https://padlet.com/kaitlinrikala/90s0tm0awjtsge63 en-us 2021-04-18 18:06:38 UTC 2025-11-02 00:49:18 UTC hello@padlet.com mulltj8438 https://padlet.com/kaitlinrikala/90s0tm0awjtsge63/wish/1447267733 Yes it can be obviously implied that her mistreatment as a women would be able to be illustrated as she is not only attacking the viewers perception of her but also the attacking the oppressed examination of the feminine frame through the embodiment of social indifferences ]]> 2021-04-22 13:51:36 UTC https://padlet.com/kaitlinrikala/90s0tm0awjtsge63/wish/1447267733 https://padlet.com/kaitlinrikala/90s0tm0awjtsge63/wish/1447267938 We talked a lot about the nature of nudity and how nudity does not always equal sexual. Along questioning  why do people imply this type of work to be sexual. We also begin to question what the difference between mediums and how it affects the idea of pornography and the action of creating genital.  We briefly mentioned how female nude models throughout art history have negatively viewed and seen as prostitute. ]]> 2021-04-22 13:51:38 UTC https://padlet.com/kaitlinrikala/90s0tm0awjtsge63/wish/1447267938 https://padlet.com/kaitlinrikala/90s0tm0awjtsge63/wish/1447270769 I don't know if this fully answers the question but yeah. The artwork is Plate 55 from 'Los Caprichos': Until death' Goya 1799 Print. Looking at this artwork you can see a woman who seems happy about how she looks and putting on a head piece of some sort. Where as in the background you can see people looking at her and laughing, maybe because of the hat or her appearance. I think this is could be an example of the high expectation and standards woman are expected to perform on a social level.   

Link to artwork: https://www.metmuseum.org/art/collection/search/369649?exhibitionId=%7B798ad9ef-6242-4fd5-b966-89484b3bae22%7D&oid=369649&pkgids=679&pg=0&rpp=20&pos=22&ft=*&offset=20 ]]> 2021-04-22 13:52:10 UTC https://padlet.com/kaitlinrikala/90s0tm0awjtsge63/wish/1447270769 https://padlet.com/kaitlinrikala/90s0tm0awjtsge63/wish/1447273835 Page 62 mentions three representative practices of recent feminist art history. I see a connection with the second practice of "critiquing and deconstructing authority, institutions, and ideologies and/or examining resistances to them". I think it is pretty clear that Schneemann is examine and performing resistance to these ideologies attached to women.]]> 2021-04-22 13:52:43 UTC https://padlet.com/kaitlinrikala/90s0tm0awjtsge63/wish/1447273835 https://padlet.com/kaitlinrikala/90s0tm0awjtsge63/wish/1447279622 Subverting the male gaze, rejecting to be sensitive to the male gaze and present the female form as a sexual one. Rebelling against male forms and their oppression by very plainly and outwardly rejecting to be sensitive to patriarchal systems. Gentileschi’s experiences as a women and with sexual assault most definitely would influence what is depicted in her art, a way to turn the violence she experienced by men back at them by rejecting to be sensitive to patriarchal norms]]> 2021-04-22 13:53:45 UTC https://padlet.com/kaitlinrikala/90s0tm0awjtsge63/wish/1447279622