Use this bottom up method as way to site install our work.

Perhaps think about doorway into room as human proportions, could we change these, or refer to other proportions or liminality that connects with our works.

Curation/installation as bottom-up playful critical experimentation, perhaps each of us write ‘love letter’ to part of room we feel most kinship with, then map from that, how can that lead how we show work/ experience of viewer.

In essence, how can we playfully install our work and create experience for viewer that confounds showing work that’s about complex interspaces entanglements in a white wall/anodyne/office/institutional room?

-bottom up strategies

-affect and criticality leading siting/showing

-experiment and play

-highlight aspects of room and confluences/contrasts/connections with work shown

-share some of the critical embodied more than human mapping strategies and approaches of our field collective

‘Agentic Assemblages’

‘Thing Power’

‘Sedimentation and Substance’

Jane Bennet

‘Precarity’

‘At the end of the world’

Tsing