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      <title>Storyboard by Michael Repper-Molina</title>
      <link>https://padlet.com/mirep15/8fxfi91k83e83zr5</link>
      <description></description>
      <language>en-us</language>
      <pubDate>2025-10-20 15:27:21 UTC</pubDate>
      <lastBuildDate>2025-10-21 16:50:39 UTC</lastBuildDate>
      <webMaster>hello@padlet.com</webMaster>
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      <item>
         <title>Question</title>
         <author>mirep15</author>
         <link>https://padlet.com/mirep15/8fxfi91k83e83zr5/wish/3641342249</link>
         <description><![CDATA[<p>Angela Carter’s “The Company of Wolves,” David McPhail’s “Little Red Riding Hood,” and Francesca Lia Block’s “Wolf” each reinterpret the tale to reflect distinct cultural anxieties about innocence, sexuality, and survival… Through their portrayals of the wolf and the girl, these authors reveal how the tale of Little Red Riding Hood continues to evolve as a commentary on women’s shifting social positions—from protected child to conscious woman to survivor.</p>]]></description>
         <enclosure url="" />
         <pubDate>2025-10-20 16:25:02 UTC</pubDate>
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      <item>
         <title>Par. 1</title>
         <author>mirep15</author>
         <link>https://padlet.com/mirep15/8fxfi91k83e83zr5/wish/3641377449</link>
         <description><![CDATA[<p><strong>The Enduring Symbolism of the Tale</strong></p>]]></description>
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         <pubDate>2025-10-20 16:47:17 UTC</pubDate>
         <guid>https://padlet.com/mirep15/8fxfi91k83e83zr5/wish/3641377449</guid>
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      <item>
         <title>Par 2.</title>
         <author>mirep15</author>
         <link>https://padlet.com/mirep15/8fxfi91k83e83zr5/wish/3641378185</link>
         <description><![CDATA[<p><strong>&nbsp;McPhail’s Traditional Morality: The Safe Fairy Tale</strong></p>]]></description>
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         <pubDate>2025-10-20 16:47:47 UTC</pubDate>
         <guid>https://padlet.com/mirep15/8fxfi91k83e83zr5/wish/3641378185</guid>
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      <item>
         <title>Intro</title>
         <author>mirep15</author>
         <link>https://padlet.com/mirep15/8fxfi91k83e83zr5/wish/3641378875</link>
         <description><![CDATA[<p>Throughout the origin of&nbsp; the story of <em>Little Red Riding Hood</em> has dramatically changed&nbsp; the society’s changing attitudes toward girlhood, danger, and female empowerment. What began as a simple moral warning against naivety has transformed into a symbol of gender politics. Angela Carter’s <em>“The Company of Wolves,”</em> David McPhail’s <em>“Little Red Riding Hood,”</em> and Francesca Lia Block’s <em>“Wolf”</em> each reinterpret the tale to reflect distinct cultural anxieties about innocence, sexuality, and survival. McPhail’s version maintains the traditional moral framework of the fairy tale, where innocence and obedience safeguard the child from danger. Carter’s very imagery based&nbsp; retelling eroticizes and empowers her heroine and challenging fears of female sexuality. In contrast, Block’s modern realist adaptation transforms the wolf from metaphor into literal predator, exploring trauma and resilience in a world without any magic. Through their portrayals of the wolf and the girl, these authors reveal how the tale of <em>Little Red Riding Hood</em> continues to evolve as a commentary on women’s shifting social positions from protected child to conscious woman to survivor. As Jack Zipes argues, “fairy tales are social barometers of civilization’s moral and political values” (Zipes Pg2). Each retelling reflects its era’s understanding of what it means for a girl to face danger and survive it.</p>]]></description>
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         <pubDate>2025-10-20 16:48:14 UTC</pubDate>
         <guid>https://padlet.com/mirep15/8fxfi91k83e83zr5/wish/3641378875</guid>
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