https://padlet.com/torres_i7/92ljidlf3s9k As he walked home with silent companions - human for a bovine god to stare upon. en-us 2016-11-28 14:24:14 UTC 2016-11-29 03:02:11 UTC hello@padlet.com https://padlet-assets.s3.amazonaws.com/icons/Babyhead.png torres_i7 https://padlet.com/torres_i7/92ljidlf3s9k/wish/140183272 Joyce uses countless of images to personify the actual situation Stephen is in; The sense that appeals to the most is sight, his use of words such as beast (97) help visualize that although the scene is quite normal, he sees himself as a monster. ]]> 2016-11-28 14:35:11 UTC https://padlet.com/torres_i7/92ljidlf3s9k/wish/140183272 torres_i7 https://padlet.com/torres_i7/92ljidlf3s9k/wish/140184889 In the text, not much else is used to give a sense in any other field besides seeing and feel. Joyce places images such as "thick scum" to give the text a horror perception when all he was speaking about was grease on his lips. ]]> 2016-11-28 14:38:52 UTC https://padlet.com/torres_i7/92ljidlf3s9k/wish/140184889 torres_i7 https://padlet.com/torres_i7/92ljidlf3s9k/wish/140185017 The images Joyce leaves behind are quite dark and ominous; reflecting to his style that Joyce is excellent at exaggerating scenes that, if imaged, are quite normal. ]]> 2016-11-28 14:39:09 UTC https://padlet.com/torres_i7/92ljidlf3s9k/wish/140185017 torres_i7 https://padlet.com/torres_i7/92ljidlf3s9k/wish/140185101 Most of the images that Joyce portrays in this paragraph are quite dull. Such as when the text says "He pressed his face against the pane of the window and and gazed out into the darkening street. Forms passed this way and that through the dull light. And that was life". Nothing much more is happening but Joyce uses it to his advantage to write in a way that makes us believe Stephen has depression. ]]> 2016-11-28 14:39:20 UTC https://padlet.com/torres_i7/92ljidlf3s9k/wish/140185101 torres_i7 https://padlet.com/torres_i7/92ljidlf3s9k/wish/140185175 In my opinion, I believe its use is to relieve the reader; the rest of chapter 3 has dark motifs throughout and this excerpt is no exception. But reading the paragraph a bit of humor can be read on the way Joyce exaggerates; an example is when Stephen images a "grease-strewn" plate, although its simple, he uses it to describe himself as a monster leaving scraps around.]]> 2016-11-28 14:39:30 UTC https://padlet.com/torres_i7/92ljidlf3s9k/wish/140185175 torres_i7 https://padlet.com/torres_i7/92ljidlf3s9k/wish/140185265 The sound devices that come out the most is alliteration and internal rhyme; such as "hither and thither" and "gross grease". These help move the text by giving it a slow pulse, or a "stream of conscience" that add to Joyce's use of just writing down whatever passes through his head.]]> 2016-11-28 14:39:41 UTC https://padlet.com/torres_i7/92ljidlf3s9k/wish/140185265 torres_i7 https://padlet.com/torres_i7/92ljidlf3s9k/wish/140200138 This use of imagery that Joyce uses really gives a live life imagination to the writing he does, or the term already used for his writing "stream-of-conscience". ]]> 2016-11-28 15:11:22 UTC https://padlet.com/torres_i7/92ljidlf3s9k/wish/140200138 torres_i7 https://padlet.com/torres_i7/92ljidlf3s9k/wish/140391561 In Joyce's Portrait, Joyce continues his ominous writing but veers off from his use of the bible and hell. Instead, we see him view himself as a monster approaching his end or "judgement".]]> 2016-11-29 02:37:12 UTC https://padlet.com/torres_i7/92ljidlf3s9k/wish/140391561