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      <title>Resonant Networks: Feminist Improvisation across Sites, Identities and Technologies&quot; RCS Exchange ART AND PROTEST Nov 2025 by Argo, Jessica</title>
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      <pubDate>2025-11-24 13:53:44 UTC</pubDate>
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         <title>13:29 / 22:39</title>
         <author>jargo3</author>
         <link>https://padlet.com/glasgowschoolofart/9c0jvhq4pnavhnc6/wish/3696332120</link>
         <description><![CDATA[<p><a rel="noopener noreferrer nofollow" href="https://youtu.be/MpqTdZb72eo">https://youtu.be/MpqTdZb72eo</a></p>]]></description>
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         <pubDate>2025-11-24 13:53:44 UTC</pubDate>
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         <author>jargo3</author>
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         <description><![CDATA[<div>coming together for our terminally ill friend headline gig at Glasgow and travel</div>]]></description>
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         <pubDate>2025-11-24 13:53:44 UTC</pubDate>
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         <author>jargo3</author>
         <link>https://padlet.com/glasgowschoolofart/9c0jvhq4pnavhnc6/wish/3696332123</link>
         <description><![CDATA[<div>"St Albert's is a primary school in Pollokshields in glasgow, you said you have a high percentage of children who identify as non white, ethnic minorities, who are underrepresented in the arts - there was a sense that culturally their families don’t see the arts as a viable study/career option, but you are developing your curriculum to be around the arts (music and visual arts) and you are making contact with establishments, develop partnerships, finding ties into research ,  setting up visits –  and providing the children with real life arts experiences.  </div><div> </div><div>I shared some examples of exercises I run with undergrad and postgrad students, which you found interesting but not quite accessible to the P7 children – some things would go over their heads. </div><div> </div><div>You have 2 major arts development things happening this year:</div><ul><li>contacted 2 graduates from sonic arts programme at UofG, to help with the Turner prize exhibitions once a year – 10 weeks produce art installation for turner prize exhibition.  They are making instruments , creating soundscapes , writing poetry to go with it. </li><li>Drama 21 common – really keen to develop curriculum work with them to create course, specifically design world building with the children work collaboratively with them design art music drama and dance experiences, ask how can you teach maths through that world.</li></ul><div> So the <strong>Film </strong>side of it missing.  </div><div><br><br></div><div>We could arrange a staff/student visit to the children at the school  / the school present to students/graduates.  </div><div>Thoughts going forward – finances accessible to make a collaboration. </div><div> </div><div>I pointed out that there are ways of teaching film / sound recording that encourage listening, experimentation , creativity and do not rely so heavily on filming actors in a pro-filmic scene in a conventional hollywood style narrative - it is extremely challenging even for Postgrad students. Rather we could look at experimental stop motion animation <a href="https://eur01.safelinks.protection.outlook.com/?url=https%3A%2F%2Fgsashowcase.net%2Fmichiel-turner%2F&amp;data=05%7C01%7CJ.Argo%40gsa.ac.uk%7C3a81089af02d42154aea08dbbb5d0b4d%7C67f9795821514513bd2170cde632768b%7C0%7C0%7C638309780600890794%7CUnknown%7CTWFpbGZsb3d8eyJWIjoiMC4wLjAwMDAiLCJQIjoiV2luMzIiLCJBTiI6Ik1haWwiLCJXVCI6Mn0%3D%7C3000%7C%7C%7C&amp;sdata=8Yqs6ZXZbIHQv%2BqifF0W20zH7ftqYKEuX17xNzAHzSM%3D&amp;reserved=0">https://gsashowcase.net/michiel-turner/</a> (see Seaweed) /  materialist filmmaking e.g. <a href="https://eur01.safelinks.protection.outlook.com/?url=https%3A%2F%2Fglasgowschoolofart.padlet.org%2Fjargo%2Fstudio-project-4-self-directed-film-week-8-workshop-1-at-1pm-uatvlzc16h66p05s&amp;data=05%7C01%7CJ.Argo%40gsa.ac.uk%7C3a81089af02d42154aea08dbbb5d0b4d%7C67f9795821514513bd2170cde632768b%7C0%7C0%7C638309780600890794%7CUnknown%7CTWFpbGZsb3d8eyJWIjoiMC4wLjAwMDAiLCJQIjoiV2luMzIiLCJBTiI6Ik1haWwiLCJXVCI6Mn0%3D%7C3000%7C%7C%7C&amp;sdata=TrtgHjkIjJROaVrlQCqcStJfwE912nO3%2BCCErm8knY4%3D&amp;reserved=0">https://glasgowschoolofart.padlet.org/jargo/studio-project-4-self-directed-film-week-8-workshop-1-at-1pm-uatvlzc16h66p05s</a> . When teaching field recording we can demystify recording technologies (e.g. softening <a href="https://eur01.safelinks.protection.outlook.com/?url=https%3A%2F%2Fwww.researchcatalogue.net%2Fview%2F214583%2F214584&amp;data=05%7C01%7CJ.Argo%40gsa.ac.uk%7C3a81089af02d42154aea08dbbb5d0b4d%7C67f9795821514513bd2170cde632768b%7C0%7C0%7C638309780600890794%7CUnknown%7CTWFpbGZsb3d8eyJWIjoiMC4wLjAwMDAiLCJQIjoiV2luMzIiLCJBTiI6Ik1haWwiLCJXVCI6Mn0%3D%7C3000%7C%7C%7C&amp;sdata=LnWBa3hX7mfWrE9eTJ8rmaDOsDlnyG19Myuc%2BT0HgKI%3D&amp;reserved=0">https://www.researchcatalogue.net/view/214583/214584</a>) but also use the sound/walk listening exercises to encourage reflection about social justice issues e.g. see Vaccuum <a href="https://eur01.safelinks.protection.outlook.com/?url=https%3A%2F%2Fgsashowcase.net%2Falexandra-bell%2F&amp;data=05%7C01%7CJ.Argo%40gsa.ac.uk%7C3a81089af02d42154aea08dbbb5d0b4d%7C67f9795821514513bd2170cde632768b%7C0%7C0%7C638309780600890794%7CUnknown%7CTWFpbGZsb3d8eyJWIjoiMC4wLjAwMDAiLCJQIjoiV2luMzIiLCJBTiI6Ik1haWwiLCJXVCI6Mn0%3D%7C3000%7C%7C%7C&amp;sdata=hEBASFB6iHo6JajOazuURFhyMuvpQXHHOb5SYWSmfpA%3D&amp;reserved=0">https://gsashowcase.net/alexandra-bell/</a> . </div><div><br></div><div><br><br></div><div>We thought of ways that we could use one-word prompts from the language around Rights of the Child – experimenting with visuals timeline of visuals , textures, filters, and thoughts (poetry/sounds) . e.g. in Glasgow Improviser's Orchestra we responded to the theme of "Colour" one day - some used paints, others digital painting, I used live make up application and somehow made a work about gendered vulnerability in improvised music. </div><div> </div><div>When using the Pupil equity fund got to have proof it raises raising attainment. You are currently applying for funding – through an outside funding source for the Soundscapes/UofG. </div><div> </div><div>Keen to set something  - short experimental experiences – for the children give them an insight to that world. </div><div>Keen to bring the children to the art school. </div><div>Massive project doesn’t have to be straight away – research I want to be involved in next year! (Arts curriculum development needs to be over the next 3 years at St Alberts)</div><div> </div><div>WP – externally funded by SFC – beholden to show measurable impact  – would need to make a rationale pilot raise awareness of the school, potentially use it as an opportunity to better understand cultural pressure/familial pressure on creative study – across 4 days – gather a little feedback from pupils around family and carers ask Does it seem like a viable career path bow. </div><div> </div><div>Glasgow Improvisers Orchestra, experimental bringing skills transferable into career /  paying an undergrad, mdes or gradutte to execute ideas JA suggested.  </div><div>Excited by the idea of a measurable impact – that’s the evidence we have to have. Have to have the clear rationale.  "</div>]]></description>
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         <title>bricolage - cat</title>
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         <title>How do we do it (rehearsal)? </title>
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         <title>How do we do it (performance)?</title>
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         <title>DEFINITION: What does Telematic mean?</title>
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         <title>George Lewis and Tia De Nora, November 2021</title>
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         <title>How do the performers feel about it? </title>
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         <title>Colour</title>
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         <title>Food</title>
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