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      <title>My exquisite wall by Aljeanna Johnson</title>
      <link>https://padlet.com/aljeanna_sahai/8lypex28d8u3</link>
      <description>Problematizing The Canon</description>
      <language>en-us</language>
      <pubDate>2018-02-12 01:08:17 UTC</pubDate>
      <lastBuildDate>2026-02-09 20:35:59 UTC</lastBuildDate>
      <webMaster>hello@padlet.com</webMaster>
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         <title>Houston Symphony Orchestra </title>
         <author>aljeanna_sahai</author>
         <link>https://padlet.com/aljeanna_sahai/8lypex28d8u3/wish/230444878</link>
         <description><![CDATA[<div>&nbsp;On February 15th through the 18th, Andres Orozco-Estrada, with guest concertmaster Richard Lin Dvorak's, will conduct the Houston orchestra's European Tour Preview Concert's critically acclaimed recordings of Dvorak's Symphony NO. 7. This music has be said to be a perfect match for the Houston symphony orchestra.&nbsp;</div>]]></description>
         <enclosure url="" />
         <pubDate>2018-02-12 01:23:41 UTC</pubDate>
         <guid>https://padlet.com/aljeanna_sahai/8lypex28d8u3/wish/230444878</guid>
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      <item>
         <title>How does the Houston Symphony &quot;innovate&quot;?</title>
         <author>aljeanna_sahai</author>
         <link>https://padlet.com/aljeanna_sahai/8lypex28d8u3/wish/230447573</link>
         <description><![CDATA[<div>The Houston Symphony Orchestra "innovates" by performing popular prices of music. As stated in Jordan Bates' Article, "Literary canons permeate society on many levels and have undoubtedly shaped everyones world view", that being said, canons are a very powerful influence in music. Through the use of numerous cannons, during the holiday season, Houston Symphony Orchestra draws in their highest attendance rates by making it a point to perform the best 15 classical pieces written during Christmas time each holiday season.Those consisting of: Corelli's Christmas&nbsp; Concerto, Bach's Christmas Oratorio, Handel's Messiah, Mozart's Sleigh Ride, and many more.</div>]]></description>
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         <pubDate>2018-02-12 01:43:21 UTC</pubDate>
         <guid>https://padlet.com/aljeanna_sahai/8lypex28d8u3/wish/230447573</guid>
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         <title>My Music Preference for the Houston Symphony Orchestra </title>
         <author>aljeanna_sahai</author>
         <link>https://padlet.com/aljeanna_sahai/8lypex28d8u3/wish/230448284</link>
         <description><![CDATA[<div>As a frequent visitor to the Houston Symphony Orchestra, I will their selection in repertoire satisfies my preference. Every time I have attended a concert I have received a different feeling, yet still enjoyable, different time period, composer, and set of arrangements. Houston symphony keeps their repertoire very fresh and diverse. For the reason of the diversity in their selection of performance music, I definitely feel included or 'in the music'.</div>]]></description>
         <enclosure url="" />
         <pubDate>2018-02-12 01:48:36 UTC</pubDate>
         <guid>https://padlet.com/aljeanna_sahai/8lypex28d8u3/wish/230448284</guid>
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      <item>
         <title>Chicago Symphony Orchestra</title>
         <author>aljeanna_sahai</author>
         <link>https://padlet.com/aljeanna_sahai/8lypex28d8u3/wish/230450290</link>
         <description><![CDATA[<div>After tuning into the Chicago Symphony Orchestra's radio for a full week (January 28th 2018), I obtained plenty of information about the symphony. During this week Riccardo Muti lead CSO's first performances of Sergi Prokofiev's<em> Ivan the Terrible</em>, composed for the 1944 film. Without even watching the film and no background knowledge of the composer or agenda, I was able to experience a thrilling mixture of battle sequences, brooding choruses, and grand coronation. The symphony brought together the Chicago Symphony Chorus, Chicago Children's Choir, vocal soloists and narrators.</div>]]></description>
         <enclosure url="" />
         <pubDate>2018-02-12 02:05:12 UTC</pubDate>
         <guid>https://padlet.com/aljeanna_sahai/8lypex28d8u3/wish/230450290</guid>
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      <item>
         <title>My Music Preference for the Chicago Symphony </title>
         <author>aljeanna_sahai</author>
         <link>https://padlet.com/aljeanna_sahai/8lypex28d8u3/wish/230458055</link>
         <description><![CDATA[<div>As a newly acquired Chicago Symphony Orchestra listener I have only been able to develop a small opinion on what i would like to hear performed by their orchestra. When I was listening to the CSO broadcast I gathered a new taste of music, a bit of history, and story line all throughout the performance of Prokofiev's <em>Ivan the Terrible. I enjoyed this experience because I have never been able to receive&nbsp;this amount of emotion and history of a piece at once.</em></div>]]></description>
         <enclosure url="" />
         <pubDate>2018-02-12 03:03:02 UTC</pubDate>
         <guid>https://padlet.com/aljeanna_sahai/8lypex28d8u3/wish/230458055</guid>
      </item>
      <item>
         <title>How does the Chicago Symphony &quot;innovate&quot;?</title>
         <author>aljeanna_sahai</author>
         <link>https://padlet.com/aljeanna_sahai/8lypex28d8u3/wish/230459310</link>
         <description><![CDATA[<div>The Chicago Symphony Orchestra has a variety of pieces that are performed annually. I am quite intrigued by their popular efforts to deliver orchestra productions of 'sound and stories'.</div>]]></description>
         <enclosure url="" />
         <pubDate>2018-02-12 03:14:40 UTC</pubDate>
         <guid>https://padlet.com/aljeanna_sahai/8lypex28d8u3/wish/230459310</guid>
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