interwoven qualities of culture and history across countries a symbolic decision of including these textile/fabric works in the Casa Do Benin? <br><br></em>The outer shell of this place of destination is among one of many ideas to contemplate in the history of colonialism, the deep history of its origin is also a question for many historians and their understanding of essentialism and authenticity.&nbsp;<br><br>The future of the Casa Do Benin is indeed an interesting clause, and the applications of the space in the modern world, reinforcing the idea of how tourism plays a role in how this will be digested, understood or appreciated. &nbsp;</div>]]></description>
         <enclosure url="https://www.salvadordabahia.com/en/experiences/casa-do-benin-benin-house/" />
         <pubDate>2022-03-05 20:29:37 UTC</pubDate>
         <guid>https://padlet.com/matildalynnstubbs/tourisminthenews/wish/2079425425</guid>
      </item>
      <item>
         <title></title>
         <author></author>
         <link>https://padlet.com/matildalynnstubbs/tourisminthenews/wish/2082491676</link>
         <description><![CDATA[]]></description>
         <enclosure url="https://www.cnn.com/travel/article/travel-world-response-ukraine-invasion/index.html" />
         <pubDate>2022-03-07 20:21:24 UTC</pubDate>
         <guid>https://padlet.com/matildalynnstubbs/tourisminthenews/wish/2082491676</guid>
      </item>
      <item>
         <title></title>
         <author>matildalynnstubbs</author>
         <link>https://padlet.com/matildalynnstubbs/tourisminthenews/wish/2082527243</link>
         <description><![CDATA[]]></description>
         <enclosure url="https://www.cnn.com/travel/article/russia-ukraine-hurt-travel-recovery-cmd/index.html" />
         <pubDate>2022-03-07 20:47:02 UTC</pubDate>
         <guid>https://padlet.com/matildalynnstubbs/tourisminthenews/wish/2082527243</guid>
      </item>
      <item>
         <title>Mila</title>
         <author></author>
         <link>https://padlet.com/matildalynnstubbs/tourisminthenews/wish/2102406316</link>
         <description><![CDATA[<div><br>I thought this was an interesting look into what future types of tourism could look like. It made me think about how&nbsp; people already travel to participate in marches or protests, how this could easily become an enormous industry. It seems like these types of tourism reflect a shift in values, or at least an adjustment of actions to match stated values. I hope we are headed towards a tourism industry that values learning the many layered truths that can co-exist in both urban and rural environments today. Instead of tourism forcing places to bend backwards and cover the nasty parts of history so tourists can have a sweetly ignorant holiday, we should acknowledge each place has been influenced by all of its history and offering different levels of engagement with social and historical issues could be a great way to create a more caring global community.&nbsp;<br><br></div><div><br></div>]]></description>
         <enclosure url="https://www.smithsonianmag.com/travel/tourism-gets-refresh-in-hands-activists-seeking-to-decolonize-industry-180979739/" />
         <pubDate>2022-03-18 18:47:31 UTC</pubDate>
         <guid>https://padlet.com/matildalynnstubbs/tourisminthenews/wish/2102406316</guid>
      </item>
      <item>
         <title>Youna</title>
         <author></author>
         <link>https://padlet.com/matildalynnstubbs/tourisminthenews/wish/2144382482</link>
         <description><![CDATA[<div>Gastown is one of my favorite places in Vancouver. Gastown is a blend of "hip" contemporary fashion, interior furniture boutiques, tourist-oriented businesses (usually limited to Water Street), restaurants, nightclubs, poverty, and new luxury homes. In addition, there are computer and Internet businesses, art galleries, music and art studios, tattoo parlors, and acting and film schools as well as law firms, architects, and other professional offices.<br>&nbsp;Gastown's most famous landmark is its steam-powered clock at the corner of Cambyses and Water Street. It was built in 1977 to cover the steam grate, part of Vancouver's decentralized steam heating system This Gastown steam clock has been placed in Gastown for more than 40 years. Many people take photos in front of the Gastown clock. In Gastown buildings, the sidewalk and lights remain unchanged. A lot of travelers love this place. They have many traditional souvenir stores(First nation art store), a Spaghetti factory restaurant. I strongly recommend Gastown when you guys go to Vancouver for travel.</div>]]></description>
         <enclosure url="https://www.destinationvancouver.com/vancouver/neighbourhoods/gastown/" />
         <pubDate>2022-04-14 21:59:45 UTC</pubDate>
         <guid>https://padlet.com/matildalynnstubbs/tourisminthenews/wish/2144382482</guid>
      </item>
      <item>
         <title>Melissa</title>
         <author></author>
         <link>https://padlet.com/matildalynnstubbs/tourisminthenews/wish/2146556220</link>
         <description><![CDATA[<div>South Korea managed to bring 13-17 million of tourists each year from 2014 to 2019. However, the number dropped to 2.52 million after the first reported break out of the COVID-19 in 2020.&nbsp;<br><br>With the help of the tourists, Korea was able to develop in many different directions which allowed to provide more tourist attractions (more tourists!). This article discusses the news that the country is ready as of April 1st, to let tourists visit without quarantine for the first time in two years.&nbsp;<br><br>While there are a lot more other countries with travel restrictions, Korea struggled to maintain its economy ever since the start of the pandemic. Mass tourism each year has helped the country to succeed diplomatically and economically, but was impossible to do so until this year. I am very excited to hear this news and I hope one day you guys could visit as well!</div>]]></description>
         <enclosure url="https://www.lonelyplanet.com/news/south-korea-ease-travel-restrictions-in-april" />
         <pubDate>2022-04-18 04:15:48 UTC</pubDate>
         <guid>https://padlet.com/matildalynnstubbs/tourisminthenews/wish/2146556220</guid>
      </item>
      <item>
         <title>Gavin </title>
         <author></author>
         <link>https://padlet.com/matildalynnstubbs/tourisminthenews/wish/2147423955</link>
         <description><![CDATA[<div>The Vessel is an iconic public architectural sculpture in Manhattan, New York built by architect Thomas Heatherwick. It features a beehive-like structure with interconnecting staircases going all the way to the top. There is a 4ft glass railing on all sides but this inevitably didn’t protect the 4 lives who died from suicide.&nbsp;<br><br></div><div>I would have to say this popular tourist attraction relates to this weeks theme of “Dark Tourism” as it turned out to be a structure that could easily be used for suicide attempts. There is really no protection, the railing is so short you can easily climb over and it’s also fairly accessible. Sadly this was not the intention behind the sculpture but the Vessel is trying to figure out a solution to prevent any further suicides.&nbsp;</div><div><br></div>]]></description>
         <enclosure url="https://www.cnn.com/2021/08/07/us/vessel-hudson-yards-suicide-wellness/index.html" />
         <pubDate>2022-04-18 19:16:48 UTC</pubDate>
         <guid>https://padlet.com/matildalynnstubbs/tourisminthenews/wish/2147423955</guid>
      </item>
      <item>
         <title>Miranda</title>
         <author></author>
         <link>https://padlet.com/matildalynnstubbs/tourisminthenews/wish/2154934880</link>
         <description><![CDATA[<div>https://www.chicagonow.com/chicago-quirk/2012/10/guess-what-there-are-thousands-of-bodies-under-lincoln-park/<br><br>I have been thinking about Dark Tourism for a while now. So far, it seems like it is centered around the illusion of agency and an unfounded curiosity for tragedy. I have noticed that the United States has a very undefined relationship with Death.  What happens when we visit a place thinking it is one thing when it is actually something else? This piece explains how Lincoln Park was originally used as a cemetery before the creation of rural cemeteries such as Gracland. Even though most bodies were moved from there to the new cemeteries, the 1871 great fire got in the way of completing the process and many bodies were left behind. People go to the park most likely not knowing the south section is still filled with bodies underground. Wheree is the line? We live in a wold of violence, poor administration, accidents, catastrophe, pain, and because they are events, the next day there is no proof of them. Is our whole experience through the world one big dark tour? </div>]]></description>
         <enclosure url="https://www.chicagonow.com/chicago-quirk/2012/10/guess-what-there-are-thousands-of-bodies-under-lincoln-park/" />
         <pubDate>2022-04-24 00:10:38 UTC</pubDate>
         <guid>https://padlet.com/matildalynnstubbs/tourisminthenews/wish/2154934880</guid>
      </item>
      <item>
         <title>Iris</title>
         <author></author>
         <link>https://padlet.com/matildalynnstubbs/tourisminthenews/wish/2155566250</link>
         <description><![CDATA[<div><br>Xijiang 1,000-household Miao village is one of the most iconic ethnic landmark in China which locates in the southwest region of China. It is the home of more than one thousand families. It features traditional Miao culture, which a minority group in China. The village still keeps the traditional Miao architecture - intricate wooden houses and has museums introducing the history and custom. Women wear elegant and glittering silver ornaments with hand-made embroidery or batik costumes. In the village, there are authentic Miao’s cuisine, performances and handcrafts stores managed by local people.<br>The village is surrounded by overlapping mountains, with terraced fields rising along the slopes. It is quite hard to come here and connect to the outside at the beginning. The development of tourism not only let travelers get to know this village, but also help the village shake off poverty. I visited the village a few years ago, though I can experience the ethnic atmosphere, the village is also becoming more and more commericialized.&nbsp;</div>]]></description>
         <enclosure url="http://www.chinadaily.com.cn/regional/2018-10/12/content_37060971.htm" />
         <pubDate>2022-04-24 22:08:36 UTC</pubDate>
         <guid>https://padlet.com/matildalynnstubbs/tourisminthenews/wish/2155566250</guid>
      </item>
      <item>
         <title>Rachel </title>
         <author></author>
         <link>https://padlet.com/matildalynnstubbs/tourisminthenews/wish/2171767505</link>
         <description><![CDATA[<div>I thought the topic of dark tourism was one of the most interesting topics to search up. The reason why I chose this article is because while searching up the topic dark tourism, I noticed the country North Korea was on one of the lists. As a Korean I have never really thought about touring North Korea, so it was a real surprise for me just being listed up on a topic of tourism, even though it is “Dark Tourism”.&nbsp;</div><div>It was surprising to read that you can go to North Korea as a tourist. Although they talk about it as not in a “normal” way. There is no normal with regard to North Korea and there are many strict restrictions. But it is possible to visit, even though North Korea remains as one of the least visited countries in the world.&nbsp;</div><div>North Korea is known for being the most extreme communist dictatorship. The democratic people’s republic of Korea banned its citizens from laughing, shopping, drinking and crying out loud if someone passed away in the mourning period by leader Kim Jong-il. If anyone breaks the rule, then they will become arrested.&nbsp;</div><div>This country has a dark reputation. There aren’t a lot of official dark tourist attractions, there’s plenty of weirdness. Not being able to travel by yourself could become one of the examples and it’s all carefully controlled propaganda-based tours.</div><div><br></div>]]></description>
         <enclosure url="https://www.dark-tourism.com/index.php/north-korea" />
         <pubDate>2022-05-05 16:59:13 UTC</pubDate>
         <guid>https://padlet.com/matildalynnstubbs/tourisminthenews/wish/2171767505</guid>
      </item>
      <item>
         <title>Amy</title>
         <author></author>
         <link>https://padlet.com/matildalynnstubbs/tourisminthenews/wish/2173219016</link>
         <description><![CDATA[<div>Medical volunteerism is the unit that stuck with me the most in this class. I found this article that talks about how the industry has changed for the better because of the pandemic. Medical volunteerism often involves an expensive, self serving trip to an impoverished country, which became impossible during the pandemic. A habitat for humanity trip had been scheduled for march 2020 but was canceled, and the organization was surprised to see that many of the would-be volunteers did not ask for their participation fee back, but rather donated it. Many of the projects planned for that year still got done with the help of local staff and paid contractors.&nbsp;</div><div><br></div><div>Some orgs are now doing their projects remotely. HFH had a program where people could “adopt” a habitat build in Vietnam, online. Over 10 weeks people meet weekly to fundraise, learn about Vietnamese culture, get updates from local staff on the build’s progress, and speak with the family whose house is being built. The article says that going forward, it is likely that we will see more hybrid examples of this volunteerism and that we can’t expect to see in-person visits disappear completely.While it has been proven that these trips are not at all necessary for real change abroad, the usual volunteers still lack the awareness of why what they’re doing could be damaging. However, these virtual opportunities still offer a valuable alternative to on the ground voluntourism.&nbsp;</div><div><br></div>]]></description>
         <enclosure url="https://www.npr.org/sections/goatsandsoda/2021/07/15/1009911082/the-pandemic-changed-the-world-of-voluntourism-some-folks-like-the-new-way-bette" />
         <pubDate>2022-05-06 17:21:20 UTC</pubDate>
         <guid>https://padlet.com/matildalynnstubbs/tourisminthenews/wish/2173219016</guid>
      </item>
      <item>
         <title>Ashley </title>
         <author></author>
         <link>https://padlet.com/matildalynnstubbs/tourisminthenews/wish/2174843493</link>
         <description><![CDATA[<div>In Xiapu, a rural town in China, fisherman and farmers makes extra money by being the subjects of stunning photography. Have you see a beautiful National geographic level photograph of the beautiful landscape with a fisherman just in the right spot? When you decide to visit this town you thought the place would be amazing. When in reality, without the filters, the place is extremely ordinary. The beach is dirty, and the seafood restaurants are famous for ripping people off. The so-called rural people in the social media photos are all actors, Behind one brilliant picture of a rural landscape, there are ten tripods. The Times spoke to Liu Weishun, 40, who manages an attraction where gigantic, unused fishing nets are deployed for staged photos. Liu told the outlet that some 500 visitors come to his site every day and pay him $3 (R42) each to take images of people casting the nets. Some even fork out an extra charge for a model wearing a straw hat to row by — directed, of course, by Liu, who gives him stage directions via a walkie-talkie.&nbsp; Many people who come to places like with a false pretense left with only disappointment. But others are totally willing to pay and keep producing fake photos that gets them thousand of likes on social media.&nbsp;</div>]]></description>
         <enclosure url="https://www.businessinsider.co.za/fake-rural-chinese-town-full-of-fake-farmers-2021-6" />
         <pubDate>2022-05-09 01:10:55 UTC</pubDate>
         <guid>https://padlet.com/matildalynnstubbs/tourisminthenews/wish/2174843493</guid>
      </item>
      <item>
         <title>Erin</title>
         <author></author>
         <link>https://padlet.com/matildalynnstubbs/tourisminthenews/wish/2175630993</link>
         <description><![CDATA[<div>The influence of mass tourism on how countries run and especially its influence on their economy is immense, but the pandemic took a huge toll on not only limiting travelers, but how countries want to handle tourism all together. While tourism encourages foreigners to engage with a country’s culture and allows the locals to financially benefit from non-natives purchasing souvenirs, places like Italy want to have more control on the influx of people visiting now that international traveling is opening up once again. Italy was known to have been hit by the pandemic pretty hard as Covid rates remained high for the longest time without showing any signs of decreasing. I feel as though now with borders opening up this has made the country all the more wary of how many people will be condensed into one space at a time. Venice, starting in June, will be implementing a six month trialed booking system that will require tourists to book their trip in advance while also charging $3 to $11 depending on the season they will be visiting. Those looking to spend the night in the city will only have to pay the fee once and will receive discounts entering museums. People even already living in Venice will not have to pay but will also have to book their visit to the city ahead of time.</div><div><br></div><div>The amount of visitors noticeably shot up Easter weekend, with a whopping 125,000 day-trippers scavenging the streets. With only 50,000 residents living in the city, this amount of people puts a lot of pressure on natives even trying to go about their daily lives. Through this process, the city is hoping to set a maximum of 40,000 to 50,000 visitors a day and to ensure a “more balanced management of tourism.” Other countries seem to be following in these footsteps after the pandemic as well, such as Thailand, New Zealand, and even Japan who’s borders don’t seem to be opening anytime soon. These countries heavily depend on tourists in order for the economy to succeed so it is interesting to see how, despite this and what their country may need financially, they are still prioritizing the safety of its residents and seemingly finding a “solution” to mass tourism which seems to have been becoming a problem in a lot of these locations in the first place. The pandemic almost seemed to give an excuse to these countries to finally put their foot down and implement some stricter policies in order to be able to regulate tourism more properly.</div>]]></description>
         <enclosure url="https://www.forbes.com/sites/rebeccahughes/2022/04/21/venice-will-charge-tourists-a-10-entry-fee-from-this-summer/?sh=4d77c48e1025" />
         <pubDate>2022-05-09 12:48:41 UTC</pubDate>
         <guid>https://padlet.com/matildalynnstubbs/tourisminthenews/wish/2175630993</guid>
      </item>
      <item>
         <title>Isaac: Tourist Charge in Venice</title>
         <author></author>
         <link>https://padlet.com/matildalynnstubbs/tourisminthenews/wish/2175656788</link>
         <description><![CDATA[<div>Venice has seen the effects of mass tourism firsthand, with over 1.5 billion tourists visiting the city in 2019. As a result the local culture has suffered, leading to a decline in citizenship. In addition, tourist shops and an economy built to cater to visitors has led residents to believe  Venetian culture is becoming secondary to tourist appeal. To help combat the overwhelming tourists the government has implemented an entrance fee ranging from $3-$11 USD to be paid by day travelers to the city, starting June 2022.<br><br>Venice is the first city to implement such a charge for day trips and is meant to help both the organization and the profitability of tourists coming to spend a day in the city. It will not be applied to those staying overnight, who already pay a tourist tax.<br><br>One interesting thing I learned, something that seems counter-intuitive, is that short trips (often lasting less than a day) can be more disruptive to local populations than longer stays. The rushed nature, as well as the tendency to "see sights" rather than engage with the economy can make daytrippers especially irksome as they rush to leave.</div>]]></description>
         <enclosure url="https://www.forbes.com/sites/rebeccahughes/2022/04/21/venice-will-charge-tourists-a-10-entry-fee-from-this-summer/?sh=452bd0781025" />
         <pubDate>2022-05-09 13:04:32 UTC</pubDate>
         <guid>https://padlet.com/matildalynnstubbs/tourisminthenews/wish/2175656788</guid>
      </item>
      <item>
         <title>Yousif</title>
         <author></author>
         <link>https://padlet.com/matildalynnstubbs/tourisminthenews/wish/2185080036</link>
         <description><![CDATA[<div>Hawaii Is A Paradise, But Whose? Discusses the effects of tourism on the state of Hawaii, and how locals say it isn't working for them. This movement was struck due to a Buisness venture who plans to take a local beach site and turn it into a space observation center due to it's night views. The people of Hawaii have begun to raise their flag upside down as a symbol of solidarity. Locals have long been moving further and further up north of beaches in close proximity of tourist destinations, and this center aligns itself at one of the prime locations for night observation and daily beach lovers alike. These problems are rooted in a long history that locals have faced against European settlers dating back to the 18th century, and in such, have forced locals to work jobs upon jobs to be able to afford to live in their local land. This layering of problems leaves locals desperately wanting to have their voices herd, and the upside down flag lands itself as the symbol for this movement. </div>]]></description>
         <enclosure url="https://www.nytimes.com/2020/02/04/travel/hawaii-tourism-protests.html" />
         <pubDate>2022-05-16 03:49:55 UTC</pubDate>
         <guid>https://padlet.com/matildalynnstubbs/tourisminthenews/wish/2185080036</guid>
      </item>
      <item>
         <title></title>
         <author></author>
         <link>https://padlet.com/matildalynnstubbs/tourisminthenews/wish/2185338126</link>
         <description><![CDATA[<div>In Hawaii, private-run accommodations, not government-authorized accommodations, were prohibited. I thought it had something to do with community-based tourism. Since Hawaii is visited by many people worldwide, many Hawaiians are working on tourism. In a country, preventing local individuals from lodging facilities may prevent local people from making enough money. If you don't make money, the Hawaiian community may not be able to return actively. The Hawaii government may do it for the health of the people in the country, but it may directly damage the lives of the local people. Tourists may lose the opportunity to become close to local people while touring. Local people spend less time with tourists and have no chance to make money. I came to think about whether this was really for the locals.</div>]]></description>
         <enclosure url="https://www.lonelyplanet.com/news/oahu-now-requires-90-day-minimum-for-short-term-rental-stays" />
         <pubDate>2022-05-16 08:21:40 UTC</pubDate>
         <guid>https://padlet.com/matildalynnstubbs/tourisminthenews/wish/2185338126</guid>
      </item>
      <item>
         <title>Qinrui</title>
         <author></author>
         <link>https://padlet.com/matildalynnstubbs/tourisminthenews/wish/2198714640</link>
         <description><![CDATA[<div>The anti-suicide slogan were first selected and installed on the Mapo Bridge expecting to&nbsp; decrease the suicide rate. The slogan had once been viral on internet, seen as curing and encouraging. However, the slogans actually increased the suicide rate as it started to became a popular suicidal site. After 7 years of the installation, the official decided to remove the slogans.<br><br>I think the site could be related to the dark tourism. The bridge may not actually be a touring site at first. By installing the slogans, the original expectation may be creating a touring site while at the same time ease social problems.&nbsp;Ironically after the installation, the bridge actually could be identified as dark tourism. It could be cautious to think about the concieving of a touring site, not only for dark tourism, but also for tourism regarding environment, ethical and cultural contexts. What qualities are we planting into the sites and what effects could that bring to the original place?</div>]]></description>
         <enclosure url="http://koreabizwire.com/slogans-for-suicide-prevention-removed-from-mapo-bridge-after-7-years/146427" />
         <pubDate>2022-05-25 03:38:05 UTC</pubDate>
         <guid>https://padlet.com/matildalynnstubbs/tourisminthenews/wish/2198714640</guid>
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