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      <title>Native Guard--individual poem analyses by Professor Diana Paulin</title>
      <link>https://padlet.com/professordianapaulin/998l3o8jar97mn4c</link>
      <description></description>
      <language>en-us</language>
      <pubDate>2022-04-14 18:52:15 UTC</pubDate>
      <lastBuildDate>2022-04-26 01:27:35 UTC</lastBuildDate>
      <webMaster>hello@padlet.com</webMaster>
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      <item>
         <title>Analysis</title>
         <author>halliebachman</author>
         <link>https://padlet.com/professordianapaulin/998l3o8jar97mn4c/wish/2144267047</link>
         <description><![CDATA[<div>Epigraph: Fredrick Douglas<br>- power of writing and documenting<br>- one of first people to write slave documentary<br>- about remembering and documenting slavery<br><br>tone - apistolary form<br>free-verse verse blank verse (haha)<br>enjambent - when the line continues to the next part, doesn't stop<br>setting - the golf<br>the age - 33 (reference to Jesus and when he died)<br>repetition&nbsp;<br>chronological<br><br>poem brings up<br>- reference to knife and being inscribed<br>- power of writing and representation<br>- power of remember<br>- pen equated with the way scars inscribe slavery one ones body<br>- idea of truth telling<br>- personalized history<br><br>title is important<br>- guard: freed or contraband<br>- freed slaves were called contraband (name of anything you obtain during war)<br>- enslaved people still considered property so referred to as contraband of war<br>- talks about role as part of the regiment<br>- native guard not called infantry<br>- there is a clear distinction between white and black soldiers<br>- black soldiers not treated equally even when they are helping them fight<br>- this history being forgotten</div>]]></description>
         <enclosure url="" />
         <pubDate>2022-04-14 19:10:21 UTC</pubDate>
         <guid>https://padlet.com/professordianapaulin/998l3o8jar97mn4c/wish/2144267047</guid>
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      <item>
         <title>Analysis</title>
         <author>halliebachman</author>
         <link>https://padlet.com/professordianapaulin/998l3o8jar97mn4c/wish/2144278474</link>
         <description><![CDATA[<div>Epigraph talks about daphadills and weaping<br>- nature imagery<br>- cycle of life<br>- starts young and naive and want to bring mom flowers, but flowers dry and up and die (metaphor to her mother)<br>- flowers don't last long, same as mother<br>- epigraph foreshadows the rest of the poem<br><br>Genus Narcissus: scientific name of daphadills<br>- narcissus was obsessed with self, died because he was looking at himself too much<br>- why is she giving scientific name and allusion to narcissism<br>&nbsp; - childish vanity&nbsp;<br>&nbsp; - vain? giving her mom flowers?<br>&nbsp; - feeling of selfishness for wanting her mom to not be dead<br>&nbsp; - niave<br>&nbsp; - innocence<br>&nbsp; - not knowing that things die<br>&nbsp; - feeling guilty for foreshadowing her death with flowers<br>&nbsp; - feels like she took flowers for granted, you don't have to take care of them, they are just gonna grow, so you can have as many as you want<br>  - narcissis the greek figure turned into a flower in his vain, hence the name<br>&nbsp; --&gt; same as her mother, knows she will be there, sort of takes her being there for granted and then feels guilty when she is no longer there for her<br>&nbsp; --&gt; idea of taking her mom for granted making her die more quickly?<br><br>Poem is styled&nbsp;<br>- 3, 3, 3, 3, 3, 3, 1<br>- italics, sets off flowers speaking to her</div>]]></description>
         <enclosure url="" />
         <pubDate>2022-04-14 19:22:11 UTC</pubDate>
         <guid>https://padlet.com/professordianapaulin/998l3o8jar97mn4c/wish/2144278474</guid>
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      <item>
         <title>Analysis</title>
         <author>ndyer13</author>
         <link>https://padlet.com/professordianapaulin/998l3o8jar97mn4c/wish/2144291626</link>
         <description><![CDATA[<div>Many religious undertones throughout the poem<br>- seems to understand nonreligious things more than religious things ie question mark after communion, questioning kneeling with their hands-- &gt; overall confusion around religion&nbsp;<br>- religion is harder to understand than what the body is saying&nbsp;<br>- very clear in understanding gestures that do not have anything to do with religion ie victory and peace&nbsp;<br>-"communion?"--&gt; represents becoming one, the promise of redemption, a silent gesture that requires faith, the speaker however wants words&nbsp;<br><br>Who is speaker? Natasha Trethewey ie author&nbsp;<br><br>Collection context, poem before is Graveyard Blues<br><br>Stanzas/Structure --&gt; groups in twos; sentences seem to never end, extremely long ie enjambment<br>- What does the structure of the poem do? Forces reader to pause and reflect, because each stanza is a little bit different&nbsp;<br><br>Speaker does not understand grief ie why their mother died--&gt; easy things to understand in life like the peace sign and a thumbs up; but grief is very hard to understand&nbsp;<br>- Figure described is someone in mourning, very obvious ie can't miss what the body is saying<br>- some things very easy to read; starts with figure on their knees and ends with figure on their knees, their hands are only just a little bit moved but that causes some confusion for the speaker--&gt; what is the body saying now?&nbsp;<br><br><br></div>]]></description>
         <enclosure url="" />
         <pubDate>2022-04-14 19:37:08 UTC</pubDate>
         <guid>https://padlet.com/professordianapaulin/998l3o8jar97mn4c/wish/2144291626</guid>
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      <item>
         <title>Analysis</title>
         <author>halliebachman</author>
         <link>https://padlet.com/professordianapaulin/998l3o8jar97mn4c/wish/2144292026</link>
         <description><![CDATA[<div>theme<br>- circular repeating loss<br>- thoughts around persons death keep going around<br><br>structure<br>- palandrome poem<br>- reads the same forward and backwards<br>- if we reordered the poem it would read literally the same<br>- same feelings, but slightly different, turned over and reordered, alludes to emotions<br>- Abaaba<br>&nbsp; &nbsp; - in triplets<br><br>vocabulary<br>- erebus - has to do with greek mythology<br>- personification of darkness in greek mythology or talking about the underworld<br>- has to do with death and place that they cant reach (rift, hallow, happens when she is asleep, slips into this place)<br>- line that repeats "forsaking" - again and again feeling betrayed by mothers death<br>- why is it called: "Myth"?&nbsp;<br>&nbsp; &nbsp; &nbsp;- Myth is a traditional story especially concerning early history of people trying to understand phenomenons - lots of time having supernatural beings<br><br>3 conclusions of what myth could mean<br>1. grief/death<br>2. people that are lost<br>3. subconscious considered mythological (feels like space)<br><br></div>]]></description>
         <enclosure url="" />
         <pubDate>2022-04-14 19:37:39 UTC</pubDate>
         <guid>https://padlet.com/professordianapaulin/998l3o8jar97mn4c/wish/2144292026</guid>
      </item>
      <item>
         <title>Analysis</title>
         <author>halliebachman</author>
         <link>https://padlet.com/professordianapaulin/998l3o8jar97mn4c/wish/2144306322</link>
         <description><![CDATA[<div>one of four of the scenes of a documentary of the mississippi<br>- goes in chronological order<br>- telling a story throughout time<br>- historic background behind stories about mississippi<br>- in "flood" references the national guard<br><br>central theme<br>- feeling of being left behind and having to catch up<br>- seem through speaker who is spectator of his young girl<br>- little girl is determined (going to library)<br>- library that girl is going to is segregated<br>- explains that the library is closed and out of reach and that the young girl would speak up<br>- taken as idea that the library is open to her but she still can't get to it<br>- idea of having to do a lot of catch up work to get simple things like a book<br><br>rhyme sceme<br>- ababa<br>- same as every other<br>- not structure of a complete sonnet<br>- written by white men about white experience and white beauty, so people felt left behind and like they had to catch up<br>- this being in semi-sonnet form, she almost makes it to library, the poem almost makes it to a sonnet&nbsp;<br>- repetition of title at the end of the library<br>    - the word wait heavily repeated<br><br>"You are late"<br>- to what?<br>- learning it was prohibited?<br>- for reasons that you couldn't get to the library when it was open?<br><br>imagery - almost like looking at picture<br>- book in hand<br>- library closed<br>- door just out of reach<br><br></div>]]></description>
         <enclosure url="" />
         <pubDate>2022-04-14 19:56:45 UTC</pubDate>
         <guid>https://padlet.com/professordianapaulin/998l3o8jar97mn4c/wish/2144306322</guid>
      </item>
      <item>
         <title>Analysis</title>
         <author>halliebachman</author>
         <link>https://padlet.com/professordianapaulin/998l3o8jar97mn4c/wish/2144311648</link>
         <description><![CDATA[<div>southern gothic - mode of literature<br>--&gt; dark humor, grotestque characters, humiliation, graphic and vivid imagery<br>racial slur for poor white person<br>glif - symbol, similar to hyrogliphics<br>--&gt; architechtual moment as well&nbsp;<br>- dark western-europeans style&nbsp;<br>- re-imagining of the midevil<br>- gargoyles&nbsp;<br>- has its own architecture<br>- "muck of ancestry"&nbsp;<br>&nbsp; &nbsp; - idea of their foundation sinking<br>&nbsp; &nbsp; - referencing to intergeneration racial mixing<br>&nbsp; &nbsp; - part of who she is in the moment but not forever because he can leave<br>- southern gothic specifically because she is from the south<br><br>Symbols<br>--&gt; prevalent in this poem<br>--&gt; when describing her parents body&nbsp;<br>--&gt; allusions to shape, talking about father<br><br>Style of this poem:<br>- round a bote<br>- 20 lines<br><br></div>]]></description>
         <enclosure url="" />
         <pubDate>2022-04-14 20:03:59 UTC</pubDate>
         <guid>https://padlet.com/professordianapaulin/998l3o8jar97mn4c/wish/2144311648</guid>
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      <item>
         <title>Analysis </title>
         <author>HermonieDixon</author>
         <link>https://padlet.com/professordianapaulin/998l3o8jar97mn4c/wish/2147684718</link>
         <description><![CDATA[<div>- Meter and rhyme scheme<br>- iambic pentameter&nbsp;<br>- heavy use of repetition<br>- first-person narration&nbsp;<br>- imagery of funeral/church<br>- mother's funeral&nbsp;<br>- grief, guilt<br>- seems to take place in both a graveyard and a church&nbsp;<br>---&gt; there is action&nbsp;<br>- memory recall/past tense&nbsp;<br>- ends in the present&nbsp;<br>- “Death stops the body's work, the soul's a journeyman."<br>---&gt; journeyman: a worker who has learned a trade and works for another person usually by the day<br>---&gt; the soul carries on after the body stops its work&nbsp;<br>- each stanza has its own rhyme scheme&nbsp;<br>---&gt; this creates rhythm&nbsp;</div>]]></description>
         <enclosure url="" />
         <pubDate>2022-04-18 23:53:01 UTC</pubDate>
         <guid>https://padlet.com/professordianapaulin/998l3o8jar97mn4c/wish/2147684718</guid>
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