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      <title>RMMiP Reseach Journal  by </title>
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      <pubDate>2023-12-10 21:34:21 UTC</pubDate>
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         <title>Feminist Curation </title>
         <author>jjohnstone3_2</author>
         <link>https://padlet.com/jjohnstone3_2/89r7smp43nifkld7/wish/2820243269</link>
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         <enclosure url="https://www.on-curating.org/issue-29-reader/curatorial-materialism-a-feminist-perspective-on-independent-and-co-dependent-curating.html" />
         <pubDate>2023-12-10 21:35:47 UTC</pubDate>
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         <title>More Feminist Curation </title>
         <author>jjohnstone3_2</author>
         <link>https://padlet.com/jjohnstone3_2/89r7smp43nifkld7/wish/2820244400</link>
         <description><![CDATA[<p>What methodolgies are integral to feminist curation. How can I improve on them to make them more intersectional and accessible </p>]]></description>
         <enclosure url="https://researchrepository.wvu.edu/cgi/viewcontent.cgi?article=3877&amp;context=faculty_publications" />
         <pubDate>2023-12-10 21:38:13 UTC</pubDate>
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         <title>Notes on AutoTheory by Lauren Fournier </title>
         <author>jjohnstone3_2</author>
         <link>https://padlet.com/jjohnstone3_2/89r7smp43nifkld7/wish/2820246634</link>
         <description><![CDATA[<p>Is autotheory applicable to feminist curation. Should a curator be an omnipotent presence of an exhibition. Can the personal experience of the curator add depth of understanding to the exhibition. </p><p>Being omnipotent being stems from the colonial masculinist nature of the institutions. </p><p>"Personal is political" unifying the experince and point of view from the curator, artist and audience in order to reach a range of narratives, opening new perspectives. </p>]]></description>
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         <pubDate>2023-12-10 21:43:55 UTC</pubDate>
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         <title>The disturbing as a methodolgy</title>
         <author>jjohnstone3_2</author>
         <link>https://padlet.com/jjohnstone3_2/89r7smp43nifkld7/wish/2820247982</link>
         <description><![CDATA[<p>Dual meaning in curation: disturbing for the content of the exhibition. Disturbing the institution to uncover the colonial and maculinist narrative prevalent.</p><p>Examples: </p><p>My Bed, Tracey Emin</p><p>WACK!</p><p>Uncomfortable Art Tours</p><p><br/></p><p><br/></p>]]></description>
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         <pubDate>2023-12-10 21:47:17 UTC</pubDate>
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         <title>Reimagining as a methodology </title>
         <author>jjohnstone3_2</author>
         <link>https://padlet.com/jjohnstone3_2/89r7smp43nifkld7/wish/2820256580</link>
         <description><![CDATA[<p>WHAT A FEELING! ACT I</p><p>Reimagining the space as something else</p><p>Anti-white cube gallery </p>]]></description>
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         <pubDate>2023-12-10 22:09:34 UTC</pubDate>
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         <title>What is a methodolgy?</title>
         <author>jjohnstone3_2</author>
         <link>https://padlet.com/jjohnstone3_2/89r7smp43nifkld7/wish/2820257861</link>
         <description><![CDATA[<p>A methodology is a body of practices,<br>procedures and rules used to engage in<br>an inquiry – it is a set of working methods.<br>Establishing a methodology helps us to<br>understand the process of<br>enquiry.</p><p><br>If my outcome is intersectional feminism, what are my methodologies? </p>]]></description>
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         <pubDate>2023-12-10 22:13:04 UTC</pubDate>
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         <title>Curatorial Activism </title>
         <author>jjohnstone3_2</author>
         <link>https://padlet.com/jjohnstone3_2/89r7smp43nifkld7/wish/2820259522</link>
         <description><![CDATA[<p>Maura Riely. </p><p>Activism as a methodolgy</p><p>Works with distrubing and reimagining to be activist methodologies</p>]]></description>
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         <pubDate>2023-12-10 22:17:43 UTC</pubDate>
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         <title>Alice Procter</title>
         <author>jjohnstone3_2</author>
         <link>https://padlet.com/jjohnstone3_2/89r7smp43nifkld7/wish/2820259806</link>
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         <enclosure url="https://www.theguardian.com/commentisfree/2018/apr/23/museums-imperialist-pasts-uncomfortable-art-tours-slavery-colonialism" />
         <pubDate>2023-12-10 22:18:34 UTC</pubDate>
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         <title>HOW IT FEELS! ACT I</title>
         <author>jjohnstone3_2</author>
         <link>https://padlet.com/jjohnstone3_2/89r7smp43nifkld7/wish/2820260372</link>
         <description><![CDATA[]]></description>
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         <pubDate>2023-12-10 22:20:14 UTC</pubDate>
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         <title>Tatlin&#39;s Whisper</title>
         <author>jjohnstone3_2</author>
         <link>https://padlet.com/jjohnstone3_2/89r7smp43nifkld7/wish/2820260641</link>
         <description><![CDATA[<p>Disturping the contemporary art space </p><p>Activism </p>]]></description>
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         <pubDate>2023-12-10 22:20:55 UTC</pubDate>
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         <title>Museum Highlights </title>
         <author>jjohnstone3_2</author>
         <link>https://padlet.com/jjohnstone3_2/89r7smp43nifkld7/wish/2820261310</link>
         <description><![CDATA[<p>Questions the hirearchies we hold within the gallery sphere. </p>]]></description>
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         <pubDate>2023-12-10 22:22:52 UTC</pubDate>
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         <title>Handwritten notes</title>
         <author>jjohnstone3_2</author>
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         <pubDate>2023-12-11 02:04:33 UTC</pubDate>
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         <title></title>
         <author>jjohnstone3_2</author>
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         <pubDate>2023-12-11 07:46:37 UTC</pubDate>
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         <title></title>
         <author>jjohnstone3_2</author>
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         <pubDate>2023-12-11 07:47:29 UTC</pubDate>
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         <title></title>
         <author>jjohnstone3_2</author>
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         <pubDate>2023-12-11 07:48:17 UTC</pubDate>
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         <title></title>
         <author>jjohnstone3_2</author>
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         <description><![CDATA[]]></description>
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