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      <title>2ª parte Trabajo investigacion Musica (Romanticismo) by Santiago Miguel Rodriguez Fernandez</title>
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      <language>en-us</language>
      <pubDate>2020-05-05 09:27:31 UTC</pubDate>
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         <title>El Romanticismo</title>
         <author>sanrod1</author>
         <link>https://padlet.com/sanrod1/8hdhw27xefjp8rum/wish/551547982</link>
         <description><![CDATA[]]></description>
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         <pubDate>2020-05-05 09:30:15 UTC</pubDate>
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         <title>Fecha</title>
         <author>sanrod1</author>
         <link>https://padlet.com/sanrod1/8hdhw27xefjp8rum/wish/551549580</link>
         <description><![CDATA[<div>Romanticismo temprano <br>(1800-1830), Romanticismo pleno (1830-1850), Romanticismo tardío</div><div>(1850-1890) y Posromanticismo (1890-1914)</div><div><br></div>]]></description>
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         <pubDate>2020-05-05 09:30:57 UTC</pubDate>
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         <title>Características musicales</title>
         <author>sanrod1</author>
         <link>https://padlet.com/sanrod1/8hdhw27xefjp8rum/wish/551551703</link>
         <description><![CDATA[<div>·Se desarrolla la tonalidad</div><div>·Se utilizan armonías disonantes</div><div>·Se desarrolla la música de programa o descriptiva</div><div>·Las formas clásicas se modifican libremente. De las grandes formas instrumentales</div><div>predominan la sonata, la sinfonía y el concierto</div><div>·Destaca como la más romántica la pequeña forma mixta denominada lied</div><div>·De las grandes formas mixtas destacan la ópera y el oratorio. Surge la opereta y continúa la zarzuela</div><div><br></div>]]></description>
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         <pubDate>2020-05-05 09:31:45 UTC</pubDate>
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         <title>Audiciones 1ª</title>
         <author>sanrod1</author>
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         <description><![CDATA[<div><a href="https://www.youtube.com/watch?v=vgNp6euVsbQ">Ave María, F. Schubert (1797-1828)</a></div>]]></description>
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         <pubDate>2020-05-05 09:32:21 UTC</pubDate>
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         <title>Audiciones 2ª</title>
         <author>sanrod1</author>
         <link>https://padlet.com/sanrod1/8hdhw27xefjp8rum/wish/551557220</link>
         <description><![CDATA[<div><a href="https://www.youtube.com/watch?v=tgA9OrV2DI4">Nocturno en Mi bemol mayor Op. 9 n.o 2, F. Chopin (1810-1849)</a></div>]]></description>
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         <pubDate>2020-05-05 09:34:03 UTC</pubDate>
         <guid>https://padlet.com/sanrod1/8hdhw27xefjp8rum/wish/551557220</guid>
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         <title>Tipos de obras instrumentales</title>
         <author>sanrod1</author>
         <link>https://padlet.com/sanrod1/8hdhw27xefjp8rum/wish/551559670</link>
         <description><![CDATA[<div>Predominan la sinfonía orquestal, el concierto, la sonata y las pequeñas formas para piano</div><div>(fantasía, preludio, nocturno, vals, polonesa, etc.), el lied y la ópera</div><div><br></div>]]></description>
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         <pubDate>2020-05-05 09:35:10 UTC</pubDate>
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         <title>Música escénica</title>
         <author>sanrod1</author>
         <link>https://padlet.com/sanrod1/8hdhw27xefjp8rum/wish/551561842</link>
         <description><![CDATA[<div>·Ópera italiana.</div><div>·Ópera francesa.</div><div>·Ópera alemana.</div>]]></description>
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         <pubDate>2020-05-05 09:36:05 UTC</pubDate>
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         <title>Instrumentos empleados</title>
         <author>sanrod1</author>
         <link>https://padlet.com/sanrod1/8hdhw27xefjp8rum/wish/551563959</link>
         <description><![CDATA[<div>Destacan el violín, la guitarra y el arpa</div>]]></description>
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         <pubDate>2020-05-05 09:36:59 UTC</pubDate>
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         <title>Compositores</title>
         <author>sanrod1</author>
         <link>https://padlet.com/sanrod1/8hdhw27xefjp8rum/wish/551565759</link>
         <description><![CDATA[<div>·L. V. Beethoven (1770-1827).</div><div>·C. M.a V. Weber (1786-1826).</div>]]></description>
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         <pubDate>2020-05-05 09:37:46 UTC</pubDate>
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         <title>Piano (explicación breve)</title>
         <author>sanrod1</author>
         <link>https://padlet.com/sanrod1/8hdhw27xefjp8rum/wish/551567344</link>
         <description><![CDATA[<div>El mecanismo de percusión del piano es un complejo conjunto de palancas cuyo principal objetivo es controlar el golpe del macillo a la cuerda y ofrecer la posibilidad de que el pianista pueda modular a su gusto la expresión del sonido del instrumento.</div><div><br></div>]]></description>
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         <pubDate>2020-05-05 09:38:29 UTC</pubDate>
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         <title>Violín</title>
         <author>sanrod1</author>
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         <pubDate>2020-05-05 09:39:14 UTC</pubDate>
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         <title>Guitarra</title>
         <author>sanrod1</author>
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         <pubDate>2020-05-05 09:41:06 UTC</pubDate>
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         <title>Beethoven</title>
         <author>sanrod1</author>
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         <pubDate>2020-05-05 09:42:05 UTC</pubDate>
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         <title>Carl Maria von Weber</title>
         <author>sanrod1</author>
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         <pubDate>2020-05-05 09:44:58 UTC</pubDate>
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