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      <title>17세기 서양음악사 by jimin baek</title>
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      <language>en-us</language>
      <pubDate>2024-04-10 10:47:12 UTC</pubDate>
      <lastBuildDate>2024-04-16 07:50:56 UTC</lastBuildDate>
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         <title>바로크 음악의 등장</title>
         <author>nooroongji825</author>
         <link>https://padlet.com/nooroongji825/854mtw5s1ge7v7tj/wish/2949404823</link>
         <description><![CDATA[<ul><li><p>1600년대로의 도입</p></li><li><p>극적인 효과</p></li><li><p>정서, 성격, 극적 상황 시사</p></li></ul>]]></description>
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         <pubDate>2024-04-10 10:49:51 UTC</pubDate>
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         <title>클라우디오 몬테베르디(1567~1643)</title>
         <author>nooroongji825</author>
         <link>https://padlet.com/nooroongji825/854mtw5s1ge7v7tj/wish/2949405963</link>
         <description><![CDATA[<ul><li><p>가장 중요한 오페라 작곡가</p></li><li><p>몬테베르디의 첫 오페라 &lt;오르페오, 1607년&gt;</p></li><li><p>오페라의 아버지</p></li></ul>]]></description>
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         <pubDate>2024-04-10 10:51:13 UTC</pubDate>
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         <title>바로크 음악의 특징</title>
         <author>nooroongji825</author>
         <link>https://padlet.com/nooroongji825/854mtw5s1ge7v7tj/wish/2949434041</link>
         <description><![CDATA[<ul><li><p>선율선 - 베이스로 나누어지는 양극성</p></li><li><p>지속저음(통주저음)</p></li><li><p>콘체르타토 방식</p></li><li><p>평균율</p></li><li><p>화음, 불협화음, 반음계주의</p></li><li><p>화성법에 기초한 대위법</p></li><li><p>규칙적인 리듬과 유동적인 리듬</p></li><li><p>관용적 양식</p></li><li><p>실제 연주에서의 꾸밈음 사용과 즉흥 연주</p></li><li><p>선법 음악 -&gt; 조성음악</p></li><li><p>오페라의 탄생</p></li></ul>]]></description>
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         <pubDate>2024-04-10 11:24:03 UTC</pubDate>
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         <title>오페라의 탄생</title>
         <author>nooroongji825</author>
         <link>https://padlet.com/nooroongji825/854mtw5s1ge7v7tj/wish/2949534507</link>
         <description><![CDATA[<ul><li><p>언어예술+시각예술+음악예술 = 종합예술</p></li><li><p>'작품(opus)'</p></li><li><p>1600년경 처음 시작</p></li></ul>]]></description>
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         <pubDate>2024-04-10 13:01:47 UTC</pubDate>
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         <title>첫 오페라</title>
         <author>nooroongji825</author>
         <link>https://padlet.com/nooroongji825/854mtw5s1ge7v7tj/wish/2950256462</link>
         <description><![CDATA[<ul><li><p>자코포 페리</p></li><li><p>&lt;다프네&gt;</p></li><li><p>&lt;에우리디체&gt;</p></li></ul>]]></description>
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         <pubDate>2024-04-11 01:03:22 UTC</pubDate>
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         <title>레치타티보 양식</title>
         <author>nooroongji825</author>
         <link>https://padlet.com/nooroongji825/854mtw5s1ge7v7tj/wish/2950264568</link>
         <description><![CDATA[<ul><li><p>페리</p></li><li><p>말하는 것을 흉내 내는 양식</p></li></ul>]]></description>
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         <pubDate>2024-04-11 01:10:04 UTC</pubDate>
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         <title>모노디 양식</title>
         <author>nooroongji825</author>
         <link>https://padlet.com/nooroongji825/854mtw5s1ge7v7tj/wish/2950290554</link>
         <description><![CDATA[<ul><li><p>단선율</p></li><li><p>솔로 마드리갈, 아리아</p></li></ul>]]></description>
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         <pubDate>2024-04-11 01:27:28 UTC</pubDate>
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         <title>감정이론</title>
         <author>jg060821</author>
         <link>https://padlet.com/nooroongji825/854mtw5s1ge7v7tj/wish/2954130015</link>
         <description><![CDATA[<ul><li><p>개인의 감정 &lt; 일반적인 감정 목적</p></li><li><p>체계적으로 규제된 어법을 전달</p></li><li><p>전곡을 관통하는 박자기호, 마디사용이 일반화</p></li></ul>]]></description>
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         <pubDate>2024-04-15 00:44:31 UTC</pubDate>
         <guid>https://padlet.com/nooroongji825/854mtw5s1ge7v7tj/wish/2954130015</guid>
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         <title>바소 콘티누오</title>
         <author>jg060821</author>
         <link>https://padlet.com/nooroongji825/854mtw5s1ge7v7tj/wish/2954130829</link>
         <description><![CDATA[<ul><li><p>저음성부에 간단한 베이스 주어짐</p></li><li><p>솔로가 쉬는 동안에도 저음 성부는 계속해서 연주 (통주저음, 계속저음)</p></li></ul>]]></description>
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         <pubDate>2024-04-15 00:45:14 UTC</pubDate>
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         <title>오라토리오</title>
         <author>jg060821</author>
         <link>https://padlet.com/nooroongji825/854mtw5s1ge7v7tj/wish/2954131534</link>
         <description><![CDATA[<ul><li><p>종교오페라</p></li><li><p>오페라와 유사하나 해설자가 있고 합창 강조</p></li><li><p>무대장식과 의상을 갖추어 공연하지 않음</p></li></ul>]]></description>
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         <pubDate>2024-04-15 00:45:50 UTC</pubDate>
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         <title>콘체르토</title>
         <author>jg060821</author>
         <link>https://padlet.com/nooroongji825/854mtw5s1ge7v7tj/wish/2954132298</link>
         <description><![CDATA[<ul><li><p>바로크 초기 콘체르타토 양식을 사용하는 성악곡에서 일반적으로 적용</p></li><li><p>17C 후반 기악앙상블을 위한 콘체르토를 대표적 아이디어로 사용</p></li></ul>]]></description>
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         <pubDate>2024-04-15 00:46:33 UTC</pubDate>
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         <title>안토니오 비발디</title>
         <author>jg060821</author>
         <link>https://padlet.com/nooroongji825/854mtw5s1ge7v7tj/wish/2954134352</link>
         <description><![CDATA[<ul><li><p>화려한 가창기교보다는 서정성이 돋보임</p></li><li><p>중창이나 합창이 상대적으로 많이 등장</p></li><li><p>저음역대 선호</p></li><li><p>색채감과 현란함이 넘치는 현악 반주가 돋보임</p></li></ul>]]></description>
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         <pubDate>2024-04-15 00:48:21 UTC</pubDate>
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         <title>카메라타</title>
         <author>hyemzzi0323</author>
         <link>https://padlet.com/nooroongji825/854mtw5s1ge7v7tj/wish/2956443154</link>
         <description><![CDATA[<ul><li><p>메이</p></li><li><p>바르디</p></li><li><p>빈센초 갈릴레이</p></li><li><p>줄리오 카치니</p></li></ul>]]></description>
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         <pubDate>2024-04-16 07:48:20 UTC</pubDate>
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