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      <title>Romeo and Juliet - Responding to the Critics by David Grossman</title>
      <link>https://padlet.com/dgrossman/858ggflx1p0x</link>
      <description>Do you agree, disagree, or agree in part/disagree in part?</description>
      <language>en-us</language>
      <pubDate>2020-03-24 17:25:05 UTC</pubDate>
      <lastBuildDate>2020-03-31 16:03:08 UTC</lastBuildDate>
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         <title>Goddard on Fear</title>
         <author>dgrossman</author>
         <link>https://padlet.com/dgrossman/858ggflx1p0x/wish/473260706</link>
         <description><![CDATA[<div>“Whatever literal epidemic there may have been in the region, it is plain that <strong>fear is the real pestilence that pervades the play</strong>.  It is <strong>fear of the code of honor, not fate,</strong> that drives Romeo to seek vengeance on Tybalt.  If is <strong>fear of the plague, not accident,</strong> that leads to the miscarriage of Friar Lawrence’s message to Romeo.  It is <strong>fear of poverty, not the chance of his being at hand at the moment,</strong> that lets the apothecary sell the poison.  It is <strong>fear of the part he is playing, not age, </strong>that makes Friar Lawrence’s old feet stumble and brings him to the tomb just a few seconds too late to prevent Romeo’s death.  It is <strong>fear of being found at such a spot at such a time, not coincidence, </strong>that lets him desert Juliet at last just when he does.  <strong>Fear, fear, fear, fear, fear, fear.  Fear is the evil ‘star’ that crosses the lovers</strong>.  And fear resides not in the skies but in the human heart.”  </div><div>- Harold C. Goddard, 1951</div>]]></description>
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         <pubDate>2020-03-24 17:44:06 UTC</pubDate>
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         <title>Goddard on Romeo</title>
         <author>dgrossman</author>
         <link>https://padlet.com/dgrossman/858ggflx1p0x/wish/473305000</link>
         <description><![CDATA[<div>“Romeo … falls back on the testimony of all history that <strong>only force can overcome force</strong>.  He <strong>descends from the level of love to the level of violence</strong> and attempts to part the fighters with his sword. ”  </div><div>- Harold C. Goddard, 1951</div>]]></description>
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         <pubDate>2020-03-24 18:07:08 UTC</pubDate>
         <guid>https://padlet.com/dgrossman/858ggflx1p0x/wish/473305000</guid>
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         <title>Kermode on Youth</title>
         <author>dgrossman</author>
         <link>https://padlet.com/dgrossman/858ggflx1p0x/wish/473305234</link>
         <description><![CDATA[<div>“<strong>Youth in the play is a separate nation</strong>; its customs are not understood by the old.  For the hot blood which makes love at once a matter of rapture and low jokes is the same that keeps warm the obsolete Montague-Capulet feud.”  </div><div>- Frank Kermode, 1974</div>]]></description>
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         <pubDate>2020-03-24 18:07:16 UTC</pubDate>
         <guid>https://padlet.com/dgrossman/858ggflx1p0x/wish/473305234</guid>
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         <title>Rodriguez on 21st Century Relevance</title>
         <author>dgrossman</author>
         <link>https://padlet.com/dgrossman/858ggflx1p0x/wish/473305700</link>
         <description><![CDATA[<div>“Shakespeare’s 16th-century tragedy of young love thwarted by a community’s long-standing prejudice continues to be universally resonant and alarmingly relevant to our ever-polarized 21st century society. We continue to live in <strong>a world where hate and bias are taught and passed on to the subsequent generation</strong>. Shakespeare brilliantly left the reasons for the divide between Capulet and Montague unspecified, giving the play endless universal resonance.” </div><div>- Damaso Rodriguez, 2016</div>]]></description>
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         <pubDate>2020-03-24 18:07:33 UTC</pubDate>
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