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      <title>Literacies in Creative Nonfiction by Robjohn</title>
      <link>https://padlet.com/robjohn01/9175foqfhpl0fn5t</link>
      <description>Sifting through the facts</description>
      <language>en-us</language>
      <pubDate>2022-10-26 14:10:48 UTC</pubDate>
      <lastBuildDate>2022-11-03 21:30:12 UTC</lastBuildDate>
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         <title>Fact is Stranger than Fiction</title>
         <author>robjohn01</author>
         <link>https://padlet.com/robjohn01/9175foqfhpl0fn5t/wish/2361773138</link>
         <description><![CDATA[<div><br>It helps that my family love a good story. At gatherings, they tell and retell tales, honed over time, details exaggerated, funny lines sharpened. Quick on their Irish tongues, loosened by alcohol and laughter, their quips lay bare the foibles of others, or offer confessions of past mistakes softened and excused by the passage of time. There is almost a competition for who will speak next. They love talkers, entertainers, people who pay for their supper with a tale. <br><br>In one interview, Maeve Binchy stated that ‘Irish people in general have a talent for storytelling because they’re such wonderful talkers. It’s never a compliment in Ireland to be called a good listener, we prefer talkers and people who can tell us a tale,’ she says. ‘As a child I was the eldest and quite petted and spoilt. I was always encouraged to tell long, rambling stories.” (Pellegrino, 2010) <a href="https://www.nowtolove.co.nz/celebrity/celeb-news/an-interview-with-maeve-binchy-2482"><br></a><br></div><div>I am also the eldest and have told stories for most of my life but never shared them on paper until recently. The concretisation of words, solidifying a story in black and white, excites but scares me, especially as some are not my stories to share. I was always the <em>enfant terrible</em>, the one that asks embarrassing questions or tells awkward truths at parties, who wants to understand the truth behind the silences, the one to whom secrets are confided.&nbsp; <em>‘People tell you things, Rob. You have that sort of face,’</em> say friends.&nbsp;<br><br>Therefore, I know more about my aunts and uncles, more about my grandparents’ lives than my sisters do. I know more about my father-in-law’s family background and his stories in WWII in Africa than his sons who tuned out when he began to ramble. I like rambling … I pick up the pieces of stories each time they are told, hold them, examine them, see if they fit, look for consistencies and inconsistencies and finally put the puzzle back to construct a cohesive picture.</div><div><br></div>]]></description>
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         <pubDate>2022-10-29 23:42:31 UTC</pubDate>
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         <title></title>
         <author>robjohn01</author>
         <link>https://padlet.com/robjohn01/9175foqfhpl0fn5t/wish/2361775343</link>
         <description><![CDATA[<div>Barton, D &amp; Hamilton, M. (2012) <em>Local Literacies: Reading and Writing in One Community. </em>London: Routledge.<br><br>Birmingham Public Schools (no date) Types of Literacy. Available at <a href="https://www.google.com/url?sa=t&amp;rct=j&amp;q=&amp;esrc=s&amp;source=web&amp;cd=&amp;cad=rja&amp;uact=8&amp;ved=2ahUKEwijwcbOtvz6AhVRZ8AKHfmkChQQFnoECBgQAw&amp;url=https%3A%2F%2Fwww.birmingham.k12.mi.us%2Fcms%2Flib%2FMI01908619%2FCentricity%2FDomain%2F994%2FTypes%2520of%2520Literacies.pptx&amp;usg=AOvVaw1haV1eFSWDC14bdJQTWKwK">https://www.google.com/url?sa=t&amp;rct=j&amp;q=&amp;esrc=s&amp;source=web&amp;cd=&amp;cad=rja&amp;uact=8&amp;ved=2ahUKEwijwcbOtvz6AhVRZ8AKHfmkChQQFnoECBgQAw&amp;url=https%3A%2F%2Fwww.birmingham.k12.mi.us%2Fcms%2Flib%2FMI01908619%2FCentricity%2FDomain%2F994%2FTypes%2520of%2520Literacies.pptx&amp;usg=AOvVaw1haV1eFSWDC14bdJQTWKwK</a> (accessed 26 October 2022) <br><br>Brice Heath, S. (1994) What no bedtime story means: narrative skills at home and school. In Maybin, J. ed. <em>Language and Literacy in social practice. </em>Clevedon: Multilingual Matters., pp73-95 <br><br>Kay, A. (2017) This is Going to hurt: Secret Diaries of a Junior Doctor. [Kindle] London: Picador<br><br>Lynch, M. (2019) <em>What Are the 13 Types of Literacy? </em>Available at <a href="https://www.theedadvocate.org/what-are-the-13-types-of-literacy/">https://www.theedadvocate.org/what-are-the-13-types-of-literacy/</a>&nbsp; (accessed 26 October 2022)&nbsp;<br>&nbsp;<br>Martin-Jones, M. (2009) ‘From life worlds and work worlds to college: The</div><div>bilingual literacy practices of young Welsh speakers.’ <em>Wales Journal Of Education</em> 14(2) , pp45-62. Available at <a href="https://www.google.com/url?sa=t&amp;rct=j&amp;q=&amp;esrc=s&amp;source=web&amp;cd=&amp;cad=rja&amp;uact=8&amp;ved=2ahUKEwinorub4pL7AhWURUEAHcCKDPoQFnoECBMQAQ&amp;url=https%3A%2F%2Fjournal.uwp.co.uk%2Fwje%2Farticle%2F286%2Fgalley%2F305%2Fdownload%2F&amp;usg=AOvVaw0dC2gIvxQRdSmQyEatQAri">https://www.google.com/url?sa=t&amp;rct=j&amp;q=&amp;esrc=s&amp;source=web&amp;cd=&amp;cad=rja&amp;uact=8&amp;ved=2ahUKEwinorub4pL7AhWURUEAHcCKDPoQFnoECBMQAQ&amp;url=https%3A%2F%2Fjournal.uwp.co.uk%2Fwje%2Farticle%2F286%2Fgalley%2F305%2Fdownload%2F&amp;usg=AOvVaw0dC2gIvxQRdSmQyEatQAri</a> (accessed 02/11/2022)</div><div><br>MasterClass (2021) A Complete Guide to Writing Creative Nonfiction. Available at <a href="https://www.masterclass.com/articles/a-complete-guide-to-writing-creative-nonfiction">https://www.masterclass.com/articles/a-complete-guide-to-writing-creative-nonfiction</a> (accessed 02/11/2022)<br><br>NHS Health Education England (2020) <em>Health Literacy 'how to' guide. </em>Available at <a href="https://library.nhs.uk/wp-content/uploads/sites/4/2020/08/Health-literacy-how-to-guide.pdf">https://library.nhs.uk/wp-content/uploads/sites/4/2020/08/Health-literacy-how-to-guide.pdf</a> (Accessed on 26 October 2022) <br><br>Pellegino (2010) An interview with Maeve Binchy. Available at <a href="https://www.nowtolove.co.nz/celebrity/celeb-news/an-interview-with-maeve-binchy-2482">https://www.nowtolove.co.nz/celebrity/celeb-news/an-interview-with-maeve-binchy-2482</a> (accessed 30 Oct 2022) <br><br>Social Care Wales, (2017) Code of Professional Practice for Social Care [online] Available at <a href="https://socialcare.wales/cms_assets/file-uploads/Code-of-Professional-Practice-for-Social-Care-web-version.pdf">https://socialcare.wales/cms_assets/file-uploads/Code-of-Professional-Practice-for-Social-Care-web-version.pdf</a> (Accessed 11 July 2021).<br><br>White, D.S. and Le Cornu, A. (2011) Visitors and Residents: a new typology for online engagement First Monday 16 (9) available at <a href="http://firstmonday.org/ojs/index.php/fm/article/view/3171/3049">http://firstmonday.org/ojs/index.php/fm/article/view/3171/3049</a> (accessed 02/11/2020)<br><br></div>]]></description>
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         <pubDate>2022-10-29 23:53:22 UTC</pubDate>
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         <title>Blogs and &#39;Ladybird&#39; books</title>
         <author>robjohn01</author>
         <link>https://padlet.com/robjohn01/9175foqfhpl0fn5t/wish/2361795830</link>
         <description><![CDATA[<div>Until 2008, I cared for my father-in-law who had dementia. In the odd moments that he slept, I recorded brief moments from our life for Facebook, Twitter and a blog, relying on short, catchy pieces to grab the reader’s attention. The writing was immediate, vernacular using everyday speech and direct quotes. They were slightly arch and satirical making fun of a situation in public which was nearly killing us with exhaustion and frustration in private. Turning those ideas into spoofs of Ladybird books, I gave them away as Christmas presents for close family who knew the situation, hoping it would allow for the release of tension and a shared laugh at the absurdity of life.&nbsp;<br><br>I had to be careful because while controversy may be good for funneling traffic to your website, I have a responsible day job and must ‘act with integrity and uphold public trust and confidence in the social care profession’ (Social Care Wales, 2017). I stopped blogging when my father-in-law became too ill to understand what I was writing.&nbsp;<br><br>There were many shocking or humorous stories to tell but I cannot; not about him and not about the families I currently work with. Adam Kay (2017, 2019) wrote books about working within the NHS, but I noted he changed dates, times and names as in dealing with childbirth, he realised most parents would remember when their child was born and be able to identify themselves. Even anonymised, I am betraying a trust which could destroy a family’s faith in the services trying to help them. Not everything should be copy.</div>]]></description>
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         <pubDate>2022-10-30 01:17:20 UTC</pubDate>
         <guid>https://padlet.com/robjohn01/9175foqfhpl0fn5t/wish/2361795830</guid>
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         <title>Creative Non-Fiction</title>
         <author>robjohn01</author>
         <link>https://padlet.com/robjohn01/9175foqfhpl0fn5t/wish/2366664555</link>
         <description><![CDATA[<div>As the theme of my assignment, I will examine the texts, events and social practices involved in the art and act of storytelling within the genre of Creative Nonfiction (CNF). Writing creative nonfiction requires special attention to perspective and accuracy but allows writers to use the full range of creative techniques used by poets or novelists to engage and connect with the reader. It is more than just the facts, more than a Wikipedia entry, more than mere reporting in the dispassionate way of the bystander.&nbsp;<br><br>Gutkind (cited in MasterClass 2021) defines the essential elements of creative nonfiction as five “R’s”: real life, reflection, research, reading, and (w)riting. I will examine these in the next column. CNF is about real-life experiences, and like journalists, CNF writers go to places and people, immersing themselves in new experiences. “Reflection” means the writer finds a universal theme beyond self and connects with the reader.&nbsp;</div>]]></description>
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         <pubDate>2022-11-02 13:29:29 UTC</pubDate>
         <guid>https://padlet.com/robjohn01/9175foqfhpl0fn5t/wish/2366664555</guid>
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         <title>Flickr, Facebook etc.,</title>
         <author>robjohn01</author>
         <link>https://padlet.com/robjohn01/9175foqfhpl0fn5t/wish/2367226156</link>
         <description><![CDATA[<div>The source material for many stories is a photograph. You can see how small and damaged many photos were but carefully scanned or restored they proved invaluable prompts for writing creative non-fiction. The photographs are a valuable record in themselves. A set showing women who picked potatoes in the 1960s prompted many memories on a home town group on Facebook.&nbsp;People recalled names or pointed out family members to round out the stories.<br><br>The text produced varies depending on its end use. We know that Barton &amp; Hamilton (2012, p253) believe 'vernacular literacy practices can be contrasted with other, dominant literacy practices.' Below I will provide a few examples of the varied use of family history. &nbsp;</div>]]></description>
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         <pubDate>2022-11-02 18:49:23 UTC</pubDate>
         <guid>https://padlet.com/robjohn01/9175foqfhpl0fn5t/wish/2367226156</guid>
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         <title>Christmas Rhymes</title>
         <author>robjohn01</author>
         <link>https://padlet.com/robjohn01/9175foqfhpl0fn5t/wish/2367253825</link>
         <description><![CDATA[<div>My family is sentimental and loves nothing more than a story with them as the main characters - much as children love those books that include their names.&nbsp; For several Christmases, I found old photos I coloured and made into cards, adding rhyming doggerel (I would hardly call it poetry!) to tell the story behind the image. This one proved a great hit as it included two great aunts, two aunts and my mother. Over mince pies and sherry, they kept rereading it and adding to the story, remembering the excitement of Christmas when they were a child. They sat with young grandchildren reading it aloud, answering the obvious questions: "Who's that? When was it? Why didn't you have knickers on?" You know, obvious questions!&nbsp;</div>]]></description>
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         <pubDate>2022-11-02 19:10:48 UTC</pubDate>
         <guid>https://padlet.com/robjohn01/9175foqfhpl0fn5t/wish/2367253825</guid>
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         <title>Biography without family</title>
         <author>robjohn01</author>
         <link>https://padlet.com/robjohn01/9175foqfhpl0fn5t/wish/2367254306</link>
         <description><![CDATA[<div>The enjoyable part of biography for me is the social activity – reminiscing, learning new things from others or research, checking out that learning with family or friends. When I wrote my final 15,000-word piece for the MA, I concentrated on the years 1977 to 1981 when I was living with my father and his wife in Milford Haven. I changed some names for their sake and had to play down events – fact is stranger than fiction and to be believed it needs the colour turned down from eleven. This was a different experience as I had been estranged from my Irish family at the time. I couldn’t use them to bounce ideas or chat about that time. I don’t speak with my father; my sisters try not to engage in conversations that force them to confront the truth. Research was more about the time setting and a bit of soul searching on my behalf. The event or social practice was different, isolating and it made me think how lucky I was to have my mother’s family in my life for most of my sixty years.&nbsp;</div>]]></description>
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         <pubDate>2022-11-02 19:11:07 UTC</pubDate>
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         <title>1: Real Life</title>
         <author>robjohn01</author>
         <link>https://padlet.com/robjohn01/9175foqfhpl0fn5t/wish/2367336791</link>
         <description><![CDATA[<div>Considering Gutkind’s 5 R’s (Real life, Reflection, Research, Reading, (w)riting) the event of producing CNF begins with real life, whether one-to-one conversations or large family gatherings. These seem natural and free flowing, but Gee (1990, cited in Barton &amp; Hamilton, 2012, p253) argues that vernacular literacies are not unencumbered by social institutions. They remain ‘subject to the social pressures of the family and other social groups and they are regulated by them.’&nbsp;<br><br>My family promulgated a shared understanding of our lives but, as with many mystery novels, those stories were told by unreliable narrators who sometimes told half-truths or made facts palatable to avoid any issues that were distasteful to older generations: adoption, alcoholism, cancer, child deaths, etc.,&nbsp;<br><br>Some stories were never told fully, such as Gramps’ ship being torpedoed in WWII – he never told us fully about the bodies of comrades floating in the dark freezing waters which upset him, preferring to concentrate on the funnier moments (when they thought white uniforms signified a trip to the tropics only to find themselves running back and forth to Iceland) or neutral moments such as teaching me how to do semaphore or morse code.&nbsp;</div>]]></description>
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         <pubDate>2022-11-02 20:23:09 UTC</pubDate>
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         <title>2: Reflection</title>
         <author>robjohn01</author>
         <link>https://padlet.com/robjohn01/9175foqfhpl0fn5t/wish/2367378850</link>
         <description><![CDATA[<div>Years of counselling practice and social work have helped me to listen closely to the stories people say aloud, and the ones that are put together from what is not said. It also helped me know what not to tell. When in despair or going through hard times, Gramps would say, <em>‘This will be good for a story, someday,’ </em>but how long must pass before it is the right time to tell all. I realised that some family stories did not fit together. How can Gramps’ father die when he was young, but he has a sister 30 years younger than himself?&nbsp; Ask which are the real siblings and you will be told they are all his sisters and brothers. Ask twice and you risk a swift slap! It is noble but a nuisance if you are considering who to approach for a spare kidney.&nbsp;<br><br></div><div>Truth is subjective and more than mere facts, it is what one believes, and people are willing to believe all sorts of lies if they are told convincingly and often. The “Big Lie” was defined by Goebbels in WWII and propagated by Trump in the 2020 US elections. For me, it is little white lies that have become embedded over years. Robert Breault (n.d.) is quoted as saying, “Somewhere between the honest truth and the deceptive lie is the deceptive truth and the honest lie.” My reflection on these issues led to more questions so I knew I had to do some research but still worried about countering the dominant story and falling out with family.&nbsp;</div>]]></description>
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         <pubDate>2022-11-02 21:08:23 UTC</pubDate>
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         <title>3: Research</title>
         <author>robjohn01</author>
         <link>https://padlet.com/robjohn01/9175foqfhpl0fn5t/wish/2367419503</link>
         <description><![CDATA[<div>I began my research by asking family about the past and sifting through photographs. I think their approach to the past is summed up by <strong><em>I'll Never Forget What's 'Isname</em></strong><strong>. </strong>‘That’s Mrs… thing, you remember her, from down, ooh you know…, by the factory.’ No, I don’t know. &nbsp;<br>&nbsp;<br>Some photos dated back to the 1930s and were not always crisp and bright. Gramps had taken up photography in the fifties but was mean with paper and solutions, producing tiny prints that quickly turned brown. Finding them in old handbags and biscuit tins, it took me ages to scan and process them, guessing whose head had been cut out to place in a locket or which photos went together based on size or framing. This contrasted sharply with my partner’s family who kept excellent albums, collating photos based on events or holidays and adding handwritten notes and dates explaining who was present and where it was taken. His parents were both university-educated librarians and were early adopters of new technology. Mine are blue-collar workers who still haven’t had cinefilms from 1962 transferred to video.&nbsp;</div><div>&nbsp;</div><div>I did my best to sort and collate them before scanning and storing them online with all my photographs on Flickr and external hard drives. I gave the family access to Flickr and a DVD containing a copy of all my grandparents’ photos – hundreds of them all indexed for ease. I hoped my aunts would join me in my research, but they are mostly digital visitors rather than digital residents (white and Le Cornu, 2011). Some can use one app in some basic way such as eBay, Skype, Facebook.&nbsp;</div><div>&nbsp;</div><div>I produced a comprehensive family tree, joining Ancestry.com and gathering many records of births, marriages and deaths. I loved tracking down records, but I recognised some of my limitations. I employed a researcher to find out more about older family members in Belfast learning in the process that my family had included people who did not read or write – making Xs on documents they couldn’t read, leading to people using names that were not correct.&nbsp;</div>]]></description>
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         <pubDate>2022-11-02 22:01:11 UTC</pubDate>
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         <title>Reading </title>
         <author>robjohn01</author>
         <link>https://padlet.com/robjohn01/9175foqfhpl0fn5t/wish/2367455289</link>
         <description><![CDATA[<div>I knew when I was beaten and ended up producing a large format photobook for each of them, then sat and talked through the photos, revising what I knew based upon their conversation and corrections. I made it jokey and personal, writing from my point of view. I was worried they might feel I was hijacking our history, but I presented them with a copy each at Christmas and they loved it.&nbsp; &nbsp;</div><div>&nbsp;</div><div>Reading is their dominant and preferred form of literacy. Deafness means they even read TV programmes with subtitles on and sound off. My mother’s side of the family are big readers and instilled this in me, so much so that I could read and write before school. Great library goers, they ensured we read what we wanted and were always happy to read with us.&nbsp; Gramps’ valued knowledge and was interested in the history and science of his hobbies.&nbsp;</div><div>&nbsp;</div><div>By contrast, my father’s family never read anything harder than the Sun or Daily Mirror. My stepmother owned two books. A copy of <em>Enquire Within Upon Everything</em> from nineteen-nought-spit told you how to address a letter to a Bishop or remove stains from woollen carpets. She’d never written a letter to my knowledge, nor allowed stains on the foam-backed nylon shagpile. The more recent <em>Dairy Book of Home Cooking</em> was purchased on the doorstep from the milkman at my urging. My dad enlarged this library by fifty per cent when he moved in with his <em>Observer’s Book of Dogs. </em>They were all stuffed into a drawer of the kitchen cabinet. Photos are hidden away, going mouldy in an attic or stuffed to the back of cupboards; there are none of those mementoes you see in other homes – school photos, wedding albums etc.&nbsp;<br><br>I found it interesting to read Brice Heath’s (1994) notion of differing literacies practised within families in Tracton, Maintown and Roadville.&nbsp; I could see how the storytelling of my mother’s family, and their interest in literacy for education and social capital as well as pleasure had given me a resilient approach to continue reading, writing and drawing even when those around me only valued active and social pastimes such as fishing or gardening.&nbsp;</div>]]></description>
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         <pubDate>2022-11-02 22:56:43 UTC</pubDate>
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         <title>Writing</title>
         <author>robjohn01</author>
         <link>https://padlet.com/robjohn01/9175foqfhpl0fn5t/wish/2367514863</link>
         <description><![CDATA[<div>I will address the various ways that I used the research and family history in the next column. Some predate doing a creative writing course, were naive attempts and written for different audiences. Throughout the period there was a blog, some parody children's books, poems used for Christmas cards and long-form stories written both as fiction and non-fiction. The common theme was the copious note-taking and planning on index cards, post-it notes and notebooks before branching out to include spreadsheets and online plotting devices.&nbsp; During a telephone conversation with a great aunt, I covered 22 index cards as she regaled me with comical stories of a friend of hers I had known as a child. It took me much longer to wrangle my&nbsp;notes into a short story <strong><em>"May McBride on trial: the fur coat and the chip fat"</em></strong><br><br></div>]]></description>
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         <pubDate>2022-11-03 00:17:02 UTC</pubDate>
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         <title></title>
         <author>robjohn01</author>
         <link>https://padlet.com/robjohn01/9175foqfhpl0fn5t/wish/2368091874</link>
         <description><![CDATA[<div>The image shows seven types of Literacy from Birmingham (n.d), while Lynch (2019) lists 13 types. Let's explore how some of these were used in planning and writing, including...<br>&nbsp;<br><strong><em>DIGITAL LITERACY</em></strong><strong> </strong>now that all records are online. This involves consideration of census data and records held by the General Registry Officer such as births, marriages and deaths. I was able to find out who had married a shade too close to their eldest child being born, occupations and addresses at the time etc., I can look up old maps, companies and work places, go to discussion groups dedicated to areas I lived. In addition, I used technology to share my findings with others including family.<br>&nbsp;<br><strong><em>CRITICAL LITERACY</em></strong> to decide whose voices are being heard or silenced. All stories are told from someone’s perspective but needs to be fair to others and one-sided reports from others that might need consideration – what was meant by what was being said? What matters to the individual? Are we typical or atypical of our community? Vernacular or common English may be used in oral history so when I transcribe it do I tidy it up or leave it raw? Critical literacy considers the underlying messages once texts are analysed.<br> <br><strong><em>CULTURAL LITERACY</em></strong> to understand the stories in relation to the Welsh/Irish context – how do we raise children or care for older people in Wales. What was different in the fifties or sixties? What do we consider ‘at risk’ or ‘vulnerable’ to mean now compared to how we treated older people in the seventies?&nbsp; ‘The culturally literate person is able to talk to and understand others of that culture with fluency, while the culturally illiterate person fails to understand culturally-conditioned allusions, references to past events, idiomatic expressions, jokes, names, places, etc.’ (Birmingham Public Schools, n.d.).&nbsp;<br><br>Examples:&nbsp;</div><ul><li>I used the word ‘mitched’ to mean bunking off school in Wales and my tutor had never heard of it. The Model School is simply a grammar in Ireland not somewhere that teaches how to pose and catwalk.&nbsp;</li><li>I had no idea why so many people were employed as Tea Makers on farms in Pembrokeshire at the beginning of the 20th century.&nbsp; Damned cursive scribbles!! Turns out they were men who drove wagons pulled by oxen etc, "Teamsters."</li><li>Until recently, no family had Welsh names nor spoke Welsh. Most family have biblical names and often recycle names in every generation. One has to ask if you mean my Aunt Jean or Aunt Jean’s Aunt Jean, Nanny Lilian or Aunt Lilian, etc. The addition of Alys, Cerys and Megan in the youngest generation, (alongside Poppy and others) makes life simpler and more colourful.&nbsp;</li></ul><div>&nbsp;<br><strong><em>MEDIA LITERACY</em></strong> to analyse and evaluate how individuals and families may see things as opposed to how newspapers reported it in real time. I took out a subscription that allowed me to view old papers and it was interesting to see how mundane the headlines, and how commonplace the adverts were during the height of the troubles. When pubs were being blitzed the papers reported on a couple who had eloped to Gretna Greene.</div><div>&nbsp;</div><div><strong><em>FINANCIAL LITERACY</em></strong> not only to gather figures about wages and prices in past times but to help budget for buying certificates and employing researchers when necessary.</div><div>&nbsp;</div><div><strong><em>HEALTH LITERACY</em></strong> as defined by WHO according to NHS Health Education England (2020) refers to the personal characteristics and social resources needed for individuals and communities to access, understand, appraise and use information and services to make decisions about health. Health literacy includes the capacity to communicate, assert and enact these decisions. I had been told that my mother had died from Leukaemia six months after my youngest sister was born, but the death certificate tells me it was just three months and the cause of death was cervical cancer. It was important to share this information with my sisters.<br> <br><strong><em>EMOTIONAL LITERACY</em></strong> is linked to emotional intelligence to comprehend the situation in a holistic way. Also, it helps deal with discussing shared histories that may feel uncomfortable or be remembered by others differently. Younger generations were unaware of how socially unacceptable it was to discuss divorce, child deaths, disease or homosexuality.&nbsp; ‘Living in sin’, ‘having a child on the wrong side of the blanket’ or ‘marrying a black man’ were knowing asides said in whispers.&nbsp;</div>]]></description>
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         <pubDate>2022-11-03 08:59:25 UTC</pubDate>
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         <title>Biography as Essay </title>
         <author>robjohn01</author>
         <link>https://padlet.com/robjohn01/9175foqfhpl0fn5t/wish/2368641663</link>
         <description><![CDATA[<div>Two early pieces of writing involved my life in Belfast and Wales and how my interactions with each family differed. <strong>‘On lessons learnt when buying shoes’</strong> necessitated conversations with family to help my thoughts coalesce. My Irish family love talking about what the younger generation calls the “olden days” i.e., the 1970s. However, their memory is faulty; I needed to research further on a few details such as:&nbsp;</div><ul><li>How old was Gramps in 1972?&nbsp;</li><li>Explain his ‘fashion’ choices – dead men’s suit, mutilated slippers and jumpers with sleeves cut short.&nbsp;</li><li>Legal basis for Direct Rule in NI and closure of Stormont;&nbsp;</li><li>uniform and role of the Corps of Commissionaires,&nbsp;</li><li>police radio broadcasts, NATO alphabet, semaphore and morse code.&nbsp;</li><li>The Austin 40 car, Haines Manual, Araldite.&nbsp;</li><li>Trips to Bangor.&nbsp;</li><li>Bloody Friday. The “ring of steel” security measure around the city centre.</li><li>Clark’s dance school.&nbsp;</li><li>Judo and Boxing.&nbsp;</li><li>Fashion tips for safety and personal safety for pretty young boys!&nbsp;</li><li>Boys’ fashions – corduroy, Beatles haircuts, Donny Osmond caps…&nbsp;</li></ul><div><br>These details were woven into the text for verisimilitude but only covered the first 500 words of the story. Any one bullet point resulted in meandering conversations about Belfast right back to the aunts’ younger days in the 1950s, creating triggers for future pieces of writing.</div>]]></description>
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         <pubDate>2022-11-03 15:13:22 UTC</pubDate>
         <guid>https://padlet.com/robjohn01/9175foqfhpl0fn5t/wish/2368641663</guid>
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         <title>Numeracy</title>
         <author>robjohn01</author>
         <link>https://padlet.com/robjohn01/9175foqfhpl0fn5t/wish/2368973908</link>
         <description><![CDATA[<div><strong><em>NUMERACY</em></strong><strong> </strong>is important when<strong> </strong>dealing with dates, ages, timings and the sequencing of events. I needed dates of birth, marriage and death, which gave me ages for some and others I had to make guesses for. Numbers of children, house numbers, post codes, the registration numbers for certificates etc., It was not as easy to find some people on the indexes as they may have told a few fibs about when they were born – all women were said to be 21 in my childhood.&nbsp;Also, numbers and text are often in scribbly Victorian cursive. </div>]]></description>
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         <pubDate>2022-11-03 18:34:37 UTC</pubDate>
         <guid>https://padlet.com/robjohn01/9175foqfhpl0fn5t/wish/2368973908</guid>
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         <title>Emotional Literacy</title>
         <author>robjohn01</author>
         <link>https://padlet.com/robjohn01/9175foqfhpl0fn5t/wish/2369119114</link>
         <description><![CDATA[<div>https://www.theraplatform.com/blog/486/what-is-emotional-literacy</div>]]></description>
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         <pubDate>2022-11-03 20:44:42 UTC</pubDate>
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         <title>What not to Tell</title>
         <author>robjohn01</author>
         <link>https://padlet.com/robjohn01/9175foqfhpl0fn5t/wish/2369151259</link>
         <description><![CDATA[<div>Like most families, mine has secrets. For periods, I lived with my grandparents, aunts, or my father and his wife. The result is a fractured history. It has taken me time to piece certain facts together. Therefore, my use of vernacular or everyday literacy falls into two categories as delineated by Barton &amp; Hamilton (2012, p249-250). One is <strong><em>documenting life</em></strong>, sifting through all the records available especially photographs and capturing oral stories onto paper. The second is <strong><em>sense-making</em></strong>, considering my experience alongside other similar perspectives of fractured childhoods including those written by comedians who use humour to overcome adversity alongside LGBTQ+ authors. These included:&nbsp;</div><ul><li>Crisp, Q. (1968) The Naked Civil Servant. London: Penguin</li><li>Davies, A. (2021) Just Ignore Him. London: Little, Brown</li><li>Godley, J. (2005) Handstands in the Dark&nbsp;</li><li>James, C. (2015) Unreliable Memoires. London: Picador&nbsp;</li><li>Kay, A. (2017) This is Going to hurt: Secret Diaries of a Junior Doctor. [Kindle] London: Picador</li><li>Kay, J. (1991) The Adoption Papers. Hexham: Bloodaxe Books</li><li>Liz Lochhead: 'Kidspoem/Bairnsang' (2010) YouTube video, added by MediaMattersVideo [Online]. Available <a href="https://www.youtube.com/watch?v=L2PfrDrAIR0">https://www.youtube.com/watch?v=L2PfrDrAIR0</a> (Accessed 10 July 2021)</li><li>Self, W. (2020) Will. London: Penguin</li><li>Sissay, L. (2019) My Name is Why. Edinburgh: Canongate Books.</li><li>Winterson. J (1985) Oranges Are Not the Only Fruit. London: Pandora Press</li><li>Winterson. J (2012) Why Be Happy When You Could Be Normal? London: Vintage</li></ul>]]></description>
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         <pubDate>2022-11-03 21:23:28 UTC</pubDate>
         <guid>https://padlet.com/robjohn01/9175foqfhpl0fn5t/wish/2369151259</guid>
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