The Dank Padlet by Phillip Ingram https://padlet.com/3004584/7xrmyk94mst7 Made with a dash of Dank memes en-us 2016-12-09 13:04:22 UTC 2023-03-27 16:21:10 UTC hello@padlet.com 3004584 https://padlet.com/3004584/7xrmyk94mst7/wish/142777089 2016-12-09 13:08:03 UTC https://padlet.com/3004584/7xrmyk94mst7/wish/142777089 https://padlet.com/3004584/7xrmyk94mst7/wish/142777112 The FitnessGram Pacer Test is a multistage aerobic capacity test that progressively gets more difficult as it continues. The 20 meter pacer test will begin in 30 seconds. Line up at the start. The running speed starts slowly, but gets faster each minute after you hear this signal. [beep] A single lap should be completed each time you hear this sound. [ding] Remember to run in a straight line and run as long possible. The second time you fail to complete a lap before the sound. Your test will begin on the word start. On your mark, get ready, start
The FitnessGram Pacer Test is a multistage aerobic capacity test that progressively gets more difficult as it continues. The 20 meter pacer test will begin in 30 seconds. Line up at the start. The running speed starts slowly, but gets faster each minute after you hear this signal. [beep] A single lap should be completed each time you hear this sound. [ding] Remember to run in a straight line and run as long possible. The second time you fail to complete a lap before the sound. Your test will begin on the word start. On your mark, get ready, start
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The FitnessGram Pacer Test is a multistage aerobic capacity test that progressively gets more difficult as it continues. The 20 meter pacer test will begin in 30 seconds. Line up at the start. The running speed starts slowly, but gets faster each minute after you hear this signal. [beep] A single lap should be completed each time you hear this sound. [ding] Remember to run in a straight line and run as long possible. The second time you fail to complete a lap before the sound. Your test will begin on the word start. On your mark, get ready, start
The FitnessGram Pacer Test is a multistage aerobic capacity test that progressively gets more difficult as it continues. The 20 meter pacer test will begin in 30 seconds. Line up at the start. The running speed starts slowly, but gets faster each minute after you hear this signal. [beep] A single lap should be completed each time you hear this sound. [ding] Remember to run in a straight line and run as long possible. The second time you fail to complete a lap before the sound. Your test will begin on the word start. On your mark, get ready, start
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The FitnessGram Pacer Test is a multistage aerobic capacity test that progressively gets more difficult as it continues. The 20 meter pacer test will begin in 30 seconds. Line up at the start. The running speed starts slowly, but gets faster each minute after you hear this signal. [beep] A single lap should be completed each time you hear this sound. [ding] Remember to run in a straight line and run as long possible. The second time you fail to complete a lap before the sound. Your test will begin on the word start. On your mark, get ready, start
The FitnessGram Pacer Test is a multistage aerobic capacity test that progressively gets more difficult as it continues. The 20 meter pacer test will begin in 30 seconds. Line up at the start. The running speed starts slowly, but gets faster each minute after you hear this signal. [beep] A single lap should be completed each time you hear this sound. [ding] Remember to run in a straight line and run as long possible. The second time you fail to complete a lap before the sound. Your test will begin on the word start. On your mark, get ready, start
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The FitnessGram Pacer Test is a multistage aerobic capacity test that progressively gets more difficult as it continues. The 20 meter pacer test will begin in 30 seconds. Line up at the start. The running speed starts slowly, but gets faster each minute after you hear this signal. [beep] A single lap should be completed each time you hear this sound. [ding] Remember to run in a straight line and run as long possible. The second time you fail to complete a lap before the sound. Your test will begin on the word start. On your mark, get ready, start
The FitnessGram Pacer Test is a multistage aerobic capacity test that progressively gets more difficult as it continues. The 20 meter pacer test will begin in 30 seconds. Line up at the start. The running speed starts slowly, but gets faster each minute after you hear this signal. [beep] A single lap should be completed each time you hear this sound. [ding] Remember to run in a straight line and run as long possible. The second time you fail to complete a lap before the sound. Your test will begin on the word start. On your mark, get ready, start

The FitnessGram Pacer Test is a multistage aerobic capacity test that progressively gets more difficult as it continues. The 20 meter pacer test will begin in 30 seconds. Line up at the start. The running speed starts slowly, but gets faster each minute after you hear this signal. [beep] A single lap should be completed each time you hear this sound. [ding] Remember to run in a straight line and run as long possible. The second time you fail to complete a lap before the sound. Your test will begin on the word start. On your mark, get ready, start
The FitnessGram Pacer Test is a multistage aerobic capacity test that progressively gets more difficult as it continues. The 20 meter pacer test will begin in 30 seconds. Line up at the start. The running speed starts slowly, but gets faster each minute after you hear this signal. [beep] A single lap should be completed each time you hear this sound. [ding] Remember to run in a straight line and run as long possible. The second time you fail to complete a lap before the sound. Your test will begin on the word start. On your mark, get ready, start

The FitnessGram Pacer Test is a multistage aerobic capacity test that progressively gets more difficult as it continues. The 20 meter pacer test will begin in 30 seconds. Line up at the start. The running speed starts slowly, but gets faster each minute after you hear this signal. [beep] A single lap should be completed each time you hear this sound. [ding] Remember to run in a straight line and run as long possible. The second time you fail to complete a lap before the sound. Your test will begin on the word start. On your mark, get ready, start
The FitnessGram Pacer Test is a multistage aerobic capacity test that progressively gets more difficult as it continues. The 20 meter pacer test will begin in 30 seconds. Line up at the start. The running speed starts slowly, but gets faster each minute after you hear this signal. [beep] A single lap should be completed each time you hear this sound. [ding] Remember to run in a straight line and run as long possible. The second time you fail to complete a lap before the sound. Your test will begin on the word start. On your mark, get ready, start
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The FitnessGram Pacer Test is a multistage aerobic capacity test that progressively gets more difficult as it continues. The 20 meter pacer test will begin in 30 seconds. Line up at the start. The running speed starts slowly, but gets faster each minute after you hear this signal. [beep] A single lap should be completed each time you hear this sound. [ding] Remember to run in a straight line and run as long possible. The second time you fail to complete a lap before the sound. Your test will begin on the word start. On your mark, get ready, start
The FitnessGram Pacer Test is a multistage aerobic capacity test that progressively gets more difficult as it continues. The 20 meter pacer test will begin in 30 seconds. Line up at the start. The running speed starts slowly, but gets faster each minute after you hear this signal. [beep] A single lap should be completed each time you hear this sound. [ding] Remember to run in a straight line and run as long possible. The second time you fail to complete a lap before the sound. Your test will begin on the word start. On your mark, get ready, start

The FitnessGram Pacer Test is a multistage aerobic capacity test that progressively gets more difficult as it continues. The 20 meter pacer test will begin in 30 seconds. Line up at the start. The running speed starts slowly, but gets faster each minute after you hear this signal. [beep] A single lap should be completed each time you hear this sound. [ding] Remember to run in a straight line and run as long possible. The second time you fail to complete a lap before the sound. Your test will begin on the word start. On your mark, get ready, start
The FitnessGram Pacer Test is a multistage aerobic capacity test that progressively gets more difficult as it continues. The 20 meter pacer test will begin in 30 seconds. Line up at the start. The running speed starts slowly, but gets faster each minute after you hear this signal. [beep] A single lap should be completed each time you hear this sound. [ding] Remember to run in a straight line and run as long possible. The second time you fail to complete a lap before the sound. Your test will begin on the word start. On your mark, get ready, start

The FitnessGram Pacer Test is a multistage aerobic capacity test that progressively gets more difficult as it continues. The 20 meter pacer test will begin in 30 seconds. Line up at the start. The running speed starts slowly, but gets faster each minute after you hear this signal. [beep] A single lap should be completed each time you hear this sound. [ding] Remember to run in a straight line and run as long possible. The second time you fail to complete a lap before the sound. Your test will begin on the word start. On your mark, get ready, start
The FitnessGram Pacer Test is a multistage aerobic capacity test that progressively gets more difficult as it continues. The 20 meter pacer test will begin in 30 seconds. Line up at the start. The running speed starts slowly, but gets faster each minute after you hear this signal. [beep] A single lap should be completed each time you hear this sound. [ding] Remember to run in a straight line and run as long possible. The second time you fail to complete a lap before the sound. Your test will begin on the word start. On your mark, get ready, start
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The FitnessGram Pacer Test is a multistage aerobic capacity test that progressively gets more difficult as it continues. The 20 meter pacer test will begin in 30 seconds. Line up at the start. The running speed starts slowly, but gets faster each minute after you hear this signal. [beep] A single lap should be completed each time you hear this sound. [ding] Remember to run in a straight line and run as long possible. The second time you fail to complete a lap before the sound. Your test will begin on the word start. On your mark, get ready, start
The FitnessGram Pacer Test is a multistage aerobic capacity test that progressively gets more difficult as it continues. The 20 meter pacer test will begin in 30 seconds. Line up at the start. The running speed starts slowly, but gets faster each minute after you hear this signal. [beep] A single lap should be completed each time you hear this sound. [ding] Remember to run in a straight line and run as long possible. The second time you fail to complete a lap before the sound. Your test will begin on the word start. On your mark, get ready, start

The FitnessGram Pacer Test is a multistage aerobic capacity test that progressively gets more difficult as it continues. The 20 meter pacer test will begin in 30 seconds. Line up at the start. The running speed starts slowly, but gets faster each minute after you hear this signal. [beep] A single lap should be completed each time you hear this sound. [ding] Remember to run in a straight line and run as long possible. The second time you fail to complete a lap before the sound. Your test will begin on the word start. On your mark, get ready, start
The FitnessGram Pacer Test is a multistage aerobic capacity test that progressively gets more difficult as it continues. The 20 meter pacer test will begin in 30 seconds. Line up at the start. The running speed starts slowly, but gets faster each minute after you hear this signal. [beep] A single lap should be completed each time you hear this sound. [ding] Remember to run in a straight line and run as long possible. The second time you fail to complete a lap before the sound. Your test will begin on the word start. On your mark, get ready, start
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The FitnessGram Pacer Test is a multistage aerobic capacity test that progressively gets more difficult as it continues. The 20 meter pacer test will begin in 30 seconds. Line up at the start. The running speed starts slowly, but gets faster each minute after you hear this signal. [beep] A single lap should be completed each time you hear this sound. [ding] Remember to run in a straight line and run as long possible. The second time you fail to complete a lap before the sound. Your test will begin on the word start. On your mark, get ready, start
The FitnessGram Pacer Test is a multistage aerobic capacity test that progressively gets more difficult as it continues. The 20 meter pacer test will begin in 30 seconds. Line up at the start. The running speed starts slowly, but gets faster each minute after you hear this signal. [beep] A single lap should be completed each time you hear this sound. [ding] Remember to run in a straight line and run as long possible. The second time you fail to complete a lap before the sound. Your test will begin on the word start. On your mark, get ready, start
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The FitnessGram Pacer Test is a multistage aerobic capacity test that progressively gets more difficult as it continues. The 20 meter pacer test will begin in 30 seconds. Line up at the start. The running speed starts slowly, but gets faster each minute after you hear this signal. [beep] A single lap should be completed each time you hear this sound. [ding] Remember to run in a straight line and run as long possible. The second time you fail to complete a lap before the sound. Your test will begin on the word start. On your mark, get ready, start
The FitnessGram Pacer Test is a multistage aerobic capacity test that progressively gets more difficult as it continues. The 20 meter pacer test will begin in 30 seconds. Line up at the start. The running speed starts slowly, but gets faster each minute after you hear this signal. [beep] A single lap should be completed each time you hear this sound. [ding] Remember to run in a straight line and run as long possible. The second time you fail to complete a lap before the sound. Your test will begin on the word start. On your mark, get ready, start

The FitnessGram Pacer Test is a multistage aerobic capacity test that progressively gets more difficult as it continues. The 20 meter pacer test will begin in 30 seconds. Line up at the start. The running speed starts slowly, but gets faster each minute after you hear this signal. [beep] A single lap should be completed each time you hear this sound. [ding] Remember to run in a straight line and run as long possible. The second time you fail to complete a lap before the sound. Your test will begin on the word start. On your mark, get ready, start
The FitnessGram Pacer Test is a multistage aerobic capacity test that progressively gets more difficult as it continues. The 20 meter pacer test will begin in 30 seconds. Line up at the start. The running speed starts slowly, but gets faster each minute after you hear this signal. [beep] A single lap should be completed each time you hear this sound. [ding] Remember to run in a straight line and run as long possible. The second time you fail to complete a lap before the sound. Your test will begin on the word start. On your mark, get ready, start
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The FitnessGram Pacer Test is a multistage aerobic capacity test that progressively gets more difficult as it continues. The 20 meter pacer test will begin in 30 seconds. Line up at the start. The running speed starts slowly, but gets faster each minute after you hear this signal. [beep] A single lap should be completed each time you hear this sound. [ding] Remember to run in a straight line and run as long possible. The second time you fail to complete a lap before the sound. Your test will begin on the word start. On your mark, get ready, start
The FitnessGram Pacer Test is a multistage aerobic capacity test that progressively gets more difficult as it continues. The 20 meter pacer test will begin in 30 seconds. Line up at the start. The running speed starts slowly, but gets faster each minute after you hear this signal. [beep] A single lap should be completed each time you hear this sound. [ding] Remember to run in a straight line and run as long possible. The second time you fail to complete a lap before the sound. Your test will begin on the word start. On your mark, get ready, start
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The FitnessGram Pacer Test is a multistage aerobic capacity test that progressively gets more difficult as it continues. The 20 meter pacer test will begin in 30 seconds. Line up at the start. The running speed starts slowly, but gets faster each minute after you hear this signal. [beep] A single lap should be completed each time you hear this sound. [ding] Remember to run in a straight line and run as long possible. The second time you fail to complete a lap before the sound. Your test will begin on the word start. On your mark, get ready, start
The FitnessGram Pacer Test is a multistage aerobic capacity test that progressively gets more difficult as it continues. The 20 meter pacer test will begin in 30 seconds. Line up at the start. The running speed starts slowly, but gets faster each minute after you hear this signal. [beep] A single lap should be completed each time you hear this sound. [ding] Remember to run in a straight line and run as long possible. The second time you fail to complete a lap before the sound. Your test will begin on the word start. On your mark, get ready, start

The FitnessGram Pacer Test is a multistage aerobic capacity test that progressively gets more difficult as it continues. The 20 meter pacer test will begin in 30 seconds. Line up at the start. The running speed starts slowly, but gets faster each minute after you hear this signal. [beep] A single lap should be completed each time you hear this sound. [ding] Remember to run in a straight line and run as long possible. The second time you fail to complete a lap before the sound. Your test will begin on the word start. On your mark, get ready, start
The FitnessGram Pacer Test is a multistage aerobic capacity test that progressively gets more difficult as it continues. The 20 meter pacer test will begin in 30 seconds. Line up at the start. The running speed starts slowly, but gets faster each minute after you hear this signal. [beep] A single lap should be completed each time you hear this sound. [ding] Remember to run in a straight line and run as long possible. The second time you fail to complete a lap before the sound. Your test will begin on the word start. On your mark, get ready, start
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The FitnessGram Pacer Test is a multistage aerobic capacity test that progressively gets more difficult as it continues. The 20 meter pacer test will begin in 30 seconds. Line up at the start. The running speed starts slowly, but gets faster each minute after you hear this signal. [beep] A single lap should be completed each time you hear this sound. [ding] Remember to run in a straight line and run as long possible. The second time you fail to complete a lap before the sound. Your test will begin on the word start. On your mark, get ready, start
The FitnessGram Pacer Test is a multistage aerobic capacity test that progressively gets more difficult as it continues. The 20 meter pacer test will begin in 30 seconds. Line up at the start. The running speed starts slowly, but gets faster each minute after you hear this signal. [beep] A single lap should be completed each time you hear this sound. [ding] Remember to run in a straight line and run as long possible. The second time you fail to complete a lap before the sound. Your test will begin on the word start. On your mark, get ready, start
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The FitnessGram Pacer Test is a multistage aerobic capacity test that progressively gets more difficult as it continues. The 20 meter pacer test will begin in 30 seconds. Line up at the start. The running speed starts slowly, but gets faster each minute after you hear this signal. [beep] A single lap should be completed each time you hear this sound. [ding] Remember to run in a straight line and run as long possible. The second time you fail to complete a lap before the sound. Your test will begin on the word start. On your mark, get ready, start
The FitnessGram Pacer Test is a multistage aerobic capacity test that progressively gets more difficult as it continues. The 20 meter pacer test will begin in 30 seconds. Line up at the start. The running speed starts slowly, but gets faster each minute after you hear this signal. [beep] A single lap should be completed each time you hear this sound. [ding] Remember to run in a straight line and run as long possible. The second time you fail to complete a lap before the sound. Your test will begin on the word start. On your mark, get ready, start
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The FitnessGram Pacer Test is a multistage aerobic capacity test that progressively gets more difficult as it continues. The 20 meter pacer test will begin in 30 seconds. Line up at the start. The running speed starts slowly, but gets faster each minute after you hear this signal. [beep] A single lap should be completed each time you hear this sound. [ding] Remember to run in a straight line and run as long possible. The second time you fail to complete a lap before the sound. Your test will begin on the word start. On your mark, get ready, start
The FitnessGram Pacer Test is a multistage aerobic capacity test that progressively gets more difficult as it continues. The 20 meter pacer test will begin in 30 seconds. Line up at the start. The running speed starts slowly, but gets faster each minute after you hear this signal. [beep] A single lap should be completed each time you hear this sound. [ding] Remember to run in a straight line and run as long possible. The second time you fail to complete a lap before the sound. Your test will begin on the word start. On your mark, get ready, start

The FitnessGram Pacer Test is a multistage aerobic capacity test that progressively gets more difficult as it continues. The 20 meter pacer test will begin in 30 seconds. Line up at the start. The running speed starts slowly, but gets faster each minute after you hear this signal. [beep] A single lap should be completed each time you hear this sound. [ding] Remember to run in a straight line and run as long possible. The second time you fail to complete a lap before the sound. Your test will begin on the word start. On your mark, get ready, start
The FitnessGram Pacer Test is a multistage aerobic capacity test that progressively gets more difficult as it continues. The 20 meter pacer test will begin in 30 seconds. Line up at the start. The running speed starts slowly, but gets faster each minute after you hear this signal. [beep] A single lap should be completed each time you hear this sound. [ding] Remember to run in a straight line and run as long possible. The second time you fail to complete a lap before the sound. Your test will begin on the word start. On your mark, get ready, start
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The FitnessGram Pacer Test is a multistage aerobic capacity test that progressively gets more difficult as it continues. The 20 meter pacer test will begin in 30 seconds. Line up at the start. The running speed starts slowly, but gets faster each minute after you hear this signal. [beep] A single lap should be completed each time you hear this sound. [ding] Remember to run in a straight line and run as long possible. The second time you fail to complete a lap before the sound. Your test will begin on the word start. On your mark, get ready, start
The FitnessGram Pacer Test is a multistage aerobic capacity test that progressively gets more difficult as it continues. The 20 meter pacer test will begin in 30 seconds. Line up at the start. The running speed starts slowly, but gets faster each minute after you hear this signal. [beep] A single lap should be completed each time you hear this sound. [ding] Remember to run in a straight line and run as long possible. The second time you fail to complete a lap before the sound. Your test will begin on the word start. On your mark, get ready, start

The FitnessGram Pacer Test is a multistage aerobic capacity test that progressively gets more difficult as it continues. The 20 meter pacer test will begin in 30 seconds. Line up at the start. The running speed starts slowly, but gets faster each minute after you hear this signal. [beep] A single lap should be completed each time you hear this sound. [ding] Remember to run in a straight line and run as long possible. The second time you fail to complete a lap before the sound. Your test will begin on the word start. On your mark, get ready, start
The FitnessGram Pacer Test is a multistage aerobic capacity test that progressively gets more difficult as it continues. The 20 meter pacer test will begin in 30 seconds. Line up at the start. The running speed starts slowly, but gets faster each minute after you hear this signal. [beep] A single lap should be completed each time you hear this sound. [ding] Remember to run in a straight line and run as long possible. The second time you fail to complete a lap before the sound. Your test will begin on the word start. On your mark, get ready, start

The FitnessGram Pacer Test is a multistage aerobic capacity test that progressively gets more difficult as it continues. The 20 meter pacer test will begin in 30 seconds. Line up at the start. The running speed starts slowly, but gets faster each minute after you hear this signal. [beep] A single lap should be completed each time you hear this sound. [ding] Remember to run in a straight line and run as long possible. The second time you fail to complete a lap before the sound. Your test will begin on the word start. On your mark, get ready, start
The FitnessGram Pacer Test is a multistage aerobic capacity test that progressively gets more difficult as it continues. The 20 meter pacer test will begin in 30 seconds. Line up at the start. The running speed starts slowly, but gets faster each minute after you hear this signal. [beep] A single lap should be completed each time you hear this sound. [ding] Remember to run in a straight line and run as long possible. The second time you fail to complete a lap before the sound. Your test will begin on the word start. On your mark, get ready, start
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The FitnessGram Pacer Test is a multistage aerobic capacity test that progressively gets more difficult as it continues. The 20 meter pacer test will begin in 30 seconds. Line up at the start. The running speed starts slowly, but gets faster each minute after you hear this signal. [beep] A single lap should be completed each time you hear this sound. [ding] Remember to run in a straight line and run as long possible. The second time you fail to complete a lap before the sound. Your test will begin on the word start. On your mark, get ready, start
The FitnessGram Pacer Test is a multistage aerobic capacity test that progressively gets more difficult as it continues. The 20 meter pacer test will begin in 30 seconds. Line up at the start. The running speed starts slowly, but gets faster each minute after you hear this signal. [beep] A single lap should be completed each time you hear this sound. [ding] Remember to run in a straight line and run as long possible. The second time you fail to complete a lap before the sound. Your test will begin on the word start. On your mark, get ready, start

The FitnessGram Pacer Test is a multistage aerobic capacity test that progressively gets more difficult as it continues. The 20 meter pacer test will begin in 30 seconds. Line up at the start. The running speed starts slowly, but gets faster each minute after you hear this signal. [beep] A single lap should be completed each time you hear this sound. [ding] Remember to run in a straight line and run as long possible. The second time you fail to complete a lap before the sound. Your test will begin on the word start. On your mark, get ready, start
The FitnessGram Pacer Test is a multistage aerobic capacity test that progressively gets more difficult as it continues. The 20 meter pacer test will begin in 30 seconds. Line up at the start. The running speed starts slowly, but gets faster each minute after you hear this signal. [beep] A single lap should be completed each time you hear this sound. [ding] Remember to run in a straight line and run as long possible. The second time you fail to complete a lap before the sound. Your test will begin on the word start. On your mark, get ready, start

The FitnessGram Pacer Test is a multistage aerobic capacity test that progressively gets more difficult as it continues. The 20 meter pacer test will begin in 30 seconds. Line up at the start. The running speed starts slowly, but gets faster each minute after you hear this signal. [beep] A single lap should be completed each time you hear this sound. [ding] Remember to run in a straight line and run as long possible. The second time you fail to complete a lap before the sound. Your test will begin on the word start. On your mark, get ready, start
The FitnessGram Pacer Test is a multistage aerobic capacity test that progressively gets more difficult as it continues. The 20 meter pacer test will begin in 30 seconds. Line up at the start. The running speed starts slowly, but gets faster each minute after you hear this signal. [beep] A single lap should be completed each time you hear this sound. [ding] Remember to run in a straight line and run as long possible. The second time you fail to complete a lap before the sound. Your test will begin on the word start. On your mark, get ready, start





The FitnessGram Pacer Test is a multistage aerobic capacity test that progressively gets more difficult as it continues. The 20 meter pacer test will begin in 30 seconds. Line up at the start. The running speed starts slowly, but gets faster each minute after you hear this signal. [beep] A single lap should be completed each time you hear this sound. [ding] Remember to run in a straight line and run as long possible. The second time you fail to complete a lap before the sound. Your test will begin on the word start. On your mark, get ready, start
The FitnessGram Pacer Test is a multistage aerobic capacity test that progressively gets more difficult as it continues. The 20 meter pacer test will begin in 30 seconds. Line up at the start. The running speed starts slowly, but gets faster each minute after you hear this signal. [beep] A single lap should be completed each time you hear this sound. [ding] Remember to run in a straight line and run as long possible. The second time you fail to complete a lap before the sound. Your test will begin on the word start. On your mark, get ready, start

The FitnessGram Pacer Test is a multistage aerobic capacity test that progressively gets more difficult as it continues. The 20 meter pacer test will begin in 30 seconds. Line up at the start. The running speed starts slowly, but gets faster each minute after you hear this signal. [beep] A single lap should be completed each time you hear this sound. [ding] Remember to run in a straight line and run as long possible. The second time you fail to complete a lap before the sound. Your test will begin on the word start. On your mark, get ready, start
The FitnessGram Pacer Test is a multistage aerobic capacity test that progressively gets more difficult as it continues. The 20 meter pacer test will begin in 30 seconds. Line up at the start. The running speed starts slowly, but gets faster each minute after you hear this signal. [beep] A single lap should be completed each time you hear this sound. [ding] Remember to run in a straight line and run as long possible. The second time you fail to complete a lap before the sound. Your test will begin on the word start. On your mark, get ready, start

The FitnessGram Pacer Test is a multistage aerobic capacity test that progressively gets more difficult as it continues. The 20 meter pacer test will begin in 30 seconds. Line up at the start. The running speed starts slowly, but gets faster each minute after you hear this signal. [beep] A single lap should be completed each time you hear this sound. [ding] Remember to run in a straight line and run as long possible. The second time you fail to complete a lap before the sound. Your test will begin on the word start. On your mark, get ready, start
The FitnessGram Pacer Test is a multistage aerobic capacity test that progressively gets more difficult as it continues. The 20 meter pacer test will begin in 30 seconds. Line up at the start. The running speed starts slowly, but gets faster each minute after you hear this signal. [beep] A single lap should be completed each time you hear this sound. [ding] Remember to run in a straight line and run as long possible. The second time you fail to complete a lap before the sound. Your test will begin on the word start. On your mark, get ready, start





The FitnessGram Pacer Test is a multistage aerobic capacity test that progressively gets more difficult as it continues. The 20 meter pacer test will begin in 30 seconds. Line up at the start. The running speed starts slowly, but gets faster each minute after you hear this signal. [beep] A single lap should be completed each time you hear this sound. [ding] Remember to run in a straight line and run as long possible. The second time you fail to complete a lap before the sound. Your test will begin on the word start. On your mark, get ready, start
The FitnessGram Pacer Test is a multistage aerobic capacity test that progressively gets more difficult as it continues. The 20 meter pacer test will begin in 30 seconds. Line up at the start. The running speed starts slowly, but gets faster each minute after you hear this signal. [beep] A single lap should be completed each time you hear this sound. [ding] Remember to run in a straight line and run as long possible. The second time you fail to complete a lap before the sound. Your test will begin on the word start. On your mark, get ready, start

The FitnessGram Pacer Test is a multistage aerobic capacity test that progressively gets more difficult as it continues. The 20 meter pacer test will begin in 30 seconds. Line up at the start. The running speed starts slowly, but gets faster each minute after you hear this signal. [beep] A single lap should be completed each time you hear this sound. [ding] Remember to run in a straight line and run as long possible. The second time you fail to complete a lap before the sound. Your test will begin on the word start. On your mark, get ready, start
The FitnessGram Pacer Test is a multistage aerobic capacity test that progressively gets more difficult as it continues. The 20 meter pacer test will begin in 30 seconds. Line up at the start. The running speed starts slowly, but gets faster each minute after you hear this signal. [beep] A single lap should be completed each time you hear this sound. [ding] Remember to run in a straight line and run as long possible. The second time you fail to complete a lap before the sound. Your test will begin on the word start. On your mark, get ready, start

The FitnessGram Pacer Test is a multistage aerobic capacity test that progressively gets more difficult as it continues. The 20 meter pacer test will begin in 30 seconds. Line up at the start. The running speed starts slowly, but gets faster each minute after you hear this signal. [beep] A single lap should be completed each time you hear this sound. [ding] Remember to run in a straight line and run as long possible. The second time you fail to complete a lap before the sound. Your test will begin on the word start. On your mark, get ready, start
The FitnessGram Pacer Test is a multistage aerobic capacity test that progressively gets more difficult as it continues. The 20 meter pacer test will begin in 30 seconds. Line up at the start. The running speed starts slowly, but gets faster each minute after you hear this signal. [beep] A single lap should be completed each time you hear this sound. [ding] Remember to run in a straight line and run as long possible. The second time you fail to complete a lap before the sound. Your test will begin on the word start. On your mark, get ready, start
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The FitnessGram Pacer Test is a multistage aerobic capacity test that progressively gets more difficult as it continues. The 20 meter pacer test will begin in 30 seconds. Line up at the start. The running speed starts slowly, but gets faster each minute after you hear this signal. [beep] A single lap should be completed each time you hear this sound. [ding] Remember to run in a straight line and run as long possible. The second time you fail to complete a lap before the sound. Your test will begin on the word start. On your mark, get ready, start
The FitnessGram Pacer Test is a multistage aerobic capacity test that progressively gets more difficult as it continues. The 20 meter pacer test will begin in 30 seconds. Line up at the start. The running speed starts slowly, but gets faster each minute after you hear this signal. [beep] A single lap should be completed each time you hear this sound. [ding] Remember to run in a straight line and run as long possible. The second time you fail to complete a lap before the sound. Your test will begin on the word start. On your mark, get ready, start

The FitnessGram Pacer Test is a multistage aerobic capacity test that progressively gets more difficult as it continues. The 20 meter pacer test will begin in 30 seconds. Line up at the start. The running speed starts slowly, but gets faster each minute after you hear this signal. [beep] A single lap should be completed each time you hear this sound. [ding] Remember to run in a straight line and run as long possible. The second time you fail to complete a lap before the sound. Your test will begin on the word start. On your mark, get ready, start
The FitnessGram Pacer Test is a multistage aerobic capacity test that progressively gets more difficult as it continues. The 20 meter pacer test will begin in 30 seconds. Line up at the start. The running speed starts slowly, but gets faster each minute after you hear this signal. [beep] A single lap should be completed each time you hear this sound. [ding] Remember to run in a straight line and run as long possible. The second time you fail to complete a lap before the sound. Your test will begin on the word start. On your mark, get ready, start

The FitnessGram Pacer Test is a multistage aerobic capacity test that progressively gets more difficult as it continues. The 20 meter pacer test will begin in 30 seconds. Line up at the start. The running speed starts slowly, but gets faster each minute after you hear this signal. [beep] A single lap should be completed each time you hear this sound. [ding] Remember to run in a straight line and run as long possible. The second time you fail to complete a lap before the sound. Your test will begin on the word start. On your mark, get ready, start
The FitnessGram Pacer Test is a multistage aerobic capacity test that progressively gets more difficult as it continues. The 20 meter pacer test will begin in 30 seconds. Line up at the start. The running speed starts slowly, but gets faster each minute after you hear this signal. [beep] A single lap should be completed each time you hear this sound. [ding] Remember to run in a straight line and run as long possible. The second time you fail to complete a lap before the sound. Your test will begin on the word start. On your mark, get ready, start





The FitnessGram Pacer Test is a multistage aerobic capacity test that progressively gets more difficult as it continues. The 20 meter pacer test will begin in 30 seconds. Line up at the start. The running speed starts slowly, but gets faster each minute after you hear this signal. [beep] A single lap should be completed each time you hear this sound. [ding] Remember to run in a straight line and run as long possible. The second time you fail to complete a lap before the sound. Your test will begin on the word start. On your mark, get ready, start
The FitnessGram Pacer Test is a multistage aerobic capacity test that progressively gets more difficult as it continues. The 20 meter pacer test will begin in 30 seconds. Line up at the start. The running speed starts slowly, but gets faster each minute after you hear this signal. [beep] A single lap should be completed each time you hear this sound. [ding] Remember to run in a straight line and run as long possible. The second time you fail to complete a lap before the sound. Your test will begin on the word start. On your mark, get ready, start

The FitnessGram Pacer Test is a multistage aerobic capacity test that progressively gets more difficult as it continues. The 20 meter pacer test will begin in 30 seconds. Line up at the start. The running speed starts slowly, but gets faster each minute after you hear this signal. [beep] A single lap should be completed each time you hear this sound. [ding] Remember to run in a straight line and run as long possible. The second time you fail to complete a lap before the sound. Your test will begin on the word start. On your mark, get ready, start
The FitnessGram Pacer Test is a multistage aerobic capacity test that progressively gets more difficult as it continues. The 20 meter pacer test will begin in 30 seconds. Line up at the start. The running speed starts slowly, but gets faster each minute after you hear this signal. [beep] A single lap should be completed each time you hear this sound. [ding] Remember to run in a straight line and run as long possible. The second time you fail to complete a lap before the sound. Your test will begin on the word start. On your mark, get ready, start

The FitnessGram Pacer Test is a multistage aerobic capacity test that progressively gets more difficult as it continues. The 20 meter pacer test will begin in 30 seconds. Line up at the start. The running speed starts slowly, but gets faster each minute after you hear this signal. [beep] A single lap should be completed each time you hear this sound. [ding] Remember to run in a straight line and run as long possible. The second time you fail to complete a lap before the sound. Your test will begin on the word start. On your mark, get ready, start
The FitnessGram Pacer Test is a multistage aerobic capacity test that progressively gets more difficult as it continues. The 20 meter pacer test will begin in 30 seconds. Line up at the start. The running speed starts slowly, but gets faster each minute after you hear this signal. [beep] A single lap should be completed each time you hear this sound. [ding] Remember to run in a straight line and run as long possible. The second time you fail to complete a lap before the sound. Your test will begin on the word start. On your mark, get ready, start





The FitnessGram Pacer Test is a multistage aerobic capacity test that progressively gets more difficult as it continues. The 20 meter pacer test will begin in 30 seconds. Line up at the start. The running speed starts slowly, but gets faster each minute after you hear this signal. [beep] A single lap should be completed each time you hear this sound. [ding] Remember to run in a straight line and run as long possible. The second time you fail to complete a lap before the sound. Your test will begin on the word start. On your mark, get ready, start
The FitnessGram Pacer Test is a multistage aerobic capacity test that progressively gets more difficult as it continues. The 20 meter pacer test will begin in 30 seconds. Line up at the start. The running speed starts slowly, but gets faster each minute after you hear this signal. [beep] A single lap should be completed each time you hear this sound. [ding] Remember to run in a straight line and run as long possible. The second time you fail to complete a lap before the sound. Your test will begin on the word start. On your mark, get ready, start

The FitnessGram Pacer Test is a multistage aerobic capacity test that progressively gets more difficult as it continues. The 20 meter pacer test will begin in 30 seconds. Line up at the start. The running speed starts slowly, but gets faster each minute after you hear this signal. [beep] A single lap should be completed each time you hear this sound. [ding] Remember to run in a straight line and run as long possible. The second time you fail to complete a lap before the sound. Your test will begin on the word start. On your mark, get ready, start
The FitnessGram Pacer Test is a multistage aerobic capacity test that progressively gets more difficult as it continues. The 20 meter pacer test will begin in 30 seconds. Line up at the start. The running speed starts slowly, but gets faster each minute after you hear this signal. [beep] A single lap should be completed each time you hear this sound. [ding] Remember to run in a straight line and run as long possible. The second time you fail to complete a lap before the sound. Your test will begin on the word start. On your mark, get ready, start

The FitnessGram Pacer Test is a multistage aerobic capacity test that progressively gets more difficult as it continues. The 20 meter pacer test will begin in 30 seconds. Line up at the start. The running speed starts slowly, but gets faster each minute after you hear this signal. [beep] A single lap should be completed each time you hear this sound. [ding] Remember to run in a straight line and run as long possible. The second time you fail to complete a lap before the sound. Your test will begin on the word start. On your mark, get ready, start
The FitnessGram Pacer Test is a multistage aerobic capacity test that progressively gets more difficult as it continues. The 20 meter pacer test will begin in 30 seconds. Line up at the start. The running speed starts slowly, but gets faster each minute after you hear this signal. [beep] A single lap should be completed each time you hear this sound. [ding] Remember to run in a straight line and run as long possible. The second time you fail to complete a lap before the sound. Your test will begin on the word start. On your mark, get ready, start





The FitnessGram Pacer Test is a multistage aerobic capacity test that progressively gets more difficult as it continues. The 20 meter pacer test will begin in 30 seconds. Line up at the start. The running speed starts slowly, but gets faster each minute after you hear this signal. [beep] A single lap should be completed each time you hear this sound. [ding] Remember to run in a straight line and run as long possible. The second time you fail to complete a lap before the sound. Your test will begin on the word start. On your mark, get ready, start
The FitnessGram Pacer Test is a multistage aerobic capacity test that progressively gets more difficult as it continues. The 20 meter pacer test will begin in 30 seconds. Line up at the start. The running speed starts slowly, but gets faster each minute after you hear this signal. [beep] A single lap should be completed each time you hear this sound. [ding] Remember to run in a straight line and run as long possible. The second time you fail to complete a lap before the sound. Your test will begin on the word start. On your mark, get ready, start

The FitnessGram Pacer Test is a multistage aerobic capacity test that progressively gets more difficult as it continues. The 20 meter pacer test will begin in 30 seconds. Line up at the start. The running speed starts slowly, but gets faster each minute after you hear this signal. [beep] A single lap should be completed each time you hear this sound. [ding] Remember to run in a straight line and run as long possible. The second time you fail to complete a lap before the sound. Your test will begin on the word start. On your mark, get ready, start
The FitnessGram Pacer Test is a multistage aerobic capacity test that progressively gets more difficult as it continues. The 20 meter pacer test will begin in 30 seconds. Line up at the start. The running speed starts slowly, but gets faster each minute after you hear this signal. [beep] A single lap should be completed each time you hear this sound. [ding] Remember to run in a straight line and run as long possible. The second time you fail to complete a lap before the sound. Your test will begin on the word start. On your mark, get ready, start

The FitnessGram Pacer Test is a multistage aerobic capacity test that progressively gets more difficult as it continues. The 20 meter pacer test will begin in 30 seconds. Line up at the start. The running speed starts slowly, but gets faster each minute after you hear this signal. [beep] A single lap should be completed each time you hear this sound. [ding] Remember to run in a straight line and run as long possible. The second time you fail to complete a lap before the sound. Your test will begin on the word start. On your mark, get ready, start
The FitnessGram Pacer Test is a multistage aerobic capacity test that progressively gets more difficult as it continues. The 20 meter pacer test will begin in 30 seconds. Line up at the start. The running speed starts slowly, but gets faster each minute after you hear this signal. [beep] A single lap should be completed each time you hear this sound. [ding] Remember to run in a straight line and run as long possible. The second time you fail to complete a lap before the sound. Your test will begin on the word start. On your mark, get ready, start





The FitnessGram Pacer Test is a multistage aerobic capacity test that progressively gets more difficult as it continues. The 20 meter pacer test will begin in 30 seconds. Line up at the start. The running speed starts slowly, but gets faster each minute after you hear this signal. [beep] A single lap should be completed each time you hear this sound. [ding] Remember to run in a straight line and run as long possible. The second time you fail to complete a lap before the sound. Your test will begin on the word start. On your mark, get ready, start
The FitnessGram Pacer Test is a multistage aerobic capacity test that progressively gets more difficult as it continues. The 20 meter pacer test will begin in 30 seconds. Line up at the start. The running speed starts slowly, but gets faster each minute after you hear this signal. [beep] A single lap should be completed each time you hear this sound. [ding] Remember to run in a straight line and run as long possible. The second time you fail to complete a lap before the sound. Your test will begin on the word start. On your mark, get ready, start

The FitnessGram Pacer Test is a multistage aerobic capacity test that progressively gets more difficult as it continues. The 20 meter pacer test will begin in 30 seconds. Line up at the start. The running speed starts slowly, but gets faster each minute after you hear this signal. [beep] A single lap should be completed each time you hear this sound. [ding] Remember to run in a straight line and run as long possible. The second time you fail to complete a lap before the sound. Your test will begin on the word start. On your mark, get ready, start
The FitnessGram Pacer Test is a multistage aerobic capacity test that progressively gets more difficult as it continues. The 20 meter pacer test will begin in 30 seconds. Line up at the start. The running speed starts slowly, but gets faster each minute after you hear this signal. [beep] A single lap should be completed each time you hear this sound. [ding] Remember to run in a straight line and run as long possible. The second time you fail to complete a lap before the sound. Your test will begin on the word start. On your mark, get ready, start

The FitnessGram Pacer Test is a multistage aerobic capacity test that progressively gets more difficult as it continues. The 20 meter pacer test will begin in 30 seconds. Line up at the start. The running speed starts slowly, but gets faster each minute after you hear this signal. [beep] A single lap should be completed each time you hear this sound. [ding] Remember to run in a straight line and run as long possible. The second time you fail to complete a lap before the sound. Your test will begin on the word start. On your mark, get ready, start
The FitnessGram Pacer Test is a multistage aerobic capacity test that progressively gets more difficult as it continues. The 20 meter pacer test will begin in 30 seconds. Line up at the start. The running speed starts slowly, but gets faster each minute after you hear this signal. [beep] A single lap should be completed each time you hear this sound. [ding] Remember to run in a straight line and run as long possible. The second time you fail to complete a lap before the sound. Your test will begin on the word start. On your mark, get ready, start





The FitnessGram Pacer Test is a multistage aerobic capacity test that progressively gets more difficult as it continues. The 20 meter pacer test will begin in 30 seconds. Line up at the start. The running speed starts slowly, but gets faster each minute after you hear this signal. [beep] A single lap should be completed each time you hear this sound. [ding] Remember to run in a straight line and run as long possible. The second time you fail to complete a lap before the sound. Your test will begin on the word start. On your mark, get ready, start
The FitnessGram Pacer Test is a multistage aerobic capacity test that progressively gets more difficult as it continues. The 20 meter pacer test will begin in 30 seconds. Line up at the start. The running speed starts slowly, but gets faster each minute after you hear this signal. [beep] A single lap should be completed each time you hear this sound. [ding] Remember to run in a straight line and run as long possible. The second time you fail to complete a lap before the sound. Your test will begin on the word start. On your mark, get ready, start

The FitnessGram Pacer Test is a multistage aerobic capacity test that progressively gets more difficult as it continues. The 20 meter pacer test will begin in 30 seconds. Line up at the start. The running speed starts slowly, but gets faster each minute after you hear this signal. [beep] A single lap should be completed each time you hear this sound. [ding] Remember to run in a straight line and run as long possible. The second time you fail to complete a lap before the sound. Your test will begin on the word start. On your mark, get ready, start
The FitnessGram Pacer Test is a multistage aerobic capacity test that progressively gets more difficult as it continues. The 20 meter pacer test will begin in 30 seconds. Line up at the start. The running speed starts slowly, but gets faster each minute after you hear this signal. [beep] A single lap should be completed each time you hear this sound. [ding] Remember to run in a straight line and run as long possible. The second time you fail to complete a lap before the sound. Your test will begin on the word start. On your mark, get ready, start

The FitnessGram Pacer Test is a multistage aerobic capacity test that progressively gets more difficult as it continues. The 20 meter pacer test will begin in 30 seconds. Line up at the start. The running speed starts slowly, but gets faster each minute after you hear this signal. [beep] A single lap should be completed each time you hear this sound. [ding] Remember to run in a straight line and run as long possible. The second time you fail to complete a lap before the sound. Your test will begin on the word start. On your mark, get ready, start
The FitnessGram Pacer Test is a multistage aerobic capacity test that progressively gets more difficult as it continues. The 20 meter pacer test will begin in 30 seconds. Line up at the start. The running speed starts slowly, but gets faster each minute after you hear this signal. [beep] A single lap should be completed each time you hear this sound. [ding] Remember to run in a straight line and run as long possible. The second time you fail to complete a lap before the sound. Your test will begin on the word start. On your mark, get ready, start





The FitnessGram Pacer Test is a multistage aerobic capacity test that progressively gets more difficult as it continues. The 20 meter pacer test will begin in 30 seconds. Line up at the start. The running speed starts slowly, but gets faster each minute after you hear this signal. [beep] A single lap should be completed each time you hear this sound. [ding] Remember to run in a straight line and run as long possible. The second time you fail to complete a lap before the sound. Your test will begin on the word start. On your mark, get ready, start
The FitnessGram Pacer Test is a multistage aerobic capacity test that progressively gets more difficult as it continues. The 20 meter pacer test will begin in 30 seconds. Line up at the start. The running speed starts slowly, but gets faster each minute after you hear this signal. [beep] A single lap should be completed each time you hear this sound. [ding] Remember to run in a straight line and run as long possible. The second time you fail to complete a lap before the sound. Your test will begin on the word start. On your mark, get ready, start

The FitnessGram Pacer Test is a multistage aerobic capacity test that progressively gets more difficult as it continues. The 20 meter pacer test will begin in 30 seconds. Line up at the start. The running speed starts slowly, but gets faster each minute after you hear this signal. [beep] A single lap should be completed each time you hear this sound. [ding] Remember to run in a straight line and run as long possible. The second time you fail to complete a lap before the sound. Your test will begin on the word start. On your mark, get ready, start
The FitnessGram Pacer Test is a multistage aerobic capacity test that progressively gets more difficult as it continues. The 20 meter pacer test will begin in 30 seconds. Line up at the start. The running speed starts slowly, but gets faster each minute after you hear this signal. [beep] A single lap should be completed each time you hear this sound. [ding] Remember to run in a straight line and run as long possible. The second time you fail to complete a lap before the sound. Your test will begin on the word start. On your mark, get ready, start

The FitnessGram Pacer Test is a multistage aerobic capacity test that progressively gets more difficult as it continues. The 20 meter pacer test will begin in 30 seconds. Line up at the start. The running speed starts slowly, but gets faster each minute after you hear this signal. [beep] A single lap should be completed each time you hear this sound. [ding] Remember to run in a straight line and run as long possible. The second time you fail to complete a lap before the sound. Your test will begin on the word start. On your mark, get ready, start
The FitnessGram Pacer Test is a multistage aerobic capacity test that progressively gets more difficult as it continues. The 20 meter pacer test will begin in 30 seconds. Line up at the start. The running speed starts slowly, but gets faster each minute after you hear this signal. [beep] A single lap should be completed each time you hear this sound. [ding] Remember to run in a straight line and run as long possible. The second time you fail to complete a lap before the sound. Your test will begin on the word start. On your mark, get ready, start
The The FitnessGram Pacer Test is a multistage aerobic capacity test that progressively gets more difficult as it continues. The 20 meter pacer test will begin in 30 seconds. Line up at the start. The running speed starts slowly, but gets faster each minute after you hear this signal. [beep] A single lap should be completed each time you hear this sound. [ding] Remember to run in a straight line and run as long possible. The second time you fail to complete a lap before the sound. Your test will begin on the word start. On your mark, get ready, start
The FitnessGram Pacer Test is a multistage aerobic capacity test that progressively gets more difficult as it continues. The 20 meter pacer test will begin in 30 seconds. Line up at the start. The running speed starts slowly, but gets faster each minute after you hear this signal. [beep] A single lap should be completed each time you hear this sound. [ding] Remember to run in a straight line and run as long possible. The second time you fail to complete a lap before the sound. Your test will begin on the word start. On your mark, get ready, start

The FitnessGram Pacer Test is a multistage aerobic capacity test that progressively gets more difficult as it continues. The 20 meter pacer test will begin in 30 seconds. Line up at the start. The running speed starts slowly, but gets faster each minute after you hear this signal. [beep] A single lap should be completed each time you hear this sound. [ding] Remember to run in a straight line and run as long possible. The second time you fail to complete a lap before the sound. Your test will begin on the word start. On your mark, get ready, start
The FitnessGram Pacer Test is a multistage aerobic capacity test that progressively gets more difficult as it continues. The 20 meter pacer test will begin in 30 seconds. Line up at the start. The running speed starts slowly, but gets faster each minute after you hear this signal. [beep] A single lap should be completed each time you hear this sound. [ding] Remember to run in a straight line and run as long possible. The second time you fail to complete a lap before the sound. Your test will begin on the word start. On your mark, get ready, start

The FitnessGram Pacer Test is a multistage aerobic capacity test that progressively gets more difficult as it continues. The 20 meter pacer test will begin in 30 seconds. Line up at the start. The running speed starts slowly, but gets faster each minute after you hear this signal. [beep] A single lap should be completed each time you hear this sound. [ding] Remember to run in a straight line and run as long possible. The second time you fail to complete a lap before the sound. Your test will begin on the word start. On your mark, get ready, start
The FitnessGram Pacer Test is a multistage aerobic capacity test that progressively gets more difficult as it continues. The 20 meter pacer test will begin in 30 seconds. Line up at the start. The running speed starts slowly, but gets faster each minute after you hear this signal. [beep] A single lap should be completed each time you hear this sound. [ding] Remember to run in a straight line and run as long possible. The second time you fail to complete a lap before the sound. Your test will begin on the word start. On your mark, get ready, staThe FitnessGram Pacer Test is a multistage aerobic capacity test that progressively gets more difficult as it continues. The 20 meter pacer test will begin in 30 seconds. Line up at the start. The running speed starts slowly, but gets faster each minute after you hear this signal. [beep] A single lap should be completed each time you hear this sound. [ding] Remember to run in a straight line and run as long possible. The second time you fail to complete a lap before the sound. Your test will begin on the word start. On your mark, get ready, start
The FitnessGram Pacer Test is a multistage aerobic capacity test that progressively gets more difficult as it continues. The 20 meter pacer test will begin in 30 seconds. Line up at the start. The running speed starts slowly, but gets faster each minute after you hear this signal. [beep] A single lap should be completed each time you hear this sound. [ding] Remember to run in a straight line and run as long possible. The second time you fail to complete a lap before the sound. Your test will begin on the word start. On your mark, get ready, start

The FitnessGram Pacer Test is a multistage aerobic capacity test that progressively gets more difficult as it continues. The 20 meter pacer test will begin in 30 seconds. Line up at the start. The running speed starts slowly, but gets faster each minute after you hear this signal. [beep] A single lap should be completed each time you hear this sound. [ding] Remember to run in a straight line and run as long possible. The second time you fail to complete a lap before the sound. Your test will begin on the word start. On your mark, get ready, start
The FitnessGram Pacer Test is a multistage aerobic capacity test that progressively gets more difficult as it continues. The 20 meter pacer test will begin in 30 seconds. Line up at the start. The running speed starts slowly, but gets faster each minute after you hear this signal. [beep] A single lap should be completed each time you hear this sound. [ding] Remember to run in a straight line and run as long possible. The second time you fail to complete a lap before the sound. Your test will begin on the word start. On your mark, get ready, start

The FitnessGram Pacer Test is a multistage aerobic capacity test that progressively gets more difficult as it continues. The 20 meter pacer test will begin in 30 seconds. Line up at the start. The running speed starts slowly, but gets faster each minute after you hear this signal. [beep] A single lap should be completed each time you hear this sound. [ding] Remember to run in a straight line and run as long possible. The second time you fail to complete a lap before the sound. Your test will begin on the word start. On your mark, get ready, start
The FitnessGram Pacer Test is a multistage aerobic capacity test that progressively gets more difficult as it continues. The 20 meter pacer test will begin in 30 seconds. Line up at the start. The running speed starts slowly, but gets faster each minute after you hear this signal. [beep] A single lap should be completed each time you hear this sound. [ding] Remember to run in a straight line and run as long possible. The second time you fail to complete a lap before the sound. Your test will begin on the word start. On your mark, get ready, start
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The FitnessGram Pacer Test is a multistage aerobic capacity test that progressively gets more difficult as it continues. The 20 meter pacer test will begin in 30 seconds. Line up at the start. The running speed starts slowly, but gets faster each minute after you hear this signal. [beep] A single lap should be completed each time you hear this sound. [ding] Remember to run in a straight line and run as long possible. The second time you fail to complete a lap before the sound. Your test will begin on the word start. On your mark, get ready, start
The FitnessGram Pacer Test is a multistage aerobic capacity test that progressively gets more difficult as it continues. The 20 meter pacer test will begin in 30 seconds. Line up at the start. The running speed starts slowly, but gets faster each minute after you hear this signal. [beep] A single lap should be completed each time you hear this sound. [ding] Remember to run in a straight line and run as long possible. The second time you fail to complete a lap before the sound. Your test will begin on the word start. On your mark, get ready, start

The FitnessGram Pacer Test is a multistage aerobic capacity test that progressively gets more difficult as it continues. The 20 meter pacer test will begin in 30 seconds. Line up at the start. The running speed starts slowly, but gets faster each minute after you hear this signal. [beep] A single lap should be completed each time you hear this sound. [ding] Remember to run in a straight line and run as long possible. The second time you fail to complete a lap before the sound. Your test will begin on the word start. On your mark, get ready, start
The FitnessGram Pacer Test is a multistage aerobic capacity test that progressively gets more difficult as it continues. The 20 meter pacer test will begin in 30 seconds. Line up at the start. The running speed starts slowly, but gets faster each minute after you hear this signal. [beep] A single lap should be completed each time you hear this sound. [ding] Remember to run in a straight line and run as long possible. The second time you fail to complete a lap before the sound. Your test will begin on the word start. On your mark, get ready, start

The FitnessGram Pacer Test is a multistage aerobic capacity test that progressively gets more difficult as it continues. The 20 meter pacer test will begin in 30 seconds. Line up at the start. The running speed starts slowly, but gets faster each minute after you hear this signal. [beep] A single lap should be completed each time you hear this sound. [ding] Remember to run in a straight line and run as long possible. The second time you fail to complete a lap before the sound. Your test will begin on the word start. On your mark, get ready, start
The FitnessGram Pacer Test is a multistage aerobic capacity test that progressively gets more difficult as it continues. The 20 meter pacer test will begin in 30 seconds. Line up at the start. The running speed starts slowly, but gets faster each minute after you hear this signal. [beep] A single lap should be completed each time you hear this sound. [ding] Remember to run in a straight line and run as long possible. The second time you fail to complete a lap before the sound. Your test will begin on the word start. On your mark, get ready, start
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The FitnessGram Pacer Test is a multistage aerobic capacity test that progressively gets more difficult as it continues. The 20 meter pacer test will begin in 30 seconds. Line up at the start. The running speed starts slowly, but gets faster each minute after you hear this signal. [beep] A single lap should be completed each time you hear this sound. [ding] Remember to run in a straight line and run as long possible. The second time you fail to complete a lap before the sound. Your test will begin on the word start. On your mark, get ready, start
The FitnessGram Pacer Test is a multistage aerobic capacity test that progressively gets more difficult as it continues. The 20 meter pacer test will begin in 30 seconds. Line up at the start. The running speed starts slowly, but gets faster each minute after you hear this signal. [beep] A single lap should be completed each time you hear this sound. [ding] Remember to run in a straight line and run as long possible. The second time you fail to complete a lap before the sound. Your test will begin on the word start. On your mark, get ready, start

The FitnessGram Pacer Test is a multistage aerobic capacity test that progressively gets more difficult as it continues. The 20 meter pacer test will begin in 30 seconds. Line up at the start. The running speed starts slowly, but gets faster each minute after you hear this signal. [beep] A single lap should be completed each time you hear this sound. [ding] Remember to run in a straight line and run as long possible. The second time you fail to complete a lap before the sound. Your test will begin on the word start. On your mark, get ready, start
The FitnessGram Pacer Test is a multistage aerobic capacity test that progressively gets more difficult as it continues. The 20 meter pacer test will begin in 30 seconds. Line up at the start. The running speed starts slowly, but gets faster each minute after you hear this signal. [beep] A single lap should be completed each time you hear this sound. [ding] Remember to run in a straight line and run as long possible. The second time you fail to complete a lap before the sound. Your test will begin on the word start. On your mark, get ready, start

The FitnessGram Pacer Test is a multistage aerobic capacity test that progressively gets more difficult as it continues. The 20 meter pacer test will begin in 30 seconds. Line up at the start. The running speed starts slowly, but gets faster each minute after you hear this signal. [beep] A single lap should be completed each time you hear this sound. [ding] Remember to run in a straight line and run as long possible. The second time you fail to complete a lap before the sound. Your test will begin on the word start. On your mark, get ready, start
The FitnessGram Pacer Test is a multistage aerobic capacity test that progressively gets more difficult as it continues. The 20 meter pacer test will begin in 30 seconds. Line up at the start. The running speed starts slowly, but gets faster each minute after you hear this signal. [beep] A single lap should be completed each time you hear this sound. [ding] Remember to run in a straight line and run as long possible. The second time you fail to complete a lap before the sound. Your test will begin on the word start. On your mark, get ready, start
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The FitnessGram Pacer Test is a multistage aerobic capacity test that progressively gets more difficult as it continues. The 20 meter pacer test will begin in 30 seconds. Line up at the start. The running speed starts slowly, but gets faster each minute after you hear this signal. [beep] A single lap should be completed each time you hear this sound. [ding] Remember to run in a straight line and run as long possible. The second time you fail to complete a lap before the sound. Your test will begin on the word start. On your mark, get ready, start
The FitnessGram Pacer Test is a multistage aerobic capacity test that progressively gets more difficult as it continues. The 20 meter pacer test will begin in 30 seconds. Line up at the start. The running speed starts slowly, but gets faster each minute after you hear this signal. [beep] A single lap should be completed each time you hear this sound. [ding] Remember to run in a straight line and run as long possible. The second time you fail to complete a lap before the sound. Your test will begin on the word start. On your mark, get ready, start

The FitnessGram Pacer Test is a multistage aerobic capacity test that progressively gets more difficult as it continues. The 20 meter pacer test will begin in 30 seconds. Line up at the start. The running speed starts slowly, but gets faster each minute after you hear this signal. [beep] A single lap should be completed each time you hear this sound. [ding] Remember to run in a straight line and run as long possible. The second time you fail to complete a lap before the sound. Your test will begin on the word start. On your mark, get ready, start
The FitnessGram Pacer Test is a multistage aerobic capacity test that progressively gets more difficult as it continues. The 20 meter pacer test will begin in 30 seconds. Line up at the start. The running speed starts slowly, but gets faster each minute after you hear this signal. [beep] A single lap should be completed each time you hear this sound. [ding] Remember to run in a straight line and run as long possible. The second time you fail to complete a lap before the sound. Your test will begin on the word start. On your mark, get ready, start

The FitnessGram Pacer Test is a multistage aerobic capacity test that progressively gets more difficult as it continues. The 20 meter pacer test will begin in 30 seconds. Line up at the start. The running speed starts slowly, but gets faster each minute after you hear this signal. [beep] A single lap should be completed each time you hear this sound. [ding] Remember to run in a straight line and run as long possible. The second time you fail to complete a lap before the sound. Your test will begin on the word start. On your mark, get ready, start
The FitnessGram Pacer Test is a multistage aerobic capacity test that progressively gets more difficult as it continues. The 20 meter pacer test will begin in 30 seconds. Line up at the start. The running speed starts slowly, but gets faster each minute after you hear this signal. [beep] A single lap should be completed each time you hear this sound. [ding] Remember to run in a straight line and run as long possible. The second time you fail to complete a lap before the sound. Your test will begin on the word start. On your mark, get ready, start
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The FitnessGram Pacer Test is a multistage aerobic capacity test that progressively gets more difficult as it continues. The 20 meter pacer test will begin in 30 seconds. Line up at the start. The running speed starts slowly, but gets faster each minute after you hear this signal. [beep] A single lap should be completed each time you hear this sound. [ding] Remember to run in a straight line and run as long possible. The second time you fail to complete a lap before the sound. Your test will begin on the word start. On your mark, get ready, start
The FitnessGram Pacer Test is a multistage aerobic capacity test that progressively gets more difficult as it continues. The 20 meter pacer test will begin in 30 seconds. Line up at the start. The running speed starts slowly, but gets faster each minute after you hear this signal. [beep] A single lap should be completed each time you hear this sound. [ding] Remember to run in a straight line and run as long possible. The second time you fail to complete a lap before the sound. Your test will begin on the word start. On your mark, get ready, start

The FitnessGram Pacer Test is a multistage aerobic capacity test that progressively gets more difficult as it continues. The 20 meter pacer test will begin in 30 seconds. Line up at the start. The running speed starts slowly, but gets faster each minute after you hear this signal. [beep] A single lap should be completed each time you hear this sound. [ding] Remember to run in a straight line and run as long possible. The second time you fail to complete a lap before the sound. Your test will begin on the word start. On your mark, get ready, start
The FitnessGram Pacer Test is a multistage aerobic capacity test that progressively gets more difficult as it continues. The 20 meter pacer test will begin in 30 seconds. Line up at the start. The running speed starts slowly, but gets faster each minute after you hear this signal. [beep] A single lap should be completed each time you hear this sound. [ding] Remember to run in a straight line and run as long possible. The second time you fail to complete a lap before the sound. Your test will begin on the word start. On your mark, get ready, start

The FitnessGram Pacer Test is a multistage aerobic capacity test that progressively gets more difficult as it continues. The 20 meter pacer test will begin in 30 seconds. Line up at the start. The running speed starts slowly, but gets faster each minute after you hear this signal. [beep] A single lap should be completed each time you hear this sound. [ding] Remember to run in a straight line and run as long possible. The second time you fail to complete a lap before the sound. Your test will begin on the word start. On your mark, get ready, start
The FitnessGram Pacer Test is a multistage aerobic capacity test that progressively gets more difficult as it continues. The 20 meter pacer test will begin in 30 seconds. Line up at the start. The running speed starts slowly, but gets faster each minute after you hear this signal. [beep] A single lap should be completed each time you hear this sound. [ding] Remember to run in a straight line and run as long possible. The second time you fail to complete a lap before the sound. Your test will begin on the word start. On your mark, get ready, start
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The FitnessGram Pacer Test is a multistage aerobic capacity test that progressively gets more difficult as it continues. The 20 meter pacer test will begin in 30 seconds. Line up at the start. The running speed starts slowly, but gets faster each minute after you hear this signal. [beep] A single lap should be completed each time you hear this sound. [ding] Remember to run in a straight line and run as long possible. The second time you fail to complete a lap before the sound. Your test will begin on the word start. On your mark, get ready, start
The FitnessGram Pacer Test is a multistage aerobic capacity test that progressively gets more difficult as it continues. The 20 meter pacer test will begin in 30 seconds. Line up at the start. The running speed starts slowly, but gets faster each minute after you hear this signal. [beep] A single lap should be completed each time you hear this sound. [ding] Remember to run in a straight line and run as long possible. The second time you fail to complete a lap before the sound. Your test will begin on the word start. On your mark, get ready, start

The FitnessGram Pacer Test is a multistage aerobic capacity test that progressively gets more difficult as it continues. The 20 meter pacer test will begin in 30 seconds. Line up at the start. The running speed starts slowly, but gets faster each minute after you hear this signal. [beep] A single lap should be completed each time you hear this sound. [ding] Remember to run in a straight line and run as long possible. The second time you fail to complete a lap before the sound. Your test will begin on the word start. On your mark, get ready, start
The FitnessGram Pacer Test is a multistage aerobic capacity test that progressively gets more difficult as it continues. The 20 meter pacer test will begin in 30 seconds. Line up at the start. The running speed starts slowly, but gets faster each minute after you hear this signal. [beep] A single lap should be completed each time you hear this sound. [ding] Remember to run in a straight line and run as long possible. The second time you fail to complete a lap before the sound. Your test will begin on the word start. On your mark, get ready, start

The FitnessGram Pacer Test is a multistage aerobic capacity test that progressively gets more difficult as it continues. The 20 meter pacer test will begin in 30 seconds. Line up at the start. The running speed starts slowly, but gets faster each minute after you hear this signal. [beep] A single lap should be completed each time you hear this sound. [ding] Remember to run in a straight line and run as long possible. The second time you fail to complete a lap before the sound. Your test will begin on the word start. On your mark, get ready, start
The FitnessGram Pacer Test is a multistage aerobic capacity test that progressively gets more difficult as it continues. The 20 meter pacer test will begin in 30 seconds. Line up at the start. The running speed starts slowly, but gets faster each minute after you hear this signal. [beep] A single lap should be completed each time you hear this sound. [ding] Remember to run in a straight line and run as long possible. The second time you fail to complete a lap before the sound. Your test will begin on the word start. On your mark, get ready, start
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The FitnessGram Pacer Test is a multistage aerobic capacity test that progressively gets more difficult as it continues. The 20 meter pacer test will begin in 30 seconds. Line up at the start. The running speed starts slowly, but gets faster each minute after you hear this signal. [beep] A single lap should be completed each time you hear this sound. [ding] Remember to run in a straight line and run as long possible. The second time you fail to complete a lap before the sound. Your test will begin on the word start. On your mark, get ready, start
The FitnessGram Pacer Test is a multistage aerobic capacity test that progressively gets more difficult as it continues. The 20 meter pacer test will begin in 30 seconds. Line up at the start. The running speed starts slowly, but gets faster each minute after you hear this signal. [beep] A single lap should be completed each time you hear this sound. [ding] Remember to run in a straight line and run as long possible. The second time you fail to complete a lap before the sound. Your test will begin on the word start. On your mark, get ready, start

The FitnessGram Pacer Test is a multistage aerobic capacity test that progressively gets more difficult as it continues. The 20 meter pacer test will begin in 30 seconds. Line up at the start. The running speed starts slowly, but gets faster each minute after you hear this signal. [beep] A single lap should be completed each time you hear this sound. [ding] Remember to run in a straight line and run as long possible. The second time you fail to complete a lap before the sound. Your test will begin on the word start. On your mark, get ready, start
The FitnessGram Pacer Test is a multistage aerobic capacity test that progressively gets more difficult as it continues. The 20 meter pacer test will begin in 30 seconds. Line up at the start. The running speed starts slowly, but gets faster each minute after you hear this signal. [beep] A single lap should be completed each time you hear this sound. [ding] Remember to run in a straight line and run as long possible. The second time you fail to complete a lap before the sound. Your test will begin on the word start. On your mark, get ready, start

The FitnessGram Pacer Test is a multistage aerobic capacity test that progressively gets more difficult as it continues. The 20 meter pacer test will begin in 30 seconds. Line up at the start. The running speed starts slowly, but gets faster each minute after you hear this signal. [beep] A single lap should be completed each time you hear this sound. [ding] Remember to run in a straight line and run as long possible. The second time you fail to complete a lap before the sound. Your test will begin on the word start. On your mark, get ready, start
The FitnessGram Pacer Test is a multistage aerobic capacity test that progressively gets more difficult as it continues. The 20 meter pacer test will begin in 30 seconds. Line up at the start. The running speed starts slowly, but gets faster each minute after you hear this signal. [beep] A single lap should be completed each time you hear this sound. [ding] Remember to run in a straight line and run as long possible. The second time you fail to complete a lap before the sound. Your test will begin on the word start. On your mark, get ready, start
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The FitnessGram Pacer Test is a multistage aerobic capacity test that progressively gets more difficult as it continues. The 20 meter pacer test will begin in 30 seconds. Line up at the start. The running speed starts slowly, but gets faster each minute after you hear this signal. [beep] A single lap should be completed each time you hear this sound. [ding] Remember to run in a straight line and run as long possible. The second time you fail to complete a lap before the sound. Your test will begin on the word start. On your mark, get ready, start
The FitnessGram Pacer Test is a multistage aerobic capacity test that progressively gets more difficult as it continues. The 20 meter pacer test will begin in 30 seconds. Line up at the start. The running speed starts slowly, but gets faster each minute after you hear this signal. [beep] A single lap should be completed each time you hear this sound. [ding] Remember to run in a straight line and run as long possible. The second time you fail to complete a lap before the sound. Your test will begin on the word start. On your mark, get ready, start

The FitnessGram Pacer Test is a multistage aerobic capacity test that progressively gets more difficult as it continues. The 20 meter pacer test will begin in 30 seconds. Line up at the start. The running speed starts slowly, but gets faster each minute after you hear this signal. [beep] A single lap should be completed each time you hear this sound. [ding] Remember to run in a straight line and run as long possible. The second time you fail to complete a lap before the sound. Your test will begin on the word start. On your mark, get ready, start
The FitnessGram Pacer Test is a multistage aerobic capacity test that progressively gets more difficult as it continues. The 20 meter pacer test will begin in 30 seconds. Line up at the start. The running speed starts slowly, but gets faster each minute after you hear this signal. [beep] A single lap should be completed each time you hear this sound. [ding] Remember to run in a straight line and run as long possible. The second time you fail to complete a lap before the sound. Your test will begin on the word start. On your mark, get ready, start

The FitnessGram Pacer Test is a multistage aerobic capacity test that progressively gets more difficult as it continues. The 20 meter pacer test will begin in 30 seconds. Line up at the start. The running speed starts slowly, but gets faster each minute after you hear this signal. [beep] A single lap should be completed each time you hear this sound. [ding] Remember to run in a straight line and run as long possible. The second time you fail to complete a lap before the sound. Your test will begin on the word start. On your mark, get ready, start
The FitnessGram Pacer Test is a multistage aerobic capacity test that progressively gets more difficult as it continues. The 20 meter pacer test will begin in 30 seconds. Line up at the start. The running speed starts slowly, but gets faster each minute after you hear this signal. [beep] A single lap should be completed each time you hear this sound. [ding] Remember to run in a straight line and run as long possible. The second time you fail to complete a lap before the sound. Your test will begin on the word start. On your mark, get ready, start
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The FitnessGram Pacer Test is a multistage aerobic capacity test that progressively gets more difficult as it continues. The 20 meter pacer test will begin in 30 seconds. Line up at the start. The running speed starts slowly, but gets faster each minute after you hear this signal. [beep] A single lap should be completed each time you hear this sound. [ding] Remember to run in a straight line and run as long possible. The second time you fail to complete a lap before the sound. Your test will begin on the word start. On your mark, get ready, start
The FitnessGram Pacer Test is a multistage aerobic capacity test that progressively gets more difficult as it continues. The 20 meter pacer test will begin in 30 seconds. Line up at the start. The running speed starts slowly, but gets faster each minute after you hear this signal. [beep] A single lap should be completed each time you hear this sound. [ding] Remember to run in a straight line and run as long possible. The second time you fail to complete a lap before the sound. Your test will begin on the word start. On your mark, get ready, start

The FitnessGram Pacer Test is a multistage aerobic capacity test that progressively gets more difficult as it continues. The 20 meter pacer test will begin in 30 seconds. Line up at the start. The running speed starts slowly, but gets faster each minute after you hear this signal. [beep] A single lap should be completed each time you hear this sound. [ding] Remember to run in a straight line and run as long possible. The second time you fail to complete a lap before the sound. Your test will begin on the word start. On your mark, get ready, start
The FitnessGram Pacer Test is a multistage aerobic capacity test that progressively gets more difficult as it continues. The 20 meter pacer test will begin in 30 seconds. Line up at the start. The running speed starts slowly, but gets faster each minute after you hear this signal. [beep] A single lap should be completed each time you hear this sound. [ding] Remember to run in a straight line and run as long possible. The second time you fail to complete a lap before the sound. Your test will begin on the word start. On your mark, get ready, start

The FitnessGram Pacer Test is a multistage aerobic capacity test that progressively gets more difficult as it continues. The 20 meter pacer test will begin in 30 seconds. Line up at the start. The running speed starts slowly, but gets faster each minute after you hear this signal. [beep] A single lap should be completed each time you hear this sound. [ding] Remember to run in a straight line and run as long possible. The second time you fail to complete a lap before the sound. Your test will begin on the word start. On your mark, get ready, start
The FitnessGram Pacer Test is a multistage aerobic capacity test that progressively gets more difficult as it continues. The 20 meter pacer test will begin in 30 seconds. Line up at the start. The running speed starts slowly, but gets faster each minute after you hear this signal. [beep] A single lap should be completed each time you hear this sound. [ding] Remember to run in a straight line and run as long possible. The second time you fail to complete a lap before the sound. Your test will begin on the word start. On your mark, get ready, start
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The FitnessGram Pacer Test is a multistage aerobic capacity test that progressively gets more difficult as it continues. The 20 meter pacer test will begin in 30 seconds. Line up at the start. The running speed starts slowly, but gets faster each minute after you hear this signal. [beep] A single lap should be completed each time you hear this sound. [ding] Remember to run in a straight line and run as long possible. The second time you fail to complete a lap before the sound. Your test will begin on the word start. On your mark, get ready, start
The FitnessGram Pacer Test is a multistage aerobic capacity test that progressively gets more difficult as it continues. The 20 meter pacer test will begin in 30 seconds. Line up at the start. The running speed starts slowly, but gets faster each minute after you hear this signal. [beep] A single lap should be completed each time you hear this sound. [ding] Remember to run in a straight line and run as long possible. The second time you fail to complete a lap before the sound. Your test will begin on the word start. On your mark, get ready, start

The FitnessGram Pacer Test is a multistage aerobic capacity test that progressively gets more difficult as it continues. The 20 meter pacer test will begin in 30 seconds. Line up at the start. The running speed starts slowly, but gets faster each minute after you hear this signal. [beep] A single lap should be completed each time you hear this sound. [ding] Remember to run in a straight line and run as long possible. The second time you fail to complete a lap before the sound. Your test will begin on the word start. On your mark, get ready, start
The FitnessGram Pacer Test is a multistage aerobic capacity test that progressively gets more difficult as it continues. The 20 meter pacer test will begin in 30 seconds. Line up at the start. The running speed starts slowly, but gets faster each minute after you hear this signal. [beep] A single lap should be completed each time you hear this sound. [ding] Remember to run in a straight line and run as long possible. The second time you fail to complete a lap before the sound. Your test will begin on the word start. On your mark, get ready, start

The FitnessGram Pacer Test is a multistage aerobic capacity test that progressively gets more difficult as it continues. The 20 meter pacer test will begin in 30 seconds. Line up at the start. The running speed starts slowly, but gets faster each minute after you hear this signal. [beep] A single lap should be completed each time you hear this sound. [ding] Remember to run in a straight line and run as long possible. The second time you fail to complete a lap before the sound. Your test will begin on the word start. On your mark, get ready, start
The FitnessGram Pacer Test is a multistage aerobic capacity test that progressively gets more difficult as it continues. The 20 meter pacer test will begin in 30 seconds. Line up at the start. The running speed starts slowly, but gets faster each minute after you hear this signal. [beep] A single lap should be completed each time you hear this sound. [ding] Remember to run in a straight line and run as long possible. The second time you fail to complete a lap before the sound. Your test will begin on the word start. On your mark, get ready, start
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The FitnessGram Pacer Test is a multistage aerobic capacity test that progressively gets more difficult as it continues. The 20 meter pacer test will begin in 30 seconds. Line up at the start. The running speed starts slowly, but gets faster each minute after you hear this signal. [beep] A single lap should be completed each time you hear this sound. [ding] Remember to run in a straight line and run as long possible. The second time you fail to complete a lap before the sound. Your test will begin on the word start. On your mark, get ready, start
The FitnessGram Pacer Test is a multistage aerobic capacity test that progressively gets more difficult as it continues. The 20 meter pacer test will begin in 30 seconds. Line up at the start. The running speed starts slowly, but gets faster each minute after you hear this signal. [beep] A single lap should be completed each time you hear this sound. [ding] Remember to run in a straight line and run as long possible. The second time you fail to complete a lap before the sound. Your test will begin on the word start. On your mark, get ready, start

The FitnessGram Pacer Test is a multistage aerobic capacity test that progressively gets more difficult as it continues. The 20 meter pacer test will begin in 30 seconds. Line up at the start. The running speed starts slowly, but gets faster each minute after you hear this signal. [beep] A single lap should be completed each time you hear this sound. [ding] Remember to run in a straight line and run as long possible. The second time you fail to complete a lap before the sound. Your test will begin on the word start. On your mark, get ready, start
The FitnessGram Pacer Test is a multistage aerobic capacity test that progressively gets more difficult as it continues. The 20 meter pacer test will begin in 30 seconds. Line up at the start. The running speed starts slowly, but gets faster each minute after you hear this signal. [beep] A single lap should be completed each time you hear this sound. [ding] Remember to run in a straight line and run as long possible. The second time you fail to complete a lap before the sound. Your test will begin on the word start. On your mark, get ready, start

The FitnessGram Pacer Test is a multistage aerobic capacity test that progressively gets more difficult as it continues. The 20 meter pacer test will begin in 30 seconds. Line up at the start. The running speed starts slowly, but gets faster each minute after you hear this signal. [beep] A single lap should be completed each time you hear this sound. [ding] Remember to run in a straight line and run as long possible. The second time you fail to complete a lap before the sound. Your test will begin on the word start. On your mark, get ready, start
The FitnessGram Pacer Test is a multistage aerobic capacity test that progressively gets more difficult as it continues. The 20 meter pacer test will begin in 30 seconds. Line up at the start. The running speed starts slowly, but gets faster each minute after you hear this signal. [beep] A single lap should be completed each time you hear this sound. [ding] Remember to run in a straight line and run as long possible. The second time you fail to complete a lap before the sound. Your test will begin on the word start. On your mark, get ready, start
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 FitnessGram Pacer Test is a multistage aerobic capacity test that progressively gets more difficult as it continues. The 20 meter pacer test will begin in 30 seconds. Line up at the start. The running speed starts slowly, but gets faster each minute after you hear this signal. [beep] A single lap should be completed each time you hear this sound. [ding] Remember to run in a straight line and run as long possible. The second time you fail to complete a lap before the sound. Your test will begin on the word start. On your mark, get ready, start
The FitnessGram Pacer Test is a multistage aerobic capacity test that progressively gets more difficult as it continues. The 20 meter pacer test will begin in 30 seconds. Line up at the start. The running speed starts slowly, but gets faster each minute after you hear this signal. [beep] A single lap should be completed each time you hear this sound. [ding] Remember to run in a straight line and run as long possible. The second time you fail to complete a lap before the sound. Your test will begin on the word start. On your mark, get ready, start

The FitnessGram Pacer Test is a multistage aerobic capacity test that progressively gets more difficult as it continues. The 20 meter pacer test will begin in 30 seconds. Line up at the start. The running speed starts slowly, but gets faster each minute after you hear this signal. [beep] A single lap should be completed each time you hear this sound. [ding] Remember to run in a straight line and run as long possible. The second time you fail to complete a lap before the sound. Your test will begin on the word start. On your mark, get ready, start
The FitnessGram Pacer Test is a multistage aerobic capacity test that progressively gets more difficult as it continues. The 20 meter pacer test will begin in 30 seconds. Line up at the start. The running speed starts slowly, but gets faster each minute after you hear this signal. [beep] A single lap should be completed each time you hear this sound. [ding] Remember to run in a straight line and run as long possible. The second time you fail to complete a lap before the sound. Your test will begin on the word start. On your mark, get ready, start

The FitnessGram Pacer Test is a multistage aerobic capacity test that progressively gets more difficult as it continues. The 20 meter pacer test will begin in 30 seconds. Line up at the start. The running speed starts slowly, but gets faster each minute after you hear this signal. [beep] A single lap should be completed each time you hear this sound. [ding] Remember to run in a straight line and run as long possible. The second time you fail to complete a lap before the sound. Your test will begin on the word start. On your mark, get ready, start
The FitnessGram Pacer Test is a multistage aerobic capacity test that progressively gets more difficult as it continues. The 20 meter pacer test will begin in 30 seconds. Line up at the start. The running speed starts slowly, but gets faster each minute after you hear this signal. [beep] A single lap should be completed each time you hear this sound. [ding] Remember to run in a straight line and run as long possible. The second time you fail to complete a lap before the sound. Your test will begin on the word start. On your mark, get ready, start
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ram Pacer Test is a multistage aerobic capacity test that progressively gets more difficult as it continues. The 20 meter pacer test will begin in 30 seconds. Line up at the start. The running speed starts slowly, but gets faster each minute after you hear this signal. [beep] A single lap should be completed each time you hear this sound. [ding] Remember to run in a straight line and run as long possible. The second time you fail to complete a lap before the sound. Your test will begin on the word start. On your mark, get ready, start
The FitnessGram Pacer Test is a multistage aerobic capacity test that progressively gets more difficult as it continues. The 20 meter pacer test will begin in 30 seconds. Line up at the start. The running speed starts slowly, but gets faster each minute after you hear this signal. [beep] A single lap should be completed each time you hear this sound. [ding] Remember to run in a straight line and run as long possible. The second time you fail to complete a lap before the sound. Your test will begin on the word start. On your mark, get ready, start

The FitnessGram Pacer Test is a multistage aerobic capacity test that progressively gets more difficult as it continues. The 20 meter pacer test will begin in 30 seconds. Line up at the start. The running speed starts slowly, but gets faster each minute after you hear this signal. [beep] A single lap should be completed each time you hear this sound. [ding] Remember to run in a straight line and run as long possible. The second time you fail to complete a lap before the sound. Your test will begin on the word start. On your mark, get ready, start
The FitnessGram Pacer Test is a multistage aerobic capacity test that progressively gets more difficult as it continues. The 20 meter pacer test will begin in 30 seconds. Line up at the start. The running speed starts slowly, but gets faster each minute after you hear this signal. [beep] A single lap should be completed each time you hear this sound. [ding] Remember to run in a straight line and run as long possible. The second time you fail to complete a lap before the sound. Your test will begin on the word start. On your mark, get ready, start

The FitnessGram Pacer Test is a multistage aerobic capacity test that progressively gets more difficult as it continues. The 20 meter pacer test will begin in 30 seconds. Line up at the start. The running speed starts slowly, but gets faster each minute after you hear this signal. [beep] A single lap should be completed each time you hear this sound. [ding] Remember to run in a straight line and run as long possible. The second time you fail to complete a lap before the sound. Your test will begin on the word start. On your mark, get ready, start
The FitnessGram Pacer Test is a multistage aerobic capacity test that progressively gets more difficult as it continues. The 20 meter pacer test will begin in 30 seconds. Line up at the start. The running speed starts slowly, but gets faster each minute after you hear this signal. [beep] A single lap should be completed each time you hear this sound. [ding] Remember to run in a straight line and run as long possible. The second time you fail to complete a lap before the sound. Your test will begin on the word start. On your mark, get ready, start





The FitnessGram Pacer Test is a multistage aerobic capacity test that progressively gets more difficult as it continues. The 20 meter pacer test will begin in 30 seconds. Line up at the start. The running speed starts slowly, but gets faster each minute after you hear this signal. [beep] A single lap should be completed each time you hear this sound. [ding] Remember to run in a straight line and run as long possible. The second time you fail to complete a lap before the sound. Your test will begin on the word start. On your mark, get ready, start
The FitnessGram Pacer Test is a multistage aerobic capacity test that progressively gets more difficult as it continues. The 20 meter pacer test will begin in 30 seconds. Line up at the start. The running speed starts slowly, but gets faster each minute after you hear this signal. [beep] A single lap should be completed each time you hear this sound. [ding] Remember to run in a straight line and run as long possible. The second time you fail to complete a lap before the sound. Your test will begin on the word start. On your mark, get ready, start

The FitnessGram Pacer Test is a multistage aerobic capacity test that progressively gets more difficult as it continues. The 20 meter pacer test will begin in 30 seconds. Line up at the start. The running speed starts slowly, but gets faster each minute after you hear this signal. [beep] A single lap should be completed each time you hear this sound. [ding] Remember to run in a straight line and run as long possible. The second time you fail to complete a lap before the sound. Your test will begin on the word start. On your mark, get ready, start
The FitnessGram Pacer Test is a multistage aerobic capacity test that progressively gets more difficult as it continues. The 20 meter pacer test will begin in 30 seconds. Line up at the start. The running speed starts slowly, but gets faster each minute after you hear this signal. [beep] A single lap should be completed each time you hear this sound. [ding] Remember to run in a straight line and run as long possible. The second time you fail to complete a lap before the sound. Your test will begin on the word start. On your mark, get ready, start

The FitnessGram Pacer Test is a multistage aerobic capacity test that progressively gets more difficult as it continues. The 20 meter pacer test will begin in 30 seconds. Line up at the start. The running speed starts slowly, but gets faster each minute after you hear this signal. [beep] A single lap should be completed each time you hear this sound. [ding] Remember to run in a straight line and run as long possible. The second time you fail to complete a lap before the sound. Your test will begin on the word start. On your mark, get ready, start
The FitnessGram Pacer Test is a multistage aerobic capacity test that progressively gets more difficult as it continues. The 20 meter pacer test will begin in 30 seconds. Line up at the start. The running speed starts slowly, but gets faster each minute after you hear this signal. [beep] A single lap should be completed each time you hear this sound. [ding] Remember to run in a straight line and run as long possible. The second time you fail to complete a lap before the sound. Your test will begin on the word start. On your mark, get ready, start





The FitnessGram Pacer Test is a multistage aerobic capacity test that progressively gets more difficult as it continues. The 20 meter pacer test will begin in 30 seconds. Line up at the start. The running speed starts slowly, but gets faster each minute after you hear this signal. [beep] A single lap should be completed each time you hear this sound. [ding] Remember to run in a straight line and run as long possible. The second time you fail to complete a lap before the sound. Your test will begin on the word start. On your mark, get ready, start
The FitnessGram Pacer Test is a multistage aerobic capacity test that progressively gets more difficult as it continues. The 20 meter pacer test will begin in 30 seconds. Line up at the start. The running speed starts slowly, but gets faster each minute after you hear this signal. [beep] A single lap should be completed each time you hear this sound. [ding] Remember to run in a straight line and run as long possible. The second time you fail to complete a lap before the sound. Your test will begin on the word start. On your mark, get ready, start

The FitnessGram Pacer Test is a multistage aerobic capacity test that progressively gets more difficult as it continues. The 20 meter pacer test will begin in 30 seconds. Line up at the start. The running speed starts slowly, but gets faster each minute after you hear this signal. [beep] A single lap should be completed each time you hear this sound. [ding] Remember to run in a straight line and run as long possible. The second time you fail to complete a lap before the sound. Your test will begin on the word start. On your mark, get ready, start
The FitnessGram Pacer Test is a multistage aerobic capacity test that progressively gets more difficult as it continues. The 20 meter pacer test will begin in 30 seconds. Line up at the start. The running speed starts slowly, but gets faster each minute after you hear this signal. [beep] A single lap should be completed each time you hear this sound. [ding] Remember to run in a straight line and run as long possible. The second time you fail to complete a lap before the sound. Your test will begin on the word start. On your mark, get ready, start

The FitnessGram Pacer Test is a multistage aerobic capacity test that progressively gets more difficult as it continues. The 20 meter pacer test will begin in 30 seconds. Line up at the start. The running speed starts slowly, but gets faster each minute after you hear this signal. [beep] A single lap should be completed each time you hear this sound. [ding] Remember to run in a straight line and run as long possible. The second time you fail to complete a lap before the sound. Your test will begin on the word start. On your mark, get ready, start
The FitnessGram Pacer Test is a multistage aerobic capacity test that progressively gets more difficult as it continues. The 20 meter pacer test will begin in 30 seconds. Line up at the start. The running speed starts slowly, but gets faster each minute after you hear this signal. [beep] A single lap should be completed each time you hear this sound. [ding] Remember to run in a straight line and run as long possible. The second time you fail to complete a lap before the sound. Your test will begin on the word start. On your mark, get ready, start





The FitnessGram Pacer Test is a multistage aerobic capacity test that progressively gets more difficult as it continues. The 20 meter pacer test will begin in 30 seconds. Line up at the start. The running speed starts slowly, but gets faster each minute after you hear this signal. [beep] A single lap should be completed each time you hear this sound. [ding] Remember to run in a straight line and run as long possible. The second time you fail to complete a lap before the sound. Your test will begin on the word start. On your mark, get ready, start
The FitnessGram Pacer Test is a multistage aerobic capacity test that progressively gets more difficult as it continues. The 20 meter pacer test will begin in 30 seconds. Line up at the start. The running speed starts slowly, but gets faster each minute after you hear this signal. [beep] A single lap should be completed each time you hear this sound. [ding] Remember to run in a straight line and run as long possible. The second time you fail to complete a lap before the sound. Your test will begin on the word start. On your mark, get ready, start

The FitnessGram Pacer Test is a multistage aerobic capacity test that progressively gets more difficult as it continues. The 20 meter pacer test will begin in 30 seconds. Line up at the start. The running speed starts slowly, but gets faster each minute after you hear this signal. [beep] A single lap should be completed each time you hear this sound. [ding] Remember to run in a straight line and run as long possible. The second time you fail to complete a lap before the sound. Your test will begin on the word start. On your mark, get ready, start
The FitnessGram Pacer Test is a multistage aerobic capacity test that progressively gets more difficult as it continues. The 20 meter pacer test will begin in 30 seconds. Line up at the start. The running speed starts slowly, but gets faster each minute after you hear this signal. [beep] A single lap should be completed each time you hear this sound. [ding] Remember to run in a straight line and run as long possible. The second time you fail to complete a lap before the sound. Your test will begin on the word start. On your mark, get ready, start

The FitnessGram Pacer Test is a multistage aerobic capacity test that progressively gets more difficult as it continues. The 20 meter pacer test will begin in 30 seconds. Line up at the start. The running speed starts slowly, but gets faster each minute after you hear this signal. [beep] A single lap should be completed each time you hear this sound. [ding] Remember to run in a straight line and run as long possible. The second time you fail to complete a lap before the sound. Your test will begin on the word start. On your mark, get ready, start
The FitnessGram Pacer Test is a multistage aerobic capacity test that progressively gets more difficult as it continues. The 20 meter pacer test will begin in 30 seconds. Line up at the start. The running speed starts slowly, but gets faster each minute after you hear this signal. [beep] A single lap should be completed each time you hear this sound. [ding] Remember to run in a straight line and run as long possible. The second time you fail to complete a lap before the sound. Your test will begin on the word start. On your mark, get ready, start





The FitnessGram Pacer Test is a multistage aerobic capacity test that progressively gets more difficult as it continues. The 20 meter pacer test will begin in 30 seconds. Line up at the start. The running speed starts slowly, but gets faster each minute after you hear this signal. [beep] A single lap should be completed each time you hear this sound. [ding] Remember to run in a straight line and run as long possible. The second time you fail to complete a lap before the sound. Your test will begin on the word start. On your mark, get ready, start
The FitnessGram Pacer Test is a multistage aerobic capacity test that progressively gets more difficult as it continues. The 20 meter pacer test will begin in 30 seconds. Line up at the start. The running speed starts slowly, but gets faster each minute after you hear this signal. [beep] A single lap should be completed each time you hear this sound. [ding] Remember to run in a straight line and run as long possible. The second time you fail to complete a lap before the sound. Your test will begin on the word start. On your mark, get ready, start

The FitnessGram Pacer Test is a multistage aerobic capacity test that progressively gets more difficult as it continues. The 20 meter pacer test will begin in 30 seconds. Line up at the start. The running speed starts slowly, but gets faster each minute after you hear this signal. [beep] A single lap should be completed each time you hear this sound. [ding] Remember to run in a straight line and run as long possible. The second time you fail to complete a lap before the sound. Your test will begin on the word start. On your mark, get ready, start
The FitnessGram Pacer Test is a multistage aerobic capacity test that progressively gets more difficult as it continues. The 20 meter pacer test will begin in 30 seconds. Line up at the start. The running speed starts slowly, but gets faster each minute after you hear this signal. [beep] A single lap should be completed each time you hear this sound. [ding] Remember to run in a straight line and run as long possible. The second time you fail to complete a lap before the sound. Your test will begin on the word start. On your mark, get ready, start

The FitnessGram Pacer Test is a multistage aerobic capacity test that progressively gets more difficult as it continues. The 20 meter pacer test will begin in 30 seconds. Line up at the start. The running speed starts slowly, but gets faster each minute after you hear this signal. [beep] A single lap should be completed each time you hear this sound. [ding] Remember to run in a straight line and run as long possible. The second time you fail to complete a lap before the sound. Your test will begin on the word start. On your mark, get ready, start
The FitnessGram Pacer Test is a multistage aerobic capacity test that progressively gets more difficult as it continues. The 20 meter pacer test will begin in 30 seconds. Line up at the start. The running speed starts slowly, but gets faster each minute after you hear this signal. [beep] A single lap should be completed each time you hear this sound. [ding] Remember to run in a straight line and run as long possible. The second time you fail to complete a lap before the sound. Your test will begin on the word start. On your mark, get ready, start





The FitnessGram Pacer Test is a multistage aerobic capacity test that progressively gets more difficult as it continues. The 20 meter pacer test will begin in 30 seconds. Line up at the start. The running speed starts slowly, but gets faster each minute after you hear this signal. [beep] A single lap should be completed each time you hear this sound. [ding] Remember to run in a straight line and run as long possible. The second time you fail to complete a lap before the sound. Your test will begin on the word start. On your mark, get ready, start
The FitnessGram Pacer Test is a multistage aerobic capacity test that progressively gets more difficult as it continues. The 20 meter pacer test will begin in 30 seconds. Line up at the start. The running speed starts slowly, but gets faster each minute after you hear this signal. [beep] A single lap should be completed each time you hear this sound. [ding] Remember to run in a straight line and run as long possible. The second time you fail to complete a lap before the sound. Your test will begin on the word start. On your mark, get ready, start

The FitnessGram Pacer Test is a multistage aerobic capacity test that progressively gets more difficult as it continues. The 20 meter pacer test will begin in 30 seconds. Line up at the start. The running speed starts slowly, but gets faster each minute after you hear this signal. [beep] A single lap should be completed each time you hear this sound. [ding] Remember to run in a straight line and run as long possible. The second time you fail to complete a lap before the sound. Your test will begin on the word start. On your mark, get ready, start
The FitnessGram Pacer Test is a multistage aerobic capacity test that progressively gets more difficult as it continues. The 20 meter pacer test will begin in 30 seconds. Line up at the start. The running speed starts slowly, but gets faster each minute after you hear this signal. [beep] A single lap should be completed each time you hear this sound. [ding] Remember to run in a straight line and run as long possible. The second time you fail to complete a lap before the sound. Your test will begin on the word start. On your mark, get ready, start

The FitnessGram Pacer Test is a multistage aerobic capacity test that progressively gets more difficult as it continues. The 20 meter pacer test will begin in 30 seconds. Line up at the start. The running speed starts slowly, but gets faster each minute after you hear this signal. [beep] A single lap should be completed each time you hear this sound. [ding] Remember to run in a straight line and run as long possible. The second time you fail to complete a lap before the sound. Your test will begin on the word start. On your mark, get ready, start
The FitnessGram Pacer Test is a multistage aerobic capacity test that progressively gets more difficult as it continues. The 20 meter pacer test will begin in 30 seconds. Line up at the start. The running speed starts slowly, but gets faster each minute after you hear this signal. [beep] A single lap should be completed each time you hear this sound. [ding] Remember to run in a straight line and run as long possible. The second time you fail to complete a lap before the sound. Your test will begin on the word start. On your mark, get ready, start





The FitnessGram Pacer Test is a multistage aerobic capacity test that progressively gets more difficult as it continues. The 20 meter pacer test will begin in 30 seconds. Line up at the start. The running speed starts slowly, but gets faster each minute after you hear this signal. [beep] A single lap should be completed each time you hear this sound. [ding] Remember to run in a straight line and run as long possible. The second time you fail to complete a lap before the sound. Your test will begin on the word start. On your mark, get ready, start
The FitnessGram Pacer Test is a multistage aerobic capacity test that progressively gets more difficult as it continues. The 20 meter pacer test will begin in 30 seconds. Line up at the start. The running speed starts slowly, but gets faster each minute after you hear this signal. [beep] A single lap should be completed each time you hear this sound. [ding] Remember to run in a straight line and run as long possible. The second time you fail to complete a lap before the sound. Your test will begin on the word start. On your mark, get ready, start

The FitnessGram Pacer Test is a multistage aerobic capacity test that progressively gets more difficult as it continues. The 20 meter pacer test will begin in 30 seconds. Line up at the start. The running speed starts slowly, but gets faster each minute after you hear this signal. [beep] A single lap should be completed each time you hear this sound. [ding] Remember to run in a straight line and run as long possible. The second time you fail to complete a lap before the sound. Your test will begin on the word start. On your mark, get ready, start
The FitnessGram Pacer Test is a multistage aerobic capacity test that progressively gets more difficult as it continues. The 20 meter pacer test will begin in 30 seconds. Line up at the start. The running speed starts slowly, but gets faster each minute after you hear this signal. [beep] A single lap should be completed each time you hear this sound. [ding] Remember to run in a straight line and run as long possible. The second time you fail to complete a lap before the sound. Your test will begin on the word start. On your mark, get ready, start

The FitnessGram Pacer Test is a multistage aerobic capacity test that progressively gets more difficult as it continues. The 20 meter pacer test will begin in 30 seconds. Line up at the start. The running speed starts slowly, but gets faster each minute after you hear this signal. [beep] A single lap should be completed each time you hear this sound. [ding] Remember to run in a straight line and run as long possible. The second time you fail to complete a lap before the sound. Your test will begin on the word start. On your mark, get ready, start
The FitnessGram Pacer Test is a multistage aerobic capacity test that progressively gets more difficult as it continues. The 20 meter pacer test will begin in 30 seconds. Line up at the start. The running speed starts slowly, but gets faster each minute after you hear this signal. [beep] A single lap should be completed each time you hear this sound. [ding] Remember to run in a straight line and run as long possible. The second time you fail to complete a lap before the sound. Your test will begin on the word start. On your mark, get ready, start





The FitnessGram Pacer Test is a multistage aerobic capacity test that progressively gets more difficult as it continues. The 20 meter pacer test will begin in 30 seconds. Line up at the start. The running speed starts slowly, but gets faster each minute after you hear this signal. [beep] A single lap should be completed each time you hear this sound. [ding] Remember to run in a straight line and run as long possible. The second time you fail to complete a lap before the sound. Your test will begin on the word start. On your mark, get ready, start
The FitnessGram Pacer Test is a multistage aerobic capacity test that progressively gets more difficult as it continues. The 20 meter pacer test will begin in 30 seconds. Line up at the start. The running speed starts slowly, but gets faster each minute after you hear this signal. [beep] A single lap should be completed each time you hear this sound. [ding] Remember to run in a straight line and run as long possible. The second time you fail to complete a lap before the sound. Your test will begin on the word start. On your mark, get ready, start

The FitnessGram Pacer Test is a multistage aerobic capacity test that progressively gets more difficult as it continues. The 20 meter pacer test will begin in 30 seconds. Line up at the start. The running speed starts slowly, but gets faster each minute after you hear this signal. [beep] A single lap should be completed each time you hear this sound. [ding] Remember to run in a straight line and run as long possible. The second time you fail to complete a lap before the sound. Your test will begin on the word start. On your mark, get ready, start
The FitnessGram Pacer Test is a multistage aerobic capacity test that progressively gets more difficult as it continues. The 20 meter pacer test will begin in 30 seconds. Line up at the start. The running speed starts slowly, but gets faster each minute after you hear this signal. [beep] A single lap should be completed each time you hear this sound. [ding] Remember to run in a straight line and run as long possible. The second time you fail to complete a lap before the sound. Your test will begin on the word start. On your mark, get ready, start

The FitnessGram Pacer Test is a multistage aerobic capacity test that progressively gets more difficult as it continues. The 20 meter pacer test will begin in 30 seconds. Line up at the start. The running speed starts slowly, but gets faster each minute after you hear this signal. [beep] A single lap should be completed each time you hear this sound. [ding] Remember to run in a straight line and run as long possible. The second time you fail to complete a lap before the sound. Your test will begin on the word start. On your mark, get ready, start
The FitnessGram Pacer Test is a multistage aerobic capacity test that progressively gets more difficult as it continues. The 20 meter pacer test will begin in 30 seconds. Line up at the start. The running speed starts slowly, but gets faster each minute after you hear this signal. [beep] A single lap should be completed each time you hear this sound. [ding] Remember to run in a straight line and run as long possible. The second time you fail to complete a lap before the sound. Your test will begin on the word start. On your mark, get ready, start





The FitnessGram Pacer Test is a multistage aerobic capacity test that progressively gets more difficult as it continues. The 20 meter pacer test will begin in 30 seconds. Line up at the start. The running speed starts slowly, but gets faster each minute after you hear this signal. [beep] A single lap should be completed each time you hear this sound. [ding] Remember to run in a straight line and run as long possible. The second time you fail to complete a lap before the sound. Your test will begin on the word start. On your mark, get ready, start
The FitnessGram Pacer Test is a multistage aerobic capacity test that progressively gets more difficult as it continues. The 20 meter pacer test will begin in 30 seconds. Line up at the start. The running speed starts slowly, but gets faster each minute after you hear this signal. [beep] A single lap should be completed each time you hear this sound. [ding] Remember to run in a straight line and run as long possible. The second time you fail to complete a lap before the sound. Your test will begin on the word start. On your mark, get ready, start

The FitnessGram Pacer Test is a multistage aerobic capacity test that progressively gets more difficult as it continues. The 20 meter pacer test will begin in 30 seconds. Line up at the start. The running speed starts slowly, but gets faster each minute after you hear this signal. [beep] A single lap should be completed each time you hear this sound. [ding] Remember to run in a straight line and run as long possible. The second time you fail to complete a lap before the sound. Your test will begin on the word start. On your mark, get ready, start
The FitnessGram Pacer Test is a multistage aerobic capacity test that progressively gets more difficult as it continues. The 20 meter pacer test will begin in 30 seconds. Line up at the start. The running speed starts slowly, but gets faster each minute after you hear this signal. [beep] A single lap should be completed each time you hear this sound. [ding] Remember to run in a straight line and run as long possible. The second time you fail to complete a lap before the sound. Your test will begin on the word start. On your mark, get ready, start

The FitnessGram Pacer Test is a multistage aerobic capacity test that progressively gets more difficult as it continues. The 20 meter pacer test will begin in 30 seconds. Line up at the start. The running speed starts slowly, but gets faster each minute after you hear this signal. [beep] A single lap should be completed each time you hear this sound. [ding] Remember to run in a straight line and run as long possible. The second time you fail to complete a lap before the sound. Your test will begin on the word start. On your mark, get ready, start
The FitnessGram Pacer Test is a multistage aerobic capacity test that progressively gets more difficult as it continues. The 20 meter pacer test will begin in 30 seconds. Line up at the start. The running speed starts slowly, but gets faster each minute after you hear this signal. [beep] A single lap should be completed each time you hear this sound. [ding] Remember to run in a straight line and run as long possible. The second time you fail to complete a lap before the sound. Your test will begin on the word start. On your mark, get ready, start
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]]> 2016-12-09 13:08:09 UTC https://padlet.com/3004584/7xrmyk94mst7/wish/142777112 3004584 https://padlet.com/3004584/7xrmyk94mst7/wish/142777161 South Park: Bigger, Longer and Uncut By Trey Parker Matt Stone & Pam Brady Eighth Draft January 21, 1999 FADE IN: Very happy, Disneyesque MUSIC swirls in. PAN DOWN from a pretty blue sky, to a small quaint town nestled in the hills. A wooden sign tells us this is South Park. EXT. SOUTH PARK AVENUE - DAY Birds fly into the air, TOWNSPEOPLE smile to each other as they walk by. It is a scene reminiscent of, if not directly ripped off from, the opening number of 'Beauty and the Beast'. A little eight year old boy walks happily down the street. He is STAN MARSH, a noble looking boy with piercing blue eyes and a strong chin. As he walks, he sings a happy song. STAN I'm going to the movies To see the brighter side of life! I'm going to the movie Everything's gonna be alright! Forget all my troubles Put my own life on hold Let a studio tell me how I should view the world Where everything works out I love it that way I'm going to the movies The movies today! Stan merrily walks up to a crappy looking house. INT. BEDROOM - MORNING We are in a young boy's bedroom, just as his alarm clock goes off. BRRRRRTTT!!! RADIO ANNOUNCER Good morning South Park! It's five-thirty a.m. on Sunday!! Time to feed the horses and water the cows!! From the back, we see the blond haired kid sit up from his bed. He stretches, and then walks over to his closet. We still only see the boy from the back as he reaches in his closet and pulls out an orange coat. The kid puts his coat on, then turns to camera and pulls the hood shut, so that we never get a good look at his face. MOTHER (O.S.) KENNY! YOU'RE GONNA BE LATE FOR CHURCH!!! This boy's name is KENNY, and under his orange coat, we have no idea what he looks like, except for his European nose and hazel eyes. KENNY Mph rmph rm! INT. KENNY'S HOUSE - KITCHEN Kenny walks through his small, dirty house and into the kitchen, where his MOTHER, FATHER and OLDER BROTHER are sitting at the humble table. KENNY'S MOTHER Sit down, you can share some of your brother's waffle. The doorbell rings. Kenny walks over to the door. EXT. KENNY'S HOUSE - DAY Kenny opens the door to find Stan. STAN Kenny! The Terrance and Phillip movie is out! You wanna come?! Stan shows Kenny a newspaper clipping. It's an ad for the new Terrance and Phillip movie 'Asses of fire'. Kenny's eyes light up. KENNY Mph rmph rm, rmph! Kenny walks away with Stan. His mother comes out after him. KENNY'S MOTHER Kenny! Where're you going? KENNY Mph mprh mprh rm! KENNY'S MOTHER What do you mean you don't want to go to church? KENNY Mrmph, rmph rmph rm rmph. Kenny and Stan walk down the street. KENNY'S MOTHER Well fine, go ahead and miss church!! And then when you die and go to hell you can ANSWER TO SATAN!! Dramatic MUSIC STING. Kenny stops, thinks for a minute... And then walks off with Stan anyway. EXT. SOUTH PARK AVENUE - DAY Stan and Kenny now both happily march down the street to the happy beat. TOM, a plastic surgeon, peeps his head out the door of his Rhinoplasty office. TOM Say, where are you boys going? STAN We're going to the movies! To see the brighter side of life! Where everyone is beautiful And have their hair combed just right! KENNY Mph rmph rm rmph rm! Mph rm rmph rm! Mprh rm rmph rm rm Rmph rm rmph rm rmph! TOM Have fun you rascals! EXT. KYLE'S HOUSE - DAY Kenny and Stan knock at the door. A handsome eight year old Semite, KYLE, answers the door. KYLE Hey, dudes... Aren't you supposed to go to church, Kenny? STAN Kyle, check it out. Kenny holds up the newspaper clipping. KYLE OH MY GOD, DUDE!!! Kyle slips on his coat and heads out the door. But just then, Kyle's little brother, IKE, a two year old adopted Canadian boy bounces up next to him. KYLE No, Ike! You can't come with me! Kyle's MOTHER, a big fat bitch, comes to the door and yells. KYLE'S MOTHER Kyle, you take your little brother out to play with you! KYLE Aw, ma!! KYLE'S MOTHER Do as I say, Kyle! Kyle's mother closes the door. KYLE Damn it!! EXT. SOUTH PARK AVENUE - DAY Now the three boys, and little Ike, merrily strut down the street and sing in unison. BOYS We're going to the movies To see the better side of life Where something interesting happens Every day and night! KYLE In movies we can pretend That love is real and good always wins- STAN We can even make believe marriages last! A HOMELESS guy is lying in the alley. HOMELESS GUY Spare a dollar? Spare a dollar? Stan walks by and throws a dollar at him. The homeless guy suddenly jumps up. HOMELESS GUY I'm going to the movies! To see the brighter side of life! I'm going to the movies Everything's gonna be alright! Forget my troubles Put my own life on hold Let a studio tell me how to view the world! KYLE Let's go get fat ass! EXT. ANOTHER HOUSE - DAY This house looks just like all the others. INT. THAT SAME HOUSE CLOSE UP on a bag that reads 'CHEESY POOFS'. A hand reaches into the bag, pulls out a wad of orange crunchies and raises them -- BOOM UP to reveal the fat face of eight year old ERIC CARTMAN who chows down on the chips. Now we see that fat little Eric is sitting on his couch, eating Cheesy Poofs and watching television. The doorbell rings. Cartman doesn't move a muscle. CARTMAN MOM! SOMEBODY'S AT THE DOOR! CARTMAN'S MOTHER enters. She is extremely June Cleaveresque (except that she's a hermaphrodite crack whore). She returns with Stan, Kyle and Kenny. CARTMAN'S MOTHER Look, Eric it's your little friends. CARTMAN What the hell are you guys doing here? IKE Baba turtre bad! Kyle holds up the newspaper ad. CARTMAN Ooh! EXT. SOUTH PARK AVENUE Now all four boys are merrily walking down the street and singing. BOYS We're going to the movies To see the better side of life! CARTMAN Maybe there'll be pirates! Or a whole city burnin'! Maybe we'll see a monster Or, better yet, Uma Thurman! BOYS We're going to the movies! Everything's gonna be okay! The boys skip out of frame. EXT. MOVIE THEATRE - DAY The movie theatre is nestled neatly between two other South Park buildings. The boys walk up to the geeky, teenage TICKET GUY. BOYS Going to the movies! The movies today!!!!! STAN Can I get five tickets to Terrance and Phillip Asses of Fire, please? TICKET GUY No. Suddenly, all the happy music that has permeated the film comes to an ABRUPT HALT. The boys look confused. KYLE What'dya mean, no? TICKET GUY Terrance and Phillip Asses of Fire is rated 'R'. You kids can't get in. The boys look shocked. They just stand there, in silence. CARTMAN The hell we can't! My money is just as good as any white person's! TICKET GUY You have to be accompanied by a parent or guardian. KYLE But why? TICKET GUY Because this movie has naughty language, and it might make you kids start using bad words. CARTMAN Listen you son of a bitch, if you don't let us in to see this movie I'm gonna kick you square in the nuts. TICKET GUY Sorry, Charlie. KYLE Damn it! TICKET GUY Next, please? A few TEENAGERS walk up to get their tickets. The boys step aside. STAN This is terrible! This can't be happening!! KYLE We HAVE to see this movie, dude! CARTMAN Aw, screw it. It probably isn't all that good anyway. KYLE Cartman! What the hell are you talking about?! You LOVE Terrance and Philiip! CARTMAN Yeah, but the animation's all crappy - it probably can't sustain itself over ninety minutes. IKE Poo baba! STAN Wait! I've got an idea! EXT. MOVIE THEATRE - A LITTLE LATER The old Homeless guy from the intro song walks up to the Ticket Guy with the boys. HOMELESS GUY Uh, hi. I want five tickets to Terrance and Phillip Asses of Fire. TICKET GUY You realize this movie is rated R? It may not be appropriate for your little ones. HOMELESS GUY Oh. (Turning to boys) Hey, he says this movie isn't appropriate for you. STAN (Whispering) Look, homeless guy, if you don't want to buy us tickets, and NOT get your ten bucks and NOT go buy yourself a bottle of Vodka and not forget about how miserable your life is and not stop the voices in your head then go right ahead. HOMELESS GUY Five tickets please. The Ticket guy suspiciously hands them over. INT. MOVIE THEATER - DAY The boys are all sitting in the front row. Cartman has a huge tub of popcorn, all kinds of candy, and a large drink. IKE Purpre mama! KYLE Be quiet, Ike! The movie's starting! ANGLE - MOVIE SCREEN A TITLE reads 'Terrance and Phillip - Asses of Fire' BOYS HOORAY!!! On the screen, we come across PHILLIP, a very handsome Canadian star with a great body. PHILLIP Say Terrance, what did the Spanish Priest say to the Uranian gynecologist? PAN OVER to TERRANCE, who is also Canadian, and equally handsome in a more rugged way. TERRANCE I don't know, Phillip, what? Phillip rips a big fart. Terrance and Phillip laugh merrily. ANGLE - BOYS Laughing their asses off. KYLE That was sweet! STAN Where do they come up with this stuff?! CARTMAN How come Terrance and Phillip are so weird looking? KYLE Cuz, dummy they're Canadian, just like Ike! CARTMAN Oh. IKE Poo bada! ANGLE - SCREEN TERRANCE You're such a pigfucker, Phillip! PHILLIP What?! Why would you call me a pigfucker?! TERRANCE Well, let's see... First of all, you fuck pigs. PHILLIP Oh yeah! Terrance and Phillip laugh merrily. ANGLE - BOYS KYLE Woa, dude! Did they say what I think they said? ANGLE - SCREEN Terrance pulls out a white envelope. TERRANCE Well, fuck my ass and call me a bitch, I just got a letter! PHILLIP A letter from who, you shit sucking cock master? TRACK IN on the boys' wide eyed faces as the dialogue from the film enters their innocent ears. TERRANCE It's from your mother. PHILLIP My mother sent YOU a letter? What's it say? TERRANCE It says 'Dear Terrance, please don't ever tell my son that I licked your hairy balls.' Terrance and Phillip laugh merrily. PHILLIP Oh, you fucking ball whore! The boys don't laugh, they just smile widely, they seem busy taking it all in. CARTMAN Wow... Ball whore... TERRANCE Listen, you donkey raping shit eater- KYLE (To himself) Donkey raping shit eater. IKE Doky maping she deeder!!! TERRANCE You'd fuck your uncle! PHILLIP YOU'D fuck your uncle! TERRANCE (Singing) Shut your fucking face, Unclefucka!! You're an asslicking, Ball sucking Unclefucka!! You're an Unclefucka, yes it's true Nobody fucks Uncles quite like you- PHILLIP SHUT YOUR FUCKING FACE!! UNCLEFUCKA!!! YOU'RE the one that fucked your Uncle, UNCLEFUCKA!!! You don't eat, or sleep or mow the lawn You just fuck your Uncle all day long! TERRANCE & PHILLIP Shut your fucking face, Unclefucka! You butt licking bastard Unclefucka! TERRANCE You're an Unclefucka I must say! PHILLIP You fucked YOUR Uncle yesterday! TERRANCE & PHILLIP Unclefucka! That's YOUUUUUUU!!!!! The song ends and the boys erupt into applause. EXT. MOVIE THEATRE - DAY The boys walk out of the theatre with glazed eyes and wide smiles. KYLE Dude, that movie was fucking sweet! CARTMAN You bet your fucking ass it was! STAN Fuck, dude, I wanna be just like Terrance and Phillip! TICKET GUY Hey wait a minute... Where's your guardian? STAN Huh? TICKET GUY I knew it! You PAID a homeless guy to get you in, didn't you! The boys think a second. CARTMAN Suck my balls. KYLE Yeah, (Singing) Shut your fucking face, Unclefucka!! The boys walk away, merrily. The ticket guy is in shock. TICKET GUY Oh oh, I'm in trouble. BOYS (Singing, fading off) You're an asslicking, ball sucking Unclefucka!! EXT. STARK'S POND - DAY All the children of South Park are gathered at the pond for ice skating. The scene is reminiscent of the skating scene from the Charlie Brown Christmas special. Delicate snowflakes fall, children laugh and skate, and joyous music plays. The boys walk up to the pond. CLYDE Hey, where have you guys been all day? STAN Oh, nowhere... We just went out to go see the TERRANCE AND PHILLIP MOVIE! All the kids gasp! Dramatic MUSIC STING. BEBE You saw it?! CLYDE How'd you get in?! Suddenly, all the kids are gathered around the boys. They're like celebrities. CARTMAN Hey! Stop crowding us you shitfaced cockmasters! All the kids stop, wide eyed. As if they've just hear the voice of God. KIDS Wowwww... STAN Yeah, you're all a bunch of ass ramming unclefuckers. KIDS Ooooohhh!!! CLYDE (To another kid) We HAVE to see this movie, dude. The other kids nod. CARTMAN Hey Stan, tell 'em about when Terrance called Phillip a testicle shitting rectal wart! Stan? Stan? But Stan is elsewhere, because out on the ice, skating gracefully, is little eight year old WENDY TESTABURGER. The heavens part, a CHOIR OF ANGELS sing, as Wendy skates around and around, performing a series of impossible Triple Lutzes, Sowcows and what-have-you-not's. All the animals of the forest -- deer, birds, bunnies -- all stop to admire her. Stan's smile grows wider and wider. Kyle turns to see what he's looking at. STAN Thank my lucky stars Here before me now Is everything I'd ever hoped for Knew it in a word Saw it in a glance The only thing I think I'd die for... KYLE Aw, God Damn it, he's singing that fucking song again. ANGLE - WENDY Spinning and soaring in slo-mo. Effortlessly covering every inch of the pond with her ballet maneuvers. Stan is slack-jawed. STAN I can't stop now My heart's awake I pray her arms my arms to take So this is why I'm ali- Wendy finishes her routine with a triumphant Hamill-camel landing right in front of Stan and spraying ice in his face and abruptly ending his song. WENDY Hi, Stan! Stan vomits profusely all over himself. WENDY Ew! Gross! Just then, another kid skates up, spraying more ice in Stan's face. His name is GREGORY, and he is a very handsome eight year old boy, with golden hair and an open-buttoned shirt. He speaks with a rich English accent. GREGORY Come, Wendy, let us try to jump the hilly brush. Stan looks at Gregory. STAN Who are you, kid? GREGORY My name is Gregory. I have been Wendy's counter-cousin for some time. WENDY Want to skate with us? GREGORY We've been skating all morning. And laughing and talking of memories past. Gregory skates away. Stan looks stunned. Finally, he tries to get Wendy's attention. STAN We saw the Terrance and Phillip movie! WENDY That's nice, Stan. Wendy skates after Gregory. Stan looks completely rejected. KYLE Woa, dude, who's your girlfriend's new guy? STAN She's not my girlfriend, dude! Meanwhile, the schoolkids are all still gathered around Cartman. CARTMAN Yes, I saw the Terrance and Phillip movie. Who wants to touch me? I said, "Who wants to touch me?!" A small boy steps forward and tentatively touches Cartman's arm. SMALL BOY Oooooh... EXT. SOUTH PARK - TOWN - MORNING Establishing shot of the little town of South Park which consists of four buildings. The sun rises in the background. It's a brand new day. EXT. SOUTH PARK ELEMENTARY - DAY The elementary school is nestled peacefully between two mountain peaks. INT. SOUTH PARK ELEMENTARY - DAY The kids of South Park are all in their seats, singing. KIDS Shut your fucking face, Unclefucka!! You're a shitsucking, cocksucking Unclefucka!! The door opens, and suddenly the kids quiet down. CLOSE-UP on a hand puppet with a large red hat. It seems to be speaking. MR. HAT Okay, children, let's take our seats. As the voice continues, we PULL BACK to reveal that the puppet is on the right hand of MR. GARRISON, a forty-six year old teacher who is in denial about his homosexuality. MR. GARRISON (AS MR. HAT) We have a lot to learn and precious little time. Garrison looks over the class and notices that every single one of them is wearing a Terrance and Phillip T-shirt, except, of course, for Wendy. MR. GARRISON Why is everyone wearing T-shirts of Sigfried and Roy? KYLE It's not Sigried and Roy, Mr. Garrison, it's Terrance and Phillip. KIDS TERRANCE AND PHILLIP!! Stan looks over at Wendy. She just rolls her eyes. Stan sulks. MR. GARRISON Well, anyway... Today children, our friend Mr. Hat is going to tell us all about the environment. MR. GARRISON (AS MR. HAT) That's right, Mr. Garrison. The environment is what surrounds us. It is what we live and breathe. CARTMAN I hate the environment. KYLE Dude, how can you hate the environment? CARTMAN 'Cuz, dude, it's all sticky and airy and fragile and stuff. I fucking hate it. The kids all GASP! MR. GARRISON Eric! Did you just say the "F" word? CARTMAN Fragile? KYLE No, he's talking about fuck, dude. You can't say fuck in front of Mr. Garrison. MR. GARRISON Kyle! CARTMAN Why the fuck not? MR. GARRISON Eric! STAN Dude, you just said fuck again. MR. GARRISON Stanly! KENNY Mph. MR. GARRISON Kenny! CARTMAN That's bullshit! If Terrance and Phillip can say something, I should be able to say it too! BEBE Wow, Cartman's cool! CLYDE He's like Terrance and Phillip! Cartman gloats proudly. CARTMAN Fuckin' a right. MR. GARRISON How would you like to go to the principal's office? CARTMAN How would you like to gargle rat jiz? Mr. Garrison is in shock. MR. GARRISON WHAT DID YOU SAY?!?! CARTMAN I said - Cartman takes out a megaphone, hits the switch and puts it to his mouth. It feeds back horribly. CARTMAN (Through megaphone) HOW WOULD YOU LIKE TO GARGLE RAT JIZ?! Garrison is floored. KYLE Oh, dude we are fucked now. INT. PRINCIPAL'S OFFICE - DAY The boys are seated in front of the Principal's desk. STAN Now remember, don't tell anybody we saw the Terrance and Phillip movie! KYLE Yeah, let's swear we won't tell! Just then, the Principal walks in. She is PRINCIPAL VICTORIA, a frizzy haired woman of about forty. PRINCIPAL VICTORIA I am VERY disappointed in you boys! You should be ASHAMED of yourselves! I've already called in your parents, but first I want you to THINK about what you've done. CARTMAN Principal Victoria, can I ask a question? PRINCPAL VICTORIA What? CARTMAN What's the big fucking deal? STAN Yeah. PRINCIPAL VICTORIA AGH!! I want to know where you heard these horrific obscenities! The boys look at each other. STAN Nowhere. KYLE I'VE heard them from Mr. Garrison a few times before... STAN Yeah! PRINCIPAL VICTORIA Boys, I seriously doubt that Mr. Garrison ever said- (Reading) 'Eat penguin shit you cum sucking ass spelunker' in school! The boys all laugh. But then the door opens and in walks Stan's mother, Kyle's mother, Cartman's mother and Kenny's mother. STAN Oh, oh... PRINCIPAL VICTORIA Thank you all for coming on such short notice. As you can see, your boys are all being disciplined. STAN'S MOTHER This just isn't like you, Stanley! Stan looks down at the floor. KYLE'S MOTHER What did my son say, Principal Victoria? Did he say the S word? PRINCIPAL VICTORIA No, it was worse than that... KYLE'S MOTHER (Gasping) The F word?! PRINCIPAL VICTORIA No, worse. Here's a short list of the things they've been saying. The mothers look over the sheet of paper. Immediately, their eyes bulge. STAN'S MOTHER Oh dear God... KYLE'S MOTHER What is 'fisting'? CARTMAN'S MOTHER That's when the fist is inserted into the anus or vagina for sexual pleasure. The two moms stare at Ms. Cartman. CARTMAN'S MOTHER What? KYLE'S MOTHER (To Kyle) Young man, you will tell Peincipal Victoria THIS INSTANT where you heard all these horrible phrases! KYLE I can't dude! We all took a sacred oath, and swore ourselves to secrecy! CARTMAN It was the Terrance and Phllip movie! STAN Dude! CARTMAN What? Fuck you guys, I wanna get out of here. KYLE'S MOTHER Terrance and Phillip MOVIE?! Oy gevalt! Not again! PRINCIPAL VICTORIA What is Terrance and Phillip? KYLE'S MOTHER Terrance and Phillip are two VERY untalented, unfunny actors from Canada. Their TV show is filled with toilet humor and bad language and is just complete garbage. Now it appears they have a movie and I'm positive it's not suitable for children! PRINCIPAL VICTORIA Well, it looks like I'll have to send a warning letter out to parents. I have to put a stop to this before MORE children see 'Terrance and Phillip'. CARTMAN Everybody's already fucking seen it. MS. CARTMAN Eric! CARTMAN I'm sorry! I can't help it!! That movie has warped my fragile little mind. KYLE'S MOTHER Alright, boys, that's enough. Get out and let us adults speak. The boys get up and walk out. Kyle's mother slams the door behind them. KYLE'S MOTHER We must take action on this immediately. PRINCIPAL VICTORIA Ooh yes. I think we'll have to give detention to those boys. KYLE'S MOTHER Forgive me for saying so, Principal Victoria, but your methods are too... Shall we say... soft? As head of the PTA, I am exercising my right under article 42 of the PTA code. A look of shock comes over the principal's face. PRINCIPAL VICTORIA Article 42! You don't mean-?! KYLE'S MOTHER Yes Principal Victoria. The PTA is impeaching you. PRINCIPAL VICTORIA But I- KYLE'S MOTHER You are officially relieved of your duties as principal of this school! Kyle's mother sits herself down at Principal Victoria's desk. KYLE'S MOTHER Get out of that chair! The PTA is in charge now! INT. CAFETERIA - DAY The other school kids are in line for lunch. Just then, the Kyle's mother's voice comes blaring through the P.A. KYLE'S MOTHER Attention students. We are now enforcing a new dress code at South Park Elementary. Terrance and Phillip shirts are NO LONGER ALLOWED IN SCHOOL. Anyone wearing a Terrance and Phillip shirt is to be SENT HOME IMMEDIATELY. The kids look down. They're all wearing Terrance and Phillip shirts. KIDS HOOORAY!!! The kids all cheer and run out the door. Leaving the cafeteria absolutely empty... Except for Wendy. WENDY Hello? Wendy's hello echoes throughout the entire building. INT. TELEVISION SET A dapper NEWS ANCHOR sits behind a news desk. NEWS ANCHOR All over America, kids are flocking to the R rated film, 'Terrance and Phillip Asses of Fire'. Here with a special report, is a quadriplegic midget in a bikini. INT. SPELLING BEE - DAY A QUADRIPLEGIC MIDGET IN A BIKINI stands in front of the camera with a microphone. Q. MIDGET W/BIKINI Thanks, Tom. It appears that the effects of the Canadian Comedy are far reaching indeed. All over America, children seem to be influenced. A TEACHER is on stage with a young spelling bee contestant. TEACHER Alright, this is for the silver medal. Spell 'Forensics'. KID Oh, fuck that, why should I fucking have to spell forensics? All the kids cheer. KID Here you go; S-U-C-K-M-Y-A-S-S, FORENSICS. CUT TO: EXT. BIRTHDAY PARTY - DAY A happy birthday party is going on is some kids backyard. A clown is entertaining everyone. CLOWN Hey kids, how would you like to see some magic tricks?! KIDS FUCK YOU!! The clown looks startled. CLOWN Huh? CHILD Yeah, and fuck your stupid little red nose. CHILD 2 Yeah, and fuck your yellow hair. And fuck your gay pants. PAN OVER to again find the midget reporter. He now has a graphic of a record chart next to him. Q. MIDGET W/BIKINI And the devastating impact of the Canadian phenomenon is Terrance and Phillip's new hit song, "Shut Your Fucking Face, Unclefucka" which has climbed the charts with a bullet -- We see a clip from the video, "Unclefucka." The video has Terrance and Phillip dressed like Mase and Puffy in that video they did in Vegas. They wear shiny bright jumpsuits and lunge at the fish-eye lens of the camera. TERRANCE & PHILLIP (Singing) Shut your fucking face! Unclefucka!! INT. NEWSROOM - DAY The news anchor shakes his head in disgust. NEWS ANCHOR Thanks, midget. Shocking report. The controversy surrounding the Terrance and Phillip movie began in the small mountain town of South Park, Colorado where the local PTA banned the movie. With us tonight is the head of the South Park PTA, Sheila Brofloski- A screen appears with Kyle's mother, looking very pissed. The TITLE below her reads 'Outraged Mother'. NEWS ANCHOR Ms. Brovlofski, how are these kids seeing this film? Is bad parenting to blame? Or is it Canada? KYLE'S MOTHER Canada! NEWS ANCHOR Alright. Here with a counterpoint is the Canadian Minister of Movies. A split screen appears, Kyle's mother on one side, and a goofy looking Canadian slides into the other. NEWS ANCHOR Thank you, Minister, for joining us. CANADIAN MINISTER OF MOVIES Thanks for having me, buddy. NEWS ANCHOR Minister, parents all over America are concerned about your country's entertainment. Your thoughts? CANADIAN MINISTER OF MOVIES Well, the film is R rated, and it's not intended for children- KYLE'S MOTHER Oh but OF COURSE children are going to see it!! CANADIAN MINISTER OF MOVIES Uh, can I finish? Can I finish? ...The fact is that we Canadians are quite surprised by your outrage- KYLE'S MOTHER YOU JUST DON'T CARE! CANADIAN MINISTER OF MOVIES Can I finish? Hello? Can I finish? ...The United States has graphic images of violence on television all the time, what is that one show? COPS? And car crashes caught on tape? We can't believe that a movie with some foul language and fart jokes would piss you off so much. KYLE'S MOTHER BECAUSE IT'S EVIL!! CANADIAN MINISTER OF MOVIES Can I finish? Please? Can I finish? ... ... Uh... Okay, I'm finished. NEWS ANCHOR But minister, it isn't like this film is the first troublesome thing to come out of Canada. Let us not forget Brian Adams a few decades ago. The Minister thinks. CANADIAN MINISTER OF MOVIES What? KYLE'S MOTHER The Canadians are just mad that we mothers here in South Park have the chutzpah to stand up to them! Like it or not, Mr. Canadian Minister, OUR children are now safe from your Canadian smut! INT. MOVIE THEATRE - DAY The boys are in the front row, this time with Wendy, watching the Terrance and Phillip movie. TERRANCE Well, Terrance I hope you learned something from this whole experience. PHILLIP I did, Terrance, I learned that you are a boner biting dick fart fuck face! The boys laugh merrily. Wendy just looks bored. TERRANCE Say Phillip, want to see the Northern Lights? PHILLIP You bet, Terrance! Terrance pulls out a match, lights it, then farts. The flame burns Terrance to a blackened mass. PHILLIP HA HA HA! You burned yourself to death by lighting the fart! HA HA HA!! TERRANCE (Just a skull) I sure did, Phillip!! The boys laugh hysterically. STAN Did you see that, Wendy? WENDY Yup. EXT. THEATER - DAY The boys walk out happily. KYLE Man, that movie gets better every time I see it! CARTMAN Yeah, but you know what? That whole part about lighting farts is bullshit. You can't do that. KENNY Mph rmpmh rm. CARTMAN No way. STAN Didn't you think it was funny, Wendy? WENDY Stan... I think you and I need some time apart. STAN WHAT?! CARTMAN Oh shit. WENDY It's just... It's obvious that we don't have a whole lot in common anymore. I need somebody who's... a little deeper. STAN But Wendy, I can go- Wendy places her little gloved hand over Stan's mouth. WENDY No. Don't speak. You'll only make things more annoying. Goodbye, Stan. And just like that, Wendy is gone. Stan looks almost ready to cry. Kyle walks up behind Stan. KYLE Dude, anybody who doesn't think Terrance and Phillip is funny can fuck off anyways. STAN (Insincere) Yeah... The boys walk off. KENNY Mph rmph rm!! CARTMAN No you can't Kenny! KENNY Mph rm rmph!! CARTMAN Okay Kenny, I'll bet you a HUNDRED DOLLARS you can't light a fart on fire! KENNY Mph mm! Kenny pulls out a book of matches. He strikes a match and holds it under his ass. After a few seconds Kenny farts, and there is a little flame. Suddenly, the flames catch and Kenny starts burning alive. KENNY MMMPMMPH!!! MGMFEODFO!!! Kenny runs around, and finally falls to the ground, still burning. STAN OH MY GOD!! YOU KILLED KENNY!! KYLE YOU BASTARD!! Cartman looks shocked. CARTMAN Wow, I guess you CAN do that! INT. HOSPITAL - LATER DOCTORS and NURSES are pushing Kenny into the operating room ER style. Everything is quick and chaotic. Shouts fill the hallway. NURSE CBC chem kit STAT!! DOCTOR GAUCHE LOAD THAT I.V. WITH 70CCS OF SODIUM PENTOTHAL!! INT. OPERATING ROOM It's mid-operation. DOCTOR GAUCHE Siphon the fluid off his brain!! Vacuum! Another nurse hands him a sucker tube. He immediately shoves into Kenny's skull. It starts to slurp and burble. DOCTOR GAUCHE Try to untangle his trachea and esophagus! NURSE Right! While Doctor Gauche wrestles with Kenny's lungs and torso, the nurse reaches into Kenny's mouth and pulls both his windpipe and esophagus out of his mouth, turning them inside out in the process. Off to the side, Stan, Cartman and Kyle look on as the doctor and nurses tangle themselves in knots with Kenny's innards. DOCTOR GAUCHE No! THAT DOESN'T GO THERE!! NURSE Watch his liver!!! Kenny's liver POPS out of his torso and slides across the floor. ASSISTANT I'll get it!!! DOCTOR GAUCHE We have precious little time left people! We're going to lose him soon!! Suddenly, there is a long, BEEEEEEEEEEEEEEEEEEEEEEEEEEP. NURSE Doctor, his heart's stopped! DOCTOR GAUCHE Crack him. Let's get it out of there!!! Doctor Gauche lifts Kenny's heart out of his body. DOCTOR GAUCHE We need to zap this, quick! And runs it to the microwave. He opens the door. DOCTOR GAUCHE Who's making a potato? DOCTOR 2 My bad, sir. I missed lunch. DOCTOR GAUCHE Damn it! I am NOT going to lose this kid!!!!!! INT. RECOVERY ROOM - LATER Fade up from black. We're close on Kenny's face. His little eyes start to open. Doctor Gauche leans over him Kenny. Stan and Kyle are there. DOCTOR GAUCHE Kenny. Kenny, can you hear me? Kenny stirs. KENNY (Weakly) Mph rmph rm... DOCTOR GAUCHE How are you feeling, son? KENNY mph.... rmph.... DOCTOR GAUCHE Great... Son, I have some bad news. We accidentally replaced your heart with a baked potato. You have about seven seconds to live. KENNY Mrm?! Just then, Kenny's baked potato heart explodes, splattering gore all over the inside of the recovery room and on the outside of Dr. Gauche, Stan and Kyle. STAN Oh my God! THEY killed Kenny! KYLE You bastards!! DOCTOR GAUCHE Damn it! It never gets any easier! Anybody get the score of that Broncos game? INT. HOSPITAL - WAITING ROOM Kyle's mother is waiting with the rest of the parents. The nurse walks up to Kenny's parents with a sad expression. NURSE I'm sorry... Kenny's mother breaks down. KENNY'S MOTHER Oh my God, they killed Kenny! KENNY'S DAD You bastards! KYLE'S MOTHER I knew this would happen! Those bastard Canadians have now killed a child! Can't people see the damage that film is doing?! STAN'S MOTHER He was killed doing something he saw in the movie. It was Terrance and Phillip... THEY killed Kenny. CARTMAN'S MOTHER You bastards. KYLE'S MOTHER This is it! The time for action is NOW!! (Singing) Something must be done! This is like a spreading rash! They're pulling out our children's brains and filling them with trash! Can't you see what this is leading to? A world of smut and sex and poo! I believe the good fight has begun! Something must be done! Everyone gathers around Kyle's mother. STAN'S MOTHER I agree! (Singing) Something must be done! We must take action fast! My child used to say 'please and thank you' Now he says suck my ass! CARTMAN'S MOTHER And my boy was the sweetest boy the world had ever known! until those damn Canadians brought that filth into our home! I agree that there is now a battle to be won! We can't just stand here singing! Something must be done! KENNY'S MOTHER But what are we going to do against the media machine? It's so big and powerful! KYLE'S MOTHER Right! And we can use that same media machine to exploit OUR cause! We've got to let the whole world know what the Canadians did to your son! PARENTS Yeah!! KYLE'S MOTHER COME ON! The parents all head out the door- EXT. HOSPITAL - CONTINUOUS The doors to the hospital swing open, and the parents march out into the street, singing in unison as they go. PARENTS (Singing) Something must be done! Something's gotta give! This world has become a bitch in which we have no desire to live! Cars come screeching to a halt as the parents sing in the middle of the road. People start honking their horns in frustration. KENNY'S MOTHER My boy could have become a doctor Or a lawyer rich and true Instead he burned up like a piggy on a bar-b-que! KYLE'S MOTHER We will fight for children's rights in memory of your son! PARENTS We can't just stand here singing! Something must be done! Cars are now smashing into each other, and flying off the road to people's deaths, as the music number has taken over the busy intersection. PARENTS We've pushed and pushed it to the edge And now the time has come! Something's gotta change! It's time to buy a gun! We can't just stand here singing No we can't just stand here singing No we can't just stand here singing! Something must be done!!! A few more cars careen off and explode into flames as if ending the song with a borage of fireworks. INT. OPERATING ROOM - The boys gather around Kenny's lifeless body. CARTMAN (Dazed) I bet him he couldn't do it... I bet him a hundred dollars! KYLE Come on, Cartman. It's not your fault. CARTMAN No, I know. I'm just fucking STOKED I don't have to pay him! KYLE Oh. The boys walk out, leaving Kenny's corpse behind. We can still hear the boys voices as they exit. KYLE (O.S.) I can't believe he's dead. CARTMAN (O.S.) Yeah, I'm having total deja vu right now. Like this has all happened before... After they leave, PUSH IN to Kenny's dead body, which is left all alone on the operating table. The camera continues to zoom in to Kenny's face... ZOOM IN on Kenny's dead face. We pass into his thoughs... FLASH!! EXT. SPACE - Kenny's body is floating through a great void. A PEACEFUL SONG plays as he soars upwards to the heavens. *note - except for Kenny's little construction paper body, this entire sequence should be done in 3D CGI. Ahead of him, Kenny can see a great white light. It appears warm and inviting. Now Kenny notices large beautiful breasts bobbing up and down in the heavens. He reaches out to touch them. Kenny blissfully floats upward toward the bright light and bobbing breasts. The music crescendos as Kenny gets almost close enough to the light to touch it. Just then, a huge, electronic sign pops up. 'Access Denied'. Suddenly, Kenny goes spiraling downward. The song changes to a MINISTRY type number as Kenny's surroundings start to become darker and more twisted. Kenny's hapless spirit enters a horrifying red tunnel, filled with flames and heat. KENNY Mph rmph rm! Burning souls SCREAM and CRY all around Kenny, as his body plunges into what is now obviously the depths of hell. Kenny passes images of Hitler, John Wayne Gacy, hunger and disease as he continues through the twisting tunnel. He then passes images of Jimmy Stewart and Gandhi. All of whom are opportunely locked in hell for all eternity. EXT. MOVIE THEATRE - DAY The same ticket guy from before is at the ticket booth. The marquee still reads 'Terrance and Phillip' but a huge sticker has been placed over it that reads 'banned'. The boys stand underneath the marquee looking baffled. STAN How can they do this? KYLE It isn't fair! CARTMAN Well, Terrance and Phillip are on Conan O'Brian tonight, we could at least go watch that. The boys hang their heads and walks away. The ticket guy suddenly hears a bunch of commotion. He sees a mob of angry mothers, led by Kyle's mother. KYLE'S MOTHER THIS must be him, officer! This is the scum that sold R rated tickets to children! TICKET GUY What?! Jesus Christ, I didn't mean to! Barbrady slaps handcuffs on the freaked out teen. OFFICER BARBRADY You can explain downtown! TICKET GUY (Getting dragged away) Oh shit! Hey it's not MY fault! You should arrest those pervert Canadians! KYLE'S MOTHER Oh we will, Mr. Scumbag... We will... EXT. CARTMAN'S HOUSE - NIGHT Establishing. INT. CARTMAN'S HOUSE - NIGHT The boys are sitting on Cartman's couch watching TV. ANGLE - TELEVISION - THE CONAN O'BRIAN SHOW Conan comes back from a commercial break. Sitting next to him, is Ms. Brooke Shields. CONAN O'BRIAN Our next guests have the number one movie in the world right now, please welcome Terrance and Phillip! A few cheers as Terrance and Phillip walk out on stage. A few boos as well, and we see that the South Park mothers are in the audience holding 'Anti-Terrance and Phillip' signs. Terrance and Phillip walk out and sit next to Brooke Shields. PHILLIP Hello, Conan! TERRANCE Hello, Brooke Shields! CONAN It's nice to have you here in America. PHILLIP Yeah, well, you being a Canadian and all, we thought what the hell! CONAN O'BRIAN So guys... I understand you have a comedy routine worked out for us. PHILLIP We sure do, Conan. And here it is. Excuse me, Terrance. TERRANCE Yes, Phillip? Phillip rips a fart that launches Terrance backwards and into the band. They both laugh wildly. PHILLIP Gotcha! Terrance and Phillip laugh. Nobody in the audience laughs. ANGLE - BOYS They laugh merrily. RESUME - THE CONAN O'BRIAN SHOW TERRANCE Good one, Phillip! Cheers. PHILLIP Cheers, Terrance! Terrance extricates himself from the band. Conan is growing nervous. He looks out into the audience... Kyle's mother is sitting there, looking angry. Conan makes eye contact with her, and then nods his head. Kyle's mother nods back. CONAN O'BRIAN (Nervous) So, guys, I need to ask you a serious question... PHILLIP I just farted Terrance back into the stone age! They both laugh hard. Brooke Shields waits a beat, then belts out a fake laugh. BROOKE SHIELDS I farted once on the set of Blue Lagoon! TERRANCE Nobody cares, Brooke Shields! CONAN O'BRIAN Terrance and Phillip... Whose idea was it, to have a person lighting a fart on fire in your movie? Who is responsible for that? Terrance and Phillip exhange glances. TERRANCE Phillip, I think our friend Conan has been working too hard. CONAN O'BRIAN Say it! It was YOUR idea to have someone light a fart on fire in your movie! PHILLIP/TERRANCE (Together) It was our idea to have someone light a fart on fire in your movie. ANGLE ON THE AUDIENCE Kyle's mother is among them, listening to all this. KYLE'S MOTHER (Into her lapel) That's it! Move, move, move! ANGLE ON TERRANCE AND PHILLIP A battalion of Army guys appear, seize Terrance and Phillip and arrest everyone in their group. KYLE'S MOTHER Terrance and Phillip, you are under arrest for working in America without the proper documents! WE GOT YOU! ANGLE - BOYS KYLE Dude, what the hell is going on? RESUME - THE CONAN O'BRIAN SHOW TERRANCE Phillip, we've been tricked and ambushed by The Conan O'Brian Show!! PHILLIP This little scrotum sucker willfully deceived us! (Pointing to Conan) You are a bad man! TERRANCE And you call yourself a Canadian! (To Phillip) I told you we should of done Leno! Conan O'Brian turns away, ashamed. KYLE'S MOTHER Don't listen to them, Mr. O'Brian. They're master manipulators. You did a good job. TERRANCE You loved our movie, Conan! We watched it together. You... You laughed! Conan grabs his head. CONAN O'BRIAN What have I done?!!! Conan grabs a gun and blows his head off, dousing Brooke Shields with blood. BROOKE SHIELDS AGAHGAHGGH!!!! Mondays at eight AAAGHGH!!!! Terrance and Phillip laugh merrily. Kyle's mother cradles Conan's lifeless body. KYLE'S MOTHER You see what your filth has caused? TERRANCE US?! This is your mess, outraged mother!! INT. CARTMAN'S HOUSE - NIGHT The boys are sitting on the couch in absolute shock. STAN Dude, our moms arrested Terrance and Phillip! KYLE Our moms suck! CARTMAN This could mean... No more Terrance and Phillip - EVER! EXT. UNITED NATIONS - DAY Establishing shot. INT. UNITED NATIONS - GENERAL ASSEMBLY ROOM Lots of foreigners with their silly foreign outfits sit at their stupid microphones with their ridiculous translation headsets -- in the general assembly hall. The Canadian Ambassador stands before them. CANADIAN AMBASSADOR As The Canadian Ambassador, I hereby condemn the actions taken by America in apprehending Terrance and Phillip! A MURMUR goes through the crowd. CANADIAN AMBASSADOR We demand their release IMMEDIATELY!! As you can see from this graph, the entire economy of Canada relies on Terrance and Phillip! Without them we are doomed to recession! The United Nations head bangs his gavel. Now Kyle's mother stands up. She is with a group of mothers all wearing M.A.C T-shirts. KYLE'S MOTHER If I may? Everyone looks at Kyle's mother. KYLE'S MOTHER As president and founder of M.A.C., I would like to state- UNITED NATIONS HEAD Excuse me, M.A.C.? KYLE'S MOTHER Yes, Mothers Against Canada. UNITED NATIONS HEAD Kay. KYLE'S MOTHER I would like to state that Canada must learn to stop infiltrating our country with its graphic art! Cheers from the Americans. CANADIAN AMBASSADOR Last time I checked America was a free country! KYLE'S MOTHER Look at this! Kyle's mother pulls Kenny's mother up by the head. KYLE'S MOTHER This woman's child was KILLED by your country's humor! Look how upset she is! Kenny's mom looks fine. CANADIAN AMBASSADOR We will continue to sell Terrance and Phillip videos to anyone retarded enough to buy it!! KYLE'S MOTHER Then you leave me no choice... I call for an EMBARGO on ALL Canadian Imports!!! More cheers from the Americans. The Canadians look worried. INT. SUPERMARKET - DAY The boys are in the check out line at Bob's supermarket. CARTMAN What the hell do you mean I can't get Cheesy Poofs?! BOB Sorry, kid. Cheesy Poofs are a Canadian export. We can't carry them any more. KYLE Who the hell made up that law?! CARTMAN You can't do this!! Have you ever HAD Cheesy Poofs? They're a taste sensation with a delightful cheddar crunch. BOB There's nothing I can do. I can still sell you Cheese-o's. CARTMAN FUCK Cheese-os and FUCK you! Cartman storms out. The boys follow him. INT. CARTMAN'S HOUSE - DAY The boys walk into Cartman's house. Cartman slams the door behind him. The boys all walk toward the living room. CARTMAN Come on, you guys... We have to THINK! STAN About what? CARTMAN About Cheesy Poofs, dumbass! This whole thing has gone too far! KYLE I don't really think you need Cheesy- Poofs, tubby- But the boys come to an abrupt halt when they reach the living room and see that all four mothers are waiting for them, silently. Everyone just sits there for a second. The lighting on Kyle's mother's face looks almost evil. KYLE'S MOTHER Boys, we have to have a difficult discussion. KYLE We already know what you did. We saw it on television. STAN Yeah, how come you arrested Terrance and Phillip? STAN'S MOTHER Stanly, you're too young to understand what's good for you. That's why we mothers have taken charge. KYLE But they fucking didn't do anything wrong! CARTMAN Yeah! And what rim job expert went and outlawed Cheesy Poofs!? The mothers all gasp in horror. KYLE'S MOTHER What was that word, young man!? CARTMAN'S MOTHER Oh, he said rim job. It's when someone licks your ass for- KYLE'S MOTHER I know what it is! CARTMAN (To his mother) Lick someone's ass?! KYLE'S MOTHER The Terrance and Phillip movie has obviously done irreparable damage to their brains. We have to put them in rehab right away. KYLE What's that? KYLE'S MOTHER You boys need help. There are rehab centers that specialize in treating people with chronic addictions to bad language. STAN'S MOTHER There are? Kyle's mother thinks for a second. KYLE'S MOTHER Well no, I guess not... But we will establish the first of its kind right here in South Park. All the children in town will have to attend and receive treatment from the school counselor Mr. Mackey! Ooh I just love when I get these sorts of ideas! CARTMAN Why? So you can fuck up our life some more? CARTMAN'S MOTHER Eric! Don't talk to Ms. Brovlofski that way! CARTMAN But mom! I'm not fucking addicted to fucking bad language! I don't have a fucking problem! INT. HELL - DAY Kenny walks through the black void of hell. A trippy, single shaft of light seems to follow him wherever he goes. KENNY Mphrmo? No answer... No nothing... Kenny continues on, flames shoot up randomly from the ground scaring the shit out of him. KENNY MPHR!! MMLY MMT! Suddenly, Kenny hears a CLAWING NOISE. It gets louder and louder. Kenny starts to run faster and faster. Now the clawing is RIGHT BEHIND HIM! Kenny spins around. He is face to face with SATAN! Satan looks down at Kenny and shoots flames out his nose. Kenny's eyes bulge open. KENNY MMMMMPHPHPHPHP!!!!! SATAN Fallen one... We have such sights to show you! Kenny shakes. Satan turns to a whispy form and flashes across the room like a serpent, in a millisecond he is right up in Kenny's face. SATAN I am Satan. I am your God, now. KENNY MPH RM!!! Kenny tries to run away, but Satan again changes form, flies across the room and cuts Kenny off. SATAN Come with me. I will show you what delightful pain awaits. Two black DEMONS grab Kenny by the arms and start to lead him away. KENNY MMMMMPHPHP!!!! Just then, SADDAM HUSSEIN show up next to Satan. SADDAM HUSSEIN Oh, a new recruit, huh? Welcome to hell, kid! Relax! Take a load off!! SATAN You remember... Saddam Hussein, don't you?! Kenny's eyes grow wide. KENNY MMMPPH!!! EXT. REHAB CENTER - DAY Establishing shot of the small Betty Fordesque building. INT. REHAB CENTER - SOUTH PARK'S BETTY FORD CENTER The kids are sitting in chairs in a circle. There are anti- drug signs on the walls: "Crack is Whack"; "Get High on Pottery"; and, "I Go From Zero to Bitch in .9 Seconds." MR. MACKEY, the wiry school counselor, leads the group. There's a pottery wheel and lots of craft tables behind them. MR. MACKEY Mkay, it's come to my attention, that you boys have a potty-mouth problem, mkay. Now the sooner you recognize your problem, mkay, the sooner we can get you back to your third grade homeroom where you belong. KYLE But they're just words, Mr. Mackey. Our parents are over-reacting. BEBE Yeah, Wendy's here, and she doesn't even like Terrance and Phillip! Wendy looks bored. Stan tries to smile at her, but she doesn't even acknowledge him. Meanwhile, Cartman is violently shaking in his seat. CARTMAN Ugh... You guys, seriously... I'm having Cheesy Poof withdrawal... MR. MACKEY Mkay, kids from all over the State have been brought here, because you all share the same problem. Uh, young man... Let's start with you. He points at Gregory. The little British bastard from the lake. GREGORY My name is Gregory... And I have a potty mouth. Wendy looks at Gregory. Stan notices this. CARTMAN You've got a stupid accent too. MR. MACKEY Eric, that is not appropriate. CARTMAN What? Fuck French people. Fuck 'em in the ear. MR. MACKEY Mkay, you see, children. This is exactly what I'm talking about. We have to change the way you think. GREGORY How are you gonna do that? Mr. Mackey crosses to a piano. He plays chords while speaking the following lines. MR. MACKEY There are times when you get suckered in, by drugs and alcohol and sex with wom-en. But it's when you do these things too much (Singing) That you've got to clear your head and get back in touch... Mr. Mackey plays the piano and sings: MR. MACKEY You can do it, it's all up to you, mkay? With a method, there's nothing you can't do, mkay? You don't have to spend your life addicted to crack Homeless on the streets giving hand- jobs for cash as long as you follow this simple plan I'm fully convinced that it's, easy, mkay... The kids are extremely disinterested. Mackey walks over to a chalkboard. MR. MACKEY Step one: Think about fun. Think about all that you'll miss addicted to this Step two: Think it all through. Think how's this gonna change my life, what am I gonna miss? Step three: Go and hug a tree, Hug anything that gets in your way! And step four: Just don't do it anymore - it's easy, Mkay! Mackey gets the children in a circle all holding hands. MR. MACKEY Come on, kids! Sing along! KIDS (Extremely half-assed) You can do it, it's all up to you mkay? With a method, there's nothing you can't do, mkay? We don't have to spend our lives addicted to crack Homeless on the streets giving hand- jobs for cash MR. MACKEY As long as you follow my simple plan I'm fully convinced that it's, easy, mkay... Everyone starts dancing in a circle. KIDS Step one: Think about fun. Think about all that you'll miss addicted to this Step two: Think it all through. Think how's this gonna change my life, what am I gonna miss? Step three: Go and hug a tree, Hug anything that gets in your way! And step four: Just don't do it anymore - it's easy, Mkay! MR. MACKEY It's easy, Mkay?! Everyone falls down laughing. INT. REHAB CENTER - LOUNGE Kyle's mom and the other moms watch the kids and Mr. Mackey rolling around on the floor laughing on a security monitor. KYLE'S MOTHER What the hell do they think this is?! Summer camp?! INT. REHAB CENTER - SOUTH PARK'S BETTY FORD CENTER Just then, Kyle's mother walks in with a scowling look, interupting the kids and Mr. Mackey who are still laughing merrily. The other mothers are behind her. KYLE'S MOTHER Mr. Mackey, what is going on?! Mr. Mackey stands up, looking scared. MR. MACKEY Uh, we're just, starting our program... KYLE'S MOTHER This is NOT a place for fun and games! This is rehabilitation! Now GET TO IT!! We at MAC have a trial to go to! The mothers walk away. MR. MACKEY Mkay. CARTMAN God Damn it your mom is a bitch, Kyle. Kyle hangs his head. EXT. SUPREME COURT - DAY A news reporter stands in front of the Supreme Court. All around him are protestors, with signs that say CANADA NO! and CAN'TADA! Still others hold signs with Kenny on them. NEWS REPORTER Tom I'm standing in front of the U.S. Supreme Court where the most important trial of the - day - is happening. Thousands of people have shown up from all over the country to show their outrage and disgust at Canada. Joining me now is Mrs. McKormick, mother of the poor little boy who was killed by the Canadians. Kenny's mother steps into frame. She is wearing a shirt with Kenny's picture on it. Written on the T-shirt is 'Have you seen my son? No, you haven't. He's dead.' NEWS REPORTER Mrs. McKormick, you must really hate the Canadians. KENNY'S MOTHER Yes, yes I do, Tom. NEWS REPORTER Did you ever think you would see the day when thousands of people were wearing your son Kenny on T-shirts? KENNY'S MOTHER No I didn't. But if any of you would like one they're 14.95. Available in blue or white. The reporter thinks for a second, and then turns back to the camera. NEWS REPORTER Well, we can only imagine the intense, vehement trial that is going on inside. INT. SUPREME COURT - DAY Terrance and Phillip are on the stand. JOHNNY COCHRAN Terrance and Phillip... You knowingly, with malice of forethought were trying to destroy American culture, yes or no? Terrance rips a fart. JOHNNY COCHRAN YES OR NO! INT. REHAB CENTER - SOUTH PARK'S BETTY FORD CENTER The kids are all in the main room, sitting on a couch, huddled around a television. They laugh merrily. STAN Shh! Mr. Mackey's gonna hear us! INT. SUPREME COURT - DAY TERRANCE The Americans are just showing their TRUE COLORS as smelly bastards. PHILLIP Fight the power! TERRANCE The young boy that died lit himself on fire. It was unfortunate, but how can they blame US? PHILLIP Don't believe the hype!! Terrance and Phillip laugh merrily. INT. REHAB CENTER - SOUTH PARK'S BETTY FORD CENTER The kids all shout agreement. KIDS (Adlib) Yeah! WooHoo! BACK TO COURTHOUSE Terrance and Phillip laugh merrily. TERRANCE You cannot oppress us! We will continue to pursue our art. We know there are Americans out there who will help us! Kyle's mother now stands up from the prosecutor's table. KYLE'S MOTHER Your 'ART' is shallow and immature! We Americans do NOT allow that for our children!! PHILLIP Please. You teach your children that America is the land of the free. But it's all bullshit. You're one of the most conservative countries in the world! INT. REHAB CENTER - SOUTH PARK'S BETTY FORD CENTER The children all listen, wide-eyed. INT. SUPREME COURT - DAY TERRANCE The problem is you don't allow your children to think for themselves. You try to raise them in a protective bubble, and then when they finally get old enough, they realize they've been lied to, and they resent you for it. PHILLIP Yeah, God, no wonder your country is so fucked up. KYLE'S MOTHER THAT IS ENOUGH!! TERRANCE WAKE UP AMERICA! YOUR government censors YOU from the world. KYLE'S MOTHER NO THEY DON'T! PHILLIP YES THEY DO! AND I'LL PROVE IT TO YOU! IN MARCH OF LAST YEAR, THE AMERICAN GOVERNMENT- BOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOP. Suddenly, the screen goes blank. A sign that says 'PLEASE STAND BY' comes on. INT. REHAB CENTER - SOUTH PARK'S BETTY FORD CENTER The kids all watch, wide-eyed. KYLE What happened? WENDY The station CONVENIENTLY went blank. INT. CANADIAN PRESS CONFERENCE - DAY The Canadian Prime Minister stands directly in front of camera, looking right at us. CANADIAN PRIME MINISTER ATTENTION AMERICA!! You have taken our national treasure Terrance and Phillip. We, in turn, have taken yours... The Smothers Brothers! The Canadian Prime Minister steps out of the way, revealing the Smothers Brothers tied up in chairs behind him. CANADIAN PRIME MINISTER I'll let you catch your breath... Now, release Terrance and Phillip, or else we will EXECUTE your beloved Smothers Brothers!! TOMMY SMOTHERS Please listen to them!! DICK SMOTHERS They're not fucking around!! CANADIAN PRIME MINISTER We're not fucking around. This is not aboot deals. This aboot dignity. This is aboot freedom... This is aboot respect. RETURN Terrance and Phillip NOW!!! Another Canadian leans in and whispers in the Prime Minister's ear. CANADIAN PRIME MINISTER Oh yeah... AND FUCK YOU, AMERICA! He raises his middle finger, but it's all blurred and digitized. INT. REHAB CENTER - SOUTH PARK'S BETTY FORD CENTER MR. MACKEY Okay kids, for today's rehabilitation activity, we're going to watch the Terrance and Phillip movie. STAN What?! KYLE Sweet! MR. MACKEY Now, this is an EDITED version of the movie, which was put out by the MPAA. That's the Motion Picture Association of America. WENDY Isn't that censorship? MR. MACKEY No the MPAA is NOT a censorship group. WENDY Why not? MR. MACKEY Uh... Because they say so... Mkay. Now I want you to watch this movie, with all the immature profanity taken out, and notice how much better a movie it becomes... Mackey puts the tape in and hits play. The TITLES come up 'Terrance and Phillip Asses of Fire' Except that 'Asses' has been blurred out, and replaced with 'bunz'. KIDS HOORAY!!! The movie begins. Phillip walks in. But it isn't Phillip's voice, somebody has dubbed him over. DUBBED PHILLIP Hey Terrance. I feel like I'm going to pass gas near your head. DUBBED TERRANCE I would rather you didn't, Phillip. DUBBED PHILLIP Oh? Is that so? Phillip farts on Terrance. TERRANCE Oh, you are such a maroon! PHILLIP You would know, dummy. The boys look confused. TERRANCE You are pigeon-like in your intelligence. The pseudo-Terrance and Phillip laugh. Terrance throws a match on Phillip and Phillip burns to death. A TITLE comes up - THE END. And the credits roll. CARTMAN WHAT THE HELL WAS THAT?! KYLE Dude, they cut out 92 minutes! The lights in the theater come up. MR. MACKEY So you see, the point and the theme of the film is kept intact. And of course, the MPAA didn't cut out any of the graphic violence. What did you think? CARTMAN Oh man, I'm gonna need a cherry pie to get the taste of ass out of my mouth from that piece of shit movie. MR. MACKEY Eric, you're not watching your mouth! CARTMAN You get me Cheesy Poofs with the delightful cheddar crunch, and I'll watch my fucking mouth! MR. MACKEY Eric!!!! You need to be rehabilitated. Help me to help you! CARTMAN Help yourself prickfuck! MR. MACKEY I am not a prickfuck, mkay? You little asshole! Mackey slaps his hand over his mouth and looks around, scared. CARTMAN Ha, ha, you stupid asshole prickfuck. INT. REHAB CENTER - SEPARATE ROOM Mr. Mackey is in a private office with the members of M.A.C. KYLE'S MOTHER How is the children's progress? MR. MACKEY Very encouraging. Most of the children have been weened from their naughty mouths. KYLE'S MOTHER What do you mean MOST, why not ALL? MR. MACKEY (Nervous) Well, some of the children just don't respond to 12 step programs. KYLE'S MOTHER Then we'll have to resort to plan B and call the v-chip organization. Dramatic MUSIC STING. Mackey looks afraid. MR. MACKEY Mrs. Brovlofski, the V-chip hasn't been fully tested yet, it could be dangerous. KYLE'S MOTHER (Evil) I don't care if it's dangerous! Desperate times call for desperate measures, Mr. Mackey. Perhaps I need to remind you of your situation. MR. MACKEY (Nervous) Alright, I'll make the call... INT. REHAB CENTER - SOUTH PARK'S BETTY FORD CENTER The kids are again glued to the TV watching the trial of Terrance and Phillip. INT. SUPREME COURT - DAY Back in the courthouse, the jury walks in and sits down. JUDGE Madam foreman, have you reached a verdict? FOREMAN We have, your honor. JUDGE How find you, the jury? FOREMAN We the jury, find the defendants... Terrance and Phillip... GUILTY of being complete bastards. The crowd goes wild. The mothers of M.A.C. stand and cheer. INT. REHAB CENTER - SOUTH PARK'S BETTY FORD CENTER The kids sit in shock. KYLE Oh no! INT. COURTROOM - DAY TERRANCE Oh oh, Phillip. You know what this means? PHILLIP We'll be farting bread and water for a few years. The judge bangs her gavel. JUDGE Terrance and Phillip, for crimes against the great nation of America you are hereby sentenced to DEATH. HUGE MUSIC STING. TERRANCE DEATH?! You gotta be shittin' me! PHILLIP Aghgh! Phillip passes out. INT. REHAB CENTER - SOUTH PARK'S BETTY FORD CENTER The kids can't believe what they're seeing. Everyone is silent. Finally, Kyle perks up. KYLE Dude, let's help Terrance and Phillip!! STAN How do we do that? Kyle thinks for a moment. WENDY You raise awareness by distributing buttons, stickers and leaflets. CARTMAN That'd be sweet! We could try to bring back Cheesy Poofs! KYLE Yeah, let's make Free Terrance and Phillip buttons! WENDY You guys don't even care. All you care about is seeing Terrance and Phillip fart on each other more. The boys sit there and blink. STAN Yeah! WENDY This is about freedom of speech, Stan, about censorship. The handsome English kid, Gregory chimes in. GREGORY Yes, what's next? Barcodes on our forearms? This country is the most fascist of all. Wendy looks at Gregory deeply. Gregory smiles at her. STAN What the hell are you talking about, kid? WENDY You don't get it Stan... You just don't get it. Wendy walks away. STAN What? What don't I get? (To Kyle) What don't I get? KYLE I don't know, dude. STAN That British dickhole is what's taking Wendy away from me! KYLE I thought she wasn't your girlfriend, dude. STAN She's Not! But if she WAS it would be THAT little asshole who's fucking it up for me! INT. REHAB CENTER - SOUTH PARK'S BETTY FORD CENTER The kids are all sitting in rows, wearing very crude 'Free Terrance and Phillip' buttons. MR. MACKEY Mkay, children, you've all made terrific progress, and are hereby done with the eight step program. The kids all AD LIB relief. CARTMAN Thank God, that sucked ass. MR. MACKEY Uh, except for you Eric. I'm afraid you need to work more on not saying the F word and the N word. CARTMAN The N word? MR. MACKEY (Reading) Norwegian Ass Raper. CARTMAN Oh yeah. MR. MACKEY The rest of you are graduated. You can go home today. The kids cheer. CARTMAN I don't graduate?! WHAT THE FUCK IS THIS?! THIS IS BULLSHIT?! Just then, Mackey notices the little buttons on everybody's shirts. MR. MACKEY Free Terrance and Phillip? Oh no... Mkay. KYLE (Proudly) We're protesting! STAN Yeah! MR. MACKEY Well, boys, it might interest you to know that your FRIENDS the Canadians have just bombed the U.S. STAN They did?! MR. MACKEY Yes, at six this morning they bombed the heck out of Cleveland. KYLE Oh. That doesn't count. WENDY They only bombed Cleveland because we're going to Execute two of their citizens!! MR. MACKEY Wendy, Mkay, if you want to start getting political, I'll throw your skinny little butt right back into rehab. Mkay? CARTMAN HOW THE FUCK CAN YOU NOT GRADUATE ME?! DOES THAT MEAN I HAVE TO STAY HERE?! MR. MACKEY No, Eric... I'm afraid it's phase two for you... Dramatic MUSIC sting. INT. HELL - DAY Kenny is chained up in a torture chamber in Hell. Demons and ghouls surround him. SATAN Prepare thyself for unending pain! Unparalleled misery!! Kenny starts to cry. Saddam Hussein comes out from behind Satan holding a martini. SADDAM HUSSEIN Hey, relax Satan. Don't get all worked up. You're gonna give yourself an ulcer again. KENNY Mrph mprph!! SADDAM HUSSEIN What? What do you mean you don't belong here? Relax guy, hell is for children. KENNY Mrph mprhm mm rmph! SADDAM HUSSEIN A deal? You wanna make a deal with the devil. Well sure, deals are mounds o' fun. SATAN (To Saddam) Saddam, would you let me do my job please! SADDAM HUSSEIN Hey relax, guy. Let's see what the kid wants. KENNY Mph rmph rm rmph rmph rm! SADDAM HUSSEIN Oh, you want out of hell, huh? SATAN Well of COURSE he wants out of hell! The whole POINT of hell is that you don't WANT to be here! SADDAM HUSSEIN Okay, kid, I have a deal for you! If you want out of hell, all you have to do is collect 10 proofs of purchases from 'Snacky Smores.' They're rich, chocolatey and really hit the spot. Bring me ten proofs of purchases and we'll grant you ANY WISH YOU WANT. KENNY Mrph? SADDAM HUSSEIN I wouldn't bullshit you kid! Snacky Smores are now available in stores everywhere! No biggie! Saddam walks over to Kenny and releases his chains. SADDAM HUSSEIN (To Kenny) Well what are you waiting for pal?! Get to it! Kenny runs out and away. SADDAM HUSSEIN HA HA HAHA!! What a dumbass!! Saddam walks over and joins Satan on the couch. SATAN I don't see why you have to belittle me in front of people like that. SADDAM HUSSEIN Hey, relax guy. It's just a cruel joke. Rich, chocolatey Snacky Smores are only available up on Earth. He'll never get 'em, see? SATAN Sometimes I just think you don't have any respect for me. SADDAM HUSSEIN Hey, come here, guy. Saddam pulls Satan around and plants a big wet kiss on him. SADDAM HUSSEIN Who's my cream puff? SATAN I am. INT. PTA MEETING - DAY A large crowd of parents has gathered for a PTA meeting. Kenny's mother is at a table selling dead Kenny t-shirts. She has a shitload of money all around her. Another MOTHER walks up, hands Kenny's mom money, and gets a shirt. MOTHER Is that a new pearl bracelet, Mrs. McKormick? KENNY'S MOTHER Why yes. Yes it is. Meanwhile, Kyle's mother is on the stand. KYLE'S MOTHER As our next official order of business here at M.A.C., we will test the new V- chip. As most of you know, the V-chip was created to lock children out of watching certain shows on television. And now the N.I.H. has created a new, exciting product that they can tell us all about. Here is the Surgeon General, Dr. Pangloss. DOCTOR PANGLOSS, a lab technician in white takes the podium. DOCTOR PANGLOSS Thank you, parents. One person claps. Pangloss hits a button and a slide projector starts showing pictures of the device. DOCTOR PANGLOSS The machinery of the new 'V-chip' is very simple, and similar to that of the V- chip. The chip is placed just under the subject's skin, where it emits a small but painful shock of electricity whenever an obscenity is uttered. The parents are fascinated. STAN'S FATHER Now wait a minute, are you telling us that this chip somehow KNOWS if the kid is swearing? DOCTOR PANGLOSS It's just like a lie detector. Certain things happen in you when you swear just like when you lie, the chip picks up on this and gives the subject a shock. The parents AD LIB 'Ooohs' and 'Ahhhhs' DOCTOR PANGLOSS We are very excited to see the results of this test. (Calling) Patient 453, would you step out here, please? Cartman steps out wearing a hospital gown. DOCTOR PANGLOSS Patient 453 here has been fitted with the new v-chip... CARTMAN My head hurts. DOCTOR PANGLOSS Don't worry about that. Now, I want you to say 'Doggy.' CARTMAN Doggy. DOCTOR PANGLOSS Notice that nothing happens. (To Cartman) Now say 'Montana.' CARTMAN Montana. DOCTOR PANGLOSS Good. Now 'Pillow'. CARTMAN Pillow. DOCTOR PANGLOSS Alright, now I want you to say 'horsefucker.' Cartman looks offstage to his mother. CARTMAN'S MOTHER Go ahead, it's alright, Eric. Cartman smiles. CARTMAN Horsefuck- BZZZZZAAAAT!!!! CARTMAN AGAAHGAHGAH!!!!! Cartman falls to the floor in pain. All the parents ooh and ahh and applaud. CARTMAN OW!! That HURT GOD DAMMI- BAZAAATTT!! CARTMAN OW!! YOU CAN'T DO THIS TO ME!! THIS ISN'T FAIR!!! YOU SONS A BITCHE-- BAZAAATTT!! DOCTOR PANGLOSS Success!! Our device works perfectly! We will begin mass production immediately! KYLE'S MOTHER And so we have succesfully removed the Canadian smut from all of our children's brains. We have made changes at school to ensure that our kids are NEVER AGAIN exposed to smut!!!!!!! It's OVER! The crowd goes wild. EXT. SCHOOL - DAY School is now Naziesque. A military drum echoes in the distance. INT. CLASSROOM - SOUTH PARK ELEMENTARY - DAY Stan and Kyle are sitting in their desks, waiting for school to begin. Wendy walks by on her way to her desk. STAN Hi Wendy. WENDY (Not even looking) Hi Stan. Wendy walks on by. KYLE Wow, dude. Wendy could really give a rats ass about you. STAN (Eyes still on Wendy) I bet she would if my name was GREGORY!! KYLE Good thing she was never your girlfriend... Dude, here comes Cartman. Cartman walks in and gingerly sits down. KYLE Hey, Cartman, did they put that V-chip in your head or your ass? STAN What's the difference? Stan and Kyle laugh. CARTMAN Very funny dickhead- BZZAAT! The v-chip shocks Cartman. CARTMAN OW! FUCK- BZZZAAAT!! CARTMAN AY! Cartman is thrown to the floor in a shivering heap. KYLE Whoa! What the hell was that?! STAN Dude! It's the V-chip! It shocks him ever time he cusses! Stan and Kyle look at each other. Kyle smiles. KYLE Hey Cartman. CARTMAN What? KYLE You know, me and Stan were just talking about what a fat fucking hunk o' fat fuck you are. CARTMAN Oh yeah?! Well you're a monkey-shit- BZAAAT! CARTMAN SHIT- BZZZAAAT!! CARTMAN FUCK- BZZAAAT!! The cycle continues as Stan and Kyle laugh merrily watching Cartman flopping around on the floor. KYLE This is sweet!! STAN Totally! Garrison stands before his class. MR. GARRISON Okay, children, let's try a few new math problems. What is five times two? The kids all just sit there. MR. GARRISON Come on, children, do be shy, just give it your best shot. Clyde raises his hand. MR. GARRISON Yes, Clyde? CLYDE Twelve? MR. GARRISON Okay, now let's try to get an answer from somebody who's not a complete retard. Anyone? Come on don't be shy... Just then, the door bursts open and in walks a couple of Nazi looking American soldiers. They walk over to the children and start pulling off their 'Free Terrance and Phillip' pins. STAN Hey, what are you doing? SOLDIER You can't wear these in school. It's against school policy, thank you. Another solider rips off Kyle's pin and replaces it with a yellow star. KYLE What's that for? SOLDIER 2 You get a star for doing well in school. Just as quickly, the soldiers make their way out the door. WENDY NAZIS!! STAN What's the matter, Wendy? WENDY Nothing, Stan. You wouldn't understand. STAN (To Kyle) God damn it, why does she keep saying that? INT. CAFETERIA - DAY The boys are in line. Nazi-ish soldiers usher them through. STAN I'm so sick of these soldiers. KYLE Yeah, they suck. CARTMAN I know. Always saying, do this, do that. They think they're so cooool. (To the soldier) Acht lieben kraft auct shpiler! (BZZZT) OW!!! The soldier glares at him. The boys walk into the kitchen, where they are greeted by their big, happy, black school CHEF! CHEF Hello there, children!! STAN Hey, Chef. CHEF How would like some Salisbury Steak with buttered noodles? KYLE We can't, we're on a hunger strike. CHEF A hunger strike? For what? STAN To free Terrance and Phillip. CARTMAN But you guys... It's Salisbury steak. STAN Chef, do you know anything about women? CHEF Ha! Is the Pope Catholic? KYLE I don't know. CHEF Children, I know ALL there is to know about women. STAN What's the secret to making a woman happy? CHEF (Dishing out food) Oh that's easy, you just gotta find the clitoris. STAN Huh? Suddenly, Chef realizes who he's talking to. CHEF Oops, I guess you haven't got that far in your anatomy class, huh? STAN No, what does that mean, find the clitoris? CARTMAN Is that like finding Jesus or something? Now Chef starts to panic. CHEF Uh... Nothing. Forget I said anything. Now move along, children! You're holding up the line! Just then, the P.A. blares out an announcement. PRINCIPAL VICTORIA (O.S.) ATTENTION ALL SOUTH PARK ELEMENTARY STUDENTS AND STAFF! REPORT TO THE GYMNASIUM IMMEDIATELY FOR A SPECIAL ANNOUNCEMENT!! STAN Woa, I wonder what's going on, dude. INT. GYMNASIUM - DAY All the elementary students are gathered in front of a large television monitor. Mr. Garrison and his class walk in and look confused. The boys walk up to Chef. PRINCIPAL VICTORIA Please take your seats, everyone!!!! They all go to their seats. KYLE What's going on, Chef? CHEF Something big, children. The television goes from that Emergency broadcast signal to a scene of a news anchor sitting at his desk. NEWS ANCHOR (Very serious) This is a State of Emergency. We go now to the White House for a VERY IMPORTANT ANNOUNCEMENT from the President of the United States. INT. OVAL OFFICE - DAY The President is sitting in a chair by the fireplace. PRESIDENT CLINTON Ladies and gentlemen... At five a.m. today, a day which will live in infamy... sort of... the U.S. has declared war on Canada. ANGLE - KIDS They all stare in silence. Mr. Garrison takes a deep breath. CHEF Oh, no... MR. MACKEY I don't believe it. CARTMAN Holy crap- (BZZZT!) OW!! Hey crap isn't a swear word, what the fuck?! (ZZZZZZTTT) AGAGAGH!!! PRESIDENT CLINTON All Canadians are to leave the country immediately, or be subject to military camps. All Canadian products are to be thrown out. PRINCIPAL VICTORIA How can they do this? MR. GARRISON I never thought there would be war again in my lifetime... INT. WHITE HOUSE - DAY PRESIDENT CLINTON Do not be afraid of this war. Instead embrace it. We have God on our side. And besides, they're just Canadians, what the hell are they gonna do? INT. GYMNASIUM - DAY Everyone watches the television in stunned silence. STAN Chef, what does it mean that we're at war? CHEF It's... It's not good children. PRINCIPAL VICTORIA What do we do? Do we go on as normal or...? MR. GARRISON I don't know Principal Victoria... I don't know... PRESIDENT And now, I would like to bring up the woman who led, and is still leading the way in this glorious stand- KYLE (Pointing to TV) HOLY SHIT DUDE!! Kyle's mom appears on the TV dressed in military garb. PRESIDENT Mrs. Sheila Brovlofski. CHEF Isn't that your mother, Kyle? Kyle can't believe it. On the television, Kyle's mother walks up to the podium. She is dressed to the hilt. She hugs the President and the first lady and then takes a deep breath. KYLE'S MOTHER My fellow Americans. I have led this fight in the War against profanity. I have founded Mothers Against Canada. Our neighbor to the north has abused us for the last time. PRESIDENT As Commander in chief, I have ordered our Army to set up defensive positions along the US-Canada border in anticipation of an attack. KYLE'S MOTHER What about air strikes? PRESIDENT Huh? KYLE'S MOTHER We have to have air strikes on their military and entertainment centers. It's the only way to ensure that their smut can't reach American soil! PRESIDENT Oh, uh... I don't know if air strikes are necessary. KYLE'S MOTHER Not necessary?! Mr. President, may I remind you that our country's heart and soul are at stake, and our children's minds are the battlefield! The bastard Canadians want to fight us because we won't tolerate their potty mouths. Well, if it is war they want... THEN WAR THEY SHALL HAVE!!! A huge eruption of cheers from the crowd in front of Kyle's mother. She is obviously floored by it. She can't help but smile. She actually holds her head up higher, and then raises her arms up in two peace signs, as the cheers get louder. The president forces a smile and actually applauds with the rest of the crowd. Back in the gymnasium, Kyle looks thoroughly embarrassed. CHEF Damn, your mom's a bitch, Kyle. CARTMAN Amen to that. INT. HELL - DAY Kenny is sadly walking around hell. He walks up to another one of hell's prisoners. KENNY Mph rmph rm rmph rm? GEORGE BURNS Snacky Smores? Why the hell would I have proofs of purchases from Snacky Smores? Beat it, kid. Kenny moves along. He hears some voices coming from a door. Kenny opens the door and peeps inside- INT. SATAN'S BEDROOM - KENNY'S POV Saddam and Satan are lying in bed. SADDAM HUSSEIN You just get cranky when you're tired, that's all. I told you that you shouldn't have tried to carry that futon all by yourself. SATAN I'm not cranky. And that futon was not too big to carry myself- Just then, Satan hears a reporter on CNN. TV In war news, countries from Europe and Asia are joining sides in the Canadian- American War- SADDAM HUSSEIN -Listen butterbuns, let's make love and forget about the whole thing- SATAN SHHH!!!! TV ...The death count is already on its way to 10 million with no signs of slowing down. What started as a spat between the United States and Canada is quickly turning into World War III- Kenny's eyes bulge, he wants to see more, but Satan clicks off the television and sits up in bed. SATAN It has come to be... The Four Horsemen are drawing nigh! The time of the prophecy is upon us! SADDAM HUSSEIN Oh I love when you get all biblical Satan. You know exactly how to turn my crank! SATAN No I'm being serious! Those Canadian entertainers are to be killed. It is the seventh sign. Satan walks over to large pedestal which holds an ancient tome. Satan turns the pages as he talks. SATAN Behold, the signs of my reign on earth are all falling into place! The fall of an empire- He points to an ancient-looking picture of the death of Ceasar. SATAN -The coming of a comet- He points to a picture of a comet passing by Earth. SATAN Jerry Springer's movie doing more than ten million box office- A picture of Jerry Springer holding a bunch of money. SATAN ....And now.... Satan points to an ancient drawing on the wall. It looks like Terrance and Phillip being stabbed in the head. SATAN The seventh sign! When the blood of these Canadians touches American soil... It will be my time to rise!!!!! DRAMATIC music. SADDAM HUSSEIN Yeah! YEAH!!! Man I'm getting so HOT!!! SATAN Do you always think about sex? I'm talking about some very important stuff here! SADDAM HUSSEIN Listen buttercup, let's make love and forget about the whole thing. SATAN Is sex the only thing that matters to you? Saddam thinks for a second. SADDAM HUSSEIN I love you. Satan sits with his arms crossed and a frown. SADDAM HUSSEIN You know I do. SATAN I know. SADDAM HUSSEIN So what do you say we shut off that light and get close, huh? Satan reaches over and turns off the light. Everything goes pitch black. The light goes off of Kenny's face as well. A beat. Then, a small moan from Satan. SADDAM HUSSEIN Yeah, you like that, don't you bitch? EXT. SOUTH PARK AVENUE - DAY Stan and Kyle are walking down South Park Avenue. Stan is reading out of a huge book. KYLE Does it say what the clitoris is? STAN All it says is that it's above the vulva... But where the hell is the vulva? KYLE Isn't that in Arizona or something? Stan and Kyle walk into the middle of town, where a HUGE bonfire of Terrance and Phillip videos, posters, and Canadian items like syrup and hockey sticks are burning away. The soldiers throw Stan's book on top of the pile, and it starts to burn. Stan and Kyle walk up to where Cartman is standing. STAN What is this? CARTMAN They're burning all the Canadian stuff cause of the war. STAN That book wasn't Canadian! Clyde, one of the kids from school, throws his Terrance and Phillip dolls into the burning mass. Kyle stops him on his way back. KYLE Dude, don't you like Terrance and Phillip anymore? CLYDE Of course not! We're at war! My daddy says I HATE Canadians now! More kids line up to burn their Terrance and Phillip stuff. Several random mothers from M.A.C. are standing in front of the bonfire with anti-Canadian signs and T-shirts. The boys' parents aren't around, but another MAC mother is leading the charge. MAC MOTHER THAT'S IT! BURN EVERYTHING CANADIAN!!! MAKE OUR COUNTRY DECENT AGAIN FOR OUR CHILDREN!!! A townsperson throws Alanis Morisette albums into the fire. Another townsperson runs up and throws in a bag of Cheesy Poofs. CARTMAN NNOOOO!!!! WHAT ARE YOU DOING?! OH, WHY GOD, WHY?! Cartman falls to his knees and cries as the Cheesy Poofs burn away. CARTMAN This is all cause of your mom, Kyle. She's such a bitch- (BBBZAATT!!) AGH!! I mean - she's such a... meanie. KYLE And she's getting worse... STAN Dude... Isn't that your brother? Kyle looks to where a group of big, mean FIFTH GRADERS have encircled Ike. FIFTH GRADER Why don't you go back to your own country, CANADIAN! FIFTH GRADER 2 Yeah, go eat some potatoes and ride donkeys! IKE Eee todo ba! Kyle's eyes grow wide. He dashes over. KYLE Hey! Leave him alone! FIFTH GRADER It's just a smelly Canadian. They're like rats. KYLE He's my brother! FIFTH GRADER You don't look Canadian. KYLE He's adopted! Kyle picks his brother up and tries to protect him. FIFTH GRADER Well you better get his beady eyed Canadian ass out of America before my daddy finds him!! The boys watch in horror as the fifth graders run over and throw more Canadian items into the fire. KYLE It's only a matter of time before my mom has HIM burned too! STAN What has the world come to? This is horrible. We're locked up, burning books, hating other people- CARTMAN -no Cheesy Poofs. STAN -No Cheesy Poofs... What the hell is happening? DRAMATIC MUSIC begins. KYLE I don't know. But it has gone far enough! I'm sick of it! (Singing) Something must be done! Change has got to come around! They're taking all our laughter and burning it to the ground! Can't you see what this is leading to? A world of chains and ties and glue! We have to fight before they've taken every one! Something must be done! STAN I agree! The only way to save our future is to unite and fight! (Singing) Something must be done! We must take action fast! My parents have gotten so strict they forgot they were children in the past! CARTMAN And my mom has become so bu-sy that she's raising heck and ignoring me I agree that there is now a battle to be won! Something must be done! STAN But what are we going to do against this entire army? KYLE We've gotta get the word out. We'll get on my dad's computer and use the internet! Come on you guys! The boys proudly head down the street. BOYS Something must be done! Something's gotta give! This world has become a bitch in which we have no desire to live! (*note- cartman gets shocked again on 'bitch') BOYS We've pushed it to the edge And now the time has come! Something's gotta change! Something must be done! Something must be done!!! INT. KYLE'S HOUSE - KYLE'S DAD'S OFFICE Kyle is at the keyboard of his dad's computer. Stan and Cartman are waiting in the background. KYLE Okay... I just need to find a few private message boards... STAN Wait! Before we put a message out, do a search on the word 'clitoris'. KYLE Okay... Kyle types in the word and hits return. KYLE (Reading the screen) "Found Eight Million Pages With the Word Clitoris"! STAN Wow! KYLE I'll just try the first one. Kyle clicks the mouse. They wait for the screen to load. Finally, it does. KYLE Dude! It's a lady giving a blow job to a horse! Stan and Cartman rush over. STAN Is it Cartman's mom? CARTMAN Very funny! KYLE Hey... It IS Cartman's mom!! Cartman looks at the screen. CARTMAN Oh, son of a bitch! (ZZAP!!) AAGHGH!! I mean, son of a biscuit! STAN Maybe THAT'S who your father is, Cartman! Ike bounces in, happily. IKE Ber dada! KYLE Get out of here Ike, you're too young for this stuff! IKE Papa mama simi. Ike bounces out. CARTMAN Come on, just get to the message board! KYLE I'm trying, I can't find a Canadian server... I've got to break into the main frame... Kyle furiously hits a bunch of keys. KYLE Damn it! They've got an access code! I'll try to reroute the encryptions... Kyle furiously hits a bunch more keys. STAN Dude, do you know what you're doing? KYLE No, dude, all you have to do is hit the keys really fast and say a bunch of stupid shit and it works. Just then the screen pops up. Access Granted. KYLE Bingo. Okay, here we go... (Typing) Want to help Terrance and Phillip? Meet us for a meeting at Gladdy's barn tomorrow night... CARTMAN Tell 'em we'll have pie and punch. KYLE We're not gonna have pie and punch! CARTMAN More people will come if they think there'll be pie and punch! KYLE (Typing) pie and punch... This is Top Secret. The password is... The boys all think... STAN (Dramatically) La Resistance. Triumphant MUSIC cue. INT. KYLE'S ATTIC The door to the attic pops open. Kyle shoves Ike up into the attic. KYLE You stay up here in the attic, Ike. Don't make any noises or nothing, okay? IKE Uhh... KYLE Goodnight, Ike, we're all going to bed. The door closes and it is dark. Ike blinks. He looks out a small window, onto the street below. A few armed soldiers walk by. Ike pulls out a little plastic harmonica and sadly starts to play. INT. PENTAGON - NIGHT Tons of MILITARY PERSONNEL are running to and fro. Giant computer screens show Canada's latest attacks. SECRETARY OF DEFENSE Sir! The Canadians have destroyed Des Moines!! PRESIDENT How can you tell? Everyone laughs merrily. SECRETARY OF DEFENSE Good one, sir! Suddenly, a PENTAGON GUY runs up to the President, holding some papers. PENTAGON GUY Sir, we're tracking a signal crossing into Canadian computers! It looks like we may have a resistance movement starting... The President grabs the papers and dashes over to Kyle's mother, who is standing there looking smug, with her arms behind her back and her chest out. She has a few military badges on her. PRESIDENT (Showing her the papers) Ma'am, we're tracking a resistance... It's probably Canadian spies!! KYLE'S MOTHER Well find out where that signal is coming from! Then hunt them down like dogs! Any and all Canadian influence must be stopped at all cost! PRESIDENT Yes ma'am! The President starts to run off. KYLE'S MOTHER And Bill? PRESIDENT Yes? KYLE'S MOTHER I'm needing lunch. PRESIDENT Right away, ma'am! The president runs off. EXT. CARTMAN'S HOUSE - NIGHT Establishing. RADIO ANNOUNCER (V.O.) And so the draft will begin tomorrow, as more and more troops are needed to fight the Canadian forces... INT. CARTMAN'S HOUSE - NIGHT Cartman's mother is tucking him into bed. RADIO ANNOUNCER (V.O.) What is quickly being referred to as 'The Great Canadian-American War' has already reached a death toll of two million. Cartman's mother reaches over and switches off the radio. CARTMAN'S MOTHER Goodnight, honey. CARTMAN Mom... When is the war gonna be over? CARTMAN'S MOTHER I don't know honey. Soon we hope. You want it to end quickly, huh? CARTMAN Oh, I don't care, I was just asking cuz all my favorite TV shows have been replaced by news and it's pissing me off. CARTMAN'S MOTHER Oh. With that, Cartman's mother gets up- CARTMAN Mom... CARTMAN'S MOTHER Yes, hon? CARTMAN If you went down on a horse... You'd tell me, right? CARTMAN'S MOTHER Sure, hon. Goodnight. She switches off the light, and leaves. Cartman lies there, lit only by soft, blue moonlight and thinks. He hears a SCRAPING noise, and looks a little scared, but then tries to close his eyes to sleep. CARTMAN Go away, scary noise. Again the SCRAPING. Cartman pops open hs eyes to see - KENNY! He is transparent and floating above Cartman's bed. Cartman is horrified. Too much so to even scream. Kenny puts his hands to his mouth to try and speak, but he makes no sound. Finally, Cartman lets out a piercing cry. Cartman's mother comes running in, just as the image of Kenny disappears. CARTMAN'S MOTHER Eric?! Eric, what is it?! CARTMAN I saw him!! I saw Kenny!! Cartman's mother looks around and sees nothing. Finally, she just cradles Cartman's fat head in her arms. CARTMAN'S MOTHER Oh you poor dear. You've been through so much... CARTMAN I bet him he couldn't set himself on fire and now he's all pissed off!! (BZZTZT!) AGH! I can't say pissed off?! (BAZZTZT!!) AGH!! INT. HELL - DAY (MOVED) Kenny is again snooping around. He quietly creaks Satan's door open and walks in. Satan is in his room, looking at a map of Earth. SATAN The execution of Terrance and Phillip is imminent, soon all hell shall rise!! Kenny looks scared. SATAN (Evil and scary) Are you afraid, little one? Afraid for the souls of your pitiful friends that- Suddenly, Saddam walks in carrying some bags. SADDAM HUSSEIN Hey Satan! I got some great new home furnishings today! Satan rolls his eyes and sighs. His attempt to be evil to Kenny is squashed again. SADDAM HUSSEIN Boy buddy Rich, it was a bitch to get something to match with that bathroom tile! Saddam looks at Kenny. SADDAM HUSSEIN Oh, hey kid. Find those proofs of purchases yet? No?! Gee, whatta surprise! Well, keep lookin! A beat. Satan folds his arms and looks at the floor, pissed. SATAN Do you wanna know what I did today? Saddam lets out a sigh. SADDAM HUSSEIN What did you do today Satan? SATAN You don't care. SADDAM HUSSEIN Hey fella! Relax! This whole armageddon thing has got you all stressed out. Let's make love. SATAN Do you remember when you first got here? We used to talk all night long. Until the sun came up... We would just lie in bed and TALK. SADDAM HUSSEIN That's because I wanted to fuck you, dumbass! Now hows aboot you get those pants down! SATAN Don't call me dumb! SADDAM HUSSEIN I mean cute dumb. Now bend over! As this conversation happens, Kenny's eyes dart back and forth as if watching a tennis match. SATAN How come you always want to make love to me from behind? Is it because you want to pretend I'm somebody else? Saddam sighs. SADDAM HUSSEIN Satan, your ass is gigantic and red, who am I gonna pretend you are? Helen Reddy? A beat. SADDAM HUSSEIN Come on, kid. Help me with these shower curtains. Saddam and Kenny walk out. Leaving Satan all alone with sad music playing. SATAN (Gently) Sometimes I think When I look up real high That there's a whole world up there And just maybe it could be mine But then, I sink because it's here I'm supposed to stay but I don't even know how or why its supposed to be that way- Satan walks to his veranda. SATAN Up there, there is so much room Where babies burp and flowers bloom Everyone dreams I can dream too Up there, Up where The skies are ocean blue I could be safe and live without a care... Up there Satan walks over to a bright blue globe and spins it slowly. SATAN They say I don't belong That my place is down below Because of my beliefs I'm supposed to stay where evil is sewn But what is evil anyway? Is there reason to the rhyme? Without evil there could be no good So it must be good to be evil sometimes Up there, there is so much room Where babies burp and flowers bloom. Everyone dreams I can dream too Up there, Up where The skies are ocean blue I could be safe and life without a care... Up there PULL BACK, big crane shot rising above Satan. EXT. SMALL ABANDONED BUILDING - NIGHT A dim light is all that is visible from inside the small building. INT. LA RESISTANCE - NIGHT Stan and Kyle are painting a sign on the wall 'La Resistance'. Cartman comes running in, he looks scared. KYLE You're late, Cartman! CARTMAN I had to ride my bike here. My behind is killing me. KYLE Your behind? CARTMAN I have to say 'behind'! I get shocked if I say 'ass- (BBZZAATT) OW!!! KYLE Did you bring the pie and punch? CARTMAN No you guys... Something happened... You guys wanna hear something creepy? (Looking over each shoulder) I don't think Kenny is dead. STAN What? CARTMAN I saw him last night! KYLE I know Cartman, I know. I see Kenny every day. CARTMAN YOU DO?! KYLE Sure, dude. On the face of every child, on the smile of every baby... Kyle and Stan laugh again. CARTMAN Hey! I'm telling you this WAS Kenny! I think he's haunting me. KNOCK KNOCK KNOCK! The boys all look scared. KYLE Somebody's here... The boys walk over to the door, and open the sliding panel in front of their eyes. KYLE Who is it? VOICE Uhh... I'm here for La Resistance. KYLE What's the password? VOICE Uhh... I don't know. KYLE Guess. VOICE Uhh... Bacon. KYLE Okay. Kyle opens the door. The golden haired young boy from rehab stands there looking handsome and angelic. GREGORY Viva la Resistance. STAN Oh no, it's that kid. GREGORY This is the place-- Another kid walks up next to Gregory, it's Wendy. Stan's eyes grow wide. STAN Wendy? WENDY Stan?! YOU started La Resistance? GREGORY Well, apparently you have a bigger heart than we thought. Let us get this meeting underway, there are others coming. Gregory takes Wendy's hand and pushes his way in. Stan fumes. INT. LA RESISTANCE - LATER Now the room is filled with a bunch of scared looking RESISTANCE FOLLOWERS. All of whom are under the age of twelve. The room is lit only by candlelight. And the large 'VIVA LA RESISTANCE' banner hands on the wall. Stan and Kyle look nervous. STAN Everyone be seated, please. The kids all sit down. KYLE Wow, a lot of people showed up. STAN Yeah, so what do we say? KYLE I thought you had something planned. STAN Me?! Stan looks out over the faces. Gregory checks his watch. STAN (Nervous) Kay. Uh... Terrance and Phillip are supposed to be killed, and we think that sucks ass!! The kids don't respond. Stan shoots a nervous look at Wendy, who is sitting next to Gregory. STAN Uhh... So we think we should prank call a bunch of policemen! We can have pizzas sent to them that they didn't order! VIVA LA RESISTANCE!!! Again no response. Gregory rolls his eyes. STAN Uhh... Gregory stands up. GREGORY May I? STAN What? Gregory takes Stan's place at the front of the group. GREGORY Terrance and Phillip are currently being held at a Canadian Internment camp two kilometers outside of town. They are to be executed tomorrow during a star-studded USO show for the troops. Gregory pulls a big map out of nowhere and rolls it out. Stan and Kyle can't believe it. GREGORY We must sneak into the camp through this duct, freeing Terrance and Phillip inside... The war is escalating, and the American forces are preparing for a large scale attack on Canada. That means the time is now... KYLE Wow, dude, Wendy's new guy is smart. Stan shoots Kyle a dirty look. GREGORY This is a dangerous mission, so I'll go myself. Wendy smiles at Gregory. STAN No! Everyone looks at Stan. STAN WE'RE going! WE started La Resistance to save Terrance and Phillip! We're going! GREGORY This will be very dangerous... Are you quite sure? CARTMAN Fuck that! (BZZT) AGAGH!! STAN We're going... Let's run through the plan!! INT. SOUTH PARK - AMERICAN ARMY HEADQUARTERS A huge hall is filled with hundreds of soldiers in different battalions. We see our regulars: Mr. Garrison with a uniformed Mr. Hat, Mr. Mackey, Jimbo and Ned, Bo, Pip, Stan's Grandfather, Jesus, Officer Barbrady.... JIMBO Oh, I'm so glad there's a war again. I was gettin' worried I'd never see another one! NED I know what you mean. JIMBO And they're giving all us troops a big USO tomorrow with celebrities and executions! PAN OVER to Mr. Garrison. MR. GARRISON You look great in your new uniform Mr. Hat. MR. HAT You do too, Mr. Garrison. MR. GARRISON Boy, I can't wait for our first shore- leave so I can go get me some poontang. Chef sits down in a seat behind Garrison near the back. GENERAL PLYMKIN, a gruff old army type with bug eyes, steps up to a podium and addresses the troops. GENERAL PLYMKIN PAY ATTENTION! The crowd settles down. GENERAL PLYMKIN It's no secret that the Evil Canadian Federation has scored major victories all over the United State. We have brought you here because you ar America's best, and last hope. Another general leans over to Plymkin and whispers in his ear. GENERAL PLYMKIN Oh... Apparently you're not the best, you're simply the last. Anyway, let's strategize... Map! A large, holographic 3-D map of South Park springs up in front of him. He walks around it pointing out things with a laser-pointer. GENERAL PLYMKIN Our sources have told us that the Canadians might try to attach tomorrow's USO show and stop us from executing Terrance and Phillip. He points to a spot on the 3-D map. GENERAL PLYMKIN Now each battalion has a specific code- name and mission. Battalion 5, raise your hands- Chef is in Battalion 5 and dutifully raises his hand. Then he looks around and notices to his surprise that everybody else in his section is also African American. GENERAL PLYMKIN You will be the all-important first defense wave, which we will call 'Operation Human Shield'. CHEF Hey, wait a minute... GENERAL PLYMKIN Now keep in mind, 'Operation Human Shield' will suffer heavy losses. But don't lose your spirit men! Stay until the bitter end. Battalion 14? A bunch of white guys raise their hands. GENERAL PLYMKIN Right, you are 'Operation Get Behind The Darkies'. You will follow Battalion 5 here- He points to a spot on the 3-D map. GENERAL PLYMKIN -and try not to get killed for God's Sake. Are there any questions men? Chef raises his hand. GENERAL PLYMKIN Yes soldier? CHEF Have you ever heard of the Emancipation Proclamation? GENERAL PLYMKIN I don't listen to hip-hop. Chef scowls. GENERAL PLYMKIN If you somehow live, we will regroup on this hill outside-- Suddenly, the 3-D hologram starts to flicker and fizzle. GENERAL PLYMKIN Now what's wrong with this thing? General Plymkin messes with the controls. GENERAL PLYMKIN Fucking windows 98! General Plymkin has pulled the plug. He stands there with the cord in his hands. GENERAL PLYMKIN GET GATES IN HERE!!! BILL GATES walks in, escorted by two MILITARY GUARDS. GENERAL PLYMKIN YOU TOLD US WINDOWS 98 WOULD BE FASTER AND MORE EFFICIENT WITH BETTER ACCESS TO THE INTERNET!!! BILL GATES It is faster, over five million-- Plymkin pulls out a gun and shoots him in the head. Gates falls to the floor, dead. GENERAL PLYMKIN Alright men, get lots of rest, and prepare thyselves for battle! INT. LA RESISTANCE - NIGHT In the dead of night, the kids are all in a circle discussing the plan. GREGORY ...after you clear this zone here, rendezvous behind this ridge where Terrance and Phillip should be held. KYLE Gotcha. GREGORY You are indeed brave, but you will need someone who's done this sort of thing before. MOLE! Suddenly, a bump in the ground starts to move forward, leaving a trail behind it. (like bugs bunny before he pops out) The bump comes to a stop at the children's feet and out pops THE MOLE. He is a very bitter little nine year old French kid with a THICK French accent. VOICE Oui? GREGORY Thank you for coming, Mole. THE MOLE So... We must free more Canadian prizoners? KYLE Yeah, I guess. THE MOLE America... She iz a beetch that sheets on her own children. Stan and Kyle look at each other confused. GREGORY This is the Mole. He will accompany you to the prison where Terrance and Phillip are. He is an expert in covert operations and a lifelong fighter for freedom. THE MOLE Freedom... It's like cow's urine poured down your troat. You wonder 'Do I want this?' I'm thersty... But it's urine. Everyone stares at The Mole. GREGORY Good luck Stan, I'll make sure Wendy is... kept safe? Stan gets pissed. KYLE Give me Terrance and Phillip or give me death!!! OTHERS YEA!!! Now, Gregory breaks into song. His voice is absolutely gorgeous and deep. He puts his hand on Stan's shoulder. GREGORY God has smiled upon you this day The fate of a nation in your hands... Stan and Kyle look at each other. They can't believe how good this guy's voice is. Wendy appears enthralled. GREGORY As brothers and sisters we unite And behind you we shall fight! Until only the most righteous belief stands! The music builds. Gregory gets up on a soapbox. GREGORY Do you see the distant flames? they bellow in the night Fight in all our names For what we know is right And if you all get shot and cannot carry on Though you die, La Resistance lives on! KYLE What? Shot? Kyle and the boys look a little worried, as other kids join in the song. KIDS You might get stabbed in the head by a dagger or a sword You might be burned to death or skinned alive or worse! GREGORY But when they torture you You will not feel a need to run For though you die, La Resistance Lives on! KIDS Do you hear the beating drum? It is our hearts all joined to one It is the music of our souls knowing we have much to overcome! As THE SONG CONTINUES we- CUT TO: EXT. USO SHOW - NIGHT The MAC Mothers are on a stage, preparing two electric chairs. KYLE'S MOTHER Something must be done! Tomorrow it will be! We're going to execute this threat to our democracy! All the mothers join in as they decorate the chairs with American flags. Kenny's mother is counting money she has made from selling t-shirts. M.A.C. MOTHERS And after that our kids will be safe from all the Canadian scum! The time is now the time is here Tomorrow something will be done! The song still CONTINUES as we CUT TO: EXT. HELL - CONTINUOUS Satan stands on his veranda. SATAN I want to be part of that world! But if only I had the strength to go without HIM... If only I had the strength to leave him behind... Get on with my life in that world... Start over as part of that world... CUT TO: INT. MILITARY BARRACKS - CONTINUOUS The soldiers, including Garrison, Mackey, Ned and Jimbo are in their bunks. SOLDIERS Tomorrow we face our destiny! Tomorrow we fight to keep our country free! Death to Canada! Death to them all! Like our forefathers we shall answer the call! PAN DOWN to Chef's bunk where he is lying naked with a hot chick. As usual, Chef sings a song that has absolutely no relevance to what's going on. CHEF (Stroking woman's arm) Baby your thighs sparkle like diamonds Baby your butt is tender like the night I can see by the look in your pants that you want to treat me right. I'll whisper sweet nothings in your cleavage And you can kiss me gently with your tongue And I'll make love to you so deeply That you'll feel pressure clear up to your lungs. Meanwhile, the soldiers continue their song. SOLDIERS Something must be done! Something's gotta give! Tomorrow we will be free or we will no longer live! CUT TO: INT. MILITARY PRISON - CONTINUOUS Terrance and Phillip are chained to the wall in a dark, dirty prison cell. Two armed American soldiers are torturing Terrance and Phillip with hot irons, as Terrance and Phillip sing- TERRANCE & PHILLIP Shut your fucking face Unclefucka! You're an ass raping cock sucking Unclefucka!!! CUT TO: EXT. LA RESISTANCE - CONTINUOUS The kids are all gathered together, finishing their song. One kid grabs a large flag and starts swirling it around. KIDS Let it echo through the night! Let it reach the ears of everyone! Though we die La Resistance lives on! Though we die La Resistance lives onnnn!!!!! Ah- AHHHH!!! FADE OUT. EXT. SOUTH PARK AVENUE All the South Park men are in the rank and file marching down the street. OFFICER (Singing) I don't know but I've been told- SOLDIERS I DON'T KNOW BUT I'VE BEEN TOLD! They pass Kyle's house. INT. KYLE'S HOUSE - ATTIC Ike watches the soldiers march from his little attic window. OFFICER (O.S.) Canadian pussy is mighty cold! SOLDIERS (O.S.) CANADIAN PUSSY IS MIGHTY COLD! Ike blinks. Does he understand them? he picks up a small book and starts to write in it. INT. HELL - DAY Satan paces back and forth in hell. SATAN This is it! World War Three is at hand! The millennium nears! Satan crosses to one of his small demons. SATAN Prepare the minions for the rising of Gothos! The demon dashes off. SADDAM HUSSEIN This is so exciting! Let's fuck! Satan sighs and bows his head. SATAN This is the millennium, Saddam! This is Armageddon! There's more to life than sex! SADDAM HUSSEIN Hey, relax guy! SATAN Well I just want you to be impressed with what I do. I want you to respect my MIND. SADDAM HUSSEIN I DO respect your mind! It turns me on! It makes me wanna fuck the shit out of you! Don't you see? MUSIC BEGINS. SADDAM HUSSEIN (Singing) Hey guy, relax, put out You gotta put out for me! I'm just a man with needs And right now I need your generosity! I love your eyes, your nose and lips So drop those pants and do some dips Come on guy, you gotta relax relax, put out for me! Kenny looks confused. SATAN What if I, don't wanna put out? That's all you ever say Relax put out I'm a living creature, I have feelings too, I don't need this abuse from you- SADDAM HUSSEIN Hey, guy, relax, put out! You gotta relax, shut your mouth- Baby I'd do anything for ya! Now don't make me smack you in the eye like last time- Kenny keeps watching as Saddam throws on a Shakey's hat and does a quick softshoe. Satan rolls his eyes. SADDAM HUSSEIN I get what I want, and what I want is for youuuuu toooo put ooooout!!! Saddam finishes the song and Satanhangs his head. SATAN What if I just left? SADDAM HUSSEIN Where're you gonna go, bitch? Besides, you know that if you left me, I'd hunt you down and kill you, right? I'm gonna go grab a drink. Saddam leaves. Satan looks about to cry, but then notices Kenny still standing there. SATAN What are you doing?! Get on with your misery! KENNY Mph rmph rm rmph rm? SATAN Him? I don't know... He can be nice... sometimes. KENNY Mph rmph rm rmph rm. SATAN What do you mean?! I could leave him if I wanted to! KENNY Mph rm. Rmph rm rmph rm. Satan lowers his head. Slowly he starts to cry. Kenny walks over and pats him on the back. EXT. MILITARY COMPOUND Tents and makeshift buildings are lined up against the mountains. Jeeps and Tanks buzz to and fro. There's a huge stage which is set up with thousands of seats. There's a giant banner reading "USO SHOW TONIGHT!!!!!" Loads of soldiers file into their seats. ANNOUNCER Alright you men! The USO show is about to start!! The military men go wild. ANNOUNCER Get ready for loads of entertainment and fabulous celebrities! To be followed immediately by the swift and nasty execution of Terrance and Elroy! The crowd goes crazy again. EXT. INTERNMENT CAMP - BEHIND THE USO SHOW - DUSK Right out of Nazi Germany. Barbed wire, guards, the whole bit. ANGLE ON BOYS They are on their backs, shimmying along the ground underneath the blanket of razor-wire that is set up around the camp. The Mole uses the bolt-cutters to cut the wire as he goes, clearing a path for Stan, Kyle and Cartman. THE MOLE Be careful not to touch this wire- A wire catches on Cartman's arm and SNAPS against his face. CARTMAN OW! MOTHERFUCKER! BZZAAAAT!!! CARTMAN FUC- Stan shoves his hand over Cartman's mouth, leaving Cartman to cuss bloody murder into Stan's glove. CARTMAN MPHMPH MPHMPHMPH!!! BZAAT! CARTMAN MMMPPPHHH!!! Finally they clear the fence and lie down in view of the camp. THE MOLE It sounds like the USO show has started. We have precious little time... Kyle looks at the horrible concentration camp. KYLE Oh my God... THE MOLE God? ...Let me tell you something about God... He is ze biggest bitch of zem all. Kyle looks at The Mole, oddly. STAN How are we ever gonna find them? The Mole whips out some night vision goggles. ANGLE ON INTERMENT CAMP THROUGH NIGHT VISION GOGGLES The Mole inspects the camp. He sees a guard on a guard tower. Then he pans over to a bunch of Canadians standing in a line in rags. The Mole quickly clicks the magnification to high so we see the saddened faces of the Canadians. KYLE Do you see them? Do you see Terrance and Phillip? THE MOLE No. Zey must have zem inside. We will have to dig. KYLE That's gonna take a long time! THE MOLE Time? Did time matter to the Revolutionists who were forced to eat their own shit while dying in the dungeons of ze King? The boys think. EXT. USO SHOW - DAY Helicopters zoom over the makeshift stage like the USO show in Apocalypse Now. Groups of soldiers cheer as a helicopter approaches the landing platform and touches down. The US army men cheer. The mothers take the stage, and Kyle's mother speaks into the microphone. Behind her is a huge American flag. She is wearing an army helmet. This is right out of 'Patton'. KYLE'S MOTHER Ladies and gentlemen of the American war effort, we salute you! A big cheer goes through the crowd. Kyle's mother feels the power, and lifts her head high. She starts to pace back and forth on the stage as she speaks, becoming more and more Pattonlike. KYLE'S MOTHER Tomorrow you will be risking your lives so that our children will have a better future... God bless you men. And God bless this filth free nation. Many of you will die. Die like blood bathed pigs. So tonight, we at MAC present a NIGHT OF A HUNDRED STARS! Now without further ado, I give you... Out of the helicopter emerge a battalion of the best and brightest stars that the American show biz industry has to offer. KYLE'S MOTHER Pint size pixie and darling of the indie movie scene, Winona Ryder! She gestures grandly to the helicopter where Winona Ryder emerges and runs to center stage and waves to the audience. She looks like a strung out coke addict; because she is. WINONA RYDER Hi guys! I'm T.V.'s Winona Ryder! One guy claps. WINONA RYDER I want you all to know I'm super psyched to be here today. You guys rock. What you're doing for our country so sooo cool. It's so real. I've been acting since I was twelve and I can't distinguish between make believe and real life. Winona falls down. But gets back up immediately. WINONA RYDER And then I confuse me real life with my big-screen one. And sure, people get hurt, and I'm sorry about that but Christ, look at me. It's not my fault that I can get any guy I want. And that's reality to me. But you guys... wow. I mean, war, man. Fucking war. It doesn't get any more real-- Now, this one goes out to you. She cues the band which has been assembled from the same helicopter. Jazz music starts up. It's 'New York, New York'. The troops look confused. WINONA RYDER You know what I'm gonna do for you now, don't you? 'New York, New York' continues to play. WINONA RYDER WRONG! (Singing) The bells are ringin' For me and my gal! The birds are singin' For me and my gal!- INT. UNDERGROUND TUNNEL - BELOW THE USO SHOW The mole is digging frantically while the boys follow on all fours. Cartman holds a flashlight. CARTMAN Dude, this is seriously lame. I didn't know we were gonna get all dirty and stuff. THE MOLE Sheet! STAN What is it? THE MOLE Bedrock! I cannot dig any further in zis direction! STAN We're going to die here like baby mice who have had no milk in days. Dry up into crunchy little pinkies. The boys stare. A beat. THE MOLE Or, we can dig UP. The mole starts digging up towards the ground. EXT. INSIDE THE PRISON CAMP Mole pops his head out of the ground. Immediately, a search light passes over the hole. THE MOLE Sheet! Mole ducks, just avoiding the light. Slowly, the boys' heads appear from the hole. The whole camp is in front of them. There is a HUGE barbedwire fence on one side (the side they just dug from) A dozen armed guards with huge Dobermans patrol the grounds with Howitzers. It doesn't look good. THE MOLE Move! Move! One by one, The Mole, Stan, Kyle, and Cartman pop out of the ground, and run for a nearby building. Once at the building, they all duck to avoid the search lights. THE MOLE Okay.... The Americans must be holding Terrance and Phillip in one of those bunkers. We will split up here. Let's synchronize watches! The others look at each other. KYLE We don't have watches. A beat. THE MOLE You don't have watches? STAN Dude, you didn't say anything about watches. THE MOLE What do you think this is kid? Lick Barney the Dinosaur's pussy fucking kiddie hour? Huh? This is real life with consequences you take to the grave! KYLE Dude, we don't have watches. THE MOLE Sheet. Did you bring ze mirror? STAN Got it. THE MOLE And ze rope? STAN Check. THE MOLE And the butfor? KYLE What's a butfor? THE MOLE For pooping, silly. A beat... Then mole takes a long drag off his cigarette and slowly blows the smoke. THE MOLE Now listen carefully. Stan and Kyle, you stand watch here and await my return. If any guards come by, make a sound like a dying giraffe. KYLE What's a dying giraffe sound like? THE MOLE (Putting his hands to his mouth) Gwpaapa. Gwpaapa. KYLE Kay. The Mole turns to Cartman. THE MOLE Cartman, over zere, is the electrical box. You must sneak over zere and shut it off before I return with Terrance and Phillip or the alarms will sound and I will be shot full of holes. Got it? CARTMAN Okay. THE MOLE You MUST shut off the power, this is VERY IMPORTANT do you understa- CARTMAN I HEARD YOU THE FIRST TIME! I'M NOT LOU FERIGNO FOR PETE'S SAKE! Cartman storms off. THE MOLE I will tunnel my way into ze buildings, and find ze prisoners. The Mole starts to dig. KYLE Be careful, dude. THE MOLE Careful? Was my mother careful when she stabbed me in the heart with a clothes hanger while I was still in ze womb? And with that, The Mole quickly starts to tunnel his way underground. STAN Damn, dude, that kid is fucked up. EXT. STAGE - NIGHT Back on stage at the USO show. Winona Ryder is just finishing up her song. WINONA RYDER (Singing) ....It's a hell of a TOWN! And that's my New York Melodyyyyyy!!!! The band finishes with a flourish. Winona takes a bow. One person in the entire audience claps. KYLE'S MOTHER Let's hear it again for the one and only Winona Ryder!!! The same guy claps again. ONE CLAPPING GUY We love you, Winona! Everybody else in the audience just stares at him. KYLE'S MOTHER Next up we have a special treat... Please welcome, direct from Vegas- BIG GAY AL'S BIG GAY EXPERIENCE!!! The place goes wild as Big Gay Al walks out on stage. Winona fumes in the wings. RANDOM SOLDIER This guy is the coolest! RANDOM SOLDIER 2 Totally man! The back curtain goes up to reveal a tropical jungle set complete with a waterfall, hippos, monkeys and hundreds of colorfully dressed dancers. BIG GAY AL How we all feeling tonight?! Between the cheering, we hear a throng of "Happy!". Now the place is rocking!! Everybody loves Big Gay Al! Winona can't believe it. BIG GAY AL I can't hear you... CROWD Happy!!! BIG GAY AL Friends, you know why I'm here... I'm here to teach TOLERANCE!! The crowd cheers. BIG GAY AL I'm here to say that we're all PEOPLE under God, and we should embrace, and accept our differences!! The crowd cheers louder. BIG GAY AL And that means we should LOVE CANADIANS TOO!! The entire place goes incredibly quiet. You can hear a pin drop. Silence... Deafening silence... BIG GAY AL JUST KIDDING!! FUCK 'EM!!! Slow music swells in. Big Gay Al saunters around the stage and starts to sing. BIG GAY AL (Singing) Bombs are flying People are dying Children are crying Politicians are lying too Cancer is killing Texaco is spilling The whole world's gone to hell But how are you? Suddenly, Big Gay Al is wearing a big feathery outfit and all his dancers dash to his side. BIG GAY AL I'm super! Thanks for asking! All things considered I'm doing super I must say! Very peachee Nothing bugs me 'Cause everything is super when you're -don't you think I look cute in this hat? The crowd is absolutely confused. BIG GAY AL I'm so sorry, Mr. Cripple But I just can't feel bad for you right now Because I'm feeling so insanely super That even seeing you in that chair can't bring me down! EXT. INTERNMENT CAMP - ANOTHER AREA Cartman is by himself, slowly moving from building to building. He is scared out of his mind. CARTMAN (Imitating the Mole) Shut of ze Power, Cartman. Zis is very important, Cartman... Stupid British piece of shi- (BAZZT!) OW! He approaches the electrical box. Just as he's about to open it, two armed AMERICAN SOLDIERS round the corner. Cartman gets scared and hides in the shadows. The soldiers continue walking... AMERICAN SOLDIER Dude, if I was gay, I'd be just like Big Gay AL! AMERICAN SOLDIER 2 Me too!! ...And pass a terrified Cartman. EXT. INTERNMENT CAMP - STAN AND KYLE'S AREA The boys are waiting, bored, for The Mole to return. KYLE I don't think he's coming back, dude. Just then, we hear The Mole return from his hole. He is carrying the ticket guy from the movie theater. TICKET GUY Oh thank you! Thank you for getting me out of there!! They locked me up for selling movie tickets to minors! THE MOLE Is this one of zem? KYLE No! That's not Terrance or Phillip! THE MOLE Oh... Alright, back you go. The Mole takes the Ticket Guy back through the hole. TICKET GUY No! Please! I don't want to go back!! The boys sit back down and wait again. EXT. USO SHOW/STAGE - CONTINUOUS Meanwhile, Big Gay Al's song continues- BIG GAY AL I'm super! Thanks for asking! All things considered I'm doing better than okay! Feeling peaches nothing bugs me Everything is super when you're -don't you think I look cute in this hat and my little shoes and this matching tie that I got at Merv's? The chorus guys all pick Big Gay Al up and dance around with him on stage. CHORUS He's super! Thanks for asking! All things considered he is better than okay! And it's peachee, nothing bugs him Everything is super when you're- Let's fight fight fight against Canada today!!!!!! The song ends and everyone erupts into applause. INT. HELL - DAY Satan is looking into a large, oracle-like ball. Saddam isn't around, but a few demons and Kenny are hanging out. SATAN The execution is going to happen any moment... We must prepare. The demons make excited noises. KENNY Mph rmph rm! SATAN Get everyone in hell ready. When the blood of Terrance and Phillip spills, the day is ours! Two of the demons head for Satan's room. SATAN No! Not Saddam. Don't wake him... Uh... I'll tell him... Satan walks to the bedroom. EXT. INTERNMENT CAMP - ELECTRICAL BOX AREA Cartman approaches the electrical box nervously -- looking all around for soldiers. He opens the door to the electrical box and sees a large switch labeled ON and OFF. He reaches to turn off the switch when he feels a tap on his shoulder. Cartman jumps. CARTMAN Agh!!! Then turns and karate-chops in one spastic flurry to see - KENNY!! CARTMAN Son of a gun! HECK! Kenny's ghost is again floating in front of Cartman. Kenny again struggles to speak. CARTMAN GO AWAY, KENNY! IT'S NOT MY GOSH DARN FAULT! KENNY Mph rmprmmh rm!! CARTMAN I don't have proofs of purchases from Snacky Smores, Kenny! KENNY MPH RMPH RMPH RMPH RM!!! CARTMAN AGAGAH!! Cartman runs off, leaving the power completely on. INT. KYLE'S HOUSE - ATTIC - NIGHT Ike is still just sitting quietly in the dark attic. Suddenly, the attic door bursts open! AMERICAN SOLDIER Found one! Other soldiers file into the attic and grab Ike by the arms. AMERICAN SOLDIER Yep, that's a Canadian alright. IKE Sibi mammama. The American Soldier picks up Ike. AMERICAN SOLDIER So, thought you could hide from us, did you?! Take him away! The soldiers drag Ike down the stairs. AMERICAN SOLDIER 2 Sir, look at this! (Holding up a book) He was writing some kind of diary... AMERICAN SOLDIER Diary? What does it say? AMERICAN SOLDIER 2 (Reading) Cookie monster. Banana. Sweeping, moving MUSIC STING. EXT. INTERNMENT CAMP - STAN AND KYLE'S AREA Kyle is patiently awaiting Mole's return. KYLE Damn it! Come on, Mole we're running out of time! Kyle spins around when he hears someone coming. But it's only Cartman. He's panting heavily. CARTMAN You guys! Seriously! You guys! KYLE What Cartman?! CARTMAN Kenny! I saw Kenny again! STAN Oh, brother. KYLE Did you shut the alarm off, Cartman? Cartman stops breathing heavily and thinks. KYLE Cartman?! CARTMAN Whoops. Just then, all the alarms in the place go off. KYLE Oh shit! From the distance, the boys hear gunshots. Suddenly, the Mole pops out of the hole. The boys see that The Mole has been shot up badly. THE MOLE Ze alarms! Zey went off! CARTMAN Yeah... That was my bad, sorry. As SHOUTS and RUNNING FOOTSTEPS draw closer, The Mole lays down and begins to die in Kyle's arms. THE MOLE Please... Do not let ze resistance die... Gentle MUSIC begins. THE MOLE Now the light, she fades And darkness closes in But I will find strength I will find pride within Because although I die Our freedom will be won Though I die Ze Resistance Lives on... The Music fades away, as the Mole coughs up some blood. THE MOLE It's so very cold... KYLE We can't leave without you! THE MOLE It's okay, I am done for. KYLE No, I mean WE CAN'T LEAVE WITHOUT YOU - we don't know where the hell we are!! The Mole coughs up more blood. THE MOLE Where is your God when you need him? Where is your beautiful, merciful faggot now? The Mole dies. KYLE SHIT! VOICE FREEZE!! The boys look up to see three large MARINES pointing guns at them. Stan makes a run for it. He dashes off at full speed. KYLE Run, Stan!! One of the soldiers fires at him. PWANG! PWANG! But Stan disappears into the night. PENTAGON GUY Forget him! The night will swallow him up. MARINE You are under arrest! Cuff 'em! KYLE What? PENTAGON So THIS must be the resistance the pentagon has been tracking! CARTMAN Oh, son of a bitch... EXT. USO SHOW - NIGHT Kyle's mother, and the other mothers of MAC, take the stage again. KYLE'S MOTHER And now, for our big finale, the MOMENT YOU HAVE ALL BEEN WAITING FOR!!! Terrance and Phillip are wheeled out onto the stage. TERRANCE Oh, Phillip. This cannot be good. PHILLIP I know, Terrance. This is quite the shitstorm we've found ourselves in this time. From the other side, Kyle's mom appears with a couple of official looking military people. The crowd cheers. KYLE'S MOM It is my pleasure to present to you, THE EXECUTION OF TERRANCE AND PHILLIP!!! The crowd cheers. KYLE'S MOM Strap them in! Terrance and Phillip are then greeted by the EXECUTIONER, donned in a black hood. The scary giant Executioner grabs Terrance and Phillip and puts them into electric chairs. KYLE'S MOM Today is a great day for democracy! The crowd cheers. The Executioner steps up to the throw switch. TERRANCE Phillip, this is worse than that trip to Quebec City when I fell asleep in that disco. PHILLIP I know, Terrance. I know. EXT. SOMEWHERE IN SOUTH PARK - NIGHT LONG SHOT of a desolate, dark area. It has started to rain. Stan trudges through the wilderness looking tired and scared. STAN Hello? Where the hell am I? Is anybody here? A few wolf HOWLS sound in the distance. Stan walks on. STAN MARCO!!! No answer. STAN MARCO!!! No answer. Stan stumbles a bit. STAN Dude, weak... Can't go on... Dizzy... Stan falls to the ground. His face plops in the rainy mud and his head smacks against a rock. Stan is out cold. Just then, a strange sound emerges. It is like a pulsating WOBBLE. Stan slowly awakes, picks up his head and shines his flashlight around. STAN What is that? The sound gets louder. Stan shines his flashlight on something that is huge and throbbing. STAN OH MY GOD!!! EXT. STAGE - NIGHT Kyle's mother approaches Terrance and Phillip. KYLE'S MOM Gentlemen, do you have any last words? PHILLIP Last words? Let's see... How aboot "GET ME THE FUCK OUT OF THIS CHAIR". How's that for last words? Kyle's mom nods to the Executioner. GENERAL PLYMKIN WAIT!! General Plymkin walks out next to Kyle's mother. GENERAL PLYMKIN We have just captured some Canadian Sympathizers! The crowd cheers. Kyle's mother smiles. KYLE'S MOTHER We will execute them along with Terrance and Phillip for your viewing pleasure! Another cheer. The mothers are all very pleased. That is, until they see Kyle and Cartman brought out to the stage at gunpoint. KYLE'S MOTHER Kyle?! CARTMAN'S MOTHER Eric? KYLE Hi, ma. GENERAL PLYMKIN We also have a Canadian SPY who was hiding out in South Park!! Now Ike is brought out at gunpoint. KYLE'S MOTHER Ike?! Kyle's mother rushes over to General Plymkin. KYLE'S MOTHER General... These are OUR CHILDREN! GENERAL PLYMKIN They are Canadian sympathizers and they must be dealt with accordingly! STAN'S MOTHER But they're CHILDREN! Cartman walks over to where Terrance and Phillip are strapped into their chairs. CARTMAN Dude! Terrance and Phillip! Wow! Can I get your autographs?! TERRANCE Sure, tubby, just as soon as we're killed. KENNY'S MOTHER We can't kill these kids! GENERAL PLYMKIN Listen mothers, YOU'RE the ones that started all this. Don't get all emotional NOW! STAN'S MOTHER But we're doing all this to help our children's futures! CARTMAN'S MOTHER Yes, I think shooting our children would adversely affect their futures. KYLE'S MOTHER No... The General is right. KYLE MOM!!! KYLE'S MOTHER Boobie... This is the only way you're ever going to learn. I have an opportunity here to teach you about consequences. STAN'S MOTHER Sheila, you're going to far! Those are YOUR children! KYLE'S MOTHER YES! AND I WILL NOT ALLOW MY CHILDREN TO BE RUINED BY SMUT!! (To Kyle) I am sorry young man, but I have had it up to here! STRAP THEM IN! She walks away. KYLE YOU GOTTA BE FUCKING KIDDING ME!! KYLE'S MOTHER KYLE BROVLOFSKI, YOU WATCH YOUR LANGUAGE!! EXT. IN THE MIDDLE OF NOWHERE - NIGHT Stan is still lying in mud, but now he lies before a HUGE, pulsating, organic looking thing that belongs in the X-Files. It's the size of a small building. The massive thing starts to glow. Stan looks weak and afraid. BIG THING Be not afraid... Stan trembles. STAN (Weakly) What... BIG THING Behold my glory. STAN What... are you? BIG THING I am the clitoris. Stan's eyes grow wide. MUSIC starts to swell up. STAN The clitoris?! I DID IT!! I FOUND THE CLITORIS!! BIG THING Stan, your friends need you. They are in trouble and you must help them. STAN Wait, you're supposed to tell me how to get Wendy to like me. BIG THING There are more important matters right now... STAN NO WAY, DUDE! I'VE LOOKED ALL OVER FOR YOU, AND NOW YOU HAVE TO TELL ME HOW TO GET WENDY TO LIKE ME!! BIG THING Dude, she's eight years old, just get her some ice cream or something. STAN Of COURSE!! Ice cream!! BIG THING Now go, your friends are in danger... The USO show is a mile east of here, just over that ridge. The clitoris has spoken. The clitoris fades, and just as it does, all the kids of La Resistance come running into frame. Wendy and Gregory are with them as well. WENDY Stan! Stan are you okay?! STAN Wendy? GREGORY I see you failed in your mission. Terrance and Phillip must be dead by now. Wendy bends down to pick up Stan. WENDY Come on Stan, we have to hurry. The Canadian forces are about to attack!! Wendy pulls Stan up off the ground and slings his arm around her. EXT. USO SHOW - NIGHT A drummer plays as the execution begins. GENERAL PLYMKIN We begin with Terrance and Phillip!!! Throw the switch!!! The executioner throws the switch and Terrance and Phillip start to fry. Kyle, Cartman and Ike, in their chairs, look horrified. KYLE'S MOTHER Goodbye, bastards! Near death, Terrance cranks out a weak fart. Terrance and Phillip both laugh weakly but merrily. TERRANCE Take that, bitch. As Terrance and Phillip fry, they scream out: PHILLIP/TERRANCE FREEEEEEDOMMMMM!!! Suddenly, FWWOOOMMM!!! A Bomb lands in the middle of the army. BLAM!! It explodes with incredible force, sending dead bodies in all directions. Canadian military planes zoom overhead! It's a full scale attack!! From a HIGH ANGLE we see the soldiers all scatter like bugs in every direction. MR. GARRISON THE CANADIANS ARE ATTACKING!! RUN FOR YOUR LIVES!! FWWOOMM!!! BLAMM!! Another explosion! Everybody just starts screaming and shooting in every direction. Total and complete mayhem. One explosion knocks out the electricity, and Terrance and Phillip stop drying. The electricity runs along a wire, across the stage, and right up Cartman's leg. Cartman starts frying horribly. KYLE CARTMAN! CARTMAN (Frying) WAGAGAHGHGH!! YOU GUYS!!! SERIOUSLY!!! PHILLIP What's going on Terrance? TERRANCE Canada is saving us!! Finally, Cartman is blown clear of the electricity. Kyle picks him up and starts to run along with Ike. INT. HELL - SATAN'S BEDROOM Satan opens the door to find Saddam sleeping happily in his cozy bed. He is only wearing little black g-string panties. SATAN (Whispering) Have you finished? Now we see that Kenny is standing at the foot of the bed. He holds a gasoline can, and has just finished pouring the last drops underneath the bed. KENNY Mph mph. SATAN Then move out of the way. Kenny walks over next to Satan. Satan pulls out a book of matches. SATAN I must be strong... I must be strong... Satan tries to light the match. It won't light. SATAN Damn it... Finally, the match lights. Satan holds it up- SATAN Goodbye, Saddam... -and throws it onto the bed. SATAN Come on! Saddam burns to a crisp and Satan and Kenny run out. EXT. USO SHOW - DAY People run screaming in all directions as a full scale attack has broken out. Gunfire, explosions and dead bodies fly all around. JIMBO Ned! Behind you! Ned whips around and mows down a line of Canadians. But one Canadian makes it through, and sticks his bayonet through Ned's neck. Blood gushes from Ned's neck as he collapses. JIMBO NED!!! NOOOOOOO!!!!! FWWOOM!! BLAMMM!!! The boys runs as fast as they can amidst the explosions. CARTMAN HOLY SHIT! (Zap) AGHAGHGAH!! Now when the V-chip shocks Cartman, we can actually see the blue current swirl around his body. CARTMAN HEY! THIS V-CHIP IS GETTING ALL SCREWY!! General Plymkin has followed his men into the trench, where explosions and gunfire fly all around. He pulls out a walkie talkie as his men die all around him. GENERAL PLYMKIN ALRIGHT MEN!!! FALL INTO FORMATION! "HUMAN SHIELD" UP FRONT THEN "OPERATION GET BEHIND THE DARKIES"!!! They all fall in. A phalanx of black men, Chef included in them, walk out in front of a bunch of white guys. GENERAL PLYMKIN REMEMBER, HUMAN SHIELD! PROTECT OUR TANKS AND PLANES, TOO! Just then, over a ridge in front of them, a line of Canadian tanks appears. The tanks are lined up 3 deep. Behind them is a line of missile launchers. General Plymkin's jaw drops. GENERAL PLYMKIN Holy Mother of Johosephat... The black guys all look at each other nervously. EXT. BATTLEFIELD The boys run through the chaos. Body parts and scrapnel fly here and there. A bloody soldier suddenly stumbles and falls in front of the boys holding a massive head wound. KYLE Hey! It's Mr. Garrison!! Garrison lies on the ground, coughing up blood. MR. GARRISON Children... Take Mr. Hat... Please... Get him out of here... Garrison takes Mr. Hat off his hand and gives it to Cartman. Just then, Garrison goes limp. Cartman looks at the Mr. Hat in his hand and scowls. The boys run from the battle. They pass the American troops, where all the black guys are standing in a human shield around the white guys. CHEF Alright, squad... JUST LIKE I TOLD YOU... ONE!! The Canadian tanks take aim. CHEF TWO! The Canadian tanks fire. CHEF THREE!! All the black guys suddenly jump out of the way, leaving the whites completely exposed. GENERAL PLYMKIN What the- The tank fire hits the army, blowing all the white soldiers to smithereens, including Ned and Jimbo. BLACK SOLDIER GREAT PLAN, CHEF! CHEF Operation Human Shield my ASS! EXT. SOUTH PARK - DAY From an EXTREME WIDE SHOT, we see all the forces on both sides exchange firepower. The Canadian National anthem can be heard in the distance. We see Mr. Mackey looking like a natural born killer. He shoots like a maniac into the Canadians. He wounds one and then marches over to the wriggling body with a knife. MR. MACKEY Die Canadian, mmkay?! And he drives the knife into the Canadian's chest. But then, suddenly, another Canadian Soldier appears out of nowhere, and blows a hole through Mackey's chest. MR. MACKEY Mkay- Mackey falls to the ground, dead. Just then Big Gay Al runs through the frame, we FOLLOW him as he skips his way around gunfire. BIG GAY AL Ooh! Goodness those bullets are going FAST!!! Another bullet zings by his head. BIG GAY AL Jumping Jesus, this is insane!! THUMP! A bullet hits Big Gay Al square in the head. More bullets follow, tearing him to shreds. WIDE ANGLE ON - ENTIRE BATTLE This shot parodies one of the big shots from 'Saving Private Ryan'. Just complete overkill. Explosions, helicopters, gunfire and death. Kyle's mother, and the other mothers as well, stand on a ridge overlooking the horrific massacre. STAN'S MOTHER My God... This is terrible... Kyle's mother holds out her M-16. She is now completely insane. KYLE'S MOTHER This is what we wanted! We wanted our children to be brought up in a smut-free environment!!! KENNY'S MOTHER But we didn't want THIS. I just followed you 'cause I made a shitload of money selling Kenny t-shirts! STAN'S MOTHER Oh Lord, what have we done...? KYLE'S MOTHER Wake up, people! We all have to do things that aren't pretty sometimes! It's the not pretty things that make life worth fighting the not pretty things for! Why do you think children have to be born in hospitals? The other mothers look very confused. KYLE'S MOTHER Why does it matter?! My plan is a perfect plan!! Perfect! Perfect! Perfect!!!!! The other mothers walk away. KYLE'S MOTHER WHERE ARE YOU GOING?! We need to stop the not pretty things from letting our children be born in hospitals! STAN'S MOTHER We're going to find our boys! For God's sake Sheila, you almost had them killed!! Kyle's mother turns back to the battle. More killing and explosions. KYLE'S MOTHER Killed. They should only be so lucky. Kyle wasn't even BORN in a hospital! She charges the field. EXT. BATTLEFIELD - CONTINUOUS Terrance and Phillip are dodging gunfire and super loud explosions. PHILLIP Did you hear that, Terrance? I farted! TERRANCE You did? Just now? They laugh merrily. PHILLIP Come on, we can take shelter in one of those buildings! But just then, Kyle's mother comes charging in with her gun!! KYLE'S MOTHER AAAGHGAHGHGH!!! YOU DESTROYED MY FAMILY!!!!!!!!!! Phillip spins around just in time to see Kyle's mother plunge her bayonet into Terrance's abdomen. TERRANCE AGH! PHILLIP Terrance! NO! KYLE'S MOTHER DIE!!!!!! SLOW MOTION SHOT - Blood from Terrance's abdomen slowly spills from his stomach. Everything gets SILENT as we follow the blood down, down, down... Until it hits the ground with a huge, echoing BWOOOMMMM!!! CLOSE UP on Kyle's mother's eyes. CLOSE UP on the spot of blood on the ground... BACK TO REAL TIME Suddenly, the ground starts to open up! FWOOM!! Great flames and ash take over the sky. Satan and his minions explode from below. Everyone stops fighting for a moment, to watch this amazing spectacle. SATAN RAAGHGH!!!! MY TIME HAS COME!!! Demons and flames emerge from the ground. All the soldiers on both sides can't believe what they're seeing. Now out of the giant abyss comes Kenny. He dusts himself off and looks around. EXT. TRENCH - NIGHT As more bombs and gunshots go off. Kyle, Cartman and Ike huddle close to each other in a trench. CARTMAN Kyle... All those times I said you were a big dumb Jew... I didn't mean it. You're not a Jew. Kyle thinks. KYLE Yes I am! IKE Baba mama! Another explosion rocks the trench. Dirt flies all over the boys' heads. CARTMAN AGH! (Noticing Mr. Hat in his hand) What the hell am I still holding this for?! Cartman tosses Mr. Hat out of the trench. We hear GUNSHOTS and then VERY FAINTLY we hear Garrison's voice. MR. GARRISON Mr. Hat! Noooooo! Suddenly, Stan jumps down into the trench. KYLE Stan! STAN Dude, I found the clitoris! I think I can get Wendy to like me now! KYLE Sweet. CARTMAN (Sarcastic) Oh, that's swell, Stan. I guess all's well that ends well, huh? We can go home now. There's just one little thing left to tie up... WORLD WAR THREE!!! More explosions go off. Dead bodies fly all around the boys. Suddenly, Kenny appears before the boys. CARTMAN/KYLE AGAGAH!!! CARTMAN It's him! I told you!! Kenny's come to take us to the netherworld! KENNY Mph rmph rmph rmph?! KYLE Wait! He's not haunting us, he's trying to tell us something! KENNY Mph rmph rm rmph rm! CARTMAN Okay! We can get you some proofs of purchases for Snacky Smores Kenny! Just mellow the heck out! EXT. SOMEWHERE IN SOUTH PARK - NIGHT More battle. People are dying left and right. The Doctor from the Hospital scene runs in with an M-16. A Canadian steps in front of him, the doctor shoots, and blows the Canadian's head clean off. DOCTOR GAUCHE Hey, pal, don't lose your head. Suddenly, the ticket guy's chest rips open. He falls dead, and standing behind him is a Canadian with a double barreled shotgun. CANADIAN SOLDIER I'm glad you got that off your chest. Tom the Rhinoplasty surgeon leaps in and stabs the Canadian through the head with his bayonet. TOM I guess he got the point. A Canadian rushes in and machine guns Tom full of holes. CANADIAN SOLDIER 2 Plastics are a cheap and efficient insulator for electrical applications. Just as the fighting escalates, Satan and his minions rush in. SATAN Yes! Good! Fight and kill one another! The soldiers all look scared and puzzled. SATAN You're all part of Satan's army now! KYLE'S MOTHER What the hell is going on?! Satan gets in Kyle's mother's face. SATAN I am the dark master! KYLE'S MOTHER Oh no you don't! This is MY fight!! I don't need your help, Alan Dershwitz! SATAN SILENCE! I AM SATAN! KYLE'S MOTHER Oh. SATAN YOU HAVE SPILLED THE BLOOD OF THE INNOCENTS. NOW THE WORLD BELONGS TO ME... NOW BEGINS TWO MILLION YEARS OF DARKNESS!! AND ALL THANKS TO YOU!!! Kyle's mother backs down, ashamed. CHEF Oh, good job, Mrs. Broflofski, thanks a lot. KYLE'S MOTHER I... I was just trying to make the world a better place for children... SATAN Yes... And in doing so, you brought enough anger and intolerance to the world to allow my coming. KYLE'S MOTHER And I thought my mother was the master of guilt. Geez Louise. SATAN SILENCE!!! NOW!!! EVERYONE BOW DOWN TO ME!!! KYLE'S MOTHER Oh God... What have I done... One by one, the soldiers start to kneel. Satan throws his arms up in the air and laughs a horrible, deep laugh that fills the world. But just then, the ground shakes again. Satan looks over to the huge abyss he had crawled out of and notices another figure. He is burnt horribly, but it is Saddam. He holds a martini glass in his hand. SADDAM HUSSEIN Hey, I'm missing the party! SATAN No! It can't be! Saddam, burnt to a crisp, walks over to Satan and grabs his ass. SADDAM HUSSEIN Did you miss me, buttercup? (Yelling out) All right, gang! I am your new ruler now! Everyone bow down to ME!! Satan puts his head down. KYLE HOLD EVERYTHING!!! Kyle walks up with Cartman, Stan and Kenny. SADDAM HUSSEIN Oh, it's the bratty kid from hell. KYLE You made a deal with Kenny that if he got ten proofs of purchases from Snacky Smores you'd grant him any wish. SADDAM HUSSEIN And? Kenny pulls out the proofs of purchases. TRIUMPHANT MUSIC plays. SATAN I TOLD you not to make that deal, Saddam! SADDAM HUSSEIN Who gives a fuck?! I was just fucking with him! KYLE What? SADDAM HUSSEIN The deal's off, go away, guy. SATAN No, Saddam. You made a deal. You can't just renege on a deal. That's lying. SADDAM HUSSEIN Relax bitch! You're better seen, not hear okay? Saddam smacks Satan in the face. Now Satan looks mad, but he sits down like a good little bitch. SADDAM HUSSEIN Now, let's start torturing people, shall we? We'll start with... (Looks at Cartman) THIS little fat kid first!! CARTMAN AY! Don't call me fat, buttfucker- ZAP!! A huge CHARGE shoots from Cartman, knocking one of hell's demons on his ass. STAN Holy shit Cartman! What was that?! CARTMAN How the fuck should I know!! ZAP!!! Another huge CHARGE emits from the v-chip inside Cartman and sends the other Swedish Soldier reeling. KYLE Look at that! CHEF It's that v-chip thing that's inside you, Eric! The polarity must have been reversed by the electric chair! TERRANCE Oh boy! A smile comes across Cartman's face. CARTMAN BUTTFUCKING SHIT! BZZZZZZZZT! A huge charge busts the chains that hold Cartman's wrists. He jumps down. CARTMAN Yes! TRIUMPHANT MUSIC plays as Cartman uses his newly found power. SADDAM HUSSEIN Quick, Satan! Do something! But before Satan can do anything, Cartman holds up his hands and lets loose. CARTMAN FUCK A HUNK A SHIT, YOU RAT FUCK!!! BZZZZZZZZZAAT!!!! A charge hits Satan square between the eyes and knocks him down. He gets to his knees and stands up again. SADDAM HUSSEIN Hey, you need to watch your mouth, brat! CARTMAN Try this on for size- Cartman holds up his hands. CARTMAN DRIPPING VAGINA EATING SON OF A PIGFUCKING CRACK WHORE!!! HAIRY COCK SLURPING MAGGOT FUUUUUCK!!!! BZZZAAAAT!! The charge hits Saddam in the chest. He drops again. Saddam looks around and is suddenly scared. He appeals to Cartman. SADDAM HUSSEIN Hey buddy! No need to stress! Let me make you a deal! How about a lifetime supply of Snacky Smores and we just forget about this whole thing?! KYLE Don't listen to him, Cartman! KENNY Mrphmmmph!!! CARTMAN (giving in) Okay. (then) Not. Cartman closes his eyes and hums like he's summoning up the worst words in the world. Then, it comes out. Like a volcano. CARTMAN SUCK THE HOT SHIT FROM MY GURGLING ASS YOU BLOOD DRENCHED FROZEN TAMPON ON A STIIIIIIIIIIICK!!!!!!!!!!!!! BZZZZZZZZZZZZZZZATTTTTTTTT!!!!! A huge purple jolt emerges from each of Cartman's hands and joins into one powerful current that hits Saddam. Saddam is thrown back against the wall. SADDAM HUSSEIN (To Satan) What are you waiting for, bitch?! Destroy him!! Satan looks at Cartman, then at Saddam, and thinks... SADDAM HUSSEIN Come on you weak, stupid cum bucket! Save me!! Satan stands there. SATAN Help you? You've destroyed my life and now you want me to help you?! You're always making me feel like a piece of shit. SADDAM HUSSEIN Come on guy, you know I only rib you because I love you so much! SATAN If you love somebody then you treat them with respect! You've never respected me! SADDAM HUSSEIN Can we talk about this later? Everyone is watching! SATAN I don't care! I want to talk about it now! Saddam grabs Satan by the arm. SATAN Ow, you're hurting me! SADDAM HUSSEIN Listen guy, you're embarassing me in front of my friends! You know how I get mad when I get embarassed. Satan starts getting really mad. Steam starts coming from his nostrils. SADDAM HUSSEIN Your little problems can wait til later, see? Steam starts coming out of Satan's nostrils. SADDAM HUSSEIN Now do what I say and keep your fucking mouth shut! SATAN THAT'S IT! I HAVE HAD ENOUGH!!!! Satan picks up Saddam, and throws him over a huge, flaming cliff, back into the depths of hell. SADDAM HUSSEIN NOOOOOOOOOOOOoooooooooo!!!!! Heeeeyyyy guyyyyy, relaaaaaxx..... CHEF Saddam Hussein is dead! STAN AND KYLE Hooray!!! Everyone cheers. PHILLIP You're quite a purveyor of filth, little boy! TERRANCE Indeedy, that was a delicious choice of words! CARTMAN Well, I learned it all from you guys. PHILLIP Of course you did, cock fuck! They all laugh merrily. Satan stands over the cliff, looking down at where Saddam fell. SATAN He spent so much time convincing me I was weak and stupid that I believed it myself. The boys look at each other, confused. SATAN Saddam didn't respect me. All he wanted was sex. But it took me so long to figure that out. He starts to cry. Chef hands him a hanky. CHEF Here you go Satan- SATAN Thank you. Give me the proofs of purchases. Kenny hands them to Satan. SATAN Okay Kenny, I will keep the bargain. Any wish you want is yours. TRACK IN slowly on Kenny. MUSIC BUILDS. Finally, Kenny speaks. KENNY Mph rmph rmpg rmph mm. Everyone GASPS!! KYLE WHAT? STAN Are you sure, Kenny? SATAN What did he say? STAN He said that his wish is for everyone who died in the war to come back. CHEF Kenny, you realize this wish is the only chance for YOU not to be dead... KENNY M mprh. Mph rmph rm rmph rm rmphm rmphm. Mm rmphm rmphm rhmphm. Triumphant music plays, as if Kenny is giving a grand, important speech. SATAN Very well, then. I will put an end to the war as your wish and make everything as it was before the war started. But you Kenny, must remain dead. KENNY Mph rm. Satan turns to the open abyss. SATAN I must admit, I'm kind of relieved. It's too fucking cold up here. STAN Aren't there cold parts of hell? SATAN Yeah, but it's a real dry cold. Here it's the humidity that gets me. I guess I'm destined to live in hell... alone... Sadly, Satan walks back down the trench into hell. But something catches his eye. SATAN Hello... What's this? Satan bends down and picks up Mr. Hat. He looks at it, and then places it gently on his hand. SATAN Hi there, little guy... Would you like to go to hell with me? SATAN (AS MR. HAT) Sure. I bet we can be best friends! Satan smiles. And walks down to hell with Mr. Hat. The boys walks over to Kenny. KYLE Thank you, Kenny. STAN Yeah, thanks for going back to hell for us. You're a real pal. A bright red light flashes and Satan and his minions are dragged back down into hell. Kenny is taken along with them. At the same time, Garrison, Jimbo, Mackey and all the others who died, suddenly and magically appear. They look at themselves, wondering what just happened. Everyone just stands around in a daze. Canadians and Americans alike look at each other and wonder what to do. MR. GARRISON I... I'm alive... Where's Mr. Hat? BIG GAY AL Wow... We were all killed and now we're fine. That's super! KYLE Whew, I'm sure glad that's over. STAN Yeah, but you know, I learned something today. I learned that getting all worked up over fuck and shit and cockmaster is just stupid... You all focused so hard on erasing profanity that you forgot the most important thing... To love each other. CARTMAN Yeah! You're all a bunch of stupid sons a bitches! The boys' parents walk up. STAN Mom, I'm a man. Just a man. And I'm going to have fun with profanity just like you and dad did when you were little. KYLE Yeah, so what if you say uncle raper or dicksucker or, or- KYLE'S MOTHER Shiteater- STAN'S MOTHER -Or monkey fucker- They all laugh merrily at their naughtiness. Wendy walks up to Stan. WENDY I'm sorry Stan, I guess you really DO get it after all! Stan smiles. MUSIC swells. STAN Wendy... How would you like to go get some ice cream? WENDY Sure, Stan! How did you know I loved ice cream? STAN My friend the clitoris told me. WENDY Wow, I have a clitoris too. STAN Really? Where the hell do you keep it? It's huge. Wendy grabs Stan and plants a big kiss on him. Stan vomits into Wendy's mouth. STAN But Wendy... What about Gregory? Gregory stands off to one side, scowling. WENDY Stan, I never cared for Gregory. STAN You didn't? WENDY No, dude. Fuck him. Fuck him in the ear. STAN Cool! WENDY (Singing) Thank my lucky stars Here before me now Is everything I'd ever hoped for- STAN Knew it in a word Saw it in a glance The only thing I think I'd die for STAN AND WENDY I can't stop now... My heart's awake! I pray your arms my arms to take! So this is why I'm alive! Now everyone joins hands and starts singing- EVERYONE SHUT YOUR FUCKING FACE, UNCLEFUCKA! YOU'RE A COCK SUCKING ASS RAPING UNCLEFUCKA! YOU'RE AN UNCLEFUCKA, YES IT'S TRUE! NOBODY FUCKS UNCLES QUITE LIKE YOU! UNCLEFUCKAAA!!! Kenny's mom and dad come up. KENNY'S DAD This is all so wonderful. I just wish our little Kenny could see all of this joy. KYLE Oh he can, dude. Look! Kyle points to the sky. Everyone looks up just in time to see a brilliant shooting star across the daytime sky. We follow the shooting star and then slowly ZOOM in on it. As we get closer, we realize it is actually Kenny, shooting towards the heavens. As TRIUMPHANT MUSIC plays, Kenny's little body floats up and up through the clouds. (NOTE: This will also be done in 3-D CGI) Rays of light from above bathe his body and he flies up into the warmth of the baby blueness. Angels encircle him and give him a pair of wings. They smile gently. He feels calm. He feels good. Amidst a group of angels, Kenny flies upwards and finally... into Heaven. END.



]]> 2016-12-09 13:08:22 UTC https://padlet.com/3004584/7xrmyk94mst7/wish/142777161 https://padlet.com/3004584/7xrmyk94mst7/wish/142777199 2016-12-09 13:08:35 UTC https://padlet.com/3004584/7xrmyk94mst7/wish/142777199 https://padlet.com/3004584/7xrmyk94mst7/wish/142777389 2016-12-09 13:09:31 UTC https://padlet.com/3004584/7xrmyk94mst7/wish/142777389 https://padlet.com/3004584/7xrmyk94mst7/wish/142777407 2016-12-09 13:09:36 UTC https://padlet.com/3004584/7xrmyk94mst7/wish/142777407 https://padlet.com/3004584/7xrmyk94mst7/wish/142777559 2016-12-09 13:10:22 UTC https://padlet.com/3004584/7xrmyk94mst7/wish/142777559 https://padlet.com/3004584/7xrmyk94mst7/wish/142777643 Lil Waddi]]> 2016-12-09 13:10:47 UTC https://padlet.com/3004584/7xrmyk94mst7/wish/142777643 https://padlet.com/3004584/7xrmyk94mst7/wish/142777709 2016-12-09 13:11:05 UTC https://padlet.com/3004584/7xrmyk94mst7/wish/142777709 EXT. SPACEA vast sea of stars severas as a backdrop for the Main Title, following by a rollup, whcih crawls into infinity. There is unrest in the Galactic Senate Several hundred solar systems under the leadership of the rebel leader, Count Dooku, have decalred their intentions to secede from the Republic. This separatist movement has made it difficult for the limited number of Jedi Kights to maintain peace and order in the galaxy. Senator Amidala, the former Queen of Naboo, is returning to Coruscant to vote on the critical issue of creating an army to assist the overwhelmed Jedi.PAN UP to reveal the amber city planet of Coruscant. A yellow Naboo Fighter flies OVER CAMERA toward the planet, followed by a large Royal Cruiser and two more Fighters.EXT. CITYSCAPE, CORUSCANT - DAWNThe ships skim across the surface of the city landscape. The sun glints off the chrome hulls of the sleek Naboo spacecraft as they navigate between the buildings of the capital planet.EXT. CORUSCANT, LANDING PLATFORM - DAWNTwo Naboo Fighters land on one leaf of a three-leaf-clover landing platform. The Royal Starship lands on the central lead, and the third Fighter lands on the remaining plaform.A small GROUP OF DIGNITARIES waits to welcome the Senator. One of the members of the group os a well dressed JAR JAR BINKS, a member of the Galactic Representative Commission, and DORME, Senator Amidala's handmaiden.One of the FIGHTER PILOTS jumps from the wing of his ship and removes his helmet. He is CAPTAIN TYPHO, SENATOR AMIDALA'S Security Officer. He moves over to a WOMAN PILOT.CAPTAIN TYPHOWe made it. I guess I was wrong,there was no danger at all.The ramp ;pwers. TWO NABOO GUARDS appear. SENATOR AMIDALA, ONE HANDMAIDEN (VERSE) and FOUR TROOPERS descend the ramp. AMIDALA is more beautiful now than she was ten years earlier when, as Queen, she was freeing her people from the yoke of the Trade Federation.The DIGNITARIES start to move forward. SENATOR AMIDALA reaches the foot of the ramp, when suddenly there is a blinding FLASH and a huge EXPLOSION. The DIGNITARIES and PILOTS are hurled to the ground as the starship is destroyed.Klaxons blare, alarms sound! CAPTAIN TYPHO and the TWO ESCORT PILOTS get up and run to where SENATOR AMIDALA lies dying. Beyond, ARTOO DETOO drops down from the Naboo Fighter and rolls toward the wreckage. The FEMALE ESCORT PILOT kneels by SENATOR AMIDALA and takes off her helmet, revealing SENATOR PADME AMIDALA. PADMÉ Cordé...She gathers up her decoy double in her arms. Cordé's eyes are open. She looks up at her. CORDÉ ... I'm sorry, m'lady... I'm... not sure I... CORDÉ dies. PADMÉ hugs her. AMIDALA No!... No!... No!...PADMÉ lowers CORDÉ to the ground. She gets up and looks around at the devastation. There are tears in her eyes. AMIDALA I should not have come back. CAPTAIN TYPHO M'Lady, you are still in danger.Amidala says nothing. CAPTAIN TYPHO This vote is very important. You did your duty and Cordé did hers. Now come. (she doesn't respond) M'Lady, please!She turns. They walk away. ARTOO lets out a small whimper and rolls off after them.EXT. SENATE BUILDING - DAY The massive Senate Building glistens in the afternoon sun. Small patches of fog have still to burn off.INT. SENATE CHAMBER - DAYThe vast rotunda is buzzing with chatter. MAS AMEDDA, the Supreme Chancellor's majordomo, tries to quiet things down as PALPATINE confers with an AIDE, UV GIZEN, riding a small one man floating scooter. MAS AMEDDA Order! We shall have order! The motion for the Republic to commission an army takes precedent, and that is what we will vote on at this time.Everything quiets down. The AIDE disperses, and SUPREME CHANCELLOR PALPATINE steps to the podium. PALPATINE ...My esteemed colleagues, excuse me... I have just received some tragic and disturbing news. Senator Amidala of the Naboo system... Has been assassinated!There is a shock silence in the vast arena. PALPATINE (continued) This grievous blow is especially personal to me. Before I became Chancellor, I served Amidala when she was Queen. She was a great leader who fought for justice, not only in this honourable assembly, but also on her home planet. She was so loved she could have been elected queen for life. She believed in public service, and she fervently believed in democracy. Her death is a great loss to us all. We will all mourn her as a relentless champion of freedom... and as a dear friend.There is a moment of silence. ASK AAK, the SENATOR of MALASTARE, moves his pod into the centre of the arena. SENATOR ASK AAK How many more Senators will die before this civil strife ends! We must confront these rebels now, and they need an army to do it.A second pod moves into the centre of the area with DARSANA, the AMBASSADOR OF GLEE ANSELM. AMBASSADOR DARSANA Why weren't the Jedi able to stop this assassination? We are no longer safe, under their protection.Senator ORN FREE TAA swings forward in his pod. ORN FREE TAA The Republic needs more security now! Before it comes to war. PALPATINE Must I remind the Senator from Malastare that negotiations are continuing with the separatists. Peace is our objective here... not war.The SENATORS yell pro and con. MAS AMEDDA tries to calm things down. SENATOR PADME AMIDALA, with CAPTAIN TYPHO, JAR JAR, and DORME, manoeuvre her pod into the centre of the vast arena. AMIDALA My noble colleagues, I concur with the Supreme Chancellor. At all costs, we do not want war!The Senate goes quiet, then there is an outburst of cheering and applause. PALPATINE It is with great surprise and joy the chair recognises the Senator from Naboo, Padmé Amidala. PADMÉ Less than an hour ago, an assassination attempt was made against my life. One of my bodyguards and six others were ruthlessly and senselessly murdered. I was the target but, more importantly, I believe this security measure before you, was the target. I have led the opposition to build an army... but there is someone in this body who will stop at nothing to assure it's passage...Many of the SENATORS boo and yell at SENATOR AMIDALA. PADMÉ (continuing) I warn you, if you vote to create this army, war will follow. I have experienced the misery of war first-hand; I do not wish to do it again.There is sporadic yelling for and against her statements. PADMÉ Wake up, Senators... you must wake up! If you offer the separatists violence, they can only show us violence in return! Many will lose their lives. All will lose their freedom. This decision could very well destroy the very foundation of our great Republic. I pray you do not let fear push you into a disastrous decision. Vote down this security measure, which is nothing less than a declaration of war! Does anyone here want that? I cannot believe they do.There is an undercurrent of booing... and groaning. SENATOR ORN FREE TAA moves his pod next to AMIDALA. ORN FREE TAA My motion to defer the vote must be dealt with first. That is the rule of law.AMIDALA looks angry and frustrated. PALPATINE gives her a sympathetic look. PALPATINE Due to the lateness of the hour and the seriousness of this motion, we will take up these matters tomorrow. Until then, the Senate stands adjourned.EXT. EXECUTIVE QUARTERS BUILDING - DAY The giant towers of the Republic Executive Building seem to reach the heavens. Traffic clogs the smoggy sky.INT. CHANCELLOR'S OFFICE - DAY CHANCELLOR PALPATINE sits behind his desk with TWO RED-CLAD ROYAL GUARDS on either side of the door. YODA, PLOT KOON, KI-AD-MUNDI, and MACE WINDU sit acress from him. PALPATINE I don't know how much longer I can hold off the vote, my friends. More and more star systems are joining the separatists. MACE WINDU If they do break away - PALPATINE No! I will not let that happen! MACE WINDU But if they do, you must realise there aren't enough Jedi to protect the Republic. We are keepers of the peace, not soldiers. PALPATINE Master Yoda, do you think it will really come to war?YODA closes his eyes. YODA Worse than war, I fear... Much worse. PALPATINE What? MACE WINDU What do you sense, Master? YODA Impossible to see ... The Dark Side clouds everything. But this I am sure of - (opens his eyes) Do their duty the Jedi will.A muted BUZZER SOUNDS. A hologram of an AIDE, DAR WAC, appears on the Chancellor's desk. DAR WAC The loyalist committee has arrived, my Lord. PALPATINE Send them in.They all stand as SENATOR AMIDALA, CAPTAIN TYPHO, JAR JAR, MAS AMEDDA, DORME, and SENATORS BAIL ORGANA, HOROX RYYDER and ORN FREE TAA enter the office. YODA and MACE WINDU move to greet the SENATOR, YODA taps AMIDALA with his cane. YODA With you the force is strong... young Senator. To see you alive brings warm feeling to my heart. PADMÉ Thank you, Master Yoda. Do you have any idea who was behind the attack? MACE WINDU Our intelligence points to disgruntled spice miners, on the moons of Naboo. PADMÉ I don't wish to disagree but I think that Count Dooku was behind it.There is a stir of surprise. MACE WINDU You know, M'Lady, Count Dooku was once a Jedi. He wouldn't assassinate anyone, it is not in his character. KI-ADI-MUNDI He is a political idealist, not a murderer. YODA In dark times nothing is what it appears to be, but the fact remains Senator, in grave danger you are.PALPATINE gets up, walks to the window, and looks out at the vast city. PALPATINE Count Dooku has always avoided any kind of conflict. It appears he has no desire to start a war. Why would he kill you? To what end? PADMÉ I don't know, but everything in my being tells me he was behind it... After gazing out of the window for several moments Palpatine turns to Mace. PALPATINE Master Jedi, may I suggest that the Senator be placed under the protection of your graces. BAIL ORGANA Do you think that is a wise use of manpower during these stressful times? PADMÉ Chancellor, if I may comment, I do not believe the... PALPATINE ..."situation is that serious." No, but I do, Senator. PADMÉ Chancellor, please! I don't want any more guards! PALPATINE I realise all too well that additional security might be disruptive for you, but perhaps someone you are familiar with... an old friend like... Master Kenobi...PALPATINE nods to MACE WINDU, who nods back. MACE WINDU That's possible. He has just returned from a Border dispute on Ansion. PALPATINE You must remember him, M'Lady... he watched over you during the blockade conflict. PADMÉ This is not necessary, Chancellor. PALPATINE Do it for me, M'Lady, please. I will rest easier. We had a big scare today. The thought of losing you is unbearable.AMIDALA sighs as the JEDI get up to leave. MACE WINDU I will have Obi-Wan report to you immediately, M'Lady.YODA leans into her ear. YODA Too little about yourself you worry, Senator, and too much about politics. Be mindful of your danger, Padmé. Accept our help.As the JEDI leave the office, PALPATINE continues to pace behind his desk. PALPATINE I will not like this Republiv, that has stood for over a thousand years, be split in twoEXT. SENATE APARTMENTS - TWILIGHTA graceful skyscraper twinkles in the evening light of Coruscant.INT. SENATE BUILDING, APARTMENT CORRIDOR - EVENINGThe door to the apartment slides open. JAR JAR walks into the corridor, where TWO JEDI are exiting the elevator. He recognises OBI-WAN and becomes extremely excited, jumping around, shaking his hand. JAR JAR Obi! Obi! Obi! Mesa sooo smilen to see'en yousa. Wahoooooo!OBI-WAN smiles. OBI-WAN It's Good to see you, too, Jar Jar. JAR JAR Oops! Wheresa mesa manners? Excuse me, Master Obi-Wan. I completely forgot myself for a moment there. I have had to learn Diplodiaclect... speak it like a native now. Don't really see the point, actually, but members of the Senate seem to prefer it...JAR JAR notices OBI-WAN'S APPRENTICE. JAR JAR (continuing) ...and this, I take it, is your apprentice... Nooooooooo! Annie? Noooooooo! Little Bitty Annie? (Looks at Anakin) Nooooooo! Yousa so biggen! Yiyiyiyyi! Annie!! Mesa no believen. ANAKIN Hi, Jar Jar.JAR JAR grabs hold of ANAKIN and envelops him in a big hug. JAR JAR Annie! Annie! Yiyiyiyiyiyiiii!INT. SENATE BUILDING, APARTMENT - EVENINGPADME is in a conference with CAPTAIN TYPHO and DORME. JAR JAR enters the room, followed by the TWO JEDI. JAR JAR Lookie... lookie... Oops!... Oh, dear, I'm afraid I've forgotten myself again.PADME and TYPHO rise as OBI-WAN and ANAKIN stop before the SENATOR. OBI-WAN steps forward. ANAKIN stares at PADME. She glances at him. OBI-WAN It's a great pleasure to see you again, M'Lady. PADMÉ It has been far too long Master Kenobi. I'm so glad our paths have crossed again... but I must warn you that I think your presence here is unnecessary. OBI-WAN I'm sure the Jedi Council have their reasons.She moves in front of ANAKIN PADMÉ Annie?? (stares) My goodness you've grown.They look at each other for a long moment. ANAKIN (trying to be smooth) So have you... grown more beautiful, I mean... and much shorter... for a Senator, I mean.OBI-WAN looks disapprovingly at his apprentice. PADME laughs and shakes her head. PADMÉ Oh Annie, you'll always be that little boy I knew on Tatooine.This embarrasses ANAKIN, and he looks down. OBI-WAN and CAPTAIN TYPHO smile. OBI-WAN Our presence will be invisible, M'Lady. CAPTAIN TYPHO I am very grateful you are here, Master Kenobi. The situation is more dangerous than the Senator will admit. PADMÉ I don't need more security, I need answers. I want to know who is trying to kill me. OBI-WAN (frowning) We're here to protect you Senator, not to start an investigation. ANAKIN We will find out who is trying to kill you Padmé, I promise you.He's done it again. He bites his lip in frustration and shame. OBI-WAN gives ANAKIN a dirty look. OBI-WAN We are not going to exceed our mandate, my young Padawan learner. ANAKIN I meant in the interest of protecting her, Master, of course. OBI-WAN We are not going through this exercise again, Anakin. You will pay attention to my lead. ANAKIN Why? OBI-WAN What??!! ANAKIN Why else do you think we were assigned to her, if not to find the killer? Protection is a job for local security... not Jedi. It's overkill, Master. Investigation is implied in our mandate. OBI-WAN We will do as the Council has instructed, and you will learn your place, young one. PADMÉ Perhaps with merely your presence, the mysteries surrounding this threat will be revealed. Now if you will excuse me I will retire.Everyone gives AMIDALA a slight bow as she and DORME leave the room. CAPTAIN TYPHO Well, I know I feel a lot better having you here. I'll have an officer on every floor and I'll be at the command centre downstairs. JAR JAR Mesa busten wit happiness seein Yousa again, Annie. Deesa bad times, bombad times.Captain Typho leaves. ANAKIN She didn't even recognise me, Jar Jar. I thought about her every day since we parted... and she's forgotten me completely. JAR JAR Shesa happy. Happier den mesa see-en her in longo time. OBI-WAN Anakin, you're focusing on the Negative again. Be mindful of your thoughts. She was glad to see us. Now lets check the security here. ANAKIN Yes, my master.EXT. JEDI TEMPLE - EVENINGThe vast Jedi Temple sits on an endless flat plain, silhouetted by a against the traffic-filled sky.INT. JEDI TEMPLE, CORRIDOR - EVENINGMACE WINDU and YODA walk down the long hallways, silhouetted by a lit room at the end. MACE WINDU Why couldn't we see this attack on the Senator? YODA Masking the future, is this disturbance in the Force. MACE WINDU The propecy is coming true, the Dark Side is growing. YODA And only those who have turned to the Dark Side can sense the possibilities of the future. Only going through the Dark Side can we see. MACE WINDU It's been ten years, and the Sith still have no shown themselves. Do you think they are behind this? YODA ...Out there, they are. A certainty that is. MACE WINDU Do you think Obi-Wan's apprentice will be able to bring balance to the Force? YODA Only if he chooses to follow his destiny.There is a long silence as they walk away. Only footsteps are heard.INT. SENATE BUILDING, AMIDALA'S APARTMENT, BEDROOM - NIGHTPADME is asleep in her bed, lit only by the light of the city outside her window coming through the blinds. ARTOO stands in the corner of the bedroom. His power is off.INT. SENATE BUILDING, AMIDALA'S APARTMENT, MAIN R0OM - NIGHTANAKIN is standing in the living room. He is in a meditative state. It is quiet. We hear DISTANT FOOTSTEPS in the corridor outside the apartment. Suddenly ANAKIN'S eyes pop open. His eyes dart around the room. He reaches for his lightsaber, then smiles and puts it back in his belt.The door to the apartment slides open, and OBI-WAN enters. OBI-WAN Captain Typho has more than enough men downstairs. No assassin will try that way. Any activity up here? ANAKIN Quiet as a tomb. I don't like just waiting here for something to happen to her.OBI-WAN checks a palm-sized view scanner he has pulled out of his utility belt. It shows a shot of ARTOO by the door, but no sign of PADME on the bed. OBI-WAN What's going on?ANAKIN shrugs. ANAKIN She covered that camera. I don't think she liked me watching her. OBI-WAN What is she thinking? ANAKIN She programmed Artoo to warn us if there's an intruder. OBI-WAN It's not an intruder I'm worried about. There are many other ways to kill a Senator. ANAKIN I know, but we also want to catch this assassin. Don't we, Master? OBI-WAN You're using her as bait?? ANAKIN It was her idea... No harm will come to her. I can sense everything going on in that room. Trust me. OBI-WAN It's too risky... and your senses aren't that attuned, young apprentice. ANAKIN And yours are? OBI-WAN Possibly.INT. SENATE BUILDING, AMIDALA'S APARTMENT, BEDROOM - NIGHTAs PADME sleeps, a PROBE DROID approaches outside her window. It sends out several small arms that attach to the window, creating sparks that shut down the security system. Then a large arm cuts a small hole in the glass. A FAINT SOUND is heard as the small section of glass is removed from the window.ARTOO wakes up, and his lights go on. The PROBE DROID freezes. ARTOO looks around, makes a PLAINTIVE LITTLE SOUND, then shuts down again. The PROBE DROID attaches a little tube to the window. TWO DEADLY LOOKING CENTIPEDE-LIKE KOUHUNS exit the tube, crawl through the blinds and head toward the sleeping PADME.INT. SENATE BUILDING, AMIDALA'S APARTMENT, MAIN ROOM - NIGHTANAKIN and OBI-WAN continue their conversation in the main room of the apartment. OBI-WAN You look tired. ANAKIN I don't sleep well, anymore. OBI-WAN Because of your mother? ANAKIN I don't know why I keep dreaming About her now. I haven't seen her since I was little. OBI-WAN Dreams pass in time. ANAKIN I'd rather dream of Padmé. Just Being around her again is... intoxicating. OBI-WAN Mind your thoughts, Anakin, they betray you. You've made a commitment to the Jedi order... a commitment not easily broken... and don't forget she's a politician. They're not to be trusted. ANAKIN She's not like the others in the Senate, Master. OBI-WAN It's been my experience that Senators are only focused on pleasing those who fund their campaigns... and they are more than willing to forget the niceties of democracy to get those funds. ANAKIN Not another lecture, Master. Not on the economics of politics.... It's too early in the morning... and besides, you're generalising. The Chancellor doesn't appear to be corrupt. OBI-WAN Palpatine's a politician, I've observed that he is very clever at following the passions and prejudices of the Senators. ANAKIN I think he is a good man. My instincts are very positive about...ANAKIN looks stunned. He looks sharply at OBI-WAN OBI-WAN I sense it, too.INT. SENATE BUILDING, AMIDALA'S APARTMENT, BEDROOM - NIGHTARTOO sounds an alarm and shines a light on the bed. THE KOUHUNS are inches from PADME'S face. Their mouths are open, and wicked stinger tongues flick out.OBI-WAN and ANAKIN burst into the room. The KOUHUNS stand on their hind legs and hiss as PADME wakes up. ANAKIN throws himself in front of her, whacking in half the deadly creatures with his lightsaber.OBI-WAN sees the DROID outside the window and raqces straight at it, crashing through the blinds as he goes through the window.EXT. WINDOW LEDGE, APARTMENT BUILDING - NIGHTOBI-WAN flies through the glass window and flings himself at the PROBE DROID, grabbing onto the deadly machine before it can flee. The PROBE DROID sinks under the weight of OBI-WAN but manages to stay afloat and fly away, with the Jedi hanging on for dear life, a hundred stories above the city.INT. SENATE BUILDING, AMIDALA'S APARTMENT - NIGHTANAKIN and PADME stare at the sight of OBI-WAN being carried off by the DROID. ANAKIN turns to her. She pulls her nightdress around her shoulders. ANAKIN Stay here!CAPTAIN TYPHO, with TWO GUARDS and DORME, enter the room as Anakin dashes out.EXT. CITYSCAPE, CORUSCANT - NIGHTThe PROBE DROID sends several protective electrical shocks across its surface, causing OBI-WAN to almost lose his grip. As they dart in and out of the speeder traffic, OBI-WAN disconnects a wire on the back of the DROID. Its power shuts off! OBI-WAN and the DROID drop like rocks. OBI-WAN realises the error of his ways and quickly puts the wire back. The DROID'S systems light up again and it takes off. EXT. SENATE APARTMENTS - ENTRANCE - NIGHTANAKIN charges out of the building and runs to a line of parked speeders. He vaults into an open one and takes off, gunning it fast toward the lines of speeder traffic high above.EXT. CITYSCAPE, CORUSCANT - NIGHTThe DROID bumps against a wall, hoping to knock the Jedi loose. It moves behind a speeder afterburner to scorch him. It takesthe JEDI wildly between buildings and finally skims across a rooftop as OBI-WAN is forced to lift his legs, tenaciously hanging onto the DROID. The DROID heads for a dirty, beat-up speeder hidden in an alcove of a building about twenty stories up. When the pilot of the speeder, a scruffy bounty hunter called ZAM WESELL, sees the DROID approach with OBI-WAN hanging on, she pulls a long rifle out of the speeder and starts to fire at the JEDI. EXPLOSIONS burst all around OBI-WAN. OBI-WAN I have a bad feeling about this.FINALLY, the DROID suffers a direct hit and blows up. OBI-WAN falls fifty stories, until a speeder drops down next to him, and he manages to grab onto the back end of the speeder and haul himself toward the cockpit. The JEDI struggles to climb into the passenger seat of the open speeder and sit down next to the driver, ANAKIN. ANAKIN That was wacky! I almost lost you in the traffic. OBI-WAN What took you so long? ANAKIN Oh, you know, Master, I couldn't find a speeder I really liked, with an open cockpit... and with the right speed capabilities... and then you know I had to get a really gonzo color...They zoom upward in hot pursuit of ZAM asshe fires out the open window at them with her laser pistol. OBI-WAN If you'd spend as much time working on your saber skills as you do on your wit, young Padawan, you would rival Master Yoda as a swordsman. ANAKIN I thought I already did. OBI-WAN Only in your mind, my very young apprentice. Careful!! Hey, easy!!As this conversation is going on, ANAKIN deftly moves in and out of the oncoming traffic, across lanes, between buildings, and miraculously through a construction site. ZAM WESELL continues firing at them. ANAKIN Sorry, I forgot you don't like flying, Master. OBI-WAN I don't mind flying... but what you're doing is suicide!They barely miss a commuter train ANAKIN Master, you know I've been flying since before I could walk. I'm very good at this. OBI-WAN Just slow down!ZAM WESSEL and the JEDI race through a line of cross-traffic made up of giant trucks. The speeders bank sideways as they slide around right-angle turns between buildings. ZAM races into a tram tunnel. OBI-WAN (continuing) Wait! Don't go in there!ANAKIN zooms into the tunnel after ZAM. They see a tram coming at them. They brake, turn around, and race out, barely ahead of the charging commuter transport. OBI-WAN (continuing) You know I don't like it when you do that! ANAKIN Sorry, Master. Don't worry, this guy's gonna kill himself any minute now!ZAM WESSEL turns into oncoming traffic, deliberately trying to throw the JEDI off. Oncoming speeders swerve, trying to avoid ZAM and the JEDI. ZAM does a quick, tight loop-over and ends up behind the JEDI. She is now in a much better position to fire at them with her laser pistol. To avoid being hit by the laser bolts, ANAKIN slams on the brakes and moves alongside ZAM. She now fires point-blank at OBI-WAN. OBI-WAN What are you doing? He's gonna blast me! ANAKIN Right - this isn't working.ANAKIN slides underneath Zam's speeder. They race along in traffic, one speeder right on top of the other. The BOUNTY HUNTER skims over the rooftops, causing ANAKIN to drop behind. ANAKIN goes through his gears, zooming around traffic. They race at high speed across a wide, flat surface of the city planet. A large spacecraft almost collides with them as it attempts to land. They round a corner and clip a flag, which gets caught on one of the front air scoops. OBI-WAN That was too close! ANAKIN Clear that! OBI-WAN What?? ANAKIN Clear the flag! We're losing power! Hurry!OBI-WAN leans out of the speeder, then crawls out onto the front engine, pulling the flag free of the scoop. The speeder lurches forward with a surge of power. OBI-WAN Whooooaaa! Don't do that! I don't like it when you do that! ANAKIN So sorry, Master.They chase the BOUNTY HUNTER through a power refinery. OBI-WAN It's dangerous near those power couplings! Slow down! Don't go through there!Huge electrical bolts shoot between the buildings as the speeders pass. OBI-WAN (continuing) Yiiii, what are you doing? ANAKIN Sorry, Master! OBI-WAN (sarcastically) Oh, that was good... ANAKIN That was crazy!!!ZAM slides around a corner sideways, blocking an alley, firing point-blank as ANAKIN approaches. ANAKIN (continuing) Ahh, damn. OBI-WAN Stop!! ANAKIN No, we can make it.ANAKIN barely misses the BOUNTY HUNTER'S speeder as he dives under it, and through a small gap in the building hitting several pipes and going wildly out of control. ANAKIN struggles to regain control of the speeder, narrowly missing a crane, barely clipping a pair of giant struts. A giant gasball shoots up, causing ANAKIN to spin and bump a building, stalling the speeder. OBI-WAN I'm crazy... I'm crazy... I'm crazy. ANAKIN But it worked... we made it. OBI-WAN (angrily) It didn't work... we've stalled! And you almost got us killed! ANAKIN I think we're still alive.ANAKIN works to get the speeder started. It quickly races to life. OBI-WAN (very angrily) It was stupid! ANAKIN (sheepishly) I could have made it... OBI-WAN (furious) But you didn't!!! And now we've lost him.Suddenly, there is an ambush. Laser bolts fire everywhere. EXPLOSIONS surround them. They look up to see ZAM WESSEL take off. ANAKIN No we didn’t...Out of a cloud of smoke and ball of flames the JEDI tear after ZAM. They are smoking. OBI-WAN slaps out the small fire on the dashboard. ZAM goes up and down, through cross-traffic. There is a near miss as a speeder almost hits them. ZAM turns down and left between two buildings. ANAKIN pulls up and to the right OBI-WAN Where are you going?! He went down there, the other way. ANAKIN This is a shortcut... I think. OBI-WAN What do you mean, ‘You think?’ What kind of shortcut?! He went completely the other way! You’ve lost him! ANAKIN Master, if we keep this chase going, that creep’s gonna end up deep fried. Personally, I’d very much like to find out who in the hell he is and who he’s working for... OBI-WAN (sarcastic) Oh, so that’s why we’re going in the wrong direction.ANAKIN turns up a side street, zooming up several small passageways, then stops, hovering about fifty stories up. OBI-WAN (continuing) Well, you lost him. ANAKIN I’m deeply sorry, Master.ANAKIN looks around front and back. He spots something. He seems to start counting to himself as he watches something below approach. ANAKIN (continuing) Excuse me for a moment.ANAKIN jumps out of the speeder. OBI-WAN looks down and sees Zam’s speeder about five stories below them cruising past. ANAKIN miraculously lands on top of the Bounty Hunter’s speeder. The speeder wobbles under the impact. ZAM looks up and realises what has happened.ZAM takes off, and ANAKIN slides to the back strut and almost slips off, but manages to hang on. ANAKIN works his way back to the speeder’s cockpit, just as ZAM stops suddenly, and ANAKIN flies forward to the left front fork. ZAM shoots at him with a laser pistol. There is a BLAST near ANAKIN'S hand, which breaks off a piece of the speeder. ANAKIN slides to the right fork of the speeder, where ZAM can’t reach him. He scrambles to the top, holding onto an air scoop.OBI-WAN has jumped into the driver’s seat of his speeder and is deftly gaining on the rogue speeder. The two speeders dive through oncoming traffic and then through cross traffic. Finally, ANAKIN is able to get hold of his lightsaber and starts to cut his way through the roof of the speeder. ZAM takes out her laser pistol and starts firing at the helpless JEDI, knocking the sword out of his hand. OBI-WAN races under the speeder and catches the Jedi weapon in the passenger’s seat.ANAKIN sticks his hand into the cockpit and, using the Force, pulls the gun out of ZAM’S hand. She grabs the Jedi’s hand, and they struggle for the weapon. It goes off, blowing a hole in the floor of the speeder. The speeder careens wildly out of control. ZAM struggles to pull the speeder out of it’s nose dive. OBI-WAN gets slowed down by traffic and loses sight of the Bounty Hunter’s speeder.Just as the dragster is about to nose dive into the ground, ZAM pulls it out, and it slides hard on the pavement in a shower of sparks. ANAKIN goes flying into the street.EXT. ENTERTAINMENT STREET - NIGHTZAM exits the crashed speeder and runs. ANAKIN picks himself up off the pavement and runs down the very crowded street.It's the seedy underbelly of the city. Broken sidewalks, garish lights reflected on the filthy puddles. It's pretty crowded with various ALIEN LOW-LIFES, PANHANDLING DROIDS, and the occasional group of UPPERCLASS SLUMMERS.ANAKIN barges into several of them as he chases after the fleeing ZAM. He loses the Bounty Hunter in the crowd, them sees him again. The young Jedi is having a very difficult time getting through the crowd.Ahead, ZAM turns in through a door and disappears.A nightclub sighs is flashing over the door. ANAKIN is just about to follow ZAM when there is a sudden swirl of litter from downthrusters. PEOPLE start moving out of the way, and the open speeder lands in the street beside him. OBI-WAN gets out and walks over, holding out ANAKIN'S lightsaber. OBI-WAN Anakin! ANAKIN She went into that club, Master. OBI-WAN Patience.OBI-WAN hands ANAKIN the lightsaber. OBI-WAN (continuing) Here. Next time try not to lose it. ANAKIN Sorry, Master.ANAKIN reaches for the lightsaber, but OBI-WAN holds it back. OBI-WAN A Jedi's saber is his most precious possession. ANAKIN Yes, Master.He reaches for the lightsaber, OBI-WAN pulls it back. OBI-WAN He must keep it with him at all times. ANAKIN I know, Master. OBI-WAN This weapon is your life! ANAKIN I've heard this lesson before...OBI-WAN finally holds out the lightsaber and ANAKIN grabs it. OBI-WAN But, you haven't learned anything, Anakin. ANAKIN I try, Master.INT. NIGHTCLUB - NIGHTOBI-WAN and ANAKIN enter the nightclub bar, and everyone stares at them OBI-WAN Why do I think you are going to be the death of me?! ANAKIN Don't say that Master... You're the closest thing I have to a father... I love you. I don't want to cause you pain. OBI-WAN Then why don't you listen to me?! ANAKIN I will. I'll do better, I promise. OBI-WAN Do you see him him? ANAKIN I think he's a she... OBI-WAN Then be extra careful... (nods to a room) Check it out.OBI-WAN goes away. ANAKIN Where are you going, Master? OBI-WAN To get a drink.OBI-WAN heads for the bar. ANAKIN blinks in surprise, then moves into the room, where ALIEN FACES look back at him with hostility, suspicion, and invitation as he moves among the tables. OBI-WAN arrives at the bar. He signals the BARMAN.CLOSE - Somewhere in the room a HAND moves to a pistol in its holster and unsnaps the safety catch. At the bar, a glass is placed in from of OBI-WAN. A drink is poured. He lifts the glass. ELAN SLEAZEBAGGANO Wanna buy some death sticks?OBI-WAN looks at him. He moves his fingers slightly. OBI-WAN You don't want to sell me death- sticks. ELAN I don't want to sell you death- sticks.OBI-WAN moves his fingers. OBI-WAN You want to go home and rethink your life. ELAN I want to go home and rethink my life.He leaves. OBI-WAN lifts the drink and tosses it back.CLOSE. The gun is drawn from its holster and held down out of sight. The BOUNTY HUNTER starts to move toward the bar.ANAKIN checks out ALIEN FACES. OBI-WAN signals for another drink. The gun moves toward his unsuspecting back.The drink is poured. OBI-WAN reaches for it. The gun is raised to aim directly at his back, and suddenly OBI-WAN turns fast. His lightsaber flashes. There is a shrill SCREAM and ZAM'S ARM hits the floor. The gun drops from its twitching fingers. Blood spreads.The room is silent. ALIENS rise menacingly from their seats, and ANAKIN is suddenly at OBI-WAN's side, his lightsaber glowing. ANAKIN Easy... Official business. Go back to your drinks.Slowly, the ALIENS sit. Conversation resumes. Onstage, THE PERFORMERS pick up their routine. OBI-WAN and ANAKIN lift ZAM and carry her out.EXT. ALLEY OUTSIDE NIGHTCLUB - NIGHTOBI-WAN and ANAKIN carry ZAM into the alley and lower her to the ground. OBI-WAN attends to her wounded shoulder. She stares up hatefully at ANAKIN. She winces in pain, then nods. OBI-WAN Do you know who it was you were trying to kill? ZAM WESSEL The Senator from Naboo. OBI-WAN Who hired you?ZAM glares at OBI-WAN. ZAM WESSEL It was just a job. ANAKIN Tell us! ZAM WESSEL That Senator's gonna die soon anyway, and the next one won't make the same mistake I did... OBI-WAN This wound's going to need treatment. ANAKIN Who hired you? Tell us... tell us now!ZAM glares hatefully. ZAM It was a Bounty Hunter called...There is a sudden FTZZZ sound. ZAM twitches. She blinks in surprise and dies.There is a WEOOSH from above. OBI-WAN and ANAKIN look up yo see an ARMOURED ROCKET-MAN taking off from a roof high above. OBI-WAN looks down at ZAM. He touches her neck and pulls out a small, wicked-looking dart. OBI-WAN Toxic Dart...INT. SENATE BUILDING, AMIDALA'S APARTMENT - DAYANAKIN and JAR JAR stand near the door of the anteroom to PADME'S bedroom. PADME and DORME move about packing luggage. PADMÉ Representative Binks. I know I can count on you. JAR JAR Yousa betchen mesa bottums. PADMÉ What?! JAR JAR (coughs, recovers) Oh, pardone-ay, Senator. I mean, I am honoured to accept this heavy burden. I take on this responsibility with deep humility tinged with an overwhelming pride. (pompously) It is not every day that I am called upon to...PADME kisses him on the cheek and gives him a hug. JAR JAR turns red. PADMÉ You're a good friend, Jar Jar. I don't wish to hold you up. I'm sure you have a great deal to do. JAR JAR Of course, M'lady.JAR JAR bows and goes out. As he passes ANAKIN, he flashes a dazzling smile... PADME is in a very bad mood. PADMÉ I do not like this idea of hiding. ANAKIN Don't worry. Now that the Council has ordered an investigation, it won't take Master Obi-Wan long to find that bounty hunter. PADMÉ (frustrated) I haven't worked for a year to defeat the "Military Creation Act" not to be here when its fate is decided. ANAKIN Sometimes we have to let go of our pride and do what is requested of us. PADMÉ Pride?!? Annie, you're young, and you don't have a very firm grip on politics. I suggest you reserve your opinions for some other time. ANAKIN Sorry, M'lady. I was only trying to... PADMÉ Annie! No! ANAKIN Please don't call me that. PADMÉ What? ANAKIN Annie... PADMÉ I've always called you that... it is your name, isn't it? ANAKIN It's Anakin. When you say Annie it's like I'm still a little boy... and I'm not. PADMÉ I'm sorry, Anakin. It's impossible to deny you've... (looks him over) ...that you've grown up.PADME smiles at ANAKIN. He becomes a little shy. ANAKIN Master Obi-Wan manages not to see it... PADMÉ Mentors have a way of seeing more of our faults than we would like. It's the only way we grow. ANAKIN Don't get me wrong... Obi-Wan is a great mentor. As wise as Master Yoda and as powerful as Master Windu. I am truly thankful to be his apprentice. Only... although I'm a Padawan learner, in some ways... a lot of ways... I'm ahead of him. I'm ready for the trials. I know I am! He knows it too. He believes I'm too unpredictable... Other Jedi my age have gone through the trials and made it... I know I started my training late... but he won't let me move on. PADMÉ That must be frustrating. ANAKIN It's worse... he's overly critical. He never listens! He just doesn't understand! It's not fair!PADME cannot surpress a laugh. She shakes her head. PADMÉ I'm sorry... You sounded exactly like that little boy I once knew, when he didn't get his way. ANAKIN I'm not whining! I'm not.PADME just smiles at him. DORME laughs in the background. PADMÉ I didn't say it to hurt you. ANAKIN I know...There is a brief silence. PADME comes over to ANAKIN. PADME Anakin...They look into each other's eyes for the first time. PADMÉ (continuing) Don't try to grow up too fast. ANAKIN I am grown up. You said it yourself.ANAKIN looks deep into PADME'S eyes. PADMÉ Please don't look at me like that. ANAKIN Why not? PADMÉ Because I can see what you're thinking. ANAKIN (laughing) Ahh... so, you have Jedi powers too?DORME is watching with concern. PADMÉ It makes me feel uncomfortable. ANAKIN Sorry, M'lady.ANAKIN backs away as PADME turns and goes back to her packing.EXT. CORUSCANT, SPACEPORT FREIGHTER DOCKS, TRANSPORT BUS - DAY A small bus speeds toward the massive freighter docks of Coruscant's Industrial area. The spaceport is bustling with activity. Transports of various sizes moves supplies and passengers as giant floating cranes lift cargo out of starships. The bus stops before a huge intergalactic freighter starship. It parks in the shadows of an overhang.INT. CORUSCANT, SPACEPORT FREIGHTER DOCKS, TRANSPORT BUS - DAYANAKIN and PADME, dressed in Outland peasant outfits, get up and head for the door where CAPTAIN TYPHO, DORME and OBI-WAN are waiting to hand them their luggage. DORME is dressed to look like Senator Amidala. CAPTAIN TYPHO Be safe, m'lady. PADMÉ Thank you, Captain. Take good care of Dorme... the threat's on you two now. DORME He'll be safe with me.They laugh, and PADME embraces her faithful handmaiden. DORME start to weep. PADMÉ You'll be fine. DORME It's not me, M'Lady. I worry about you. What if they realise I'm not you? PADMÉ (looks to Anakin) Then my Jedi protector will have to prove how grown up he is.DORME and PADME smile. ANAKIN frowns as OBI-WAN pulls him aside. OBI-WAN Anakin, you stay put on Naboo. Do not attract any attention. Do absolutely nothing without checking in with me or the Council. ANAKIN Yes, Master. OBI-WAN (to Padme) I will get to the bottom of this plot quickly, M'Lady. You'll be back here in no time. PADMÉ I will be most grateful for your speed, Master Jedi. ANAKIN Time to go. PADMÉ I know. PADME gives DORME a last hug. ANAKIN picks up the luggage, and the TWO PEASANTS exit the speeder bus, where ARTOO is waiting for them. OBI-WAN May the Force be with you. ANAKIN May the Force be with you, Master.They head off toward the giant Starfreighter. PADMÉ Suddenly, I'm afraid... ANAKIN I'm kinda scared too. This is my first assignment on my own. PADMÉ There's nothing to worry about... we have Artoo with us.The two laugh.OBI-WAN and CAPTAIN TYPHO watch ANAKIN and PADME disappear into the vastness of the spaceport with ARTOO trundling along behind them. OBI-WAN I hope he doesn't try anything foolish. CAPTAIN TYPHO I'd be more concerned about her doing something, than him.EXT. FREIGHTER DOCKS - CORUSCANT - DAYThe freighter slowly takes off from the huge docks area of Coruscant. It soon moves into the crowded skies.INT. JEDI TEMPLE, MAIN HALLWAY - LATE DAYFrom high above, light streams down from the lofty ceilings. OBI-WAN crosses the floor of the great hallway, heaading for the Analysis Rooms.INT. JEDI TEMPLE, ANALYSIS CUBICLES - LATE DAYOBI-WAN walks past several glass cubicles where work is going on. He comes to an empty one and sits down in front of a console. A PK-4 ANALYSIS DROID comes to life. A tray slides out of the console. PK-4 Place the subject for analysis on the sensot tray, please.OBI-WAN puts the dart onto the traym which retracts into the console. The DROID activates the system, and a screen lights up in from of OBI-WAN. OBI-WAN It's a toxic dart. I need to know where it came from and who made it. PK-4 One moment, please.Diagrams and .... appear on the screem, scrolling past at great speed. OBI-WAN watches as the screen goes blank. They tray slides out. PK-4 (continuing) As you can see on your screen, subject weapon does not exist in any known culture. Markings cannot be identified. Probablt self-made by a warrior not associated with any known society. OBI-WAN Excuse me? Could you try again please? PK-4 Master Jedi, our records are very thorough. they cover eight percent of the galaxy. If I can't tell you where it came from, nobody can.OBI-WAN picks up the dart and looks at it, then looks to the DROID. OBI-WAN Thanks for your assistance! You may not be able to figure this out, but I think I know someone who might.EXT. SPACE, STARSHIP FREIGHTERThe massive, slow-moving Freighter suddenly zooms away into lightspeed.INT. STARFREIGHTER, STORAGE HOLD - DAYThe great, gloomy hold is crowded with EMIGRANTS and their belongings. To one side ARTOO is coming to the head of a food line, where SERVERS are ladling out bowls of mush. ARTOO holds two bowls. SERVER Keep moving! Keep moving!ARTOO slips tube into a tub of mush and sucks up a large quantity. With one of his little claw-arms, he grabs several chunks of something that looks like brown bread. A SERVER sees him. FOOD SERVER (continuing) Hey! No Droids!ARTOO takes one last big suck and heads away from the food line. The SERVER shouts after him angrily. The little droid moves past groups of eating or sleeping EMIGRANTS and comes to where ANAKIN is sound asleep. The young Jedi seems to be having a nightmare. He is very restless. ANAKIN No, no, Mom, no...He is sweating. PADME leans over to wipe some of the sweat from his forehead. He wakes up with a start, then realises where he is. PADME simply looks at him. He stares back, somewhat confused. ARTOO fills up two bowls with mush. ANAKIN (continuing) What? PADMÉ You seemed to be having a nightmare.ANAKIN looks at PADME a little more closely, trying to see if he has revealed any of his secrets. She hands him a bowl of mush and bread. PADMÉ (continuing) Are you hungry? ANAKIN Thank you. PADMÉ We went into lightspeed a while ago.ANAKIN looks into PADME'S eyes. ANAKIN I look forward to seeing Naboo again. I've thought about it every day since I left. It's by far the most beautiful place I've ever seen...PADME is a little unnerved by his intense stare. PADMÉ You were just a little boy then. It may not be as you remember it; time changes your perception. ANAKIN I think time has given me much more mature feelings to enhance my perception. PADMÉ It must be difficult having sworn your life to the Jedi... not being able to visit the places you like... or do the things you like... ANAKIN Or be with the people I love. PADMÉ Are you allowed to love? I thought that was forbidden for a Jedi. ANAKIN Attachment is forbidden. Possession is forbidden. Compassion, which I would define as unconditional love, is central to a Jedi's life, so you might say we're encouraged to love. PADMÉ You have changed so much ANAKIN You haven't changed a bit. You're exactly the way I remember you in my dreams. I doubt if Naboo has changed much either. PADMÉ It hasn't... ANAKIN I can't wait to breathe the sweet breeze that comes off the rolling hills. Whenever I try to visualise the Force, those hills are what I see.ANAKIN looks at PADME when he says this. ANAKIN (continuing) I love Naboo.There is an awkward moment. PADMÉ (changing the subject) Were you dreaming about you mother earlier, weren't you? ANAKIN Yes... I left Tatooine so long ago, my memory of her is fading. I don't want to lose it. Recently I've been seeing her in my dreams... vivid dreams... scary dreams. I worry about her.PADME gives ANAKIN a sympathetic look.EXT. CORUSCANT, DOWNTOWN, BACK STREET - MORNINGOBI-WAN walks down the street. It is a pretty tough part of town. Old buildings, warehouses, beat up speeders and transporter rigs occasional "shiny freighters" hissing through.OBI-WAN comes to a kind of alien diner. On the steamed-up windowa it says "DEX'S DINER" in alien lettering. He goes inside.INT. CORUSCANT, DEX'S DINER - MORNINGA young waitress, HERMIONE BAGWA, is wiping off a booth tabletop. There is a counter with stools and a line of booths along the wall by the window. A number of CUSTOMERS are eating - TOUGH-LOOKING WORKERS, FREIGHTER DRIVERS etc. HERMIONE looks up as OBI-WAN comes in. HERMIONE Can I help ya? OBI-WAN I'm looking for Dexter.HERMIONE'S eyes narrow. HERMIONE BAGWA Waddya want him for? OBI-WAN He's not in trouble. It's personal.HERMIONE stares at OBI-WAN. There is a brief pause. Then she goes to the open serving hatch behind the counter. HERMIONE BAGWA Someone to see ya, honey (lowering her voice) A Jedi, by the looks of him.Steam billows out from the kitchen hatch behind the counter as a huge head pokes through. DEXTER JETTSTER Obi-Wan! OBI-WAN Hey, Dex. DEXTER JETTSTER Take a seat! Be right with ya!OBI-WAN sits in a booth. HERMIONE BAGWA You want a cup of ardees? OBI-WAN Thank you.HERMIONE moves off as the door to the counter opens and DEXTER JETTSTER appears. He is big - bald and sweaty, old and alien. Not someone to tangle with. He arrives, beaming hugely. DEXTER JETTSTER Hey, ol' buddy! OBI-WAN Hey, Dex.DEXTER eases himself into the seat opposite OBI-WAN. He can just make it. HERMIONE sets two mugs of steaming ardees in from of them. DEXTER JETTSTER So, my friend. What can I do for ya? OBI-WAN You can tell me what this is.OBI-WAN places the dart on the table between them. DEX'S eyes widen. He puts down his mug. DEXTER JETTSTER Well, whattaya know...DEXTER picks up the dart delicately between his puffy fingers and peers at it. DEXTER JETTSTER (continuing) I ain't seen one of these since I was prospecting on Subterrel beyond the Outer Rim! OBI-WAN Do you know where it came from?DEXTER grins. He puts the dart down between them. DEXTER JETTSTER This baby belongs to them cloners. What you got here is a Kamino Kyberdart. OBI-WAN Kamino Kyberdart... I wonder why it didn't show up in any analysis archive. DEXTER JETTSTER It's these funny little cuts on the side give it away... Those analysis droids you've got over there only focus on symbols, you know. I should think you Jedi would have more respect for the difference between knowledge and wisdom. OBI-WAN Well, Dex, if droids could think, we wouldn't be here, would we? (laughing) Kamino... doesn't sound familiar. Is it part of the Republic? DEXTER JETTSTER No, it's beyond the Outer Rim. I'd say about twelve parsecs outside the Rishi Maze, toward the south. It should be easy to find, even for those droids in your archive to find. Those Kaminoans keep to themselves. They're cloners. Damned good ones, too.OBI-WAN then picks up the dart, holding it midway between them. OBI-WAN Cloners? Are they friendly? DEXTER JETTSTER It depends. OBI-WAN On what, Dex?Dexter grins. DEXTER JETTSTER On how good your manners are... and how big your pocketbook is...EXT. NABOO SPACEPORT - DAYThe Starfreighter lands in the giant port city of Theed.PADME, ANAKIN and ARTOO are among the EMIGRANTS streaming from the Starfreighter and into the vast docking area. They exit onto the main plaza.EXT. NABOO PALACE, GRAND COURTYARD (NABOO) - AFTERNOONThe speeder bus pulls up and stops. PADME, ANAKIN, and ARTOO get out. The great courtyard stretches out before them, and they see the rose-colored dome of the palace on the far side. ARTOO WHISTLES. They pick up their gear and start to cross the courtyard. ARTOO trundles behind them. ANAKIN If I grew up here, I don't think I'd ever leave. PADMÉ (laughing) I doubt that. ANAKIN No, really. When I started my training, I was very homesick and very lonely. This city and my Mom were the only pleasant things I had to think about... The problem was, the more I thought about my Mom, the worse I felt. But I would feel better if I thought about the palace - the way it shimmers in the sunlight - the way the air always smells of flowers... PADMÉ ...and the soft sound of the distant waterfalls. The first time I saw the Capital, I was very young... I'd never seen a waterfall before. I though they were so beautiful... I never dreamed one day I'd live in the palace. ANAKIN Well, tell me, did you dream of power and politics when you were a little girl? PADMÉ (laughing) No! That was the last thing I thought of. My dream was to help in the "Refugee Relief Movement." I never thought of running for elected office. But the more history I studied, the more I realised how much good politicians could do. So when I was eight, I joined the "Apprentice Legislators", then later on became a Senatorial advisor, with such a passion that, before I knew it, I was elected Queen. Partly because I scored so high on my education certificate, but for the most part it was my conviction that reform was possible. I wasn't the youngest Queen ever elected, but now that I think back on it, I'm not sure I was old enough. I'm not sure I was ready. ANAKIN The people you served thought you did a good job. I heard they tried to amend the Constitution so you could stay in office. PADMÉ Popular rule is not democracy, Annie. It gives the people what they want, not what they need. And, truthfully, I was relieved when my two terms were up. So were my parents. They worried About me during the blockade and couldn't wait for it all to be over. Actually, I was hoping to have a family by now... My sisters have the most amazing, wonderful kids... but when the Queen asked me to serve as Senator, I couldn't refuse her. ANAKIN I agree! I think the Republic needs you... I'm glad you chose to serve. I feel things are going to happen in our generation that will change the galaxy in profound ways. PADMÉ I think so too.ANAKIN and PADME walk toward the palace. ARTOO continues to follow.INT. NABOO PALACE, THRONE ROOM - AFTERNOONQUEN JAMILLIA is seated on the throne, flanked by SIO BIBBLE and a COUPLE OF ADVISORS. FOUR HANDMAIDENS stand close by, and GUARDS are at the doors. QUEEN JAMILLIA We've been worried about you. (takes her hand) I'm so glad you're safe, Padmé. PADMÉ Thank you, Your Highness. I only Wish I could have served you better by staying on Coruscant for the vote. SIO BIBBLE Given the circumstances, Senator, you know it was the only decision Her Highness could have made. QUEEN JAMILLIA How many systems have joined Count Dooku and the separatists? PADMÉ About two hundred. And more are leaving the Republic every day. If the Senate votes to create an army, I'm sure it's going to push us into a civil war. SIO BIBBLE It's unthinkable! There hasn't been a full-scale war since the formation of the Republic! QUEEN JAMILLIA Do you see any way, through negotiations, to bring the separatists back into the Republic? PADMÉ Not if they feel threatened. The separatists don't have an army, but if they are provoked, they will move to defend themselves. I'm sure of that. And with no time or money to build an army, my guess is they will turn to the Commerce Guilds or the Trade Federation for help. QUEEN JAMILLIA The armies of commerce! Why has Nothing been done in the Senate to restrain them? PADMÉ I'm afraid that, despite the Chancellor's best efforts, there are still many bureaucrats, judges, and even Senators on the payrolls of the Guilds. SIO BIBBLE It's outrageous! After all of those hearings, and the four trials in the Supreme Court, Nute Gunray is still the Viceroy of the Trade Federation. Do those money mongers control everything? QUEEN JAMILLIA Remember, Counsellor, the courts were able to reduce the Federation's armies. That's a move in the right direction. PADMÉ There are rumours, Your Highness, that the Federation Army was not reduced as they were ordered. ANAKIN The Jedi have not been allowed to investigate. It would be to be too dangerous for the economy, we were told. QUEEN JAMILLIA We must keep our faith in the Republic. The day we stop believing democracy can work is the day we lose it. PADMÉ Let's pray that day never comes. QUEEN JAMILLIA In the meantime, we must consider your own safety.SIO BIBBLE signals. All the other ADVISORS and ATTENDANTS bow and leave the room. SIO BIBBLE (to Anakin) What is your suggestion, Master Jedi? PADMÉ Anakin's not a Jedi yet, Counsellor. He's still a Padawan learner. I was thinking... ANAKIN (nettled) Hey, hold on a minute! PADMÉ Excuse me! I was thinking I would stay in the Lake Country. There are some places up there that are very isolated. ANAKIN Excuse me?! I am in charge of security here, M'Lady.SIO BIBBLE and QUEEN JAMILLIA exchange a look. Something is going on here. PADMÉ Annie, my life is at risk, and this is my home. I know it very well... that is why we're here. I think it would be wise for you to take advantage of my knowledge in this instance. ANAKIN (takes a deep breath) Sorry, M'Lady. SIO BIBBLE (to Anakin, amused) She is right. The Lake Country is the most remote part of Naboo. Not many people and a clear view of the surrounding terrain. QUEEN JAMILLIA Perfect. It's settled then.ANAKIN glares at PADME. Then QUEEN JAMILLIA gets up, and they all start to leave. QUEEN JAMILLIA (continued) Padmé, I had an audience with your father yesterday. I told him what was happening. He hopes you will visit your mother before you leave... your family's very worried about you.PADME looks worred. They ALL exit down the main staircase.EXT. JEDI TEMPLE - DAYThe main entrance at the base of the huge temple is bustling with activity. All sorts of JEDI are coming and going.INT. JEDI TEMPLE, ARCHIVES LIBRARY - DAYA bronze bust of Count Dooku, stands among a line of other busts of Jedi in the Archive Room. OBI-WAN stands in front it, studying the striking features of the chiselled face.On the walls, lighted computer panels seem to stretch into infinity. Farther along the room in the background, FIVE JEDI are seated at tables, studying archival material.After OBI-WAN studies the bust for a few moments before MADAME JOCASTA NU, the Jedi Archivist is standing next to him. She is an elderly, frail-looking human Jedi. Tough as old boots and smart as a whip. JOCASTA NU Did you call for assistance? OBI-WAN (distracted in thought) Yes... yes, I did... JOCASTA NU He has a powerful face, doesn't he? He was one of the most brilliant Jedi I have had the privilege of knowing. OBI-WAN I never understood why he quit. Only twenty Jedi have ever left the Order. JOCASTA NU (sighs) The Lost Twenty... and Count Dooku was the most recent and the most painful. No one likes to talk about it. His leaving was a great loss to the Order. OBI-WAN What happened? JOCASTA NU Well, one might say, he was always a bit out of step with the decisions of the Council... much like your old Master, Qui-Gon Jinn. OBI-WAN (surprised) Really? JOCASTA NU Oh, yes. They were alike in many ways. Very individual thinkers... idealists...JOCASTA NU stares at the bust JOCASTA NU (continuing He was always striving to become a more powerful Jedi. He wanted to be the best. With a lightsaber, in the old style of fencing, he had no match. His knowledge of the Force was... unique. In the end, I think he left because he lost faith in the Republic. He believed that politics were corrupt, and he felt the Jedi betrayed themselves by serving the politicians. He always had very high expectations of government. He disappeared for nine or ten years, then he just showed up recently as the head of the separatist movement. OBI-WAN Interesting... I'm still not sure I understand. JOCASTA NU Well, I'm sure you didn't call me over here for a history lesson. Are you having a problem, Master Kenobi? OBI-WAN Yes, I'm trying to find a planet system called Kamino. It doesn't seem to show upon any of the archive charts. JOCASTA NU Kamino? It's not a system I'M familiar with... Let me see...JOCASTA NU leans over OBI-WAN'S shoulder, looking at the screen. JOCASTA NU (continuing) Are you sure you have the right co-ordinates? OBI-WAN (nodding) According to my information, it should be in this quadrant somewhere... just south of the Rishi Maze.JOCASTA NU taps the keyboard and frowns. JOCASTA NU No co-ordinates? It sounds like the kind of directions you'd get from a street tout... some old miner or Furbog trader. OBI-WAN All three actually. JOCASTA NU Are you sure it exists? OBI-WAN Absolutely. JOCASTA NU Let me do a gravitational scan.OBI-WAN and JOCASTA NU studt the star map hologram. JOCASTA NU There are some inconsistencies here. Maybe the planet you're looking for was destroyed. OBI-WAN Wouldn't that be on record? JOCASTA NU It ought to be. Unless it was very recent. (shakes her head) I hate to say it, but it looks like the system you're searching for doesn't exist. OBI-WAN That's impossible... perhaps the archives are incomplete. JOCASTA NU The archives are comprehensive and totally secure, my young Jedi. One thing you may be absolutely sure of - if an item does not appear in our records, it does not exist!OBI-WAN stares at her, then looks back at the map.EXT. THEED, RESIDENTIAL AREA, SIDE STREET - AFTERNOONPEOPLE are passing through the little street, OLD MEN are sunning themslves, WOMEN are gossipping, KIDS are playing. ANAKIN, PADME and ARTOO turn onto a side street. ANAKIN is back in his Jedi robes. PADME wear a beautiful simple dress. She stops, beaming. PADME There's my house!PADME starts forward; ANAKIN hangs back. PADME (continuing) What? Don't say you're shy! ANAKIN (untruthfully) No, but I...Suddenly, there are shouts from two little girils, RYOO (age 6) and POOJA (age 4). They come running toward PADME. RYOO & POOJA Aunt Padme!! Aunt Padme!! PADME Ryoo!! Pooja!!PADME scoops up RYOO and POOJA and hugs them. PADME (continuing) I'm so happy to see you! This is Anakin. Anakin, this is Ryoo, and this is Pooja.ANAKIN and the GIRLS say hello shyly. Then: RYOO & POOJA Artoo!!!As they see the droid, they hug him. ARTOO WHISTLES and BEEPS. PADME laughs. ANAKIN and PADME go on toward the house. The GIRLS stay and play with ARTOO.INT. PADME'S PARENTS' HOUSE, MAIN ROOM - AFTERNOONSOLA, PADME'S beautiful older sister, comes in from the kitchen carrying a big bowl of food. SOLA (over her shoulder) They're eating over at Jev Narran's later, Mom. They just had a snack. They'll be fine.SOLA puts the bowl down on the table, where ANAKIN, PADME and RUWEE NABERRIE (Padme's father) are coming into the room. PADME Anakin, this is my sister, Sola. SOLA Hello, Anakin. ANAKIN Hello.SOLA sits, as JOBAL NABERRIE (Padme's mother) comes in with a heaped bowl of steaming food. JOBAL You're just in time for dinner. I hope you're hungry, Anakin. ANAKIN A little. PADME He's being polite, Mom. We're starving. RUWEE (grinning) You came to the right place at the right time. Sit down, son.EVERYONE sits and starts passing food. JOBAL (to Padme) Honey, it's so good to see you safe. We were so worried.PADME gives JOBAL a dirty look. RUWEE smiles as he watches. RUWEE Dear... JOBAL I know, I know... but I had to say it. Now it's done. SOLA Well, this is exciting! Do you know, Anakin, you're the first boyfriend my sister's ever brought home? PADME (rolls her eyes) Sola!! He isn't my boyfriend! He's a Jedi assigned by the Senate to protect me. JOVAL A bodyguard?! Oh, Padme! They didn't tell us it was that serious! PADME It's not, Mom, I promise. (glances at Jobal) Anyway, Anakin's a friend. I've known him for years. Remember that little boy who was with the Jedi during the blockade crisis?They nod. PADME (continuing) He grew up. JOBAL Honey, when are you going to settle down? Haven't you had enough of that life? I certainly have! PADME Mom, I'm not in any danger. RUWEE (to Anakin) Is she? ANAKIN ...Yes... I'm afraid she is. PADME (quickly) But not much.EXT. PADME'S PARENTS' GARDEN - AFTERNOONANAKIN and RUWEE are walking. RUWEE Sometimes I wish I'd traveled more... but I must say, I'm happy here. ANAKIN Padme tells me you teach at the university? RUWEE (nodding) Yes, and before that, I was a builder. I also worked for the Refugee Relief Movement, when I was very young.INT. PADME'S PARENTS' HOUSE, MAIN ROOM - AFTERNOONPADME, SOLA and JOBAL are clearing the table. SOLA Why haven't you told us about him? PADMÉ What's there to talk about? He's just a boy. SOLA A boy? Have you seen the way he looks at you? PADMÉ Sola - stop it! SOLA It's obvious he has feelings for you. Are you saying, little baby sister, that you haven't noticed? PADMÉ I'm not your baby sister, Sola. Anakin and I are friends... our relationship is strictly professional. (to Jobal) Mom, would you tell her to stop it? SOLA (laughing) Well, maybe you haven't noticed the way he looks at you. I think you're afraid to. PADMÉ Cut it out. JOBAL Sola's just concerned... we all are. PADMÉ Oh, Mom, you're impossible. What I'm doing is important. JOBAL You've done your service, Padmé. It's time you had a life of your own. You're missing so much!EXT. PADME'S PARENTS' GARDEN - AFTERNOONANAKIN and RUWEE are walking in the garden. RUWEE stops and faces ANAKIN directly. RUWEE Now tell me, son. How serious is this thing? How much danger is my daughter really in? ANAKIN There have been two attempts on her life. Chances are there'll be more. My Master is tracking down the assassins. I'm sure he'll find out who they are. This situation, won't last long. RUWEE I don't want anything to happen to her. ANAKIN I don't either.INT. PADME'S PARENTS' HOUSE, PADME'S ROOM - AFTERNOONPADME throws some things into a bag. PADME Don't worry, this won't take long. ANAKIN I just want to get there before dark.PADME goes on packing. ANAKIN looks around the room. ANAKIN (continuing) You still live at home. PADME I move around so much, I've never had a place of my own. Official residences have no warmth. I feel good here. I feel at home. ANAKIN I never had a real home. Home was always where my Mom was.ANAKIN picks up a framed hologram. ANAKIN (continuing) Is this you?The hologram shows Padme at age seven or eight surrounded by forty or fifty little green creatures. She is holding one in her arms. They are all smiling hugely. PADME That was when I went with the Relief Group to Shadda-Bi-Boran. Their sun was imploding, and the planet was dying. I was helping to relocate the children. See that little one I'm holding? His name was N'a-kee-tula, which means sweethear. He was so full of life,. All those kids were. I did everything I could to save him, but he died... they all did. They were never able to adapt... to live off their native planet.ANAKIN picks up another hologram. It shows PADME at age ten or eleven. She is wearing official robes and standing between two robed legislators. Her expression is severe. PADME (continuing) My first day as an Apprentice Legislator. Notice the difference?PADME pulls a face. ANAKIN grins. She continues packing. ANAKIN sets the two holograms down side by side - the beaming little girl, and the the stern, unsmiling adolescent.INT. JEDI TEMPLE, MAIN HALLWAY - DAYOBI-WAN walks through the main hallway to the training area.INT. JEDI TEMPLE, TRAINING VERANDA - DAYOBI-WAN comes out onto the veranda and stops, watching TWENTY or so FOUR-YEAR-OLDS doing training exercises, supervised by YODA. They wear helmets over their eyes and try to strike little TRAINING DROIDS with their miniature lightsabers. The DROIDS dance in front of them. YODA Don't think... feel... be as one with the Force. Help you, it will. (he sees Obi-Wan) Younglings - enough! A visitor we have. Welcome him.The CHILDREN take off their helmets and turn off their lightsabers. YODA (continuing) Master Obi-Wan Kenobi, meet the mighty Bear Clan. CHILDREN Welcome, Master Obi-Wan! OBI-WAN I am sorry to disturb you, Master. YODA What help to you, can I be? OBI-WAN I’m looking for a planet described to me by an old friend. I trust him. But the system doesn’t show up on the archive maps. YODA An interesting puzzle. Gather round the map reader, younglings. Master Obi-Wan has lost a planet. Find it, we will try...The map reader is a small shaft with a hollow opening at the top. The CCHILDREN gather around it. OBI-WAN takes out a little glass ball and places it into the bowl. The window shades close darkening the room and the reader lights up, projecting the star map hologram into the room. The CHILDREN laugh. Some of them reach up to try and touch the nebulae and stars. OBI-WAN walks into the display. OBI-WAN This is where it ought to be... but it isn’t. Gravity is pulling all the stars in this area inward to this spot. There should be a star here... but there isn’t. YODA Most interesting. Gravity’s silhouette remains, but the star and all its planets have disappeared. How can this be?There is a brief pause. Then a CHILD puts its hand up. YODA nods. JEDI CHILD JACK Because someone erased it from the archive memory. CHILDREN That’s right! Yes! That’s what happened! Someone erased it! JEDI CHILD MAY If the planet blew up, the gravity would go away.OBI-WAN stares; YODA chuckles. YODA Truly wonderful, the mind of a child is. Uncluttered. To the centre of the pull of gravity go, and find your planet you will. OBI-WAN But Master Yoda who could have erased information from the archives? That’s impossible, isn’t it? YODA (frowning) Much harder to answer, that question is.EXT. NABOO LAKE RETREAT, WATER SPEEDER, LANDING PLATFORM - LATE AFTERNOONA water speeder driven by PADDY ACCU, the retreat caretaker, skims across the lake away from the island landing platform where a chrome Naboo Starship rests. ANAKIN and PADME are sitting in the speeder as it skims away to where a lodge rises on a beautiful island in the middle of the lake.EXT. NABOO LAKE RETREAT, LODGE, GARDEN TERRACEM LATE AFTERNOONANAKIN and PADME walk up the stairs from where the water speeder is parked onto a terrace overlooking a lovely garden. Behind them, PADDY ACCU supervises two serving girls, NANDI and TECKLA, as they carry the bags into the Lodge.ANAKIN and PADME stop at the balustrade. PADME looks out across the garden to the shimmering lake and the mountains rising beyond. ANAKIN looks at her silently. PADMÉ When I was in Level Three, we used to come here for school retreat. See that island? We used to swim there every day. I love the water. ANAKIN I do too. I guess it comes from growing up on a desert planet.PADME becomes aware that ANAKIN is looking at her. PADMÉ ...We used to lie on the sand and let the sun dry us... and try to guess the names of the birds singing. ANAKIN I don’t like sand. It’s coarse and rough and irritating, and it gets everywhere. Not like here. Here everything’s soft... and smooth...He touches her arm. PADME has become receptive to the way he looks at her but is nervous. PADMÉ There was a very old man who lived on the island. He used to make glass out of sand - and vases and necklaces out of the glass. They were magical. ANAKIN (looks into her eyes) Everything here is magical. PADMÉ You could look into the glass and see the water. The way it ripples and moves. It looked so real... but it wasn’t. ANAKIN Sometimes, when you believe something to be real, it becomes real. Real enough, anyway...They look into each other's eyes. He touches her chin. PADMÉ I used to think if you looked too deeply into glass, you would lose yourself. ANAKIN I think it's true...ANAKIN kisses PADME. She doesn't resist. She comes to her senses and pulls away. PADMÉ I shouldn't have done that. ANAKIN I'm sorry. When I'm around you, my mind is no longer my own. PADMÉ It's the situation... the stress...He looks at her. ANAKIN ...the view.EXT. CORUSCANT, LANDING PLATFORM - LATE AFTERNOONObi-Wan's Starfighter is ready for takeoff. OBI-WAN and MACE WINDU stand beside it. MACE WINDU Be wary, this disturbance in the Force is growing stronger. OBI-WAN I am concerned for my Padawan. He is not ready to be on his own. YODA The Council is confident in this decision, Obi-Wan. MACE He has exceptional skills. The Council is confident in its decision, Obi-Wan. If the prophecy is true, he weill be the one to bring balance to the Force. OBI-WAN But he still has much to learn. And his abilities have made him... well... arrogant. I realise now what you and Master Yoda knew from the beginning... the boy was too old to start the training and...OBI-WAN hesitates. MACE WINDU There's something else? OBI-WAN Master, he should not have been given this assignment. I'm afraid Anakin won't be able to protect the Senator. MACE WINDU Why? OBI-WAN He has a... an emotional connection with her. It's been there since he was boy. Now he's confused... distracted. MACE-WINDU Obi-Wan, you must have faith that he will take the right path.OBI-WAN climbs into the cockpit of the Starfighter. OBI-WAN Has Master Yoda gained any insight into whether or not this war will come about? MACE WINDU Probing the Dark Side is a dangerous process. He could be in seclusion for days... May the force be with you.INT. JEDI TEMPLE, YODA'S QUARTERS - LATE AFTERNOONYODA sits with his eyes closed, meditating. Silence.EXT. NABOO LAKE RETREAT, LOUNGE, LATE AFTERNOONThe setting sun touches the mountain peaks. The lake glows in the rose-tinted light. Floatinf lamps glean softly like jewels at the lodge.INT. NABOO LAKE RETREAT, DINING ROOM - LATE AFTERNOONNANDI place dessert in front of PADME. TECKLA does the same for ANAKIN. The dessert is some kind of fruit. PADME picks up her fork and goes to spear a piece, but it moves! She frowns and tries again -the fruit moves. She lokk up at ANAKIN. His eyes are on his plate. PADME You did that?ANAKIN looks up - wide-eyed innocence. ANAKIN What?PADME scowls at him. PADME jabs at the fruit - ANAKIN subtly moves his hand and it lifts up from the plate and hovers in front of her. PADME That! Now stop it!PADME laughs. ANAKIN laughs. She reaches out for the fruit - it loops. PADME (continuing) Anakin!!ANAKIN moves his fingers. The fruit flies into his hand. ANAKIN I'm not really supposed to do that... for fun, I mean. If Master Obi-Wan were here, he'd be very grumpy.ANAKIN is pleased. He cuts the fruint into several pieces and sends one back to PADME. She bites it out of the air and laughs.INT. NABOO LAKE RETREAT, LODGE, FIREPLACE ALCOVE - TWILIGHTA fire blazes in the open hearth. PADME is sitting in front of it, gazing at the flames.She looks up as ANAKIN arrives. She makes room for him. Brief pause. ANAKIN May I tell you something? PADME I don't know. ANAKIN Then how can I tell you? PADME Maybe you should use your Jedi intuition. ANAKIN It doesn't work around you. My mind is always a muddle... I can only think of you. PADME Anakin, don't... ANAKIN From the moment I met you, all those years ago, a day hasn't gone by when I haven't thought of you. And now that I'm close to you again, I'm in agony. The closer I get to you, the worse it gets. The thought of not being with you mskes my stomach turn over - my mouth goes dry. I feel dizzy. I can't breathe. I'm haunted by the kiss you should never have given me. My heart is beating, hoping that kiss will not become a scar. You are in my very soul, tormenting me. What can I do? I will do anything you ask...Silence. The logs flame in the hearth. ANAKIN (continuing) If you are suffering as much as I am, tell me. PADME ...I can't. We can't. It's just not possible. ANAKIN Anything's possible. Padme, please listen... PADME You listen. We live in a real world. Come back to it. You're studying to become a Jedi Knight. I'm a Senator. If you follow your thoughts through to conclusion, they will take us to a place we cannot go... regardless of the way we feel about each other. ANAKIN Then you do feel something! There's an extraordinary connection between us. You can't deny that. PADME Annie, it doesn't make any difference. Jedi aren't allowed to marry. You swore an oath, remember? You'd be expelled from the Order. I will not let you give up your responsibilities... your future, for me. ANAKIN I was destined to be a Jedi. I don't think I could be anything else. But you are asking me to be rational. That is something I know I cannot do. I wish I could wish my feelings away... but I can't. PADME I am not going to give into this. I'm not going to throw my life away. I have more important things to do than fall in love.There is silence as they stare at the fire. ANAKIN is thinking. ANAKIN It wouldn't have to be that way... we could keep it a secret. PADME Then we'd be living a lie - one we couldn't keep even if we wanted to. Mt sister saw it. So did my mother. I couldn't do that. Could you, Anakin? Could you live like that?Silence for a moment. ANAKIN ...No, you're right. It would destroy us.EXT. SPACEIt's just like the star map hologram, plus the storm-shrouded planet of Kamino, which is exactly where it ought to be. Obi-Wan's Starship flies OVER CAMERA and heads down toward the planet.EXT. TIPOCA CITY, KAMINO LANDING PLATFORM (RAINSTORM) - DAYHeavy rans and hard-driving winds lash the platform as Obi-Wan's Starship approaches. The huge, ultra-modern city of Tipoca rests on great stilts that keep it above the pounding and ever-present waves that cover the surface of this watery world.The Starfighter lands. OBI-WAN gets out and makes his way through the bowling wind toward a tower on the far side of the platform. A door slides open. A shaft of brilliant light pierces the swirling rain. OBI-WAN passes through it and goes inside.INT. TIPOCA CITY, CORRIDOR ENTRANCEA Brilliant white light. OBI-WAN pushes the soaking hood from his face. TAUN WE Welcome to Tipoca City, Master Jedi.OBI-WAN wipes the rain from his face and blinks in surprise at a tall, pasty-white alien named TAUN WE. He has large, almond shaped eyes. TAUN WE Everything is ready. The Prime Minister expects you. OBI-WAN (warily) I'm expected? TAUN WE Of course! He is anxious to see you. After all these years, we were beginning to think you weren't coming. Now please, this way!OBI-WAN masks his surprise as they move away along the corridor.Obi-Wan follows Taun We cautiously.INT. TIPOCA CITY, PRIME MINISTER OFFICE - DAYThe door slides open. OBI-WAN and TAUN WE enter and cross to where LAMA SU rises, smiling, from behind his desk, which, like all the furniture on Kamino, seems made out of pure light. TAUN WE May I present Lama Su, Prime Minister of Kamino... and this is Master Jedi... OBI-WAN Obi-Wan Kenobi. LAMA SU Please...LAMA SU indicates a chair. OBI-WAN sits. TAUN WE hovers. The room is bathed in brilliant white light. The whole place is ultra high-tech. LAMA SU I trust you are going to enjoy your stay. We are most happy you have arrived at the best part of the season. OBI-WAN You make me feel most welcome. LAMA SU And now to business. You will be delighted to hear we are on schedule. Two hundred thousand units are ready, with another million well on the way. OBI-WAN (improvising) That is... good news. LAMA SU Please tell your Master Sido-Dyas that we have every confidence his order will be met on time and in full. He is well, I hope? OBI-WAN I'm sorry Master - ? LAMA SU Jedi Master Sifo-Dyas. He's still a leading member of the Jedi Council, is he not? OBI-WAN Oh, yes. Sido-Dyas. LAMA SU (rising) You must be anxious to inspect the units for yourself. OBI-WAN That's why I'm here.EXT. NABOO, MOUNTAIN MEADOW - LATER AFTERNOONPADME and ANAKIN are in the middle of an idyllic hilly meadow, its lush grasses sprinkled with flowers. At a distance, a herd of SHAAKS graze contentedly.Beyond is the shimmering expanse of the lake. Several other lakes stretch to the horizon. The warm air is full of little floating puffballs. They sit on the grass, in a playful, coy mood, talking. PADME is picking flowers. PADMÉ I don't know... ANAKIN Sure you do... you just don't want to tell me. PADMÉ Are you going to use one of your Jedi mind tricks on me? ANAKIN They only work on the weak-minded. You are anything but weak-minded. PADMÉ All right... his name was Palo. I was twelve. We were both in the Legislative Youth Program. He was a few years older then I... very cute... dark curly hair... dreamy eyes. ANAKIN All right, I get the picture... whatever happened to him? PADMÉ I went on to become a Queen. He went on to become an artist. ANAKIN Maybe he was the smart one. PADME You really don't like politicians, do you? ANAKIN I like two or three, but I'm not really sure about one of them. (smiling) I don't think the system works. PADME How would you have it work? ANAKIN We need a system where the politicians sit down and discuss the problems, agree what's in the best interests of all the people, and then do it. PADME That is exactly what we do. The trouble is that people don't wlways agree. In fact, they hardly ever do. ANAKIN Then they should be made to. PADME By whom? Who's going to make them? ANAKIN I don't know. Someone. PADME You? ANAKIN Of course not me. PADME But someone. ANAKIN Someone wise. PADME That sounds an awful lot like a dictatorship to me.A mischievious little grin creeps across his face. ANAKIN Well, if it works...PADME stares at ANAKIN. He looks back at her, straight-faced, and can't hold a smile. PADMÉ You're making fun of me. ANAKIN (sarcastic) On no, I'd be much too frightened to tease a Senator. PADMÉ You're so bad!PADME picks up a piece of fruit and throws it at him. He catches it. PADME throws two more pieces of fruit, and ANAKIN catches them. ANAKIN You're always so serious. Always carrying the weight of the universe on your shoulders.ANAKIN then starts to juggle the fruit. PADME laughs and throws more fruit at him. He manages to juggle them too until there are too many, and he loses control and ducks, letting food fall on his head. They both laugh.ANAKIN stands in front of a SHAAK, yelling at it and waving his arms. PADME starts laughing as ANAKIN runs in circles, chased by the SHAAK.The SHAAK crosses in front of PADME. ANAKIN is riding it, facing the SHAAK'S tail. The SHAAK bucks, and ANAKIN falls off. PADME laughs even harder. ANAKIN lies still. PADME jumps uip and runs to where ANAKIN is face down in the grass. She turns him over. He is pulling a stupid face at her. She yelps in mock fury and takes a swing at him. He catches her arm. She struggles. They roll over in the grass. Suddenly, they become aware of the contact between them. They let go of each other quickly and sit up, looking away.ANAKIN stands up and holds out his hand to her. She take it. He pulls her up. And now they are easy together, not self-conscious any more. PADME scrambles up onto the SHAAK behind ANAKIN. She puts her arms around his waist and leans against his back. ABAJUB digs his heels in. The SHAAK starts forward, and they ride away.EXT. TIPOCA CITY, PARADE GROUND (RAINSTORM) - DAYOBI-WAN, LAMA SU and TAUN WE come out onto a balcony. Below is a huge parade ground. The rain and wind are brutal. THOUSANDS OF STORMTROOPERS, faces covered by helmets, are marching and drilling in formations of several hundred. LAMA SU (beaming) Magnificent, aren't they?OBI-WAN nods slowly.INT. TIPOCA CITY, CLONE CENTER, COMMINSSARY - DAYLAMA SU conducts OBI-WAN through a large eating area. TAUN WE follows as they walk by HUNDREDS OF CLONES who look exactly alike, all about twenty years old, dressed in black. They are seated at tables, eating. LAMA SU We modified their genetic structure to make them less independent than the original host. As a result they are totally obedient, taking any order without question. OBI-WAM Who was the original host? LAMA SU A bounty hunter called Jango Fett. We felt a Jedi would be the perfect choice, but Sido-Dyas hand- picked Jango Fett himself. OBI-WAN Where is this bounty hunter now? LAMA SU Oh, we keep him here. After a few hundred thousand clones, the genetic pattern starts to fade, so we take a fresh supply. He lives here, but he's free to come and go as he pleases.INT. TIPOCA CITY, CLONE CENTER, BARRACKS - DAYThe tour continues through a long corridor folled with narrow, transparent tubes into which CLONES are climbing. Once in the tube, the CLONE goes to sleep. LAMA SU Apart from his pay, which is considerable, Fett demanded only one thing - an unaltered clone for himself. Curious isn't it? OBI-WAN Unaltered? LAMA SU Pure genetic replication. No tampering with the structure to make it more docile... and no growth acceleration... OBI-WAN I would like to meet this Jango Fett. TAUN WE I would be most happy to arrange it, for you.TAUN WE bows, and leaves.INT. TIPOCA CITY, CLONE CENTER, CLASSROOM - DAYThe tour continues through a classroom filled with IDENTICAL YOUNG BOY CLONES. OBI-WAN You mentioned growth acceleration... LAMA SU Oh yes, it's essential. Otherwise, a mature clone would take a lifetime to grow. Now, we can do it in half the time. Those items you saw on the parade ground were started ten years ago, when Sido-dyas first placed the order, and they're already mature...OBI-WAN looks at the BOY CLONES. OBI-WAN And these? LAMA SU About five years ago.INT. TIPOCA CITY, CLONE CENTER, HATCHERY - DAYThey enter a space filled with great racks of glass spheres, which are filled with fluid in which EMBRYOS are suspended. LAMA SU They're immensely superior to droids, capable of independent thought and action. OBI-WAN Very impressive. LAMA SU I'd hoped you would be pleased. OBI-WAN gazes at the nearest embryos. OBI-WAN (carefully) Tell me, prime minister, when my Master Sido-dyas first contacted you, did he say the order was for... himself... or? LAMA SU Himself? Of course not. This army is for the Republic? OBI-WAN (astonished) The Repubic? LAMA SU We are also very much agasint this Count Dooku and his seccessionist movement. We are proud to be of help to the Republic.INT. TIPOCA CITY, APARTMENT - LATE DAYTAUN WE shows OBI-WAN into his room. TAUN WE I have arranged for you to meet Jango Fett in the morning. Sleep well.TAUN WE goes. The door slides closed behind him. OBI-WAN looks around, then moves swiftly to check the room over. Finally, satisfied, he takes out his comlink. OBI-WAN Arfour, Arfour...EXT. TIPOCA CITY LANDING PLATFORM, JEDI FIGHTER, (RAINSTORM) - LATE DAYThe R4 D17, Obi-Wan's Astro-Droid, who is sitting on top of Obi-Wan's Starfighter, switches on and BEEPS.INT. TIPOCA CITY, APARTMENT - LATE DAYOBI-WAN hears ARFOUR BEEP through his comlink. OBI-WAN Arfour, relay this, "scramble code five," to Courscant: care of "the old folks home."EXT. TIPOCA CITY LANDING PLATFORM, JEDI FIGHTER, (RAINSTORM) - LATE DAYARFOUR BEEPS and WHISTLES. The panels light up inside the cockpit, as the message is transmitted.EXT. JEDI TEMPLE, LIVINF QUARTERS - EARLY EVENINGYODA and MACE WINDU listen as a hologram of OBI-WAN stands between them broadcasting the massage. The singnal is very weak, the image fades in and out. OBI-WAN (V.O.) ...I've never heard of a Jedi called Sido-Dyas, have you, Master? MACE WINDU No. Whoever placed that order was not a Jedi, I can assure you. OBI-WAN (V.O.) I have a strong feeling that this bounty hunter is the assassin we're looking for. YODA Who he is working for... discover that, you must. OBI-WAN (V.O.) I will, Master, and I will also find out more about this clone army... May The Force...The hologram switches off, and OBI-WAN fades away. WINDU A clone army! Ordered by someone in the Senate perhaps... Someone's out to start a war. YODA Inform the chancellor of this, we must. WINDU Who do you think this impostor Sido-Dyas, could be?YODA stares back at MACE WINDU, then slowly shakes his head.EXT. NABOO LAKE RETREAT - NIGHTThe silent lodge. The triple moons of Naboo reflected in the tranquil waters of the lake.INT. NABOO LAKE RETREAT, ANAKIN'S BEDROOM - NIGHTANAKIN moves restlessly in his sleep. He mutters to himself. Sweat forms on his forehead. He turns violently. He cries out. ANAKIN No...No...No...Mom!...Don't, no, don't!EXT. NABOO LAKE RETREAT, LODGE, BALCONY OVERLOOKING GARDENS - MORNINGANAKIN is on the balcony overlooking the gardens. After a moment, PAMDE comes onto the balcony behind him. She sees he is meditating and turns to go. ANAKIN (eyes closed) Don't go. PAMDE I don't want to disturb you. ANAKIN Your presence is soothing.Brief pause. PADME You had a nightmare again last night. ANAKIN Jedi don't have nightmares. PADME I heard you.ANAKIN'S opens his eyes and looks at her. ANAKIN I saw my mother. I saw her as clearly as I see you now. She's suffering, Padme. She is in pain...They're killing her! (getting up) I know I'm disobeying my mandate to protect you, Senator. I know I will be punished and possibly thrown out of the Jedi Order, but I must go. I have to help her! I'm sorry, Padme. I don't have a choice. PADME Annie, I told you I wouldn't let you give up your future for me. I'll go with you. That way you can continue to protect me, and you won't be disobeying your mandate. ANAKIN What about Master Obi-wan?PADME smiles and takes his hand. PADME I guess we won't tell him, will we?EXT. NABOO LAKE, FLOATING LANDING PLATFORM - DAYANAKIN and PADME step onto the landing platform from the water speeder. They enter the Naboo Starship. ARTOO BEEPS, and follows them on board. The ramp retracts.PADDY ACCU drives the water speeder away from the platform as Anakin's Starship takes off.EXT. TIPOCA CITY (RAINSTORM) - DAYRain lashes the city. Below, mightly waves pound the stilts, breaking almost to the height of the platforms.INT. TIPOCA CITY, CORRIDOR - DAYTAUN WE conducts OBI-WAN to the door of Jango Fett's apartment. TAUN WE waves his hand, and a muted bell RINGS.As they wait, OBI-WAN notes the door lock entry mechanism. Then the door opens, and a ten-year-old boy, BOBA FETT, looks at them. He is identical to the boys in the classroom. TAUN WE Boba, is your father here?There is a brief pause, then BOBA FETT nods. TAUN WE (continuing) May we see him? BOBA FETT Sure.Another brief pause, then BOBA FETT steps aside, and TAUN WE and OBI-WAN go through.INT. TIPOCA CITY, FETT APARTMENT - DAYOBI-WAN, TAUN WE, and BOBA FETT enter the apartment. OBI-WAN looks around the room. BOBA FETT Dad! Taun We's here!JANGO FETT comes in from the bedroom. He wears a jumpsuit. He is unshaven and mean looking, his face pitted with scars of old wounds. There are a couple of weird tattoos on his muscular forearms. He eyes OBI-WAN with suspicion. TAUN WE Welcome back, Jango. Was your trip productive? JANGO FETT Fairly.OBI-WAN and JANGO FETT size each other up. BOBA FETT studies both of them. TAUN WE This is Jedi Master, Obi-Wan Kenobi. He's come to check on our progress. JANGO FETT That right?JANGO FETT'S eyes fix OBI-WAN coldly. OBI-WAN Your clones are very impressive. You must be very proud. JANGO FETT I'm just a simple man, trying to make my way in the universe, Master Jedi. OBI-WAN Aren't we all?OBI-WAN eyes the half-open bedroom door, through which a couple of pieces of body armour can be seen on the floor. JANGO FETT registers OBI-WAN'S look. He moves in front of him, blocking the view. OBI-WAN (continuing) Ever made your way as far into the interior as Coruscant? JANGO Once or twice. OBI-WAN Recently? JANGO (eyes Obi-Wan carefully) Possibly... OBI-WAN Then you must know Master Sido- Dyas? JANGO Boba, close the door.BOBA FETT moves to close the bedroom door. JANGO FETT smiles thinly at OBI-WAN. JANGO (continuing) Master who? OBI-WAN Sido-Dyas. Isn’t he the Jedi who hired you for this job? JANGO Never heard of him. I was recuited by a man called Darth Tyranus on one of the moons of Bogden. OBI-WAN No? I thought... TAUN WE Sido-Dyas told us to expect him. And he showed up just when your Jedi Master said he would. We have kept the Jedi’s involvement a secret until your arrival, just as your Master requested. OBI-WAN Curious... JANGO Do you like your army? OBI-WAN It seems to me it's your army - being that they are all clones of you. JANGO (grinning) They'll do their job well, I'll guarantee that. OBI-WAN I look forward to seeing them in action. Thank you for your time, Jango. JANGO Always a pleasure to meet a Jedi.OBI-WAN and TAUN WE go out. The door slides closed. JANGO FETT turns to his son. He is deep in thought. BOBA What is it, Dad?EXT. SPACEThe Naboo Starship heads toward the desert planet of Tatooine.EXT. TATOOINE, MOS ESPA STREETS AND WATTO'S SHIP - DAYThe Naboo Starship lands in a large parking lot of Spaceships on the outskirts of Mos Espa. ANAKIN and PADME ride a rickshaw through the streets. ANAKIN stares at sights he hasn't seen for years. Finally, they come to Wattos' shop, and the rickshaw stops. ANAKIN (to the droid driver) Wait, please.ANAKIN and PADME get down. Sitting on a stool in front of the shop is WATTO. He is using a small electronic screwdriver on a fiddly DROID. THREE PIT DROIDS are chattering away and are trying to help him, but they seem only to make him madder. WATTO (yelling, in Huttese) No, not that one - that one! ANAKIN (arriving) Excuse me, Watto. WATTO (in Huttese) What? ANAKIN (in Huttese) I said excuse me.WATTO turns to the chattering PIT DROIDS. WATTO (in Huttese) Shut down.The PIT DROIDS snap into their storage position. WATTO (continuing, in Huttese) What? I don't know you... What can I do for you? You look like a Jedi. Whatever it is... I didn't do it.WATTO drops the screwdriver and curses loudly in Huttese ANAKIN Let me help you with that.ANAKIN takes the fiddly piece of equipment and starts to play with it. WATTO blinks in surprise. ANAKIN (continuing) I'm looking for Shmi Skywalker.WATTO looks at him suspiciously. He stares at PADME, then back to ANAKIN. WATTO Annie?? Little Annie?? Naaaah!!Suddenly, the fiddly piece of equipment in Anakin's hands WHIRS into life. WATTO blinks at it. WATTO (continuing; in English) You are Annie! It is you! You little womp rat.WATTO gives ANAKIN a big hug. WATTO (continuing) You sure sprouted Weehoo! A Jedi! Waddya know? Hey, maybe you couldda help wit some daedbeats who owe... ANAKIN My mother... WATTO Oh, yeah. Shmi... she's not mine no more. I sold her. ANAKIN Sold her... WATTO Years ago. Sorry, Anne, but you know, business is business. Sold her to a moisture farmer named Lars. Least I think it was Lars. Believe it or not, I heard he freed her and married her. Can ya beat that? ANAKIN Do you know where they are? WATTO Long way from here... someplace over on the other side of Mos Eisley, I think... ANAKIN I'd like to know.ANAKIN'S grim look means business; WATTO gets the hint quickly. WATTO Yeah... sure... absolutely. Let's go look in my records.ANAKIN and WATTO go into the shop.EXT. TIPOCA CITY (RAINSTORM) - DAYThe waves crash against the water city as the storm continues. Light suddenlyt streams from the base of a landing platform as a door slides open.INT. TIPOCA CITY, CORRIDOR - DAYOBI-WAN stands with LAMA SU and TAUN WE just inside the open door. LAMA SU Tell your Council the first battalions are ready. And remind them that if they need more troops, we will need time to grow them. OBI-WAN I won't forget.EXT. TIPOCA CITY, KAMINO LANDING PLATFORM (RAINSTORM) - DAYOBI-WAN comes out from the tower into the driving ran. The door closes behind him. He pulls his robe around him and stands braced against the gale.Below, a huge wave crashes against the stilts. Spray flies high and whips across the platform where OBI-WAN is standing. He walks over to his Starfighter, looks to see if anyone is watching, then turns and goes back to the door. It slides open.INT. TIPOCA CITY, CORRIDOR - DAYOBI-WAN enters cautiously from outside. Ahead, the corridor is deserted. He moves down it.INT. TIPOCA CITY, FETT APARTMENT - DAYOBI-WAN walks in to find the room in complete disorder. The bedroom door is wide open - clear signs of hurried departure. All of the Fetts' personal belongings are gone.OBI-WAN goes to an ultra-thin computer screen. He punches up AN ONSCREEN PICTURE of JANGO FETT and BOBA FETT unhitching the lines securing their ship to the landing platform. JANGO FETT is wearing his armour and rocket pack. BOBA FETT climbs aboard the small Fighter.EXT. TIPOCA CITY, KAMINO LANDING PLATFORM (RAINSTORM) - DAYJANGO FETT picks up a case and swings it up to BOBA FETT, who stows it inside the ship. JANGO FETT picks up another case and is about to swing it, when: BOBA FETT Dad!!JANGO FETT turns to see OBI-WAN charging out of the tower toward him. As he runs, OBI-WAN draws his lightsaber from his belt. It flashes on.JANGO FETT draws his gun and fires at the charging JEDI. OBI-WAN deflects the blast and swings at JANGO FETT.The bounty hunter rockets up and over OBI-WAN, landing behind him. He fires a thin wire from his wrist pack, trying to entangle the Jedi.JANGO FETT fire several Kamino Kyber Darts from his elbow launcher. OBI-WAN deflects them back at JANGO FETT, but they strike harmlessly against the bounty hunter's armour.IN THE COCKPIT of Jango Fett's ship, BOBA FETT grabs the controls of a laser gun and swings it to aim at OBI-WAN.OUTSIDE, in the driving rain, OBI-WAN and JANGO FETT circle each other, sizing each other up - feinting.IN THE COCKPIT, each time BOBA FETT is ready to fire, JANGO FETT blocks his view of OBI-WAN.OUTSIDE, OBI-WAN makes a sudden attack, swinging at JANGO FETT, who deflects the blows. One slices off a piece of the bounty hunter's shoulder plate. JANGO FETT rockets into the air and hovers above OBI-WAN. The Jedi spins as:IN THE COCKPIT, BOBA FETT fires.OUTSIDE, the laser shell streaks past OBI-WAN to strike the edge of the tower. JANGO FETT fires down at OBI-WAN. The Jedi deflects the shots back, but JANGO FETT evades them. Then he swoops down, swinging around OBI-WAN. As he shoots past, he kicks the lightsaber out of the Jedi's hand.The lightsaber skids across the wet surface of the landing platform. OBI-WAN dives after it. JANGO FETT zooms in front of him and grabs the lightsaber. OBI-WAN punches it out of his hand.IN THE COCKPIT, BOBA FETT watches as:OUTSIDE, OBI-WAN and JANGO FETT grapple and fight, punching, kicking, grabbing hold, and throwing each other around. OBI-WAN grabs JANGO FETT tightly, and JANGO FETT rockets up into the air and kicks OBI-WAN loose. OBI-WAN crashes to the deck and slides toward the edge. He grapples desperately for a handhold on the slick surface.JANGO FETT rockets down to kick at him. OBI-WAN hauls himself up. JANGO FETT zooms to the far side of the platform.OBI-WAN uses Jedi powers to pull part of the structure loose. It hits JANGO FETT, who loses his balance, teetering on the edge. OBI-WAN charges acress, dives, and grabs hold of JANGO FETT just as he falls over the edge.Locked together, OBI-WAN and JANGO FETT plummet down toward the raging ocean. At the last moment, JANGO FETT fires a cable out of his backpack that shoots upward and locks onto a metal strut on the underside of the platform. OBI-WAN and JANGO FETT swing and CRASH onto one of the stilts.OBI-WAN is knocked clear and drops onto a SMALL SERVICE PLATFORM just above the waves. He hauls himself to his feet. JANGO FETT hovers in mid-air opposite him, as a HUGE WAVE crashes over OBI-WAN. When it subsides, the Jedi has disappeared.JANGO FETT rockets up to the landing platform, where he drops down beside his ship. He clambers inside the cockpit and settles into the pilot's seat. He punches buttons. The engines ROAR.OUTSIDE, Jango Fett's ship lifts off from the platform and heads up into the lowering sky. It disappears. Lightning flashes. Rain lashes the tower and streams across the surface of the platform, to where:A HAND suddenlt clutches at the very edge of the platform. A moment later, ANOTHER HAND grabs hold.EXT. TATOOINE, BLUFF OVERLOOKING HOMESTEAD - LATE DAYThe Naboo Starship descends, hovers, and land on a bluff. ANAKIN and PADME get out. They look down from the edge of the bluff to where the homestead is seen on the desert floor below. PADME Stay with the ship, Artoo.ARTOO WHISTLES as ANAKIN and PADME start down the trail toward the homestead.EXT. TATOOINE, DESERT, HOMESTEAD MOISTURE FARM - LATE DAYC-3PO is working outside the homestead. He still lacks an outer covering; his inner parts and wiring show. He looks up as ANAKIN and PADME arrive, C-3PO Good evening. May I help you? ANAKIN Threepio? C-3PO Oh, my... oh, my! Master Anakin! My goodness, I can hardly believe it! And this must be Miss Padme. PADME Hello, Threepio. ANAKIN I've come to see my mother. C-3PO Oh, dear! I'm so terribly sorry, Master Annie. PADME Threepio, what's happened? C-3PO I think we'd better go inside.EXT. TATOOINE, HOMESTEAD, COURTYARD - LATE DAYANAKIN, PADME and THREEPIO arrive in the courtyard. THREEPIO shuffles ahead. C-3PO Master Lars - Master Owen! Somebody to see you!OWEN LARS and BERU WHITESUN come out into the courtyard. ANAKIN I'm Anakin Skywalker. I'm here looking for my mother. OWEN Owen Lars... I guess I'm your step-brother. (they shake hands) This is my girlfriend, Beru. BERU Hello. PADME I'm Padme. OWEN I had a feeling you might show up some day. ANAKIN Is my mother here? CLIEGG No, she's not.CLIEGG LARS swings from the house on a small floating chair. One of his legs is heavily bandaged; the other is missing. He balances awkwardly and puts out a hand. CLIEGG (continuing) Cliegg Lars. Shmi is my wife... Come on inside. We have a lot to talk about.INT. TATOOINE, HOMESTEAD, KITCHEN - LATE DAYBERU puts several steaming cups of ardees on a tray and exits the kitchen... CLIEGG (O.S.) It was just before dawn. They came out of nowhere. A hunting party of Tusekn Raiders.INT. TATOOINE, HOMESTEAD, DINING AREA - LATE DAYCLIEGG, OWEN, PADME and ANAKIN sit around the table, BERU brings the drinks from the kitchen. CLIEGG Your mother had gone out early, like she always did, to pick mushrooms that grow on the vaporatos. From the tracks, she was about halfway when they took her. Those Tuskens walk like men, but they're vicious, mindless monsters. Thirty of us went out after her. Four of us came back. Three more are still out there looking. I'd be with them, only... I just couldn't ride any more... until I heal.CLIEGG grimaces, easing his throbbing leg. CLIEGG (continuing) This isn't the way I wanted to meet you, son. This isn't how your mother and I planned it. I don't want to give up on her, but she's been gone a month. There's little hope she's lasted this long.Silence. Then ANAKIN stands up. OWEN Where are you going? ANAKIN To find my mother. PADME No, Annie! CLIEGG She's daed, son. Accept it. ANAKIN I can feel her pain, and I will find her. I know she's alive.ANAKIN turns abruptly.EXT. TATOOINE, HOMESTEAD, MOISTURE FARM - LATE DAYANAKIN stands looking across the desert. PADME comes running out of the homestead after him, followed by OWEN. ANAKIN turns to PADME. ANAKIN You are going to have to stay here. These are good people, Padme. You'll be safe. OWEN Take my speeder bike. PADME Anakin...PADME hugs him. ANAKIN walks over to Owen's speeder bike, which is standing close by. ANAKIN I trust you'll watch over her, Owen. OWEN Don't worry.ANAKIN swings onto the bike. The engine fires. ANAKIN I won't be long.ANAKIN takes off across the desert. PADME watches him go.EXT. SPACE, GEONOSISThe red planet of Geonosis is circled by a large asteroid field that form rings. Jango Fett's ship appears, heading toward it.INT. COCKPIT, FETT SHIP, SPACE, GEONOSISJANGO FETT grins at BOBA FETT. JANGO FETT Nearly there, son.JANGO FETT guides he ship around the asteroids. Suddenly: BOBA FETT Dad, look!!On the view screen, Obi-Wan's ship appears, chasing after them. JANGO FETT grabs the controls. They are thrown around as the ship plummets to try to lose OBI-WAN. JANGO FETT Hang on!The ship goes into a power-climb. A GREAT SPACE DDOGFIGHT ensues between OBI-WAN and JANGO FETT.EXT. SPACE, GEONOSISThe ships flip, roll, and turn at incredible speed, didging, weaving and firing. They tumble from near misses. Hits fly off Obi-Wan's fighter as one of Jango's missiles gets through.Finally, it seems as if OBI-WAN is getting the upper hand. JANGO FETT breaks off the fight and dives sharply. He maneuvers deftly between two huge asteroids.In JANGO FETT'S COCKPIT, BOBA FETT flinches as asteroids pass very close by. BOBA FETT Dad! Watch out! JANGO FETT Stay calm, son. We'll be fine. That Jedi won't be able to follow us through this.But Obi-Wan ship dives into the asteroid belt after them.IN OBI-WAN'S COCKPIT, his skill is pushed to the limit as he throws the ship from side to side, avoiding great rocks. Then a huge asteroid tumbles across his path. There seem no way he can avoid it. OBI-WAN fires a couple of aerial torpedoes. They streak toward the asteroid.IN JANGO'S COCKPIT, they see the huge explosion as Obi-Wan's ship appears to smash into the asteroid. BOBA FETT Got him! Yeahhhhh! JANGO FETT We won't see him again.BOBA FETT laughs. Jango Fett's ship emerges from the asteroid belt and heads down toward the planet of Geonosis.EXT. TATOOINE, DESERT, JAWA CAMP - SUNSETANAKIN stands in the middle of a crowd of JAWAS. He asks them from directions. The JAWAS confer exicitedly, then the CHIEF JAWA points in a particular direction. ANAKIN gets on the bike and speeds off to where the JAWA pointed.EXT. TATOOINE, DUNE SEA, CAMPFIRE - TWILIGHTANAKIN rides over a large dune toward a small flickering light in the distance.He rides up and stops the bike in front of a campfire. There are bodies of THREE DEAD FARMERS lying beside the campfire. TWO EOPIES are thethered nearby, along with a burned and smoking speeder.EXT. TATOOINE, LANDSCAPE (FULL MOON) - NIGHTTHREE DIFFERENT SHOTS. ANAKIN rids the speeder bike through three exotic landscapes. In one shot, he stops and looks down at some tracks. Then he starts up his speeder and rides off.EXT. TATOOINE, DESERT, HOMESTEAD (FULL MOON) - NIGHTThe lights of the vaporators blink in the night sky. Somewhere close by, a night animal HOWLS.EXT. TATOOINE, HOMESTEAD, COURTYARD (FULL MOON) - NIGHTPADME is pacing the courtyard restlessly. She stops, listening to the animal HOWLING nearby. She shivers slightly, then turns and goes into the garage at the side of the courtyard.INT. TATOOINE, HOMESTEAD - GARAGE (FULL MOON) - NIGHTPADME stands looking at a speeder parked in the garage. Short silence. Then: C-3PO Please don't leave us, Miss Padme. These people need your help.THREEPIO is parked in a corner. PADME I'm not leaving, Threepio. I just can't sleep. C-3PO That's something I cannot relate to. As a Protocol Droid, I'm either active or inactive. There's no in-between. PADME I guess you're lucky. C-3PO Do you really think so..? I suppose I shouldn't expect... PADME You're not happy here? C-3PO Oh, I'm not unhappy... and my masters here ar so kind I wouldn't wish to trouuble them, it's just... being like this... well, it's embarrassing. PADME Being like what? C-3PO Naked. If you pardon the expression. You see, when Master Annie made me, he never quite found the time to give me any outer covering. It's so humiliating. How would you like it if you had to go around with all your circuits showing? PADME I guess I wouldn't like it at all. C-3PO Of course you wouldn't. Nobody would. It's simply not protocol.PADME looks thoughtfully at a pile of spare parts and bits of metal and tools. PADME Maybe we can do something about it. C-3PO I don't think so. Only Master Annie... PADME Why not? They seem to have a box of old coverings here. C-3PO Oh? How observant of you, Miss Padme. Of course, I'm just not mechanically minded... if you see what I mean.PADME picks up a piece of metal and holds it against him. PADME Let's see, if we put this... here... C-3PO Ooooh! That's tickles. PADME You'll have to be quiet, Threepio. Hold still, please.EXT. SPACE, GEONOSIS RINGSA huge chunk of rock tumbles slowly through the asteroid bely. CAMERA CLOSES, to discover Obi-Wan's Starship hidden in a blasted-out area on the pitted back side of the great rock.INT. COCKPIT, JEDI FIGHTER, SPACE, GEONOSIS RINGSOBI-WAN looks out toward Geonosis and sees in the distance a large fleet of Trade Federation Ships hidden among the asteroids. He starts the engines of his fighter.Obi-Wan's Fighter moves out from the back side of the asteroid and heads away from the asteroid field, descending toward Geonosis.EXT. GEONOSIS, LANDING AREA - NIGHTObi-Wan's ship skims across the top of a small mesa along the edge of a rocky ridge. He maneuvers under a rock overhang and lands. He gets out of the Fighter and walks onto the mesa. The wind whips at him. He looks around.Geonosis is a red rock planet, featureless apart from buttes and mesas, and occasional tall stalagmites that stand out dramatically on the arid plains.The night is quiet, except for an occasional WEIRD CRY. OBI-WAN checks his bearings, then heads away.EXT. GEONOSIS, ROCK FACE TRAIL - NIGHTOBI-WAN climbs a steep, narrow trail. Suddenly, a CRY is heard close by. OBI-WAN stumbles slightly. His foot slips on the edge, sending a stream of peblles skittering into the darkness.OBI-WAN listens. Silence. He draws his lightsaber but does not ignite it.He sets off again and works his way around a narrow corner, to confront a crouching MASSIFF (a dog-sized lizard) with slavering fangs! The beast leaps at him, and OBI-WAN ignites his lightsaber as the MASSIFF knocks him on his back. Its jaws open wide. OBI-WAN stabs the creature, throws it off of him, and jumps up.A SECOND MASSIFF jumps from behind. OBI-WAN swings around and cuts it in half. The MASSIFF flies over the cliff, HOWLING. It plummets to its death hundreds of feet below.EXT. TATOOINE, CLIFF (FULL MOON) - NIGHTANAKIN pulls up near the edge of a cliff. He gets off the bike and creeps to the edge. He looks over to see a Tusken camp in the oasis below. One of the huts at the edge of the camp has TWO TUSKEN GUARDS outside it.EXT. TATOOINE, TUSKEN RAIDER CAMP, OASIS (FULL MOON) - NIGHTANAKIN creeps through the camp, working his way from hut to hut, flattening himself against the wall,s overhearing snatches of Tusken conversation from inside, using the shadows to him him until he arrives at the hut with the TWO GUARDS. They are sitting a short distance from the door. ANAKIN wriggles around the black. He takes out his lightsaber and cuts into the base of the wall.INT. TUSKEN RAIDER HUTT - NIGHTThe lightsaber completes the hole in the wall. ANAKIN wriggles in. He pulls himself to his feet. There are candles everywhere.A shaft of moonlight from a hole in the roof pierces the gloom of the hut. By its light, ANAKIN sees SHMI, hanging from a wooden frame in the middle of the hut.He cuts her free, takes her into his arms, and lowers her gently to the ground. Her eyes are closed. Her face is bloodied. She has been terribly beaten. Anakin cradles her tenderly. ANAKIN Mom... Mom... Mom... SHMI'S eyelids flutter - and barely open. They are caked with blood. SHMI Annie...? Is it you?SHMI'S eyes focus slowly. ANAKIN gives a little choking gasp. ANAKIN I’m here, Mom. You’re safe. Hang on. I’m going to get you out of here... SHMI I’m so glad... to see you, Annie... Now... I am complete... ANAKIN Just stay with me, Mom. I’m going to make you well again. Everything’s going to be fine. SHMI You look so handsome. My son... my grown-up son. I’m so proud of you, Annie... so proud... I missed you so much... I love...SHMI dies. ANAKIN draws her to his breast. There is silence for a moment. ANAKIN lifts his head, listening for a moment, then he sits on the floor of the Tusken hut, cradling his dead mother in his arms.EXT. GEONOSIS, ROCK FACE TRAIL - NIGHTOBI-WAN arrives at the head of the trail. Far below, a flat plain stretches into the distance. He stop, peering into the darkness, where strange shapes loom indistinctly.OBI-WAN takes a pair of electronic binoculars from his belt and puts them to his eyes. He sees a cluster of great towers like fantastic stalagmites rise from the plain below.SLOW PAN with the binoculars, and suddenly a line of Battle Starships come into view. OBI-WAN touches the viewfinder. Between fifty and a hundred Federation Starships in near rows. Some are on platforms that are carrying the Starships diwn to an underground facility. Other platforms are rising to the surface. They carry THOUSANDS of BATTLE DROIDS that step off and file into the waiting ships. A fully loaded Starship takes off. OBI-WAN swings the binoculars upward, to see more Federation Starships.EXT. TATOOINE, TUSKEN RAIDER CAMP, OASIS - DAWNThe pale light grows. Thin tendrils of smoke rise slowly in the cold, clear air. Somewhere an dog BARKS. An OLD WOMAN comes out of one of the huts. She carries a pail. She swirls it and tosses the dirty water onto the ground.As she goes back inside the hut, a TUSKEN CHILD runs past, dragging a stick in the sand. The CHILD runs through the line of huts, turns a corner, and stops suddenly, staring at the bodies of the TWO TUSKEN GUARDS. Between them, ANAKIN stands outside the hut door. His face is a grim mask. The CHILD stares, then there is a FLASH OF LIGHT as Anakin’s lightsaber switches on.EXT. GEONOSIS, LANDING AREA - NIGHTOBI-WAN comes running back to his ship and climbs into the cockpit. He settles into his seat. His ARFOUR DROID beeps a happy greeting. OBI-WAN switches on his comlink. OBI-WAN "Guiding light" to "old folks home."EXT. CORUSCANT, REPUBLIC EXECUTIVE BUILDING - DAYLOW ANGLE. A line of reflecting pools with splashing fountains flanked by statues on each side leads to the main entrance to the awesome building.INT. CORUSCANT, CHANCELLOR'S OFFICEA hologram of OBI-WAN flickers in front of a group, made up of Jedi (YODA, MACE WINDU, and KI-ADI-MUNDI) and Senators (BAIL ORGANA, ASK AAK, LUMINARA, and JAR JAR). PALPATINE and MAS AMEDDA are in the middle of the group, watching with growing concern. OBI-WAN ...Starships from the Trade Federation and the Commerce Guilds are taking deliveries of battle droids from the foundries on Geonosis. BAIL ORGANA That's outrageous! The treaty forbids the Trade Federation from building up an army. What are they doing?! OBI-WAN The droid foundry seems to be working at full capacity. I am going to go down and investigate. I will bring Jango Fett back home for interrogation. PALPATINE Those Geonosian foundries are part of the Techno Union. We will call in their representatives and ask them a few very pointed questions. OBI-WAN One more thing. Jango mentioned he was recruited by someone named Darth Tyranus. Any idea who that might be? YODA With the forename Darth, a Sith he must be. MACE WINDU Our missing apprentice. They are playing their hand at last. OBI-WAN Do you believe he could be the mysterious Sido-Dyas, who made the deal for the clone army? YODA Perhaps too many pieces are missing from this puzzle, there are. MACE WINDU Be careful, Obi-Wan. This investigation is becoming less than routine. Do you need help? OBI-WAN Let me see if I can figure out what's going on first.The hologram of OBI-WAN fades off. PALPATINE stares at the spot where the hologram was in disbelief. BAIL ORGANA The Commerce Guilds are preparing for war... there can be no doubt of that. PALPATINE Count Dooku must have made a treaty with them. MACE WINDU We must stop them soon before they're fully ready. SENATOR ASK AAK The debate is over, we need that clone army now! BAIL ORGANA Unfortunately, the debate is not over. The Senate will never be able to approve the use of that army before the separatists attack.Mas Amedda, who had been silent up until now suddenly speaks up. MAS AMEDDA This is a crisis! If the Senate votes the Chancellor emergency powers, he could approve the use of the army in a minute. PALPATINE Please, please, I don't wish to have emergency powers. That's too extreme a solution. It's akin to a dictatorship. We must rely on the Jedi. Master Yoda, how many are available to go to Geonosis?MACE WINDU and YODA look at one another. YODA Two Hundred,... less or more. BAIL ORGANA With all due respect for the Jedi Order, two hundred will be no match for hundreds of thousands of battle droids. MACE WINDU Patience. We should wait for Obi- Wan to report back. We don't know that Count Dooku has made a treaty with the Corporate Alliance, it's speculation. SENATOR ASK AAK But we must prepare for the worst. I'm going to propose a motion granting emergency powers to the Chancellor at the next session. We must not wait! PALPATINE Out of the question, Senator! You and I are too closely aligned. The issue will become partisan and debates will begin. The proposal must come from a neutral source. MAS AMEDDA If only Senator Amidala were here.JAR JAR steps forward from the back of the group. JAR JAR Supreme Chancellor... my august colleagues, I would be proud to propose the motion in question. This is a grave situation, and I'm sure Senator Amidala, and the Queen of Naboo would agree. SENATOR ASK AAK Thank you, Representative Binks.Silence. Then PALPATINE sighs deeply. PALPATINE If called upon, I will serve. But it will be the saddest day of my life.EXT. TATOOINE, DESERT, HOMESTEAD MOISTURE FARM - DAYAll is quiet. BERU comes out of the house. She goes to a moisture line and starts to draw water.INT. TATOOINE, HOMESTEAD, GARAGE - DAYPADME fixes the last piece of covering onto THREEPIO. PADME There!PADME stands back. OWEN is with her. They look at THREEPIO. He isn't the golden figure we know because PADME has had to use whatever stuff she could findin the garage. He is multi-coloured in several textures, but he is complete. C-3PO Um. How do I look? OWEN Great! You look perfect. C-3PO Perfect? Oh, Miss Padme, I'm so happy! (extending his hand to shake hers) Oh, pardon me.THREEPIO drops his hand and bows formally. THREEPIO (continuing) Thank you.He forgets formality and hugs her. PADME hugs him back, laughing. C-3PO (continuing) Thank you! Thank you! Thank you! OWEN (grinning) Well, Padme, I think he should be yours from now on... I know that is what my Mom would want. C-3PO Oh, my!Then suddenly, from outside: BERU (V.O.) Come topside, everybody! He's back! He's back!PAGE 83PAGE 84PAGE 85PAGE 86PAGE 87PAGE 88INT. TATOOINE, HOMESTEAD, GARAGE - DAYA rough hologram of OBI-WAN is projected onto the garage by ARTOO. ANAKIN, PADME and THREEPIO watch the flickering image. OBI-WAN ...Alliance have pledged their armies to Count Dooku and are forming an... Wait!... ah... attack... I don't... make it... aaaggghhh!The hologram cuts off. ANAKIN jumps up, agitated. ANAKIN I'm going after him! PADME I thought the first thing he said was to retransmit his message to Coruscant. ANAKIN Yeah, you're right, you're right.EXT. TATOOINE, HOMESTEAD, MOISTURE FARM - LATE DAYANAKIN, PADME, ARTOO and THREEPIO leave the homestead, waving to CLIEGG, OWEN and BERU as they go into the desert.INT. COCKPIT, NABOO STARSHIP - SUNSETANAKIN sits down in the cockpit with PADME. THREEPIO is behind them. ARTOO is beside him. They are watching a hologram of MACE WINDU. MACE WINDU We will deal with Count Dooku. The most important thing for you, Anakin, is to stay where you are. Protect the Senator at all costs. That is your priority. ANAKIN Understood, Master.The hologram switches off. PADME is looking at the readout on the ship's control panel. PADME They'll never get there in time to save him. They have to come half way across the galaxy. Look, Geonosis is less than a parsec away.PADME starts to hit buttons and flick switches. ANAKIN puts a hand over hers, stopping her. She stares at him. ANAKIN If he's still alive. PADME Annie, are you just going to sit here and let him die?? He's your friend... your mentor... ANAKIN ...He's like my father, but you heard Master Windu. He gave me strict orders to stay here. PADME He gave you strict orders to protect me...PADME pulls her hand free and flicks more switches. The engines fire. PADME (continuing) ...and I'm going to save Obi-Wan. So if you plan to protect me, you will have to come along.ANAKIN grins and takes the controls.EXT. TATOOINE, BLUFF OVERLOOKING HOMESTEAD - SUNSETThe Naboo Starship rises from the bluff and zooms away.EXT. CORUSCANT, JEDI TEMPLE - DAYTWO HUNDRED JEDI KNIGHTS are assembling outside the huge center of the Jedi Order.INT. CORUSCANT, JEDI TEMPLE, COUNCIL CHAMBER - DAYThe JEDI COUNCIL are assembled as MACE WINDU makes his plea. MACE WINDU The longer we wait, the stronger Dooku's armies become. We cannot wait for the Senate to make up its mind about granting the Chancellor emergency powers, in order to be able to use that clone army... We have the authority to go now. We must go now.All of the JEDI COUNCIL nod their approval. YODA Agreed, Master Windu. Two hundred Jedi send. Enough, let's hope they are.INT. CORUSCANT, MAIN SENATE CHAMBER - DAYInside the great rotunda, the UPROAR is even louder. Opposing SENATOES yell furiously at one another. MAS AMEDDA Order! Order!!Finally, the uproar dies. PALPATINE In the regrettable absence of Senator Amidala, the chair recognises Senior Representative of Naboo, Jar Jar Binks.Amid the conflicting storm of CHEERS AND BOOS, JAR JAR, with TWO GUNGAN AIDES, floats on his pod to the middle of the vast space. He looks at PALPATINE nervously. PALPATINE nods. JAR JAR clears his throat. JAR JAR Senators, dellow felagates...Laughter. Jeers. JAR JAR blushes. MAS AMEDDA Order! The Senate will accord the Representative the courtesy of a hearing!Comparative quiet. JAR JAR grips the edge of the podium. JAR JAR In response to the direct threat to the Republic from the Confederacy of Independent Systems, I propose that the Senate gives immediate emergency powers to the Supreme Chancellor.Uproar. JAR JAR looks a little sheepish. JAR JAR (continuing) Who can deny these are exceptional times? Exceptional times demand exceptional measures! Exceptional measures demand exceptional men! ORN FREE TAA We won't support a dictator.SHOUTS of agreement. JAR JAR That is the sentiment every one of us agrees with! And when the shadow of war has dispersed and the bright day of liberty has dawned once again, the power we now give to the Supreme Chancellor will be gladly, and swiftly returned. Out ancient liberties will be restored to us, burnished even more brightly than before!Brief silence, then a rolling wave of APPLAUSE. JAR JAR beams and bows.PALPATINE rises. PALPATINE It is with great reluctance that I have agreed to this calling. I love democracy... I love the Republic. The fact that this crisis is demanding I be given absolute power to tule over you is evident. But I am mild by nature and have no desire to destroy the democratic process. The power you give me I will lay down when this crisis has abated, I promise you. And all I ask in return is when my current term of office is over, you allow me to reture and live out my life in peace. MAS AMEDDA We shall proceed to the vote. All those in favor of granting emergency powers to the Supreme Chancellor, signal ate at this time... those opposed?EXT. SPACEThe Naboo Starship heads toward the rings of Geonosis.EXT. GEONOSIS, LANDING AREAThe Naboo Starship lands.INT. COCKPIT, NAOO STARFIGHTER - DAYANAKIN switches off the engines. ARTOO and THREEPIO are in the navigation area of the cockpit. PADME is in the co-pilot's seat. She gets up. ANAKIN Hey, where are you going? PADME To find Obi-Wan.ANAKIN gets up and goes over to her. ANAKIN No! You're not!He grabs her arm. PADME Let go of me! ANAKIN I'm not letting you go out there. It's too dangerous. PADMÉ What?!? ANAKIN It's my job to protect you. I said it's too dangerous. You're not going, and that's final! PADMÉ Don't you give me orders, Annie! I'm a Senator of the Galactic Republic. You have no authority to contain me, restrain me, or direct me! You remember your place, young man. (standing up) Now you can come along and protect me or stay here. It's up to you.PADME storms out of the cockpit of the Naboo Starfighter. ANAKIN stands scratching his head, then follows.ARTOO BEEPS and WHISTLES. C-3PO Yes, it is, Artoo. Most confusing. One moment they're generating a pleasant mutual attraction and the next, waves of violent hostility. Even though I'm programmed to understand them, I doubt if I ever shall.ARTOO WHISTLES a plaintive sigh.INT. GEONOSIS, CORRIDORS - DAYANAKIN and PADME enter the stalagmite city. They stop, looking around in wonder at the emptiness. PADME (in a low voice) It's empty!They start forward. As they pass, the surface of the pillars seems to pulse slowly and move. High above WINGED CREATURES grow from the pillars and detach themselves.INT. GEONOSIS, CENTRAL SQUARE - DAYANAKIN and PADME cross the square, reaching the middle. They stop suddenly as FOUR GEONOSIANS grabs them. ANAKIN reaches for his lightsaber. PADME Wait!TWENTY WINGED GEONOSIANS carrying weapons alight on the flagstones in front of them.The GEONOSIANS part, and COUNT DOOKU appears. He bows courteously. COUNT DOOKU Senator Amidala, I've heard so much about you. PADMÉ Count Dooku, I assume. COUNT DOOKU I'm delighted to meet you at last. We have a great deal to discuss, Senator. I hope you can keep your young Jedi under control. PADMÉ Don't worry he's housebroken.INT. CONFERENCE ROOM (GEONOSIS) - DAYCOUNT DOOKU sits at a large conference table with PADME on the far side. ANAKIN stands behind her with FOUR GEONOSIANS GUARDS standing behind him. JANGO FETT stands behind COUNT DOOKU, and SIX GEONOSIAN GUARDS stand behind him. PADMÉ You are holding a Jedi Knight, Obi- Wan Kenobi. I am formally requesting you turn him over to me, now. DOOKU He has been convicted of espionage, Senator, and will be executed. In just a few hours, I believe.COUNT DOOKU smiles. PADMÉ He is an officer of the Republic. You can't do that. DOOKU We don't recognise the Republic here, Senator. But if Naboo were to join our Alliance, I could easily hear your plea for clemency.ANAKIN grabs his lightsaber but doesn't turn it on. PADMÉ And if I don't join your rebellion, I assume this Jedi with me will also die? DOOKU I don't wish to make you to join our cause against your will, Senator, but you are a rational, honest representative of your people and I assume you want to do what's in their best interest. Aren't you fed up with the corruption, the bureaucrats, the hypocrisy of it all?.. Aren't you? Be honest, Senator. PADMÉ The ideals are still alive, Count, even if the institution is failing. DOOKU You believe in the same ideals we believe in! The same ideals we are striving to make prominent. PADMÉ If what you say is true, you should stay in the Republic and help Chancellor Palpatine put things right. DOOKU The Chancellor means well, M'Lady but he is incompetent. He has promised to cut the bureaucracy, but the bureaucrats are stronger than ever, no? Senator, the Republic cannot be fixed. It is time to start over. The democratic process in the Republic is a sham, a shell game played on the voters. It will not be long before the cult of greed, called the Republic, will lose even the pretext of democracy and freedom. PADMÉ I cannot believe that. I will not forsake all I have honoured and worked for and betray the Republic. I know of your treaties with the Trade Federation, the Commerce Guilds, and the others, Count. What is happening here is not government that has been bought out by business... it's business becoming government! DOOKU Are you willing to betray your Jedi friends? Without your co-operation I can do nothing to stop their execution. PADMÉ What is to happen to me? Am I to be executed also? DOOKU I wouldn't think of such an offence. But, there are individuals who have a strong interest in your demise, M'lady. It has nothing to do with politics, I'm afraid. It's purely personal, and they have already paid great sums to have you assassinated. I'm sure they will push hard to have you included in the executions. I'm sorry but if you are not going to co-operate, I must turn you over to the Geonosians for justice. I've done all I can for you.JANGO FETT moves over to ANAKIN. JANGO FETT I'll take that weapon.ANAKIN hesitates. DOOKU You may cause a lot of bloodshed, my young Jedi, but you will not escape. PADMÉ Anakin...ANAKIN hands his lightsaber over to JANGO FETT.INT. GEONOSIS, HIGH AUDIENCE CHAMBER - DAYANAKIN and PADME are standing in the centre of what looks like a courtroom. Seated before them in a tall, boxed-off area is POGGLE THE LESSER, Archduke of Geonosis. He is accompanied by his underling, SUN RIT. Off to one side the Separatist Senators PO NUDU, TESSEK, and TOONBUCK TOORA. Next to them are the Commerce Dignitaries, SHU MAI, NUTE GUNRAY, PASSEL ARGENTE, WAT TAMBOR and SAN HILL of the Intergalactic Bank Clan. Along the wall about a HUNDRED GEONOSIANS wait for a verdict. SUN RIT You have been charged and found guilty of Espionage. POGGLE Do you have anything to say before your sentence is carried out? PADMÉ You are committing an act of war, Archduke. I hope you are prepared for the consequences.POGGLE laughs. COUNT DOOKU simply smiles. POGGLE We build weapons, Senator... that is our business! Of course we're prepared! NUTE GUNRAY Get on with it. Carry out the sentence. I want to see her suffer. POGGLE Your other Jedi friend is waiting for you, Senator. Take them to the arena!FOUR GUARDS take hold of PADME and ANAKIN. They are escorted out of the chamber to the sounds of chuckling.INT. GEONOSIS TUNNEL TO EXECUTION ARENA - DAYIn the gloomy tunnel, ANAKIN and PADME are tossed into an open cart. The murmur of a vast crowd is heard offscreen. GUARDS extend their arms along the framework and tie them so that they stand facing each other.The DRIVER gets up onto his seat. ANAKIN Don't be afraid. PADMÉ I'm not afraid to die. I've been dying a little bit each day since you came back into my life. ANAKIN What are you talking about? PADMÉ I love you. ANAKIN You love me?! I thought we decided not to fall in love. That we would be forced to live a lie. That it would destroy our lives... PADMÉ I think our lives are about to be destroyed anyway. My love for you is a puzzle, Annie, for which I have no answers. I can't control it... and now I don't care. I truly, deeply love you, and before we die I want you to know.PADME leans toward ANAKIN. By straining hard, it is just possible for their lips to meet. They kiss. ANAKIN I have no desire to be cured of this love either. Long or short, I vow to spend the rest of my life with you.They kiss again.The DRIVER cracks his whip over the ORRAY harnessed between the shafts. The cart jerks forward. Suddenly, there isa HUGE ROAR and blinding sunlight as they emerge into the arenaINT. GEONOSIS, EXECUTION ARENA - DAYThe great stadium is packed with tier upon tier of yelling GEONOSIANS. The cart trundles to the center, where OBI-WAN is chained to one of four upright posts thatare three feet in diameter. The cart stops. PADME and ANAKIN are taken down, dragged to posts, and chained to them. PADME is in the center. OBI-WAN I was beginning to wonder if you had gotten my message. ANAKIN I retransmitted it as you requested, Master. Then we decided to come and rescue you. OBI-WAN It looks like you're going a good job so far.Their arms are pulled high above their heads, and the cart drives away. There is another ROAR as POGGLE THE LESSER, COUNT DOOKU, NUTE GUNRAY, THE FETTS and DIGNITARIES arrive in the archducal box and take their places. SUN RIT The felons before you have been convicted of espionage against the Sovereign System of Geonosis. Their sentence of death is to be carried out in this public arena henceforth.The crowd ROARS and CHEERS. In the box, POGGLE THE LESSER rises. The crowd becomes quiet. POGGLE Let the executions begin!The crowd goes wild. ANAKIN I have a bad feeling about this.From different gates around the arena, THREE MONSTERS are driven in. One is a REEK (bull-like), one is a NEXU (lion-like), and one is an ACKLAY (a kind of dino-lobster). They are driven in by PICADORS carrying long spears and riding ORRAYS. The PICADORS poke the MONSTERS toward the center, then retire to the perimeter.The MONSTERS toss their heads, looking around, ROARING or SCREECHING. Then they catch sight of the THREE CAPTIVES and start moving toward them. OBI-WAN Take the one the left. I'll take the one on the right. ANAKIN What about Padme?PADME has turned around and is pulling herself up by the chain to the top of the post. Within a moment, she is standing on top of it, trying to pull the chain free. OBI-WAN It looks like she's already on top of things.The REEK charges ANAKIN. He jumps up, and the beast hits the post hard. ANAKIN lands onto its back, wrapping part of his chain around its horn. The REEK backs off, shaking its head angrily, which tears the chain from the postOBI-WAN ducks around the post as the ACKLAY charges. It knocks the post flat, sending OBI-WAN sprawling. The ACKLAY crunches the post between its claws, freeing the chain. OBI-WAN leaps up and runs towards ONE of the PICADORS. The ACKLAY taks off after him.The NEXU arrives at PADME'S post and rears on its hind legs. One top, PADME struggles to tear the chain free. The NEXU ROARS, displaying wicked, dripping fangs.In the archducal box, NUTE GUNRAY beams and rubs his hands.In the arena, OBI-WAN runs at the PICADOR. The ORRAY rears up. OBI-WAN grabs the PICADOR'S long spear and pole vaults over him. The chasing ACKLAY smashes into the ORRAY. It goes down. The PICADOR tumbles onto the sand, where he is grabbed by the ACKLAY and crunched.ANAKIN's REEK starts to buck. It charges around the arena with ANAKIN hanging on for dear life. He whirls the free length of chain around his head and casts it into the REEK's mouth. Its jaws clamp hard on the chain. ANAKIN yanks hard on the chain, turning the REEK, beginning to ride it.The NEXU's claws dig deep into the post. The cat-like creature reaches the top of the post and takes a swipe at PADME. She turns and the claw barely catches her shirt ripping it off, leaving superficial claw marks across her back. She hits the creature with her chain and it backs off down the pole. Then, PADME jumps off the post into the air. She swings around on the chain and whacks the beast hard on the head with both her feet. It tumbles back onto the sand.In the archducal box: NUTE GUNRAY Foul!! She can't do that... shoot her or something!In the arena, OBI-WAN runs out from behind the fallen ORRAY and throws the spear at the ACKLAY, hitting it in the neck. It lets out a terrible SCREECH and turns on him. The NEXU springs up and makes to leap up at PADME again. She finally manages to work the chain loose. ANAKIN comes charging up on the REEK. ANAKIN You okay? PADME (nods, gasping) Sure! Well, sort of. ANAKIN Jump!!!The NEXU springs. PADME leaps from the top of the post to land on the REEK in front of ANAKIN. He hauls her upright. The REEK charges away, around the arena. The NEXU bounds after it. The REEK passes the wounded ACKLAY. The NEXU smells the blood and turns aside to attack the ACKLAY. The TWO MONSTERS fight. The crowd GROANS and BOOS.In the archducal box, NUTE GUNRAY turns angrily to COUNT DOOKU. NUTE GUNRAY This isn't how it's supposed to be! Jango, finish her off.COUNT DOOKU motions for the bounty hunter to ptay put. BOBA FETT is enjoying the spectacle. COUNT DOOKU (smiling enigmatically) Patiece, Viceroy... she will die. Maybe this is the way it's supposed to end.OBI-WAN runs and jumps on the back of the REEK behind ANAKIN. Across the arena, the NEXU, having chewed up the ACKLAY, starts to advance toward them.INT. COCKPIT, NABOO STARSHIP - DAYARTOO BEEPS C-3PO Yes, it has been rather a long time. Do you suppose something's happened to them?ARTOO BEEPS and WHISTLES. C-3PO (continuing) Danger? Oh no, I shouldn't think so. It looks a very dull planet to me. They should be back shortly. Just stop worrying, Artoo.EXT. GEONOSIS, EXECUTION ARENA - DAYIn the archducal box, amid the uproar, COUNT DOOKU feels a tap on his shoulder. He turns to see MACE WINDU standing behind him. COUNT DOOKU masks his surprise elegantly as he surveys the arena and sees JEDI KNIGHTS standing at every entrance and exit. COUNT DOOKU Master Windu, how pleasant of you to join us. You're just in time for the moment of truth. I would think these two new boys of yours could use a little more training. MACE WINDU Sorry to disappoint you, Dooku. This party's over.MACE WINDU signals, and at stategic places around the arena there are sudden flashes of light as about ONE HUNDRED JEDI switch on their lightsabers. The crowd is suddenly silent. COUNT DOOKU'S lips curl in slight amusement. COUNT DOOKU (to Mace Windu) Brave, but stupid, my old Jedi friend. You're impossibly outnumbered. MACE WINDU I don't think so. One Jedi has to be worth a hundred Geonosians.COUNT DOOKU looks around the great theater. His smile grows. COUNT DOOKU It wasn't the Geonosians I was thinking about. How well do you think one Jedi will hold up against a thousand battle droids?COUNT DOOKU signals. THOUSANDS OF DROIDS start to pour into all parts of the arena.MACE WINDU draws his lightsaber, JANGO FETT draws his guns and fires at MACE WINDU, who deflects the shots. JANGO FETT and MACE WINDU jump into the arena, where they fight. BOBA FETT wacthes his Dad and the Jedi Master fight. The battle beginss. GEONOSIANS fly away everywhere. DROIDS fire at JEDI, who deflect the bolts and cult down the DROIDS. The GEONOSIAN TROOPS fire ray guns that are more difficult for the JEDI to deflect.The REEK and the NEXU are spooked by the battle. The REEK bucks the riders off its back and stampedes around the arena, trampling DROIDS and JEDI that have moved into its path. PADME picks up a discarded pistol and joins the fight. SEVERAL JEDI run to the center of the arena and toss lightsabers to OBI-WAN and ANAKIN.Among the crowd, JEDI cut down swaths of GEONOSIANS and DROIDS. On the sand, JEDI fight, attacking DROIDS. OBI0WAN and ANAKIN swing their lightsabers, cutting DROIDS in half. PADME blasts away at DROIDS and GEONOSIANS.INT. COCKPIT, NABOO STARSHIPARTOO whistles. C-3PO I don't hear anything. (Artoo beeps) You're scaring me! Stop imagining things!EXT. GEONOSIS, EXECUTION ARENA - DAYAmong the tiers, JEDI are slowly being driven back. They have killed heaps of GEONOSIANS and have kncoked out piles of DROIDS, but sheer numbers are telling. Individual JEDI are being cut down or blasted/ The rest are retreating into the arena.ANAKIN and PADME are back-to-back, fighting DROIDS and flying GEONOSIANS. MACE WINDU fights fiercely with JANGO FETT. Finally, the bounty hunter falls. His helmet goes flying, bouncing down the steps, tumbling and rolling, kicked here and there by random feet. The bounty hunter's body falls to the ground.MACE WINDU runs to the center of the arena and fights back-to-back with OBI-WAN, as they swipe and mangle DROIDS. OBI-WAN Someone's got to - shut down - these droids. MACE WINDU Don't worry! It's being - taken care of!EXT. GEONOSIS, FEDERATION STARSHIP - DAYKI-ADI-MUNDI leads a raiding party of about TWENTY JEDI through the lines of parked Battle Starships. They cut a swath through masses of DROIDS until they arrive at the Command Starship. Some JEDI fall. The rest cut their way up the ramps and into the Command Ship.INT. COMMAND FEDERATION STARSHIP, CORRIDORS - DAYKI-ADI-MUNDI and teh surviving JEDI fight their way through the corridors of the Command Ship, deflecting laser bolts, slicing DROIDS.INT. COMMAND FEDERATION STARSHIP, CONTROL BRIDGE - DAYTHEY burst onto the bridge and chop down the COMMAND DROIDS. The NEIMOIDIANS flee in all directions. KE-ADI-MUNDI leans over the control panel. He locates the illuminated master switch and punches down on it. It goes dark. Instantly, all the DROIDS on the Starship and all the DROIDS in the arena FREEZE!There is a moment of stunned silence, then the JEDI CHEER. One the bridge, PLO KOON claps KI-ADI-MUNDI on the back. PLO KOON We've done it! Now we have a chance!Suddenly, there is a harsh BEEPING SOUND. All the DROIDS on the Starship and all the DROIDS in the arena start fighting again! KI-ADI-MUNDI stares in disbelief and dismay. KI-ADI-MUNDI The system's off but they're still active. That's a new feature. They are independent of the control system.EXT. GEONOSIS, EXECUTION ARENA - DAYMACE WINDU, OBI-WAN, ANAKIN, PADME and an exhausted group of about TWENTY JEDI stand in the center of the arena surrounded by a ring of BATTLE DROIDS. The bloodied sand around them is strewn with the bodies of DEAD GEONOSIANS, SHATTERED DROIDS and JEDI.At the foot of some steps, BOBA FETT finds his father's battered helmet. He picks it up.KI-ADI-MUNDI and the SURVIVORS from the raiding party are herded into the arena by SUPERDROIDS. From the encircling tiers above, THOUSANDS OF BATTLE DROIDS level their weapons menacingly.In the archducal box, COUNT DOOKU lifts his hand. The DROIDS lower their weapons. The COUNT calls out to the JEDI. COUNT DOOKU Master Windu!Silence. COUNT DOOKU (continuing) You have fought gallantly. Worthy of recognition in the history archives of the Jedi Order. Now it is finished. (pauses briefly) Surrender - and your lives will be spared. MACE WINDU We will not be hostages for you to barter with Dooku. COUNT DOOKU Then, I'm sorry, old friend. You will have to be destroyed.The DROIDS raise their weapons. ANAKIN and PADME clasps hands tightly. COUNT DOOKU raises his hand to give the order to fire. PADME looks up suddenlt and whispers to ANAKIN. PADME Look!Above, six Gunships are descending fast through the open area in the arena ceiling. They land in a cluster around the handful of JEDI. CLONE TROOPERS spill out and start firing at the DROIDS. There is a hellstorm of laserfire that bounces off the laser shields created by the Gunships. YODA appears at the door of one of the Gunships. YODA Come on - hurry! Hurry!The SURVIVING JEDI dash to the Gunships and scramble in. MACE WINDU hangs on tight as the Gunship, firing all its weapons, rises out of the arena up and over the topmost rim.EXT. GEONOSIS, TERRAIN OUTSIDE EXECUTION ARENA - DAYThe massed lines of parked Federation Starships and the DROIDS surrounding the arena, are themselves surrounded by thousands of Republic Starships, disgorging TENS OF THOUSANDS OF CLONE TROOPERS. Beyond, more Republic Starships are landing and spewing out troops.INT. GUNSHIP NUMBER ONE - DAYMACE WINDU stares at the incredible sight. YODA More battalions to the left. Encircle them we must, then divide.The CLONE TROOPERS open fire with artillery. EXPLOSIONS wreck the parked Battle Starships. CLONE TROOPERS advance, firing at the massed DROIDS. FIGHTER DROIDS fly overhead, exchanging fire with the Gunships and JEDI fighters.INT. COCKPIT, NABOO STARSHIP - DAYTHREEPIO and ARTOO see flashes outside of the ship, exploding everywhere. C-3PO I'm sure I heard something, this time. Didn't you? It's probably just a celebrationARTOO lets out an EXHAUSTED BLEEP.EXT. BATTLEFIELD, GEONOSIS LANDSCAPE - DAYGunship #2 skims the battlefield, firing down, deflecting answering fire from the droids.INT. GUNSHIP NUMBER TWO - DAYOBI-WAN, ANAKIN and PADME are at the open sides of the Gunship. CLONES fire down at the DROIDS below.The Gunship slows, circling over a droid gun-emplacement. It blasts it, but suddenly the Gunship is rocked by a near miss. It lurches violently. OBI-WAN Hold on! Look over there...Through the other side of the Gunship, they see a Geonosian Speeder racing past. In the open cockpit is the unmistakable figure of COUNT DOOKU. ANAKIN It's Dooku, go after him!The PILOT starts to comply, but... there is a HUGE BLASTS, the ship lurches on its side, and PADME tumbles out. ANAKIN (continuing) Padme!!!ANAKIN stares down in horror as PADME hits thr ground below. ANAKIN (continuing; to pilot) Put the ship down! Down! OBI-WAN No! Forget her. We have to go after Dooku. ANAKIN No we're not!! Land this ship! OBI-WAN Don't let your personal feelings get in the way. We've got a job to do.Below, PADME hauls herself to her feet and waves for them to go after DOOKU. ANAKIN I don't care!.. Go back. OBI-WAN Anakin! She's all right! Look.ANAKIN stares out to see PADME rescued by CLONE TROOPERS. OBI-WAN (continuing) Follow that speeder!On the ground, PADME looks up at Gunship #2 as it speeds away after Count Dooku. OBI-WAN and ANAKIN follow the speeder to a Geonosian tower. The speeder decsends rapidly; the Gunship follows.Count Dooku's speeder parks outside the tower; the Gunship parks next to it. OBI-WAN and ANAKIN leap down and run inside the tower.INT. GEONOSIS, SECRET HANGER TOWER - LATE DAYCOUNT DOOKU throws switches on a control panel. His Interstellar Sail Ship is guarded by a SQUAD OF SUPER BATTLE DROIDS. The doors of the exit-port slide open. DROID CAPTAIN Your Excellency!COUNT DOOKU turns as OBI-WAN and ANAKIN run in through the hanger doors. They draw their lightsabers. The DROIDS raise their weapons. COUNT DOOKU That won't be necessary, Captain. Stand down. And leave them to me.The DROIDS lower their weapons and back off to the walls. COUNT DOOKU looks at OBI-WAN and ANAKIN with slight amusement. OBI-WAN (to Anakin) We move in together - you slowly on the... ANAKIN I'm taking him now! OBI-WAN Anakin, no! ANAKIN You'll pay for all the Jedi you've killed today, Dooku.ANAKIN charges across the open space at COUNT DOOKU, who smiles faintly, watching him come. ANAKIN raises his lightsaber. At the last moment, COUNT DOOKU thrusts out an arm, and ANAKIN is lifted up, hurled across the room, and slammed into the opposite wall. He slumps to the foot of the wall, semi-conscious. COUNT DOOKU moves toward OBI-WAN COUNT DOOKU Kenobi, isn't it? As you can see, my Jedi powers are far beyond yours. Now, back down. OBI-WAN I don't think so.OBI-WAN lifts his lightsaber. COUNT DOOKU smiles. COUNT DOOKU Ah, but if I must.COUNT DOOKU draws his lightsaber. He and OBI-WAN start to circle each other. COUNT DOOKU (continuing) I have spent the last ten years learning to use the power of the Dark Side. It gives me infinitely greater power. OBI-WAN You will have to prove it.OBI-WAN comes in fast, swinging at COUNT DOOKU'S head. DOOKU parries the cut easily. As they fight, it quickly becomes clear that DOOKU is the complete swordsman - elegant, graceful, classical - a master of the old style. COUNT DOOKU Grand Master Kenobi, you disappoint me. Yoda holds you in such high esteem.COUNT DOOKU parried another cut. COUNT DOOKU (continuing) Surely you can do better...? (parries) No, I'm surprised. Has Jedi swordsmanship degenerated so quickly, or are you trying to make fun of me? (cuts) Which is it?COUNT DOOKU thrusts. OBI-WAN steps back quickly, panting for breath. COUNT DOOKU (continuing) come, come, Master Kenobi. Put me out of my misery.OBI-WAN takes a deep breath, gets a fresh grip on his lightsaber and comes in again. For a moment, he drives COUNT DOOKU back. Then Dooku's superior skill begins to tell again, and he forces OBI-WAN to retreat.COUNT DOOKU increases the tempo of his attack. OBI-WAN is pushed to the limit to defend himself. DOOKU presses. His lightsaber flashes.OBI-WAN is wounded in the shoulder, then the thigh. He stumbles back against the wall, trips, and falls. His lightsaber goes skittering across the floor.COUNT DOOKU raises his lightsaber. OBI-WAN looks up helplessly. Dooku's lightsaber flashes down and CLASHES against - Anakin's lightsaber! COUNT DOOKU and ANAKIN stare eyeball to eyeball. COUNT DOOKU (continuing) That's brave of you, boy - but foolish. I would have thought you'd have learnt your lesson. ANAKIN I'm a slow learner.And ANAKIN charges at COUNT DOOKU. The force of his attack catches the Count slightly off balance. Anakin's lightsaber flashes. COUNT DOOKU draws back, putting a hand to his arm. He takes the hand away and looks at the smear of blood whee Anakin has nicked him. COUNT DOOKU You have unusual powers, young Padawan. But not enought to save you this time. ANAKIN Don't bet on it! OBI-WAN Anakin!OBI-WAN uses the Force to catch his lightsaber and he tosses it to ANAKIN. With TWO LIGHTSABERS, ANAKIN attacks. COUNT DOOKU parries and ripostes. It is no contest. ANAKIN is driven back against the wall. He loses one lightsaber. Finally COUNT DOOKU, in one flashing move, sends Anakin's arm, cut at the elbow, flying still gripping his lightsaber. ANAKIN drops to the ground in agony. COUNT DOOKU draws himself up to deliver the coup de grace.Suddenly, the great doors slide open. The DROIDS turn fast, raising their weapons. Through the thick smoke, emerges the heroic figure of YODA. He stops on the smoke-filled threashold, FOUR DROIDS lined up on either side of him, guns pointed.Before the DROIDS can get off a shot, YODA raises his hand, and the DROIDS are flung against the far walls and crash to the floor in heaps of smoking metal.Silence. COUNT DOOKU steps away from ANAKIN to face the Jedi Grand Master. His lightsaber whirls in a formal salute. COUNT DOOKU Master Yoda. At last we shall know who is the most powerful.YODA draws a miniature lightsaber out of his cane. He salutes formally. YODA Count Dooku. No interest in contests, do I have.COUNT DOOKU charges across the space at YODA. He rains down blows upon the tiny figure. YODA doesn't budge an inch. For the first part of the contest, he parries every cut and thrust that Dooku aims. Nothing the great swordsman tries gets through. His energy drains. His strokes become feebler, slower.YODA attacks! He flies forward. COUNT DOOKU is forced to retreat. Wprds are insufficient to describe the range and skill of Yoda's speed and swordplay. His lightsaber his a humming blur of light.Count Dooku's lightsaber is sent cartwheeling from his hand. He staggers back, gasping and spent, against the control panel. YODA jumps onto DOOKU'S shoulders, and is about to drive the lightsaber into the top of the Count's head. YODA (continuing) The end for you, Count, this is. COUNT DOOKU ...Not yet...COUNT DOOKU raises his arms and knocks YODA off his shoulders and then, with all his might, he uses the Force to pull on one of the cranes in the hanger. It comes crashing down on OBI-WAN and ANAKIN. But in the blink of and eye, YODA is under the crane, holding it up, using the Force. YODA closes his eyes and concentrates.ANAKIN is unconscious, and OBI0WAN tries toget out from under the crane. The fallen crane trembles and starts to life. Behind it, the sound of the Sail Ship's engines are heard starting up.YODA concentrates harder. Slowly, the crane rises. The SOUND OF THE ENGINES increases. YODA exerts every scrap of his powers. The crane lifts clear of ANAKIN and is thrown to the ground. DOOKU'S Sail Ship takes off. OBI-WAN and ANAKIN struggle to the exhausted YODA, but it's too late. The Sail Ship rises into the air and flies away. PADMÉ and a CLONE CAPTAIN with about TEN TROOPERS appear in the doorway. PADMÉ Anakin!PADMÉ runs too him and throws her arms around him. ANAKIN is barely able to stand up. The CLONE CAPTAIN marches up to YODA, stops, and salutes smartly. CLONE CAPTAIN Resistance is at an end, General. What are your orders ?YODA looks at him and sighs.EXT. CORUSCANT, OLD TOWN - DAWNCOUNT DOOKU'S Interstellar Sail Ship glides through a deserted, burned-out part of Coruscant. COUNT DOOKU manoeuvres the ship into one of the empty buildings and lands.INT. CORUSCANT, SECRET LANDING PLATFORM - DAWNThe ramp lowers. COUNT DOOKU emerges and walks to where the hooded figure of DARTH SIDIOUS stands waiting. COUNT DOOKU bows. COUNT DOOKU The Force is with us, my Master. DARTH SIDIOUS Welcome home, Lord Tyranus. You have done well. COUNT DOOKU I bring you good news, my Lord. The war has begun. DARTH SIDIOUS Excellent. (smiling) Everything is going as planned.EXT. CORUSCANT, JEDI TEMPLE - SUNSETThe beautiful temple basks in the red glow of the setting sun.INT. JEDI TEMPLE, COUNCIL CHAMBER - SUNSET MACE WINDU Where is your apprentice? OBI-WAN On his way back to Naboo. He is escorting Senator Amidala home.They are standing, looking out through the tall windows at the great plaza below. YODA sits in his chair. OBI-WAN (continuing) I must admit without the clones, it would not have been a victory. YODA Victory? Victory, you say?OBI-WAN turns and looks at the sad little Jedi sitting in the Council Chamber. Apart from KI-ADI-MUNDI and PLO KOON, who is wounded, the Chamber is empty. YODA (continuing) Not victory, a defeat, it was... Master Obi-Wan. Begun, the Clone War has!EXT. NABOO LAKE RETREAT, LODGE, GARDEN - LATE DAYIn a rose-covered arbor overlooking the sparkling late, ANAKIN and PADME stand before a NABOO HOLY MAN.THREEPIO and ARTOO stand by, watching, as the HOLY MAN blesses the happy couple and, amid gently falling rose petals, ANAKIN and PADME kiss.EXT. CORUSCANT, MILITARY STAGING AREA, BALCONY - LATE DAYPALPATINE, JAR JAR, BAIL ORGANA and the OTHER SENATORS, with TWO ROYAL GUARDS, stand looking down at the square below.TENS OF THOUSANDS OF CLONE TROOPS are drawn up in a strict formation or move forwards in near files to climb the ramps of the Military Assault Ships.On the balcony, PALPATINE'S expression is deeply sad. Everyone watches comberly as, in the square, loaded Assault Ships take off. Other land immediately in their place. The sky above is thick with transports. CLONE TROOPS march and board the Ships.The Great Clone War has begun...FADE OUT:THE END https://padlet.com/3004584/7xrmyk94mst7/wish/142777778 2016-12-09 13:11:24 UTC https://padlet.com/3004584/7xrmyk94mst7/wish/142777778 https://padlet.com/3004584/7xrmyk94mst7/wish/142777959 2016-12-09 13:12:15 UTC https://padlet.com/3004584/7xrmyk94mst7/wish/142777959 https://padlet.com/3004584/7xrmyk94mst7/wish/142778042 Sound Of Music Script
  

The hills are alive 

With the sound of music 

With songs they have sung 

For a thousand years 

The hills fill my heart 

With the sound of music 

My heart wants to sing Every song it hears 

My heart wants to beat like the wings Of the birds that rise 

From the lake to the trees 

My heart wants to sigh Like a chime that flies 

From a church on a breeze 

To laugh like a brook When it trips and falls 

Over stones on its way 

To sing through the night 

Like a lark who is learning to pray 

I go to the hills 

When my heart is lonely 

I know I will hear 

What I've heard before 

My heart will be blessed 

With the sound of music 

And I'll sing... 

...once more 

Hallelujah, hallelujah 

Hallelujah, hallelujah 

-Reverend Mother. -Sister Bernice. 

-I simply cannot find her. -Maria? 

She's missing again. 

We should've put a cowbell around her neck. 

Have you tried the barn? You know how much she adores the animals. 

I have looked everywhere. In all of the usual places. 

Sister, considering it's Maria. . . 

. . .I suggest you look in someplace unusual. 

Well, Reverend Mother. . . 

. . .I hope this new infraction ends whatever doubts. . . 

. . .you may still have about Maria's future here. 

I always try to keep faith in my doubts, Sister Berthe. 

After all, the wool of a black sheep is just as warm. 

We are not talking about sheep, black or white, Sister Margaretta. 

Of all the candidates for the novitiate, Maria is the least-- 

Children, children. 

We were speculating about the qualifications of our postulants. 

The Mistress of Novices and the Mistress of Postulants. . . 

. . .were trying to help me by expressing opposite points of view. 

Tell me, Sister Catherine, what do you think of Maria? 

She's a wonderful girl, some of the time. 

-Sister Agatha? -It's very easy to like Maria. . . 

. . .except when it's difficult. 

-And you, Sister Sophia? -Oh, I love her very dearly. 

But she always seems to be in trouble, doesn't she? 

Exactly what I say. 

She climbs a tree and scrapes her knee 

Her dress has got a tear 

She waltzes on her way to Mass And whistles on the stair 

And underneath her wimple She has curlers in her hair 

I've even heard her singing ln the abbey 

She's always late for chapel 

But her penitence is real 

She's always late for everything 

Except for every meal 

I hate to have to say it But I very firmly feel 

Maria 's not an asset to the abbey 

I'd like to say a word in her behalf 

Say it, Sister Margaretta. 

Maria makes me laugh 

How do you solve a problem like Maria? 

How do you catch a cloud And pin it down? 

How do you find a word That means Maria? 

A flibbertigibbet 

-A will-o '-the-wisp -A clown 

Many a thing you know You'd like to tell her 

Many a thing she ought to understand 

But how do you make her stay And listen to all you say? 

How do you keep a wave upon the sand? 

How do you solve a problem like Maria? 

How do you hold a moonbeam... 

...in your hand? 

When I'm with her I'm confused Out of focus and bemused 

And I never know exactly where I am 

-Unpredictable as weather -She's as flighty as a feather 

-She's a darling -She's a demon 

She's a lamb 

She'll out pester any pest Drive a hornet from its nest 

She can throw a whirling dervish Out of whirl 

-She is gentle, she is wild -She's a riddle, she's a child 

-She's a headache -She's an angel 

She's a girl 

How do you solve a problem like Maria? 

How do you catch a cloud And pin it down? 

How do you find a word That means Maria? 

-A flibbertigibbet -A will-o '-the-wisp 

A clown 

Many a thing you know You'd like to tell her 

Many a thing she ought to understand 

-But how do you make her stay -And listen to all you say? 

How do you keep a wave upon the sand? 

How do you solve a problem like Maria? 

How do you hold a moonbeam... 

...in your hand? 

You may go in now, Maria. 

Come here, my child. 

Now sit down. 

Reverend Mother, I'm sorry. I couldn't help myself. 

-The hills were beckoning and before-- -Dear. 

I haven't summoned you for apologies. 

Please let me ask for forgiveness. 

If you'll feel better. 

Yes, you see, the sky was so blue today. . . 

. . .and everything was so green and fragrant, I had to be a part of it. 

The Untersberg led me higher like it wanted me to go through the clouds. 

Suppose darkness had come and you were lost? 

Mother, I could never be lost up there. 

That's my mountain. I was brought up on it. 

It was the mountain that led me to you. 

When I was a child, I would come down and climb a tree. . . 

. . .and look in your garden. 

I'd see the sisters at work and hear them sing. 

Which brings me to another transgression, Reverend Mother. 

I was singing out there today. 

Only in the abbey do we have rules about postulants singing. 

I can't stop wherever I am. 

Worse, I can't seem to stop saying things. 

Everything I think and feel. 

Some call that "honesty. " 

Oh, but it's terrible, Reverend Mother! 

You know how Sister Berthe makes me kiss the floor after a disagreement? 

Lately, I kiss the floor when I see her coming to save time. 

Maria. . . 

. . .when you saw us over the wall and longed to be with us. . . 

. . .that didn't mean you were prepared for the way we live here, did it? 

No, Mother, but I pray and I try. 

And I am learning. I really am. 

What is the most important lesson you have learned here? 

To find out what is the will of God and do it wholeheartedly. 

Maria. . . 

. . .it seems to be God's will that you leave us. 

-Leave? -Only for a while. 

No, Mother! Please don't send me away! 

This is where I belong. It's my home, my family. It's my life. 

-Are you truly ready for it? -Yes, I am. 

If you go out into the world for a time, knowing what we expect of you. . . 

. . .you will find out if you can expect it of yourself. 

I know what you expect, Mother, and I can do it! I promise I can! 

Yes, Mother. 

If it is God's will. 

There is a family near Salzburg that needs a governess until September. 

-September? -For seven children. 

Seven children?! 

Do you like children? 

Well, yes, but seven! 

I will tell Captain von Trapp to expect you tomorrow. 

Captain? 

A retired officer of the lmperial Navy. A fine man and a brave one. 

His wife died, and he is alone with the children. 

I understand he has had a difficult time keeping a governess there. 

Why difficult, Reverend Mother? 

The Lord will show you in His own good time. 

When the Lord closes a door. . . 

. . .somewhere He opens a window. 

What will this day be like? 

I wonder 

What will my future be? 

I wonder 

It could be so exciting 

To be out in the world To be free 

My heart should be wildly rejoicing 

Oh, what's the matter with me? 

I've always longed for adventure 

To do the things I've never dared 

Now here I'm facing adventure 

Then why am I so scared? 

A captain with seven children 

What's so fearsome about that? 

I must stop these doubts and worries 

If I don 't ljust know I'll turn back 

I must dream of the things I am seeking 

I am seeking the courage I lack 

The courage to serve them With reliance 

Face my mistakes without defiance 

Show them I'm worthy 

And while I show them 

I'll show me 

So let them bring on All their problems 

I'll do better than my best 

I have confidence They'll put me to the test 

But I'll make them see I have confidence in me 

Somehow I will impress them 

I will be firm but kind 

And all those children Heaven bless them 

They will look up to me And mind me 

With each step I am more certain 

Everything will turn out fine 

I have confidence The world can all be mine 

They'll have to agree I have confidence in me 

I have confidence in sunshine 

I have confidence in rain 

I have confidence That spring will come again 

Besides which you see I have confidence in me 

Strength doesn 't lie in numbers 

Strength doesn 't lie in wealth 

Strength lies in nights Ofpeaceful slumbers 

When you wake up, wake up It's healthy 

All I trust I leave my heart to 

All I trust becomes my own 

I have confidence in confidence alone 

Oh, help. 

I have confidence in confidence alone 

Besides which you see I have confidence... 

...in me 

Hello. Here I am. 

I'm from the convent. I'm the new governess, captain. 

And I'm the old butler, fräulein. 

Well, how do you do? 

You'll wait here, please. 

In future, remember certain rooms in this house are not to be disturbed. 

Yes, captain, sir. 

-Why do you stare at me that way? -You don't look like a sea captain. 

I'm afraid you don't look very much like a governess. 

-Turn around. -What? 

Turn. 

Hat off. 

Put on another dress before meeting the children. 

But I don't have another. 

When we enter the abbey, our worldly clothes go to the poor. 

What about this one? 

The poor didn't want it. 

There wasn't time to make a new dress. I can make clothes. 

I'll see that you get some material. 

Today, if possible. 

-Now, fräulein. . . . -Maria. 

I don't know how much the abbess told you. 

You are the twelfth governess. . . 

. . .to look after my children since their mother died. 

I trust you will be an improvement on the last one. 

She stayed only two hours. 

What's wrong with the children, sir? 

Nothing is wrong with the children, only the governesses. 

They could not maintain discipline, without which the house cannot be run. 

Drill them in their studies. 

I will not permit them to dream away their summer holidays. 

Each afternoon, they march, breathing deeply. 

Bedtime is to be strictly observed. 

When do they play? 

You will see to it that they conduct themselves with the utmost decorum. 

-I am placing you in command. -Yes, sir. 

Now. . . 

. . .this is your new governess, Fräulein Maria. 

Give your name at your signal. 

Fräulein, listen carefully. Learn their signals so you can call them. 

Liesl. 

Friedrich. 

Louisa. 

Kurt. 

Brigitta. 

Marta. 

Gretl. 

Now, let's see how well you listened. 

I won't need to whistle for them, Reverend Captain. 

I mean, I'll use their names. Such lovely names. 

Fräulein, this is a large house. The grounds are extensive. 

And I will not have anyone shouting. 

You will take this, please. Learn to use it. 

The children will help you. 

Now, when I want you, this is what you will hear. 

Oh, no, sir. I'm sorry, sir! 

I could never answer to a whistle. 

Whistles are for animals, not for children. 

And definitely not for me. 

It would be too humiliating. 

Fräulein, were you this much trouble at the abbey? 

Oh, much more, sir. 

I don't know your signal. 

You may call me "captain. " 

At ease. 

Now that there's just us. . . 

. . .would you please tell me all your names again and how old you are. 

I'm Liesl. I'm     years old, and I don't need a governess. 

I'm glad you told me, Liesl. We'll just be good friends. 

I'm Friedrich. I'm    . I'm impossible. 

Really? Who told you that, Friedrich? 

Fräulein Josephine. Four governesses ago. 

I'm Brigitta. 

You didn't tell me how old you are, Louisa. 

I'm Brigitta. She's Louisa. 

She's     years old, and you're smart. 

I'm     and I think your dress is the ugliest one I ever saw. 

-Brigitta, you shouldn't say that. -Why not? 

-Don't you think it's ugly? -Of course. 

But Fräulein Helga's was ugliest. 

I'm Kurt. I'm     . I'm incorrigible. 

-Congratulations. -What's "incorrigible"? 

I think it means you want to be treated like a boy. 

I'm Marta, and I'm going to be seven on Tuesday. 

I'd like a pink parasol. 

Pink's my favorite color too. 

Yes, you're Gretl. 

And you're five years old? 

My, you're practically a lady. 

I have to tell you a secret. I've never been a governess. 

You don't know anything about being a governess? 

Nothing. I'll need lots of advice. 

The best way to start is to tell Father to mind his own business. 

Never come to dinner on time. 

Never eat your soup quietly. 

During dessert, always blow your nose. 

Don't you believe a word they say, Fräulein Maria. 

-Oh, why not? -Because I like you. 

Children, outside for your walk. 

Father's orders. Hurry up. 

Quick, quick, quick. 

Fräulein Maria, I'm Frau Schmidt, the housekeeper. 

How do you do. 

I'll show you to your room. Follow me. 

Poor little dears. 

You're very lucky. With Fräulein Helga it was a snake. 

Good evening. 

-Good evening, children. -Good evening, Fräulein Maria. 

Enchanting little ritual. 

Something you learned at the abbey? 

No. 

Rheumatism. 

Excuse me, captain. Haven't we forgotten to thank the Lord? 

For what we receive, may the Lord make us truly thankful. 

-Amen. -Amen. 

I'd like to thank you all. . . 

. . .for the precious gift you left in my pocket today. 

What gift? 

It's a secret between the children and me. 

Then I suggest you keep it, and let us eat. 

Knowing how nervous I must have been. . . 

. . .a stranger in a new household. . . 

. . .knowing how important it was for me to feel accepted. . . 

. . .it was so kind and thoughtful of you to make my first moments here. . . 

. . .so warm and happy. . . 

. . .and pleasant. 

-What is the matter, Marta? -Nothing. 

Fräulein. . . 

. . .is it to be at every meal or merely at dinnertime. . . 

. . .that you intend leading us through this rare and wonderful new world. . . 

. . .of indigestion? 

They're all right, captain. They're just happy. 

-Rolf, good evening. -Good evening, Franz. 

-I trust everything is under control? -Yes, yes. 

-Are there any developments? -Perhaps. 

-Is the captain home? -He's at dinner. 

-With the family? -Yes. 

Give him this telegram at once. 

Certainly. 

A telegram for you, sir. 

Franz? Who delivered it? 

That young lad Rolf, of course. 

Father, may I be excused? 

Children, in the morning I shall be going to Vienna. 

Not again, Father! 

How long will you be gone this time? 

I'm not sure, Gretl. 

-To visit Baroness Schraeder again? -Mind your own business! 

As a matter of fact, yes, Louisa. 

-Why can't we ever see the baroness? -Why would she want to see you? 

You are going to see the baroness. I'm bringing her back with me to visit. 

And Uncle Max. 

Uncle Max! 

Rolf! 

Oh, Rolf! 

-No, Liesl. We mustn't! -Why not, silly? 

-I don't know-- -Isn't this why you're waiting? 

Yes, of course. 

-I've missed you, Liesl. -You have? How much? 

I even thought of sending a telegram, so I'd be able to deliver it here. 

Oh, that's a lovely thought! Why don't you, right now? 

-But I'm here! -Please, Rolf. Send me a telegram. 

I'll start it for you. "Dear Liesl. . . . " 

"Dear Liesl: I'd like to be able to tell you. . . 

. . .how I feel about you. Stop. 

Unfortunately, this wire is already too expensive. 

Sincerely, Rolf. " 

-"Sincerely"? -Cordially. 

-"Cordially"? -Affectionately? 

Will there be any reply? 

"Dear Rolf: Stop. 

Don't stop! Your Liesl. " 

If only we didn't have to wait for someone to send Father a telegram. 

How do I know when I'll see you again? 

Well, let's see. . . . 

I could come here by mistake. 

With a telegram for Colonel Schneider! He's here from Berlin staying with-- 

No one knows he's here. Don't tell your father. 

-Why not? -Your father's so Austrian. 

We're all Austrian. 

Some think we ought to be German, and they're very mad at those who don't. 

They're getting ready to-- 

Let's hope your father doesn't get into trouble. 

Don't worry. He's a big naval hero. He was even decorated by the emperor. 

I don't worry about him. I worry about his daughter. 

Me? Why? 

-Well, you're so-- -What? 

You're such a baby! 

I'm    . What's such a baby about that? 

You wait, little girl On an empty stage 

For fate to turn the light on 

Your life, little girl ls an empty page 

That men will want to write on 

To write on 

You are    going on    

Baby, it's time to think 

Better beware Be canny and careful 

Baby, you're on the brink 

You are    going on    

Fellows will fall in line 

Eager young lads And roués and cads 

Will offer you food and wine 

Totally unprepared are you 

To face a world of men 

Timid and shy and scared are you 

Of things beyond your ken 

You need someone older and wiser 

Telling you what to do 

I am    going on    

I'll take care of you 

I am    going on    

I know that I'm naive 

Fellows I meet May tell me I'm sweet 

And willingly I believe 

I am    going on    

Innocent as a rose 

Bachelor dandies Drinkers of brandies 

What do I know of those? 

Totally unprepared am I 

To face a world of men 

Timid and shy and scared am I 

Of things beyond my ken 

I need someone older and wiser 

Telling me what to do 

You are    going on    

I'll depend on you 

Come in. 

Frau Schmidt. 

For your new dresses. 

-The captain had these sent from town. -Oh, how lovely! 

These will make the prettiest clothes I've ever had. 

Do you think he would get me more material if I asked? 

-How many dresses do you need? -Not for me, for the children. 

I want to make them some play clothes. 

The von Trapp children don't play. They march. 

Surely you don't approve of that. 

Ever since the captain lost his poor wife. . . 

. . .he runs this house as if on one of his ships. 

Whistles, orders. 

No more music, no more laughing. 

Nothing that reminds him of her. Even the children. 

But that's so wrong. 

Oh, well. 

How do you like your room? There'll be new drapes at the windows. 

Bu these are fine. 

New ones have been ordered. 

-But I really don't need them. -Good night, now. 

Frau Schmidt, if I asked the captain about the material. . .? 

-He's leaving in the morning. -Of course. How long will he be gone? 

It depends. The last time he visited the baroness, he stayed for a month. 

I shouldn't be saying this to you. I don't know you that well. 

But if you ask me, the captain's thinking seriously. . . 

. . .of marrying her before summer's over. 

Wonderful! The children will have a mother again. 

Yes. 

Well, good night. 

Good night. 

Dear Father, now I know why You sent me here. 

To help these children prepare for a new mother. 

And I pray this will become a happy family in Thy sight. 

God bless the captain. God bless Liesl and Friedrich. 

God bless Louisa, Brigitta, Marta and little Gretl. 

And I forgot the other boy. What's his name? 

Well, God bless what's-his-name. 

God bless the Reverend Mother and Sister Margaretta. . . 

. . .and everybody at the abbey. 

And now, dear God, about Liesl. 

Help her know that I'm her friend. . . 

. . .and help her tell me what she's been up to. 

Are you going to tell on me? 

Help me to be understanding so I may guide her footsteps. 

In the name of the Father, the Son and the Holy Ghost. 

I was out walking and somebody locked the doors early. 

I didn't want to wake everybody, so when I saw your window open. . . . 

You're not going to tell Father, are you? 

How did you climb up? 

It's how we always got in to play tricks on the governess. 

Louisa can make it with a whole jar of spiders in her hand. 

Spiders? 

Were you out walking all by yourself? 

If we wash that dress tonight, nobody would notice it tomorrow. 

You could put this on. 

Take your dress and put it to soak in the bathtub. 

Come back here and sit on the bed, and we'll have a talk. 

I told you today I didn't need a governess. 

Well, maybe I do. 

Gretl, are you scared? 

You're not frightened of a storm, are you? 

You just stay right here with me. 

-Where are the others? -They're asleep. They're not scared. 

Oh, no? Look. 

All right, up here on the bed. 

-Really? -Well, just this once. Come on. 

-Now we'll wait for the boys. -You won't see them. Boys are brave. 

You weren't scared, were you? 

Oh, no. We just wanted to be sure that you weren't. 

-That's very thoughtful of you. -It wasn't my idea. 

It was Kurt's! 

Kurt! That's the one I left out! God bless Kurt. 

Why does it do that? 

The lightning talks to the thunder, and the thunder answers. 

-But lightning must be nasty. -Not really. 

Why does the thunder get so angry? 

It makes me want to cry. 

Whenever I'm feeling unhappy, I just try to think of nice things. 

What kind of things? 

Well, let me see. Nice things. . . . 

Daffodils. 

Green meadows. 

Skies full of stars. 

Raindrops on roses and whiskers on kittens 

Bright copper kettles And warm woolen mittens 

Brown paper packages Tied up with strings 

These are a few of my favorite things 

Cream-colored ponies And crisp apple strudels 

Doorbells and sleigh bells And schnitzel with noodles 

Wild geese that fly With the moon on their wings 

These are a few of my favorite things 

Girls in white dresses With blue satin sashes 

Snowflakes that stay On my nose and eyelashes 

Silver white winters That melt into springs 

These are a few of my favorite things 

When the dog bites 

When the bee stings 

When I'm feeling sad 

I simply remember my favorite things 

And then I don 't feel so bad 

-Does it work? -Of course. 

-What do you like? -Pussy willow! 

-Christmas! -Bunny rabbits! 

Snakes! 

-Chocolate icing! -No school! 

Pillow fights! 

-Telegrams! -Birthday presents! 

-Any presents! -Ladybugs! 

A good sneeze! 

Gesundheit! 

See what fun it is? 

Raindrops on roses And whiskers on kittens 

Bright copper kettles And warm woolen mittens 

Brown paper packages Tied up with strings 

These are a few of my favorite things 

Cream-colored ponies And crisp apple strudels 

Doorbells and sleigh bells And schnitzel with noodles 

Wild geese that fly With the moon on their wings 

These are a few of my favorite things 

Together. 

Girls in white dresses With blue satin sashes 

Snowflakes that stay On my nose and eyelashes 

Silver white winters That melt into springs 

These are a few of my favorite things 

When the dog bi-- 

Dog bites. 

Hello. 

Fräulein, did I not tell you that bedtime is to be strictly observed? 

The children were upset by the storm, so l-- 

You did, sir. 

Do you, or do you not, have difficulty remembering such simple instructions? 

Only during thunderstorms. 

Liesl? 

I don't recall seeing you after dinner. 

Really? As a matter of fact-- 

Yes? 

Well, I was-- 

What she would like to say. . . 

. . .is that she and I have been getting acquainted tonight. 

It's too late to go into that. You heard your father. Go back to bed. 

Fräulein. . . 

. . .you have managed to remember I'm leaving in the morning? 

Is it also possible you remember the first rule in this house is discipline? 

Then I trust that before I return. . . 

. . .you'll have acquired some? 

Captain? 

Could I talk to you about clothes for the children for when they play? 

-If I could have some material. -You are many things. 

Not the least of which is repetitious. 

-But they're children! -Yes. 

And I'm their father. 

Good night. 

Girls in white dresses With blue satin sashes 

When the dog bites When the bee stings 

When I'm feeling sad 

I simply remember my favorite things 

And then I don 't feel... 

...so bad 

Children, over here. See! 

Come on. 

Fräulein Maria? 

Can we do this every day? 

-Don't you think you'd get tired of it? -I suppose so. 

Every other day? 

I haven't had so much fun since we put glue on Fräulein Josephine's toothbrush. 

I can't understand how children as nice as you can play such tricks. 

-It's easy. -But why do it? 

How else can we get Father's attention? 

Oh, I see. 

We'll have to think about that one. 

All right, over here. 

What are we going to do? 

Think of a song for the baroness. 

Father doesn't like us to sing. 

Perhaps we can change his mind. Now, what songs do you know? 

We don't know any songs. 

-Not any? -We don't even know how to sing. 

Let's not lose time. You must learn. 

But how? 

Let's start at the very beginning 

A very good place to start 

When you read you begin with 

A, B, C 

When you sing, you begin with Do-Re-Mi 

Do-re-mi 

Do-re-mi 

The first three notes Just happen to be 

Do-re-mi 

Do-re-mi 

Do-re-mi-fa-so-la-ti 

Let's see if I can make it easier. 

"Doe, " a deer A female deer 

"Ray, " a drop of golden sun 

"Me, " a name I call myself 

"Far, " a long long way to run 

"Sew, " a needle pulling thread 

"La, " a note to follow sew 

"Tea, " a drink with jam and bread 

That will bring us back to doe 

-Doe -A deer, a female deer 

-Ray -A drop of golden sun 

-Me -A name I call myself 

-Far -A long long way to run 

Sew, a needle pulling thread 

-La -A note to follow sew 

-Tea -A drink with jam and bread 

That will bring us back to 

-Doe -A deer, a female deer 

Ray, a drop of golden sun 

Me, a name I call myself 

Far, a long long way to run 

Sew, a needle pulling thread 

La, a note to follow sew 

Tea, a drink with jam and bread 

That will bring us back to doe 

Do-re-mi-fa-so-la-ti-do, so-do 

Do-re-mi-fa-so and so on are only the tools we use to build a song. 

Once you have them in your head you can sing different tunes. . . 

. . .by mixing them up. Like this: 

So-do-la-fa-mi-do-re 

Can you do that? 

So-do-la-fa-mi-do-re 

So-do-la-ti-do-re-do 

So-do-la-ti-do-re-do 

Now, put it all together. 

So-do-la-fa-mi-do-re 

So-do-la-ti-do-re-do 

-Good. -But it doesn't mean anything. 

So we put in words. One word for every note. 

Like this: 

When you know the notes to sing 

You can sing most anything 

Together! 

When you know the notes to sing 

You can sing most anything 

-Doe -A deer, a female deer 

-Ray -A drop of golden sun 

-Me -A name I call myself 

-Far -A long long way to run 

-Sew -A needle pulling thread 

-La -A note to follow sew 

-Tea -A drink with jam and bread 

That will bring us back to doe 

When you know the notes to sing 

You can sing most anything 

Doe A deer, a female deer 

Ray A drop of golden sun 

Me A name I call myself 

Far A long long way to run 

Sew A needle pulling thread 

La A note to follow sew 

Tea A drink with jam and bread 

That will bring us back to 

So-do-la-fa-mi-do-re 

So-do-la-fa-ti 

La-so 

Ti-do 

So-do 

The mountains are magnificent, really magnificent. 

-I had them put up just for you. -Oh? 

Even if it's to a height of        feet. . . 

. . .Georg always believes in "rising to the occasion. " 

Improve the jokes or I'll disinvite you. 

You didn't invite me. I invited myself. 

-Naturally. -You needed a chaperone. . . 

. . .and I needed a place where the cuisine is superb. . . 

. . .the wine cellar unexcelled. . . 

. . .and the price perfect. 

Max, you are outrageous. 

Not at all. I'm a very charming sponge. 

Listen. 

That's the Klopmann Monastery Choir. 

They're good. 

Very good. 

I must explore this area in the next few days. 

Somewhere, a hungry singing group is waiting for Max Detweiler. . . 

. . .to pluck it out and make it famous at the Salzburg Folk Festival. 

-They get fame, you get money. -It's unfair, I admit it. 

But someday that'll be changed. I shall get the fame too. 

Good heavens, what's this? 

It's nothing. Just some local urchins. 

This really is exciting for me, Georg. Being here with you. 

Trees, lakes, you've seen them before. 

That is not what I mean, and you know it. 

-You mean me? I'm exciting? -Is that so impossible? 

No, just highly improbable. 

-There you go, running yourself down. -Well, I'm a dangerous driver. 

You're much less of a riddle when I see you here, Georg. 

-In my natural habitat? -Yes, exactly. 

Are you saying that I'm more at home. . . 

. . .among the birds and the flowers and the wind that moves. . . 

. . .through the trees like a restless sea? 

How poetic. 

Yes, it was rather, wasn't it? 

More at home here than in Vienna in all your glittering salons. . . 

. . .gossiping gaily with bores I detest, soaking myself in champagne. . . 

. . .stumbling about to waltzes by Strausses I can't even remember? 

-Is that what you're saying? -Yes. 

Now whatever gave you that idea? 

Oh, I do like it here, Georg. It's so lovely and peaceful. 

How can you leave it so often? 

Oh, pretending to be madly active, I suppose. 

Activity suggests a life filled with purpose. 

Could it be running away from memories? 

Or perhaps just searching for a reason to stay. 

I hope that's why you've been coming to Vienna so often. 

-Were there other distractions? -I'd hardly call you a distraction. 

Well, what would you call me, Georg? 

Lovely. . . 

. . .charming, witty, graceful, the perfect hostess. . . 

. . .and, you're going to hate me for this. . . 

. . .in a way, my savior. 

Oh, how unromantic. 

I'd be an ungrateful wretch if I didn't say. . . 

. . .that you brought some meaning back into my life. 

I am amusing, I suppose. 

I have the finest couturier in Vienna and a glittering circle of friends. 

-I do give some rather gay parties. -Oh, yes. 

But take all that away. . . 

. . .and you have just wealthy, unattached little me. . . 

. . .searching, just like you. 

More strudel, Herr Detweiler? 

-How many have I had? -Two. 

Make it an uneven three. 

Still eating, Max? Must be unhappy. 

That mixed quartet I've been trying to steal away from Sol Hurok. . . 

-What happened? -. . .Sascha Petrie stole them first. 

I hate thieves. 

Max, you really must try and learn to love yourself. 

I had to call Paris, Rome and Stockholm. 

-On Georg's telephone, of course. -How else could I afford it? 

I like rich people, the way they live and how I live when I'm with them. 

I wonder where the children are. 

They must have heard I was coming and hid. 

I was hoping they'd be here to welcome you. 

Max, do step out of character for a moment and try and be charming. 

Well? 

Well what? 

Have you made up his mind? Do I hear wedding bells? 

-Pealing madly. -Marvelous. 

-Not necessarily for me. -What kind of talk's that? 

None-of-your-business talk. 

I'm terribly fond of him, so don't toy with us. 

But I'm a child. I like toys. So tell me everything. 

Come on. Tell me every teensy-weensy, intimate, disgusting detail. 

Well, let's just say I have a feeling I may be here on approval. 

-I approve of that. How can you miss? -Far too easily. 

If I know you, darling, and I do, you will find a way. 

-He's no ordinary man. -No, he's rich. 

His wife's death gave him a great heartache. 

And your husband's death gave you a great fortune. 

Oh, Max, you really are a beast. 

You and Georg are like family. That's why I want to see you married. 

We must keep all that lovely money in the family. 

-What are you doing there? -Oh, Captain von Trapp. 

I was just looking for. . . . 

I didn't see, I mean, I didn't know you were-- 

Heil Hitler! 

Who are you? 

I have a telegram for Herr Detweiler. 

-I am Herr Detweiler. -Yes, sir. 

You've delivered your telegram. Now get out. 

-Georg, he's just a boy. -Yes, and I'm just an Austrian. 

Things will happen. Make sure they don't happen to you. 

Max! Don't you ever say that again. 

I have no political convictions. 

-Can I help it if other people do? -You can help it. 

You must help it. 

Hello? 

You're far away. Where are you? 

In a world that's disappearing, I'm afraid. 

Is there any way I could bring you back to the world I'm in? 

-Father! Father! -There's your father! 

Oh, captain, you're home! 

Come out of that water at once! 

Oh, you must be Baroness Schraeder. 

I'm soaked to the skin! 

Straight line! 

This is Baroness Schraeder. 

And these. . . 

. . .are my children. 

How do you do? 

Go inside, dry off, clean up, change your clothes and report back here! 

Fräulein, you will stay here, please! 

I think I'd better go see what Max is up to. 

Now, fräulein. . . 

. . .I want a truthful answer. 

Yes, captain. 

Is it possible, or could I have just imagined it? 

Have my children, by any chance, been climbing trees today? 

Yes, captain. 

I see. 

And where, may I ask, did they get these. . . . 

-Play clothes. -Is that what they are? 

I made them from the drapes that used to hang in my bedroom. 

-Drapes? -They have plenty of wear left. 

We've been everywhere in them. 

Are you telling me that my children have been roaming about Salzburg. . . 

. . .dressed up in nothing but some old drapes? 

And having a marvelous time! 

-They have uniforms. -Forgive me, straitjackets. 

They can't be children if they worry about clothes-- 

They don't complain. 

They don't dare. They love you too much and fear-- 

Don't discuss my children. 

You've got to hear, you're never home-- 

I don't want to hear more! 

I know you don't, but you've got to! 

-Liesl's not a child. -Not one word-- 

Soon she'll be a woman and you won't even know her. 

Friedrich wants to be a man but you're not here to show-- 

Don't you dare tell me-- 

Brigitta could tell you about him. She notices everything. 

Kurt acts tough to hide the pain when you ignore him. . . 

. . .the way you do all of them. 

Louisa, I don't know about yet. 

The little ones just want love. Please, love them all. 

I don't care to hear more. 

-I am not finished yet, captain! -Oh, yes, you are, captain! 

Fräulein. 

Now, you will pack your things this minute. . . 

. . .and return to the abbey. 

What's that? 

It's singing. 

Yes, I realize it's singing. But who is singing? 

The children. 

The children? 

I taught them something to sing for the baroness. 

My heart wants to sing Every song it hears 

Every song that it hears 

My heart wants to beat like the wings Of the birds that rise 

From the lake to the trees 

To the trees 

My heart wants to sigh Like a chime that flies 

From a church on a breeze 

To laugh like a brook When it trips and falls 

Over stones on its way 

On its way 

To sing through the night 

Like a lark who is learning to pray 

I go to the hills 

When my heart is lonely 

I know I will hear 

What I've heard before 

My heart will be blessed 

With the sound of music 

And I'll sing... 

...once more 

Edelweiss! 

You never told me how enchanting your children are. 

Don't go away. 

Fräulein. 

I. . . 

. . .behaved badly. I apologize. 

I'm far too outspoken. It's one of my worst faults. 

You were right. 

I don't know my children. 

There's still time, captain. They want so much to be close to you. 

And you brought music back into the house. 

I'd forgotten. 

Fräulein. 

I want you to stay. 

I ask you to stay. 

-If I could be of any help. -You have already. 

More than you know. 

Marta. 

Curtain! 

High on a hill was a lonely goatherd 

Loud was the voice Of the lonely goatherd 

Folks in a town That was quite remote heard 

Lusty and clear From the goatherd's throat heard 

Marta. Marta! 

Gretl, the prince! 

A prince on the bridge Of a castle moat heard 

Men on a road With a load to tote heard 

Men in the midst Of a table d'hôte heard 

Men drinking beer With the foam afloat heard 

One little girl ln a pale pink coat heard 

She yodeled back To the lonely goatherd 

Soon her mama With a gleaming gloat heard 

What a duet for a girl and goatherd 

One little girl ln a pale pink coat heard 

She yodeled back To the lonely goatherd 

Soon her mama With a gleaming gloat heard 

What a duet for a girl and goatherd 

Happy are they 

Soon the duet will become a trio 

-Bravo! -Bravo! 

Very good! 

Wonderful! 

-Can we keep the puppets, Uncle Max? -Yes, can we? 

Of course you may, my darlings. 

Why else did I tell Professor Kohner to send the bill to your father? 

Well done, fräulein. 

I really am very much impressed. 

They're your children, captain. 

My dear, is there anything you can't do? 

Well, I'm not sure I'll make a good nun. 

If you have any problems, I'd be happy to help you. 

Attention, everyone! 

I have an announcement to make. Surprise! Surprise! 

Today, after a long and desperate search. . . 

. . .I have found a most exciting entry for the Salzburg Folk Festival. 

Congratulations, Max. 

And who will you be exploiting this time? 

-The Saint lgnatius Choir? -Guess again. 

Well, let me see now. The Klopmann Choir? 

-No, no, no, no. -No, no? 

Tell us. 

A singing group all in one family. You'll never guess, Georg. 

What a charming idea! 

Whose family? 

Yours. 

They'll be the talk of the festival. 

-Well, now, what's so funny? -You are, Max. 

You're expensive, but very funny. 

-They'll be a sensation! -No, Max. 

It's a wonderful idea. Fresh, original. 

Max! My children do not sing in public. 

You can't blame me for trying. 

Children, who shall we hear from next? 

Who? 

Yes. 

The vote is unanimous. 

You, captain. 

Me? 

-I don't understand. -Please. 

No, no, no, no. 

I'm told that you were quite good. 

-That was a very, very long time ago. -I remember, Father. 

-Play us something we know. -Oh, please, Father. 

Well. . . . 

-Why didn't you tell me? -What? 

To bring along my harmonica. 

Edelweiss 

Edelweiss 

Every morning you greet me 

Small and white 

Clean and bright 

You look happy... 

... to meet me 

Blossom of snow 

May you bloom and grow 

Bloom and grow forever 

Edelweiss 

Edelweiss 

Bless my homeland forever 

-Edelweiss -Edelweiss 

-Edelweiss -Edelweiss 

Every morning you greet me 

-Small and white -Small and white 

-Clean and bright -Clean and bright 

You look happy... 

... to meet me 

Blossom of snow 

May you bloom and grow 

Bloom and grow forever 

Edelweiss 

Edelweiss 

Bless my homeland forever 

Anytime you say the word, Georg, you can be part of my new act: 

The von Trapp Family Singers. 

I have a wonderful idea, Georg. 

Let's really fill this house with music. 

You must give a grand and glorious party for me. 

-A party? -Yes, Father, please! 

It's high time I met all your friends. . . 

. . .and they met me. Don't you agree? 

-I see what you mean. -Oh, please! 

Children, it's bedtime. Come now, say good night. 

Good night, Father. 

-Good night. -Good night, Baroness Schraeder. 

Good night, Father. 

Good night, Uncle Max. 

It'll be my first party, Father! 

-Captain. -Herr Zeller. Baroness Schraeder. 

-Good evening, Herr Zeller. -Baroness. 

How do you do? Good evening. 

Did you notice the obvious display of the Austrian flag? 

The women look so beautiful. 

I think they look ugly. 

You're just scared of them. 

Silly, only grown-up men fear women. 

-I think the men look beautiful. -How would you know? 

Liesl, who are you dancing with? 

Nobody. 

Oh, yes, you are. 

May I have this dance? 

I'd be delighted, young man. 

Why didn't you tell me you could dance? 

We feared you'd make us all dance. The von Trapp Family Dancers. 

What are they playing? 

It's the Laendler. An Austrian folk dance. 

-Show me. -I haven't danced since I was little. 

You remember. Please? 

-Well. . . . -Please. 

All right. Come on over here. 

Now you bow and I curtsy. 

-Like this? -Fine. Now we go for a little walk. 

One, two, three. One, two, three. 

One, two, three, step together. Now, step hop, step hop. 

Now turn under. Not quite. 

This way. Hop step, hop. And under. 

Kurt, we'll have to practice. 

Do allow me, will you? 

I don't remember anymore. 

-Your face is all red. -Is it? 

I don't suppose I'm used to dancing. 

Why, that was beautifully done. 

What a lovely couple you make. 

It's time the children said good night. 

We'll be in the hall. 

-We have something special prepared. -Right! 

Yes, come on! 

All that needless worrying, Georg. 

You thought you wouldn't find a friend at the party. 

-A bit chilly out tonight, isn't it? -Oh, I don't know. 

It seemed rather warm to me. 

Ladies and gentlemen. 

The children of Captain von Trapp wish to say good night to you. 

There's a sad sort of clanging From the clock in the hall 

And the bells in the steeple too 

And up in the nursery An absurd little bird 

Is popping up to say "coo-coo" 

Coo-coo 

Coo-coo 

Regretfully they tell us 

But firmly they compel us 

To say goodbye 

To you 

So long, farewell Auf Wiedersehen, good night 

I hate to go And leave this pretty sight 

So long, farewell, Auf Wiedersehen, adieu 

Adieu, adieu To you and you and you 

So long, farewell Au revoir, auf Wiedersehen 

I'd like to stay And taste my first champagne 

-Yes? -No. 

So long, farewell Auf Wiedersehen, goodbye 

I leave and heave a sigh And say goodbye 

Goodbye 

I'm glad to go 

I cannot tell a lie 

I flit, I float 

I fleetly flee, I fly 

The sun has gone to bed 

And so must I 

So long 

Farewell 

Auf Wiedersehen, goodbye 

Goodbye 

Goodbye 

Goodbye 

Goodbye 

Extraordinary! What they'd do at the festival. 

Young lady, I must have a word with you. 

Georg, you won't let this girl get away. She must join the party. 

-No, really l-- -Stop. Stop it now. 

-Georg, please. -You can if you want to, fräulein. 

I insist. You will be my dinner partner. 

This is business. Franz. . . 

. . .set another place next to mine for Fräulein Maria. 

-Whatever you say. -It appears to be all arranged. 

-It does. -I'm not suitably dressed. 

You can change. We'll wait. 

Captain, you must be very proud of your youngsters. 

I am, thank you. 

Is there a more beautiful expression of what is good in our country. . . 

. . .than the innocent voices of our children? 

Oh, come now, baron. 

Would you have us believe that Austria holds a monopoly on virtue? 

Herr Zeller, some of us prefer Austrian voices raised in song. . . 

. . .to ugly German threats. 

The ostrich buries his head in the sand. . . 

. . .and sometimes in the flag. 

Perhaps those who would warn you that the Anschluss is coming, and it is. . . 

. . .would get further with you by setting their words to music. 

If the Nazis take over Austria, you will be the entire trumpet section. 

You flatter me. 

Oh, how clumsy of me. I meant to accuse you. 

It's very kind of you to offer to help me, baroness. 

I'm delighted, Maria. 

I really don't think I have anything that would be appropriate. 

Now where is that lovely little thing you were wearing the other evening? 

When the captain couldn't keep his eyes off you. 

Couldn't keep his eyes off me? 

Come, my dear, we are women. 

Let's not pretend we don't know when a man notices us. 

-Here we are. -The captain notices everybody. 

There's no need to feel so defensive, Maria. 

You are quite attractive, you know. 

The captain would hardly be a man if he didn't notice you. 

Baroness, I hope you're joking. 

Not at all. 

I've never done a thing to-- 

You don't have to, my dear. 

Nothing's more irresistible to a man than a woman who's in love with him. 

-In love with him? -Of course. 

What makes it so nice is he thinks he's in love with you. 

But that's not true. 

Surely you've noticed the way he looks into your eyes. 

And you know, you blushed in his arms when you were dancing just now. 

Don't take it to heart. 

He'll get over it soon enough, I think. 

Men do, you know. 

Then I should go. 

I mustn't stay here. 

-Is there something I can do to help? -No, nothing. 

Yes. 

Don't say a word to the captain. 

No, I wouldn't dream of it. 

Goodbye, Maria. 

I'm sure you'll make a very fine nun. 

Champagne, darling. 

I feel like celebrating. Cheers. 

-You know something. -Perhaps. 

If you're so clever, tell me how to get fräulein to influence Georg. 

I want those children in the festival. 

Elsa, this is important to Austria. 

Wouldn't do you any harm either. 

I thought of that. 

Well, if it's a matter of influence. . . 

. . .maybe the one you have to be talking to is me. 

-Two. -Three. 

-Four. -Five. 

-Six. -Seven. 

Eight. 

-Four. -Two. 

-Seven. -Five. 

-Two. -Six. 

Isn't this fun? 

-Four. -I'm number five. 

-Oh, yes. -Eight. 

-Two. -Four. 

Six. 

Two. 

Baroness Schraeder, do you mind if we stop now? We're tired. 

Whatever you want, dear. 

We'll do it again tomorrow. 

The country's so restful, isn't it? 

Have some lemonade. 

There must be an easier way. 

I get a fiendish delight thinking of you as the mother of seven. 

How do you plan to do it? 

Darling, haven't you ever heard. . . 

. . .of a delightful little thing called boarding school? 

Baroness Machiavelli. 

Uncle Max, where's Father? 

I think he's in the house. 

What's the matter with all you gloomy pussies? 

-Nothing. -I know. Let's have a rehearsal. 

What for? 

Let's make believe we're on-stage at the festival. 

-I don't feel like singing. -Not without Fräulein Maria. 

Liesl, get the guitar. Come on, Marta. 

Everybody into the group. Get in your places. 

Now be cheerful, right? Give us the key, Liesl. 

Now, impress me. 

Gretl, why don't you sing? 

I can't. I've got a sore finger. 

But you sang so beautifully the night of the party. 

Come on, all of you. Try something you know. 

Enjoy it. Be cheerful. 

All right, Liesl. 

The hills are alive 

With the sound of music 

With songs they have sung 

For a thousand years 

The hills fill my heart 

With the sound of music 

They wanted to sing for me, bless their hearts. 

That's lovely, lovely. Don't stop. 

-Something long and cool, Georg? -No, thank you, darling. 

-Father? -Yes, Brigitta? 

Is it true Fräulein Maria isn't coming back? 

Yes, I suppose it's true. What have we got here? 

-Pink lemonade. -Laced with lemonade. 

I don't believe it, Father. 

-What? -About Fräulein Maria. 

Oh, Fräulein Maria! 

Didn't I tell you what her note said? I'm sure I did. 

She said she missed her life at the abbey. 

She had to leave us. 

And that's all there is to it. 

I think I'm brave enough to try some of that. 

-She didn't even say goodbye. -She did in her note. 

That isn't the same thing. 

Not too sweet, not too sour. 

Just too pink. 

Father, who is our new governess going to be? 

Well. . . 

. . .you're not going to have a governess anymore. 

-We're not? -No. 

You're going to have a new mother. 

A new mother? 

We talked about it last night. It's all settled. 

And we're all going to be very happy. 

Well, all right, all right. Run off and play. 

Yes, my children? 

-My name is Liesl. -Yes, Liesl? 

We, my brothers and sisters, want to see Fräulein Maria. 

Fräulein Maria? 

Oh, Maria. 

Come in, please. 

Wait here. 

I'm Sister Margaretta. I understand you inquired about Maria. 

We have to see her. Will you tell her we're here? 

-I'm afraid I can't do that. -But you've got to! 

-She's our governess. -We want her back. 

She didn't even say goodbye. 

All we want to do is talk to her. 

I'm very sorry, but Maria is in seclusion. 

-She hasn't been seeing anyone. -She'll see us. 

I want to show her my finger. 

Some other time, dear. 

I'll tell her you were here. 

-It was sweet of you to call. -We have to speak to her! 

Run along, children. Run along home. 

I'm sure she'd like to see us. 

Sister Margaretta, please. 

-Goodbye, children. -Sister Margaretta, may we, please? 

What was that about, Sister? 

The von Trapp children, Reverend Mother. 

They want to see Maria. 

Has she spoken yet? Has she told you anything? 

She doesn't say a word, Reverend Mother, except in prayer. 

Poor child. 

It's strange. She seems happy to be back here. . . 

. . .and yet she's unhappy too. 

Perhaps I have been wrong in leaving her alone so long. 

Bring her to me, even if she's not yet ready. 

Yes, Reverend Mother. 

Sister Augusta, take our new postulant to the robing room. 

God bless you, my daughter. 

Yes, bring her in. 

You've been unhappy. I'm sorry. 

Reverend Mother. 

Why did they send you back to us? 

They didn't send me back. I left. 

Sit down, Maria. 

Tell me what happened. 

I was frightened. 

-Frightened? Were they unkind to you. -Oh, no! 

No, I was confused. I felt. . . . 

I've never felt that way before. 

I couldn't stay. I knew that here I'd be away from it. I'd be safe. 

Maria, our abbey is not to be used as an escape. 

What is it you can't face? 

I can't face him again. 

Him? 

Thank you, Sister Margaretta. 

Captain von Trapp? 

-Are you in love with him? -I don't know! 

I don't know. I-- 

The baroness said I was. She said that he was in love with me. 

But I didn't want to believe it. 

There were times we looked at each other. 

I could hardly breathe. 

-Did you let him see your feelings? -I don't know. 

That's what's torturing me. I was on God's errand. 

To have asked for his love would have been wrong. I just couldn't stay. 

I'm ready at this moment to take my vows. 

-Please help me. -Maria. 

The love of a man and a woman is holy. You have a great capacity to love. 

You must find out how God wants you to spend your love. 

But I pledged my life to God. I pledged my life to his service. 

My daughter, if you love this man, it doesn't mean you love God less. 

No. 

You must find out. 

You must go back. 

You can't ask me to do that. 

-Please let me stay. I beg-- -Maria. 

These walls were not built to shut out problems. 

You have to face them. 

You have to live the life you were born to live. 

Climb every mountain 

Search high and low 

Follow every byway 

Every path you know 

Climb every mountain 

Ford every stream 

Follow every rainbow 

Till you find your dream 

A dream that will need 

All the love you can give 

Every day of your life 

For as long as you live 

Climb every mountain 

Ford every stream 

Follow every rainbow 

Till you find your dream 

A dream that will need 

All the love you can give 

Every day of your life 

For as long as you live 

Climb every mountain 

Ford every stream 

Follow every rainbow 

Till you find... 

... your dream 

Now, it's not like my children to be secretive. 

We're not being secretive, Father. 

And it's not like my children to be late for dinner. 

-We lost track of the time. -I see. 

Who's going to be the first one to tell me the truth? Friedrich. 

Brigitta. Liesl. 

Where do you think we were, Father? 

If you don't believe us, you must have some idea of where you think we were. 

-Marta. -Yes, Father. 

You tell me. 

Friedrich told you, Father. We were berry picking. 

-I forgot! You were berry picking. -Yes, we love berry picking. 

All afternoon? 

-We picked thousands. -Thousands? 

-They were all over the place. -What kind of berries? 

-Blueberries, sir. -Blueberries. 

It's too early for blueberries. 

-They were strawberries. -Strawberries? 

It's been so cold lately, they turned blue. 

Very well. Show me the berries. 

-We. . . . -Well. . . . 

-Show me the berries you picked. -We don't have them. 

You don't have them? What happened to them? 

-We. . . . -We ate them. 

-You ate them? -Yes! 

-They were so good. -Delicious. 

Very well. 

Since you've obviously stuffed yourselves on thousands of berries. . . 

. . .you can't be hungry anymore, so I'll have to tell Frau Schmidt. . . 

. . .to skip your dinner. 

It's your fault. We should have told him the truth. 

And made him boiling mad at us? 

It's better than starving to death. 

We didn't do anything wrong. We just wanted to see her. 

My stomach's making noises. 

The least they could have done was to let us say hello. 

-I wonder what grass tastes like. -I feel awful. 

When Fräulein Maria wanted to feel better she used to sing that song. 

Let's try it. 

Raindrops on roses 

And whiskers on kittens 

Bright copper kettles 

And warm woolen mittens 

Brown paper packages Tied up with strings 

These are a few of my favorite things 

Why don't I feel better? 

Girls in white dresses 

With blue satin sashes 

Snowflakes that stay On my nose and eyelashes 

-Silver white winters... -Fräulein Maria's back! 

... that melt into springs 

These are a few of my favorite things 

When the dog bites When the bee stings 

When I'm feeling sad 

I simply remember my favorite things 

And then I don 't feel 

So bad 

-Children, I'm so glad to see you. -We missed you. 

I missed you. 

-Kurt, how are you? -Hungry. 

-What happened to your finger? -It got caught. 

-Caught in what? -Friedrich's teeth. 

-Liesl, you all right? -Just fair. 

-Any telegrams been delivered lately? -None at all. 

But I'm learning to accept it. I'll be glad when school begins. 

Liesl, you can't use school to escape your problems. You have to face them. 

I have so much to tell you. 

We have things to tell you too. 

The most important thing is that Father is going to be married. 

Married? 

Yes, to Baroness Schraeder. 

Oh, I see. 

Father, look! Fräulein Maria's back! 

Fräulein Maria's back from the abbey. 

Good evening, captain. 

Good evening. 

Everyone inside for dinner. 

Dinner! 

You left without saying goodbye. Even to the children. 

It was wrong of me. Forgive me. 

Why did you? 

Please don't ask me. The reason no longer exists. 

Fräulein Maria, you've returned. 

Isn't it wonderful, Georg? 

I wish you every happiness, baroness. 

You too, captain. The children say you're to marry. 

Thank you, my dear. 

You are back to stay? 

Only until arrangements can be made for another governess. 

There you are. 

I must speak to cook about the schnitzel. 

It is entirely too delicious for my figure. 

And it makes you much too quiet at the dinner table. 

Or was it the wine? 

Undoubtedly the wine. 

You have no idea the trouble I'm having. . . 

. . .trying to decide on a wedding present for you. 

Oh, I know. I'm enough. 

But I do want you to have some little trifle for the occasion. 

At first I thought of a fountain pen. . . 

. . .but you've already got one. 

Then I thought perhaps a villa in the south of France. . . 

. . .but they are so difficult to gift-wrap. 

Oh, Georg, how do you feel about yachts? 

A long, sleek one for the Mediterranean. . . 

. . .or a tiny one for your bathtub, huh? 

-Elsa. -Where to go on our honeymoon? 

Now, that's a real problem. 

A trip around the world would be lovely. And then I said: 

"Oh, Elsa, there must be someplace better to go. " 

-But don't worry, darling, I'll-- -Elsa. 

Yes, Georg. 

It's no use. . . 

. . .you and l. 

I'm being dishonest to both of us. . . 

. . .and utterly unfair to you. 

-When two people talk of marriage-- -No, don't. 

Don't say another word, please. 

You see, there are other things I've been thinking of. 

Fond as I am of you, I really don't think you're the right man for me. 

You're much too independent. 

And I need someone who needs me desperately. . . 

. . .or at least needs my money desperately. 

I've enjoyed every moment we've had together and I do thank you for that. 

Now, if you'll forgive me. . . 

. . .I'll go inside, pack my little bags. . . 

. . .and return to Vienna where I belong. 

And somewhere out there. . . 

. . .is a young lady who, I think. . . 

. . .will never be a nun. 

Auf Wiedersehen, darling. 

Hello. 

I thought I just might find you here. 

Was there something you wanted? 

No, no, no. Sit down, please. 

Please. 

May l? 

You know, I was thinking and I was wondering two things: 

Why did you run away to the abbey? 

And what was it that made you come back? 

Well, I had an obligation to fulfill. . . 

. . .and I came back to fulfill it. 

Is that all? 

And I missed the children. 

Yes. 

-Only the children? -No. Yes. 

-Isn't it right that I missed them? -Oh, yes. Yes, of course. 

I was only hoping that perhaps you. . . . 

Perhaps you might. . . . 

Yes? 

Well, nothing was the same when you were away. . . 

. . .and it'll be all wrong again after you leave. . . 

. . .and I just thought perhaps you might change your mind. 

Well, I'm sure the baroness will be able to make things fine for you. 

Maria. . . . 

-There isn't going to be any baroness. -There isn't? 

No. 

I don't understand. 

Well, we've called off our engagement, you see, and-- 

-Oh, I'm sorry. -Yes. You are? 

-You did? -Yes. 

Well, you can't marry someone when you're. . . 

. . .in love with someone else. . . 

. . .can you? 

The Reverend Mother always says: 

"When the Lord closes a door, somewhere He opens a window. " 

What else does the Reverend Mother say? 

That you have to look for your life. 

Is that why you came back? 

And have you found it. . . 

. . .Maria? 

I think I have. 

I know I have. 

I love you. 

Oh, can this be happening to me? 

Perhaps I had a wicked childhood 

Perhaps I had a miserable youth 

But somewhere ln my wicked, miserable past 

There must have been a moment of truth 

For here you are Standing there loving me 

Whether or not you should 

So somewhere in my youth or childhood 

I must have done something good 

Nothing comes from nothing 

Nothing ever could 

So somewhere in my youth or childhood 

I must have done something good 

Do you know when I first started loving you? 

That night at dinner, when you sat on that ridiculous pine cone. 

What? 

I knew the first time you blew that silly whistle. 

Oh, my love. 

For here you are Standing there loving me 

Whether or not you should 

So somewhere in my youth or childhood 

I must have done something good 

Nothing comes from nothing 

Nothing ever could 

So somewhere in my youth... 

...or childhood 

I must have done something 

Something good 

Maria. 

Is there anyone I should go to, to ask permission to marry you? 

-Why don't we ask-- -The children? 

How do you solve a problem like Maria? 

How do you catch a cloud And pin it down? 

How do you find a word That means Maria? 

A flibbertigibbet 

A will-o '-the-wisp A clown 

Many a thing you know You'd like to tell her 

Many a thing she ought to understand 

But how do you make her stay And listen to all you say? 

How do you keep a wave upon the sand? 

Oh, how do you solve A problem like Maria? 

How do you hold a moonbeam ln your hand? 

Herr Detweiler! 

-Heil Hitler. -Oh, good afternoon, Herr Zeller. 

Perhaps you've not heard. I am now the Gauleiter. 

Heil Hitler. 

Heil Hitler. 

I've come from Captain von Trapp's house. 

The only one in the area not flying the Third Reich flag. . . 

. . .since the Anschluss. 

-But we have dealt with that. -I don't-- 

The housekeeper told me that I would find you here. 

The only thing she'd tell me. 

What kind of information are you looking for? 

When will the captain return? 

Well, he's on his honeymoon trip. He's not been in touch with us. 

Am I to believe he hasn't communicated with his children in over a month? 

How many men do you know. . . 

. . .who communicate with their children while honeymooning? 

Upon his return, he'll fill his proper position in the new order. 

Naturally. And may I congratulate you. . . 

. . .and your people in allowing the festival to go on tonight as planned. 

Why should it not go on? Nothing in Austria has changed. 

Singing and music will show this to the world. 

Austria is the same. 

Heil Hitler. 

Heil Hitler. 

Come, let's go home. 

-Why was he so cross? -Everybody's cross these days. 

Maybe the flag with the black spider makes people nervous. 

-Will Father be in trouble? -He doesn't have to be. 

The thing to do is to get along with everybody. 

Remember that tonight at the concert. 

Are we really going to sing before a lot of people? 

Look. The von Trapp Family Singers: 

Liesl, Friedrich, Louisa, Brigitta, Kurt, Marta and Gretl. 

-Why am I always last? -Because you are the most important. 

There we go. 

Are you sure Father will approve of our singing in public? 

He'll be pleased and proud. 

-Liesl, do you think so? -Don't you trust me? 

No. 

You're a very intelligent girl. 

Liesl. Liesl! 

Rolf! 

I'm so glad to see you. It's been su-- 

Good afternoon. 

Give this to your father as soon as he's home. 

-He's on his honeymoon. -I know. 

-You do? -We make it our business to know all. 

-Who's "we"? -See that he gets it. 

-What is it? -It's a telegram from Berlin. 

Don't you want to deliver it yourself? 

I'm occupied with more important matters. 

And your father had better be too. 

But, Rolf! 

Father! 

-We didn't expect you so soon. -Hello, hello! 

We didn't expect you home until next week! 

-Did you bring souvenirs from Paris? -Hello! How are you? 

Why didn't you call us? 

We couldn't get through. 

I had nothing to do with that. 

We came back as fast as we could. 

Well, well, well! We missed you! 

-We missed you! -We missed kissing you. 

We missed all the noise in the morning. 

-Mostly, we missed hearing you sing. -Oh, you came back just in time. 

Look, Fräulein Maria-- 

I mean Mother. 

We're going to sing in the festival tonight. 

We've been having a lovely time! 

We've been rehearsing all-- 

Surprise! Surprise! 

Surprises for you on the terrace. 

We'll talk about this. 

I would've told you but you were away. I had to make a last-minute decision. 

I was fortunate to enter them at all. 

They'll be the talk of the festival. Imagine, seven children in one family! 

Max! 

Somehow I recall having made it quite clear to you. . . 

. . .how I feel about my family singing in public! 

The committee was enchanted. 

-What did they say? -I have never heard such enthusiasm. 

-Don't you think just this once--? -Absolutely out of the question. 

-Georg, this is for Austria. -For Austria? 

-There is no Austria! -But the Anschluss was peaceful. 

-Let's at least be grateful for that. -Grateful? 

You know, Max. . . 

. . .sometimes I don't believe I know you. 

Father, I forgot. 

This is for you. 

Maria, he has got to at least pretend to work with these people. 

You must convince him. 

Max, I can't ask him to be less than he is. 

Then I'll talk to him. If the children don't sing, well. . . 

. . .it will be a reflection on Austria. 

Oh, I know. It wouldn't do me any good either. 

Mother? That sounds so nice. 

-I like calling you "Mother. " -I like hearing it. 

You love Father very much. I can tell you do. 

Very much. 

Mother, what do you do when you think you love someone? 

I mean, when you stop loving someone or he stops loving you? 

Well, you cry a little. 

Then you wait for the sun to come out. 

It always does. 

There are so many things I think I should know but I don't. 

-I really don't. -How can you? 

Sometimes I feel the world is ending. 

-Then you feel it's just beginning? -Yes! 

It was that way with me. And for you it will be just as wonderful. 

Do you really think so? 

When you're    going on    

Waiting for life to start 

Somebody kind Who touches your mind 

Will suddenly touch your heart 

When that happens 

After it happens 

Nothing is quite the same 

Somehow I know 

I'll jump up and go 

If ever he calls my name 

Gone are your old ideas of life 

The old ideas grow dim 

Lo and behold You're someone's wife 

And you belong to him 

You may think this kind of adventure 

Never may come to you 

Darling,    going on    

Wait a year... 

-I'll wait a year -...or two 

Just wait a year... 

...or two 

Liesl. 

What is it? 

Berlin. 

They've offered me a commission. 

I've been requested to accept immediately. . . 

. . .and report to their naval base at Bremerhaven tomorrow. 

I knew this would happen. I didn't think it would be so soon. 

To refuse them would be fatal for all of us. 

And joining them would be unthinkable. 

Get the children all together. 

Don't say anything to worry them. Just get them ready. 

We've got to get out of Austria. . . 

. . .and this house. . . 

. . .tonight. 

This strains my back and breaks my heart. . . 

. . .when I think of the children missing the festival. 

By your announcement we'll be over the border. 

Do you appreciate the sacrifice I'm making? 

You have no choice. 

I know. That's why I'm making it. 

Why doesn't Father turn the motor on? 

Because he doesn't want anyone to hear us. 

What will Frau Schmidt and Franz say? 

They'll be able to answer honestly they didn't know anything. 

-Will we be coming back here? -Someday, Liesl. I do hope someday. 

Are Father and Uncle Max going to push the car all the way to Switzerland? 

Something wrong with your car, captain? 

Yes, we couldn't get it started. 

Karl. 

Fix Captain von Trapp's car so that it will start. 

Excellent, Karl. 

I've not asked you where you and your family are going. 

Nor have you asked me why I'm here. 

Apparently we both suffer from a deplorable lack of curiosity. 

You never answered the telegram. . . 

. . .from the Admiral of the Navy of the Third Reich. 

I was under the impression, Herr Zeller. . . 

. . .that the contents of telegrams in Austria are private! 

At least, the Austria I know. 

I have my orders. . . 

. . .to take you to Bremerhaven tonight. . . 

. . .where you will accept your commission. 

I'm afraid that's going to be quite impossible. 

You see, we. . . 

. . .all of us, the entire family, will be. . . 

. . .singing in the festival tonight. 

As a matter of fact, we're going now. 

We couldn't possibly let them down now. 

-I just hope we're not too late. -Yes. 

You ask me to believe that you, Captain von Trapp. . . 

. . .are singing in a concert? 

Believe me, it will be a performance beyond anything even I've dreamt of. 

Like you, Herr Zeller, l, too, am a man of hidden talents. 

Yes. 

Here, program. 

It says only the names of the children. 

It says the von Trapp Family Singers. . . 

. . .and I am the head of the von Trapp family, am I not? 

And these travel clothes that you're all wearing? 

Our costumes, naturally. 

This night air is not good for the children's voices. 

Well, a slight delay in my orders will not be serious. 

Therefore. . . 

. . .you will sing. 

You will all sing. 

But only because that's what I want. 

It will demonstrate that nothing in Austria has changed. 

And when you have finished singing. . . 

. . .you, Captain von Trapp, will be taken to Bremerhaven. 

Now, if you will all get into your car. . . 

. . .we will escort the von Trapp Family Singers to the festival. 

No escort will be necessary. 

Necessary? A pleasure, captain. 

After all, we would not want you to get lost in the crowds. 

Would we? 

No. 

Sew, a needle pulling thread 

La, a note to follow sew 

Tea, a drink with jam and bread 

A drink with jam and bread 

Tea with jam Jam and bread 

-With jam -A, B, C 

-With jam -Do-re-mi 

Tea with jam and bread 

With jam and bread 

With jam With jam... 

...and bread 

My fellow Austrians. . . 

. . .I shall not be seeing you again, perhaps for a very long time. 

I would like to sing for you now. . . 

. . .a love song. 

I know you share this love. 

I pray that you will never let it die. 

Edelweiss 

Edelweiss 

Every morning you greet me 

Small and white 

Clean and bright 

You look happy to meet me 

Blossom of snow 

May you bloom and grow 

Bloom and grow forever 

Edelweiss 

Edelweiss 

Bless my homeland forever 

Edelweiss 

Edel.... 

Small and white 

Clean and bright 

You look happy to meet me 

Blossom of snow 

May you bloom and grow 

Bloom and grow forever 

Edelweiss 

Edelweiss 

Bless my homeland forever 

I think it'll work. 

I shall miss all of you. 

I shall miss the money I could have made with you. 

Thank you, ladies and gentlemen. 

The competition has come to its conclusion. . . 

. . .except, we don't know yet what that conclusion will be. 

And while the judges arrive at their decision. . . 

. . .I have been given permission to offer you an encore. 

This will be the last opportunity the von Trapps will have. . . 

. . .of singing together for a long, long time. 

Even now, officials are waiting in this auditorium. . . 

. . .to escort Captain von Trapp to his new command. . . 

. . .in the naval forces of the Third Reich. 

And so, ladies and gentlemen, the family von Trapp again. . . 

. . .to bid you farewell. 

There's a sad sort of clanging From the clock in the hall 

And the bells in the steeple too 

And up in the nursery An absurd little bird 

Is popping out to say "coo-coo" 

Coo-coo 

Coo-coo 

Regretfully they tell us 

But firmly they compel us 

To say goodbye 

To you 

So long, farewell Auf Wiedersehen, good night 

We hate to go And miss this pretty sight 

So long, farewell Auf Wiedersehen, adieu 

Adieu, adieu To you and you and you 

So long, farewell Auf Wiedersehen, goodbye 

We flit, we float 

We fleetly flee, we fly 

So long, farewell Auf Wiedersehen, goodbye 

The sun has gone to bed And so must I 

Goodbye 

Goodbye 

Goodbye 

Goodbye 

Ladies and gentlemen, I have here the decision of our distinguished judges. 

We will start with the award for third prize. 

For this honor, the judges have named. . . 

. . .the first soloist of the choir of St. Agatha's Church in Murback. 

Fräulein Schweiger. 

Second prize to The Toby Reiser Quintet. 

And the first prize, the highest honor in all Austria. . . 

. . .the von Trapp Family Singers. 

The family von Trapp. 

They're gone! 

Come with me. 

Quickly, quickly. 

I have a place you can hide. 

Slowly, slowly. 

Open this gate. 

Good evening. 

Hurry up, woman. 

Two men in there. 

Six of you cover the yard. 

You two, cover the corridor. 

Reverend Mother, we didn't realize we put the abbey in this danger. 

No, Maria, it was right for you to come here. 

We thought we might borrow your car. 

I'm afraid our car will do you no good now. 

I've been listening to the wires. 

The borders have just been closed. 

All right, if the borders are closed. . . 

. . .then we'll drive up into the hills and go over the mountains on foot. 

-The children-- -We'll help them. 

We can do it without help, Father. 

Maria. 

You will not be alone. Remember: 

"I will lift up mine eyes unto the hills from whence cometh my help. " 

Yes, Mother. 

-I'm scared. -Me too. 

God be with you. 

-Mother. -Yes? 

Would it help if we sang about our favorite things? 

No, darling. This is one time it would not help. 

You must be very quiet. Hold tight to me. 

Let's try the roof. 

Rolf, please. 

No, wait. 

Maria. 

Children. 

It's you we want, not them. 

Put that down. 

Not another move, or I'll shoot. 

You're only a boy. 

-You don't really belong to them. -Stay where you are. 

Come away with us. 

Before it's too late. 

Not another step. I'll kill you. 

-You give that to me, Rolf. -Did you hear me? 

I'll kill you. 

Rolf. 

You'll never be one of them. 

Lieutenant! 

They're here! 

They're here, lieutenant! 

Reverend Mother. 

I have sinned. 

I too, Reverend Mother. 

What is this sin, my children?

]]> 2016-12-09 13:12:40 UTC https://padlet.com/3004584/7xrmyk94mst7/wish/142778042 https://padlet.com/3004584/7xrmyk94mst7/wish/142778292 Pee-wee's Big Adventure (1985) Movie Script
Look out, Mr. Potato Head!
Good morning, Speck!
Me, too. Come on.
Let's get some breakfast.
Mad dog!
Good morning, Pee-wee.
Good morning, Mr. Breakfast.
Can I have my "Mr. T" cereal?
I pity the poor fool
who don't eat my cereal!
Here, Speck.
Welp, I'm off.
You be good.
Good morning, Mr. Crabtree.
Good morning, Pee-wee.
I'm going to water my lawn.
Good morning. I'm here.
You're the best bike in the whole world.
Brush-brush-brush.
Brush-brush-brush.
Good morning, Pee-wee.
Hello, Francis.
Today is my birthday. My father said
I can have anything I want.
Good for you and your father.
Guess what I want?
A new brain?
No. Your bike.
What's so funny, Pee-wee?
It's not for sale, Francis.
My father says, "Everything
is negotiable," Pee-wee.
I wouldn't sell my bike for anything.
Not for a hundred, billion,
million, trillion dollars.
-You're crazy.
-I know you are, but what am I?
-You're a nerd.
-I know you are, but what am I?
-You're an idiot.
-I know you are, but what am I?
I know you are, but what am I?
I know you are, but what am I?
I know you are, but what am I?
-I know you are, but what am I?
-Infinity!
-I'm not, you are.
-You are.
-No way!
-No way!
-Knock it off!
-Knock it off!
-Cut it out!
-Cut it out!
-Shut up!
-Make me.
Why don't you make me?
Because I don't make monkeys,
I just train them.
Pee-wee, listen to reason.
I'm listening to reason.
That's my name, don't wear it out.
Remember when I first saw your bike?
You rode past my house, and I ran out
to tell you how much I liked it.
I love that story.
You'll be sorry, Pee-wee Herman.
I meant to do that.
My good friend, Pee-wee!
Hi, Mario.
Are you just browsing today?
Sort of. I wanted to stock up
on some supplies.
Help yourself.
How do you like school?
Closed.
What?
I got some new items
you might be interested in.
Box for Pee-wee.
New, improved, squirting flower.
Fake blood, or is it?
Super stink-bomb?
Have some.
Shrunken head?
Regular size?
Trick gum?
Headlight glasses?
And direct from Australia,
The Boomerang Bow-Tie!
Come in red?
I'll be right back.
-What's up, man?
-How's it going?
Is Dottie still working on your bike?
No, I've got it back already.
What's she doing to it?
I can't talk about it.
James Bond kind of stuff.
Dottie's radical with bikes.
I say we cruise, dudes.
It's getting hot in here.
It's steamy.
I'm sweating.
Is my horn ready yet?
It's ready. It should be
loud enough for you now.
Where is it? Let's hear it.
Wait. I want to talk to you first.
You are talking to me.
No, I want your undivided attention.
This is important.
I want to ask you something.
I want to know,
if you will do something?
What?
I want to know if you'll
go someplace with me.
Like where?
The drive-in.
Look, Dottie, I like you.
Like! I like you.
I like you, too.
There are a lot of things about me
you don't know anything about.
Things you wouldn't understand,
you couldn't understand.
Things you shouldn't understand.
I don't understand.
You don't want to get mixed up with me.
I'm a Ioner, Dottie. A rebel.
So long, Dot.
Are you the owner?
Yes. That's me. They call me Chuck.
Can I do anything?
We're losing time!
Set up a dragnet!
Comb the whole area! Hurry!
I'm afraid we can't consider your bike
being stolen a police emergency.
If it doesn't turn up, come to
the station and fill out a report.
That's the best we can do.
Come on, let's go.
Where are you going?
To find my bike!
Why exactly do you believe
the Soviets were involved?
Let me be honest. Hundreds of bikes
are stolen every month.
Very few of them are recovered.
We don't have the resources.
You're saying you can't do anything.
My bike means everything to me.
I knew the police wouldn't help.
You know what I'd do?
Retrace my steps.
I parked my bike and
when I came back it was gone.
Can you think of anyone
who'd want to take it?
Everyone wanted my bike.
This morning, before it was stolen,
Francis offer... Francis!
I want to see Francis.
He's busy.
Busy, doing what?
He's having his bath.
Where are they hosing him down?
Me again!
Fire!
Still want to buy my bike?
I don't want that relic.
I can have any bike in the world.
You don't want it because you have it!
Tell me where it is before I lose
patience with you.
Help, Dad!
Go on and scream! We're miles
from where anyone can hear you!
Are you all right?
What's going on in there?
I wouldn't sell it to you,
so you stole it!
I swear it wasn't me!
Francis, we're breaking the door down!
What is going on?
Have you lost your mind?!
-He's a thief! He stole my bike!
-You liar!
I swear I didn't do it.
That's a serious accusation.
Do you have any proof?
Not exactly.
Pee-wee, the Buxtons are not thieves.
Just look at him.
He couldn't have stolen your bike.
We set up his birthday
train-set all day.
I guess I was wrong.
We don't have to involve
the authorities, do we?
It was a simple mistake
and I'm really sorry.
I think that you owe Francis an apology.
And then I want you two to shake hands.
I'm sorry, Francis.
Here. Would you care for some gum?
Would you care for some?
Spearmint or fruit?
Fruit, please.
Well, good-bye.
You do believe me, don't you, Dad?
How are you ever going
to pay a reward like that?
It's simple.
Whoever returns the bike is obviously
the person who stole it.
So they don't deserve any reward!
Where are we going now?
On the air!
That was some story.
And with the reward you've offered...
...I'm sure our listeners
will be out looking.
My name's engraved
on the back of the seat.
That's Pee-wee Herman.
P-E-E...
That does it.
He just won't let up.
I changed my mind.
I don't want the bike anymore.
A deal's a deal.
So fork over my money
for lifting it for you, Buxton!
Here. Take the bike with you.
Just get rid of it!
That'll cost you extra.
See you later, sucker!
Good! We can finally
start the big meeting.
Dottie, Chuck.
Let's begin, shall we?
Shall we?!
This box contains over
217 bits and pieces of information.
Evidence.
Exhibit "A"!
A photograph of the victims.
My bike and me.
Exhibit "B"!
Another photograph!
What's missing from this picture?
It's just me. Without my bike!
Is this something you can share
with the rest of us?
Exhibit "C".
The horn I was picking up...
...at Chuck's...
...Bike-O-Rama...
...when my bike was actually stolen.
Exhibit "D"! Jimmy!
What is this?
Too late! Chip!
It looks like a pen.
Exactly! I bought this pen one hour
before my bike was stolen.
Why? What's the significance?
I don't know!
Exhibit "Q"!
A scale model of the entire mall!
"X" marks the scene of the crime.
These arrows mark the sun's position
at the hour of the crime!
Jupiter was aligned with Pluto!
The moon was in the Seventh...
Please save your questions
until I'm through!
Well, when will that be?
A long time, we wait.
We've been here over three hours.
I'm not sure if any of us can see
what this is supposed to mean!
Supposed to mean? Supposed to mean?!
I think everyone here knows
what this is supposed to mean.
When you've gone over something
again and again...
...and again and again...
...like I have...
...certain questions get answered.
Others spring up!
The mind plays tricks on you.
You play tricks back!
It's like you're unraveling
a cable-knit sweater...
...that someone keeps knitting...
...and knitting and knitting...
...and knitting and knitting
and knitting!
Let's go get some fresh air.
Because it's hot in here.
Hot?! Who's hot? Feels just fine
to me! I feel just perfect.
I can't remember when
I've felt so cozy down here.
I can get Chuck to give you a good break
on another bike in the shop.
I don't want another bike!
Pee-wee, listen,
if you want my help...
I don't want your help!
I don't need the police
and I don't need you!
I don't need anybody!
You're new to this turf.
We don't like strangers!
Cash only.
No cards, no checks.
You got cash?
Let me take your jacket.
You want to wear a wet jacket,
it's all right with Madam Ruby.
For $20 I can tell you a lot of things.
For $30 I can tell you more.
And for $50 I can tell you everything.
Tell me why I'm here.
You're here because you...
...want something.
Let's see...
...what Madam Ruby sees.
I see...
...a bicycle.
Yes! Is it okay?
It's okay.
Where is it?! Can you see it?
Where is it?!
Where is it?
It's somewhere else.
Somewhere far away.
Where?!
The Alamo.
The Alamo.
In the basement.
I'll never forget you.
Thanks a million.
I've been trying all day.
-The name's Mickey.
-I'm Pee-wee.
How about some music?
Morelli is armed and dangerous...
Forget the music.
Let's enjoy the scenery.
What did you do?
I lost my temper, took a knife
and I...
You know those "Do not remove under
penalty of law" labels on mattresses?
I cut one off.
I got a real bad temper.
I always thought that was a dumb law.
You said a mouthful.
Life can be so unfair.
You're telling me?!
I tried to go through legal channels.
But the cops, hah!
They were no help.
They gave me the runaround.
That's when I decided to take
the law into my own hands.
The law...
The law.
The law.
The law!
This is it.
I got an idea!
What's going on?
We're looking for an escaped convict.
We heard about it on the radio.
Right, honey?
Have you seen this man?
I've seen better heads on boils!
No, I'm sure I'd remember this face.
-Would you mind stepping out of the car.
-No, not at all, officer.
-Some sort of problem?
-Not at all.
I wanted to look at
that cute outfit you have on.
Why don't you take a picture?
It'll last longer.
You have a nice day.
What's it like in the big house, Mickey?
It's not so bad.
You get to lift weights,
watch TV, write up appeals...
...take long showers, lift weights.
You get used to it.
Out!
Out!
It wasn't my fault.
Look kid, I like you. I like you a lot.
That's why I can't drag you into this.
I'm bad. You don't get mixed up
with a guy like me.
I'm a Ioner. A rebel!
Dj vu.
See you in the Promised Land.
Arrivederci, baby!
Wait!
I'm in the middle of nowhere!
Sure is spooky out here.
Probably just a dog.
Kitty.
Where's those headlight glasses?
Thanks for stopping.
Some night, huh?
On this very night...
...ten years ago...
...on this the same stretch of road...
...in a dense fog just like this...
...I saw the worst accident I ever seen.
There was this sound...
...like a garbage truck...
...dropped off
the Empire State Building.
And when they finally pulled
the driver's body...
...from the twisted, burning wreck...
...it looked like this!
That was the worst accident...
...I ever seen.
I get off right up here.
Have a nice day.
Be sure and tell them.
Large Marge sent you.
Large Marge sent me.
Did you say Large Marge?
She just dropped me off.
That's impossible.
Large Marge, she's...
It was ten years ago...
...on a night just like tonight.
Tonight's the anniversary.
Worst accident I ever seen.
But that means the Large Marge
I was riding with was...
...her ghost.
Don't you mind them.
They're just superstitious.
My wallet's gone!
I think you've worked off
that tuna platter and milk shake.
And here's something extra.
Thanks, Simone.
That old highway's a-calling.
I got to move on.
I beg your pardon?
I said I always have trouble
with good-byes.
The French say, Au revoir.
Au revoir.
Before you go will you come
and watch the sunrise with me?
Please?
Do you have any dreams?
I'm all alone.
I'm rolling a big doughnut
and a snake wearing a vest...
No, not that kind of dream.
I mean a dream you dream about
all the time...
...and it keeps you going,
dreaming about it...
...hoping it will come true.
Do you ever have a dream like that?
To find my bike.
My dream is to live
in the city of eternal love...
...Paris, France.
You'll get there, Simone.
I don't know.
Why not? What's stopping you?
Andy, for one.
-Who's Andy?
-My boyfriend.
He's real jealous.
He flunked French in high school...
...and thinks that everything there
is set up to make him look dumb.
I bet if he knew how important
it is to you, he'd change his mind.
Simone, this is your dream.
You have to follow it.
I know you're right, but...
But what?
Everyone I know has a big "but."
Come on, Simone.
Let's talk about your big "but."
I don't know.
You can't just wish and hope
for something to come true.
You have to make it happen.
I've been waiting for somebody
to put it to me like that for so long.
Stop!
Stop!
Morning.
Care for a sardine?
No, thank you.
Imported.
Name's Jack.
"She'll be wearing pink pajamas.
"She'll be wearing pink pajamas
when she comes.
"We'll all go out to meet her
when she comes."
"It rained all night the day I left,
The weather, it was dry.
"The sun so hot I froze to death,
Susannah, don't you cry."
"Flies in the buttermilk,
Shoo, fly, shoo.
"Skip to my Lou, my darling."
"Jimmy crack corn, and I don't care."
Welcome to the San Antonio Department
of Parks and Recreation Alamo tour.
My name is Tina.
Excuse me Tina,
but could we go straight...
Let's hold all questions
until the end of the tour.
Thank you.
This Mission, the Alamo, named from
the Spanish word for cottonwood tree...
...was established in the year 1718.
The same year that our city was founded
by the Spanish expeditionary force...
...on the site of
an Indian burial mound.
This is one of my favorite parts
of the tour.
Please say hello to our residents,
Pedro and his wife, Inez.
Inez is holding a clay pot
that she seems very proud of.
She carefully detailed it
with paint and glaze.
And Pedro is working on an "adobe."
Can you say that with me? Adobe.
We are now in the kitchen
of the Alamo women.
Here they are preparing
culinary delights of the Southwest.
Do I hear someone's stomach growling?
The mainstay of the Alamo diet is corn.
Corn can be prepared many ways.
It can be boiled, shucked,
creamed...
...or in this case dried.
Corn can also be used to make...
...tortillas.
Do we have any Mexican-Americans
with us today?
There are thousands and thousands
of uses for corn...
...all of which I will
tell you about right now.
Upon this battlement, in 1836...
...two hundred Texas volunteers...
...including such heroes as
Davy Crockett, Bill Travis, Jim Bowie...
...fought off an onslaught
of 4,000 Mexicans...
...under the command of
General Antonio Lopez de Santa Ana.
At this time, I'd like
to conclude our tour.
You all have been one of the greatest
groups I have ever worked with.
Are there any questions?
Where's the basement?
Aren't we going to see the basement?
There's no basement at the Alamo.
Pee-wee, I'm on my way to Paris.
Andy and I had a fight after you left.
You were right, Pee-wee.
I'm making my wish come true.
I'm off to Paris!
What's wrong?
Bus 91, leaving for New York City,
now departing.
That's my bus.
Come on.
Guess what. The Alamo was built
without a basement.
I didn't know that.
Neither did I. They don't tell you
that stuff in school.
It's something you
just have to experience.
Don't worry, Pee-wee.
I know you'll find your bike.
Good luck. I just know
you're going to find your bike.
Hello, Dottie? It's me, Pee-wee.
Where are you calling from?
Texas.
Honest. Listen, I'll prove it.
"The stars at night
Are big and bright...
"Deep in the heart of Texas."
Wait. Don't hang up.
There's something...
...I have to talk to you about.
It's about the other night.
I owe everybody a big apology.
Especially you.
I didn't mean what I said, Dottie.
Honest.
I know you didn't.
There's somebody else
who's been worried about you.
I know.
I forgot.
All right, Speck!
All right, Speck! Put Dottie back on.
There's something I want to say.
I've learned something
out here on the road.
Humility.
Dottie, when I get back,
will you...
What, Pee-wee?
Will you still help me find my bike?
All right.
There's something else
I wanted to ask you about.
What is it?
Could you wire me a bus ticket?
I'll pay you back. Honest.
All right, Pee-wee.
When you get back,
we can settle up at the drive-in.
What?
I couldn't hear that last part.
The connection just got really bad.
Thanks a lot.
You missed it by five minutes.
Next up is the local favorite, Number 9,
Lloyd Fletcher, riding Volcano.
That's you.
And away he goes!
It looks like he's going for...
...a new San Antonio record!
He may be going for
a new world's record!
That was some fancy riding.
Let's hope Lloyd is okay.
What's your name?
I can't remember.
Where you from?
I can't remember.
Can't you remember anything?
I remember the Alamo.
I'm sorry, operator. I can't hear you.
I'm trying to use the phone!
Did anybody tell you that this is
the private club of the Satan's Helpers?
Nobody hipped me to that dude.
It's off-limits!
Well, my mistake!
Guess I'll be on my way, then.
Excuse me.
Excuse me.
I barely touched them!
I say we kill him!
I say we hang him, then we kill him!
I say we stomp him!
Then we tattoo him!
Then we hang him!
And then we kill him!
I say we let him go.
I say you let me have him first!
Wait! Don't I get a last request?
Why not?
Break dance!
Tequila!
Thanks a lot, dudes.
I hope you find your bike.
Now!
The customized bicycle was presented
to child star, Kevin Morton...
...at Warner Brothers Studios
in Hollywood, California.
Congratulations, Kevin.
Thanks, Mr. Hawthorne.
A bike like this is every boy's dream.
Excuse me, sir.
Do you have a pass?
Oh, no, I' sorry you can't
enter without a pass.
So the fellow said, "What do you think
I have down here, a duck?"
A duck!
Where can I find Kevin Morton?
I don't know.
Do you know what stage
Kevin Morton is on?
It's stage six.
All right. I want to go once again.
Hair standing by.
What I want to do now,
is I want to do one more, faster paced.
All right, Kevin?
You know, I would love to...
...except how can I
when she's so late on her cues?
Just a minute!
Please, Marion.
I don't have to take that
from that little...
Kid! He's just a kid.
Even a kid can be courteous.
I'm going to quit.
I swear it, I am going to quit!
All right, Jerry. But I have had it!
Well, is everything straightened out?
We're ready when you are.
Doesn't it look like I'm ready?!
I am always ready!
I have been ready since first call!
I am ready!
Roll!
Quiet, please! This is a take!
Action!
Good-bye, Mother Superior.
Good-bye, Rusty. And God bless you.
Thank you Mother Superior,
I want the orphanage to have my bike.
No, Rusty.
You sold a lot of magazine subscriptions
to earn that bike.
But I want to give.
I've just received the two best parents
a boy could ever hope for.
Rusty, you are an inspiration to us all.
I'll say.
I'm going to start
a paper route right now.
Stop that nun!
Remember me? Let's go!
Merry Christmas!
Geronimo!
Radical!
You can help me. Come on!
Don't panic!
No pushing, no shoving.
Move in an orderly fashion
to the front exit.
Stay!
Listen up, everybody! Sit!
It's okay.
Go on! Run!
Fast! Come on! Let's go!
Son, are you all right?
Can you hear me?
There's still a few more fish inside.
This boy is a hero.
This boy is under arrest.
I can explain, Mr. Hawthorne.
Call me "Terry."
Warner Brothers thinks your story
would make a fantastic movie.
My story. A movie?!
My bike!
Do we have a deal?
Pee-wee, can I have your autograph?
Here's your chili dog.
Pee-wee! Over here. Look! Box seats!
This is Bob, Luke, Skinny and Milton.
Boys, this is Pee-wee!
Sno-cones.
I never met a movie star.
What did they pay you?
Nice to meet you.
Let's take a breather, Dottie.
The X-1 needs to cool down.
I'm a little overheated myself.
Come over here, P.W.
I must get to a phone.
Great so far, Pee-wee.
Action packed.
One soda.
One foot-Iong!
Good try, Pee-wee.
Have you got any message for Room 104?
The name is Herman.
P.W. Herman.
No, nothing right now, Mr. Herman.
I'll be in the bar.
That's fantastic!
Ditto.
I brought you guys French fries!
The big scene's coming up, guys!
Paging Mr. Herman.
Mr. Herman, you have a telephone call
at the front desk.
Yes, I understand.
That was the president.
I must steal back the X-1...
...before the Soviets find
the hidden microfilm inside.
The future of the free world
is riding on this.
-I'll go with you.
-No, it's too dangerous.
I invented the X-1.
I'm going with you!
All right, let's go.
You are such a pushover.
I know you are...
...but what am I?
Congratulations, Pee-wee!
Hi, P.W.
How's the X-1?
It's cooled down. But I'm heated up.
Where's my candy?
I forgot.
Pee-wee and I go way back.
When did you become blood brothers?
I don't remember the exact year.
And you say you taught Pee-wee
to ride his bike?
I remember the day I took off
his training wheels.
This is the bike.
How about a picture of me on it?
I don't think that's a good idea.
It's not your decision.
If it wasn't for me, none of this
would have happened to you, right?
Well, sort of.
Then it's okay if I sit on it.
Right, Pee-wee?
Come on, Pee-wee, everybody's waiting.
Everyone, gather around.
Let me show you some of
the more high-tech features.
You don't want to get mixed up with me.
I'm a Ioner, Dottie. A rebel.
Come on, Dottie. Let's go.
Don't you want to see
the rest of the movie?
I don't have to see it, Dottie.
I lived it.


]]> 2016-12-09 13:13:47 UTC https://padlet.com/3004584/7xrmyk94mst7/wish/142778292 https://padlet.com/3004584/7xrmyk94mst7/wish/142778587 Scooby-Doo (2002) Movie Script
Let go of me!
Okay, now I really have a wedgie.
Fred! Velma!
Can you guys hurry it up?
This ghost keeps grabbing...
Please!
Jinkies.
Fred. Come in, Fred.
- Fred! Can you hear me?
- Fredster here, Velms.
Shockingly, Daphne's been
captured again. That's okay.
When the Luna Ghost
rounds the corner with Daphne...
...Shaggy and Scooby will pop out
of the barrel...
You'll activate the conveyor belt,
spilling the oil onto the floor.
Just remember my plan.
Like, chill out, Scooby-Doo.
Stop shaking.
Me? That's you.
Right. It's me. Sorry.
Scooby-Doo, what are you doing, man?
Like, this is no time to...
Oh, boy.
Like, there's a ghost right behind me,
isn't there?
Run!
Go, Shaggy! Go!
- Run!
- Like, I'm trying, buddy!
Fred, now!
Hurry up!
- I got him.
- Look out!
Sorry!
- Sorry, Velma.
- I know, Fred.
- Where's the ghost?
- He's right behind us.
Skateboard!
Is he still after us, Scoob?
Banzai!
- Zoinks! Grab the hook!
- Hold on, Shaggy!
Daphne, are you okay?
I'm so over this
damsel-in-distress nonsense.
Where's Shagster?
- Like, I'm right here, man.
- Me too.
Scoob, that was fun. Let's grab
another skateboard and do it again.
Yeah.
There you go.
One for you.
Good-looking guy.
All right, nice to see you.
- Thanks for saving the factory.
- Pam, any comments?
This is a victory for any celebrity who
wants to make a quality action figure.
- What's the secret of your success?
- Teamwork.
I do a tremendous amount of teamwork,
and I always have a plan. Come on.
Yeah, my plan.
I knew from the start there was no
phantom. The Luna Ghost is, in fact...
- Old Man Smithers?
- The creepy janitor?
He wanted revenge after you
refused to go out with him.
How could you, Pam? I'm a lover-boy
of George Clooney-an proportions.
- Fred, how was the ghost able to fly?
- I can answer that. Watch.
These balloons fill with a highly
potent helium synthesis...
...giving the Luna Ghost...
...his weightless appearance.
I would have gotten away with it too,
if it weren't for you meddling kids...
...and your dumb dog!
I'll get you for this!
Scooby-Dooby-Doo!
Fred, I can't believe you took credit
for my plan again.
Some plan. That ghost pawed me
for an hour and a half.
It's not our fault you always
get kidnapped.
I don't always get kidnapped.
Can't believe you'd say that.
Oh, please.
You come with your own ransom note.
- My glasses!
- Who's helpless now?
I'm going to kill you, Daphne!
Watch the ascot!
You guys, look, I know I'm just
the dude that carries the bags...
...but we all play an important part
in this group.
I mean, we're just like a big,
delicious banana split.
Fred, you're the big banana.
Daphne, you're the pastrami and
gum-flavored ice cream. And Velma...
...you're the sweet-and-sour mustard
sauce that goes on top.
That sounds pretty good, doesn't it?
You know what, Shaggy? You've really
put it in perspective for me.
Thanks.
I quit.
- No.
- No way.
You can't quit. I was gonna quit in,
like, two seconds.
Now everyone will think
I copied off the smart girl.
Now, wait a minute.
Maybe I quit.
I do. Yeah, I quit.
I'm out of here.
Good riddance.
Don't...
No. Don't go.
Come on, you guys, don't do this.
Please don't go.
Do I quit?
No, Scoob...
...friends don't quit.
It looks like it's just you
and me for a while.
What now, Shaggy?
I guess we'll all just do
what we do best, Scoob.
This is primo.
Man, talk about toasted.
Man, the only thing I like better
than an eggplant burger...
...is a chocolate-covered
eggplant burger.
With hot sauce.
Yeah, just another beautiful day
in paradise.
I'm looking for a "Mr. Rogers"
and a "Mr. Doo." The detectives?
It's probably somebody looking for us
to solve some scary mystery.
Nobody home!
Quick, Scoob-o, grab the food-o,
let's scram-o.
I'm looking for a "Mr. Rogers"
and a "Mr. Doo."
Let's go!
I'm sorry, dude. I'd love to help you
out. You look like a really nice guy.
We're not detectives anymore.
I've been sent by Mr. Emile
Mondevarious to invite you...
...to his amusement park,
Spooky Island.
We don't go near places with "spooky,"
"haunted," or "creepy" in the name.
- Or hydrocolonic.
- Right, but that's for another reason.
But he'd like you to solve a mystery.
He'll pay you a fee of $10,000.
It's just, materialism
is not really our bag, man.
- Free airfare.
- No, thanks.
- Room and board.
- No, thanks.
And all you can eat.
All you can eat?
Fred?
Velma? Are you going this way?
- How have you...?
- Been?
- Yes.
- Great.
I'm on the lecture circuit
with my new book...
- ...Fred on Fred: The Many Faces of Me.
- Jinkies, that's impressive.
And yourself?
I've been working at NASA, developing
hydropowered missile defense systems.
But, more importantly...
- ...I'm on a journey of self-discovery.
- NASA?
Charter service to Spooky Island
will begin boarding momentarily.
What do you mean I can't have
seven carry-on bags?
- That's so economy.
- Crap.
Oh, no. I'm not talking to you guys.
- What are you doing here?
- Isn't it obvious?
We all received the same letter
from one Emile Mondevarious...
...the reclusive owner
of Spooky Island.
It's not fair. I was gonna solve
the mystery all by myself.
- And when you get caught?
- I'm a black belt now.
I've transformed my body
into a dangerous weapon.
It's true.
Far out. I guess we're, like,
all going to Spooky Island, man.
Where's Scooby?
Hello.
Sorry.
They don't allow big dogs
on the plane.
You've got to be kidding.
No one is stupid enough
to believe that.
Who's the ugly old broad?
- Say hello to Grandma.
- Aloha.
Flight 3774 to Spooky Island,
now boarding.
I wouldn't have agreed
to come if I knew.
Wait, just think about it
for one minute.
Mystery Inc. reunites. We'll be
a team again, just like the old days.
So come on...
...let's do that thing where we all put
our hands in, lift them up, and go:
Only if Fred and Velma do it.
People are watching, Shag.
Yeah, Scoob, "roo-hoo."
Come on, buddy.
Now that is a beautiful work of art.
Would you mind me taking a seat
there next to...?
To my grandma. That's my grandma.
Hi, Grandma. Like, no.
- Thanks.
- You're welcome.
Bless you.
I'm sorry. My allergies.
It's usually only dogs that do it.
- Maybe I'd better move.
- No, wait.
It's probably just
my grandma's perfume.
Yeah, even I sometimes get
a little allergic, you know. Oh, jeez.
I'm pretty sure Grandma wants to go
back and visit with her pal Velma.
Right, Grandma?
Okay.
Boy, oh, boy, those sure do look
like Scooby Snacks.
I know they're for dogs...
...but they're 100%% vegetarian,
and I love them.
Like, me too.
Far out. I've never met another person
who loves Scooby Snacks.
- Me neither.
- I'm Mary Jane.
- Like, that's my favorite name.
- Really?
No way.
Hello.
Grandma?
Velma, it's simple
behavior modification.
To cause a dog to discontinue any
action, flick it on the nose. Observe.
Scoob?
See?
Sit, Grandma! Bad, Grandma!
Don't eat the kitty!
Welcome to Spooky Island...
...the frightfully popular spring break
spot for college students.
Catch our Electrical Torture Parade.
It's a Dead World After All.
And the world famous Splatterhorn.
Scooby-Doo!
And the rest of Mystery Inc.
It's marvelous to see you!
How fanta...
I'm sorry.
That's the second time this week.
Thank goodness.
It's a new toy.
I'm just getting up to speed with it.
- Welcome.
- Thank goodness.
I was afraid I'd have
to lug those to the hotel.
That's what Spooky Island's about,
realizing your worst fears.
I'm Emile Mondevarious,
the owner of this amusement park.
- You seem less...
- Spooky.
...than we'd have guessed.
I can be pretty spooky
when called upon. I can go:
Claws and everything.
You wouldn't want to run into me
in a dark alley.
- So you're the one who brought us here?
- No.
What brought you here
was your insatiable appetite...
...for a juicy mystery.
The truth is,
Mystery Inc. is broken up.
That's the beauty of something broken.
It can be fixed.
Therein lies its potential.
And I need you to fix Spooky Island.
What's the problem?
I believe somebody's casting a spell
on the students.
Now listen and look around.
Notice any difference between those
arriving and those departing?
They look like sober, well-behaved
college kids.
Precisely.
They didn't before they came.
They've changed.
In other words, a magic spell.
Carol! Carol, how was the island?
Are you tricking on me?
It's me, Brad. We've known each other
since we were 3.
Back off my grill, son!
Carol, what are you doing?
I'm terrified. The young people
that come off that barge...
...the people I love the most,
they're in danger.
- I'm going to solve this one first.
- Not before I solve it first.
You'll look like total idiots
when you're captured and I save you.
Thank you. Marvelous.
Maybe we can celebrate later
by having a little spookapalooza.
Spookapalooza?
You haven't noticed anything unusual
since you started working here?
- Any weirdoes running around?
- No.
Welcome, dear victims.
My name is N' Goo Tuana.
This is my evil best pal, Zarkos.
You may recognize him from Telemundo
as the famous masked wrestler...
...Zarkos.
This enchanted island...
...is a thoroughfare
to the supernatural realm.
For centuries, it was home to creatures
who lived on the island undisturbed.
But then...
...ten years ago...
...Emile Mondevarious...
...antagonized these ancient beings
by building a theme park here.
The creatures are furious, my friends.
And I assure you...
...while you party...
...they plot...
...their revenge!
Do my friends frighten you?
They would, if it weren't
for the holographic projectors...
...there, and there and there.
What a smart little one.
Hello, Dead Mike's.
We got a "Mr. Doo" here?
I got a call for a "Mr. Doo."
Melvin Doo?
No, Scooby.
- Hello?
- Got a bag...
...of hamburgers here for you.
Just walk into the dark,
shadowy part of the forest...
...where no one can see you.
Okay.
- Want a stuffed thingy?
- Nobody can win those.
Fred says it's a worthless talent, that
I should've learned French instead.
I say you don't need to know what
" Voulez-vous coucher avec moi" means...
...to love that song.
I think being good at crane machine
is way cooler than French.
Voil.
Nobody's ever given me a stuffed
dismembered head before.
Excuse me.
Now I have to start my voodoo ritual
all over again!
Voodoo ritual?
- I was about to sacrifice this chicken.
- That chicken's not alive.
I know. What, did you figure that out
when you saw it didn't have a head?
What do you want?
Why you in the voodoo ritual space?
I'm looking for clues as to who's
behind the students' strange behavior.
Here's a clue:
Purple is a fall color.
- It's the middle of May!
- Pardon?
Do yourself a favor
and get off this island. Go home.
Go home before evil befalls
your skinny, aerobicized booty.
And whatever you do...
...do not, I repeat...
...do not go into
that Spooky Island castle.
- You want me to go to that castle.
- Didn't you hear what I said?
You knew I'd do the opposite
of what you said.
You told me not to go to the castle
so I would go...
...where you set a trap to capture me.
Unless...
...you knew I'd figure it out,
so you told me not to go...
...so I'd think you wanted me to go,
so I wouldn't go.
I'll find out what you're hiding
in that castle. You watch.
What in the world?
Hamburgers, where are you?
Hamburgers.
Thank you.
Shaggy!
It's been really nice.
Shaggy!
Monster! Monster!
A monster?
Scooby-Doo, quit goofing around, man.
I guess I should go.
Bye, Scooby.
Bless you.
Shaggy. Scooby.
No way.
- Scoob and me don't do castles.
- Why not?
They have paintings that watch you,
suits of armor you think is a statue...
...but there's a guy inside who follows
you every time you turn around.
- How many times did that happen?
- Twelve. We're not gonna do it.
That's right.
Scooby?
Did you hurt your paw?
- Would you do it for a Scooby Snack?
- Oh, boy!
- And you'll be fearless?
- Fearless?
Hong Kong Phooey,
watch the fists of fury.
Here you go.
Thank you.
There's plenty more where that came
from. Let's go before someone sees.
You're not gonna stay out here alone,
are you?
No, thank you.
Oh, boy.
This place is, like, uber creepy.
Yeah, uber creepy.
The only thing missing
is a mindless zombie.
Fred, get back. I found this place.
I call dibs on its clues.
- I've already found some clues.
- What?
I followed some weird footprints here.
It might be dangerous for you.
If anyone messes with me, I'll open
a can of Chinese whoop-ass on them.
- What are you doing here?
- This ride was closed for construction.
It's the most likely place to hatch
a plan. And I wanted to scare Daphne.
Since we're all together,
let's split up and look for more clues.
- Daphne, you and I...
- Typical.
- What?
- Nothing.
- I was always picked last for the teams.
- Okay.
Daphne, exit through the entrance.
Velma and I will enter
through the exit.
And Shaggy and Scooby...
...do whatever you guys do.
Look at this, huh, Scoob?
It's like a medieval Sizzler.
Pinch me, I'm in heaven...
- It's an expression, Scoob.
- Sorry.
Velma, I never meant to...
Well, you know...
- ...pick you last.
- Don't worry about it.
I know you.
All you care about
are swimsuit models.
Look, I'm a man of substance.
Dorky chicks like you turn me on too.
That's a compliment.
Yes! Yes!
Oh, yeah. Oh, yeah.
Oh, yeah. Oh, yeah. Oh, no!
And now for our dinner show.
What?
Watch out!
- I got a bad feeling about this.
- Me too.
And now for the main course:
You!
Feast on this.
Jinkies.
They're moving toward us. Run!
- We're trapped.
- Quick, try the bookcase.
- One of these has to open a passageway.
- Velma, this is a ride.
You got a better plan?
What do we do?
Do what we do best, Scoob:
Eat.
It's plastic.
So what? You drink out of a toilet.
So do you.
I'm not helpless.
I am helpless. I'm gonna die!
We made it, Scoob. We're alive!
That was weird.
Fred?
Are you all right?
The last book.
I don't feel so good.
Reminds me of the time we tried to eat
that guy in the hot-dog costume.
Looks like some kind of school.
In a spooky castle ride? Fishy.
Welcome to America.
I am using the language English.
- Shaggy, look.
- Let's check it out.
Oh, boy. Lights, camera, action,
huh, Scoob?
Now that you're a young adult...
...you'll need to learn societal dos...
...and don'ts.
Interaction between young
people is polite and casual.
Hey, sorry, bro.
I will crush your bones into dust.
Let's see how the situation
should be handled.
Remember, today's young people
have a language all their own.
Sorry, bro.
No big whoop, dog.
Catch that new vid on the box?
True dat. I'm up to sniznuff
on all popular trends.
Word.
It seems to be a brainwashing
facility of some type.
Wherever there's a brainwashing cult,
there's always a power-hungry leader.
- The Papa Smurf figure.
- Mondevarious.
Then why would he have
invited us here?
Jellybeans.
I'll have whatever he's having.
Are you challenging me?
Maybe.
Pull my finger. Too late.
- You're in trouble.
- Oh, boy.
I'm not stopping
till your fur is singed off.
We're here to solve a mystery.
Yeah, Scoob.
Let's get out of here.
Zoinks! Skedaddle!
- I found a neat and scary clue.
- Us too.
This is a brainwashing
facility for an evil cult.
Maybe this is the secret relic
thingy they worship.
We'll all be relics if we don't
get out of here.
I got a plan.
What's that smell?
Sir, they found the Daemon Ritus.
For your sake, they better not
have gone far.
It is time to summon
the big muchachos.
Like, oh, no!
Mystery Inc. You all seem rather
cheery. Good news, I hope?
Mr. Mononucleosis...
- Yes?
- We have hit a clue smorgasbord.
We have three suspects
as to who's behind this evil hooty.
N' Goo Tuana. He believes
your park's on enchanted ground.
The voodoo man, who tricked me
into going to the castle.
- And you.
- Me?
Let's split up.
We'll meet in a half-hour.
I'll interview employees to see
if they've noticed anything odd.
I'll translate these inscriptions
Daphne found.
I'll go research cults on the Net.
I'm a suspect?
Don't take it personally.
It's because you creep me out.
I see.
Fine.
Jinkies.
Hey. Your friends ditch you?
No, I always did the brainwork.
What's this?
I believe it's called
the Daemon Ritus.
Daemon Ritus? What's it for?
This describes
an old race of creatures.
It's reminiscent of Pandaemonous texts,
so I can make some of it out.
It looks like instructions
to some sort of secret ritual.
It is fascinating.
On the house. Nice sweater.
You really dig doing this, huh?
Like, clues and stuff.
Certainly.
Really focusing on a mystery
reminds me of the old days.
We were quite a crew back then.
That was the best time of my life.
Shaggy and Scooby...
What goofballs!
Kind of like they are today.
And Daphne...
So beautiful. She was the coolest girl
at Coolsville High.
Fred. He was so handsome.
And he really knew how to accessorize.
Sounds perfect.
Yeah, but every family has one nut.
Scrappy-Dappy-Doo!
Ghosts don't stand a chance with me.
Let me at 'em. I'll rack 'em.
I'll sock 'em.
For the thousandth time,
there's no such thing as ghosts.
Sure there are. When I find them,
I'll give them a dose of puppy power!
Oh, God. He's peeing on me.
That little egomaniac
had flipped his lid.
Scrappy, I told you,
no urinating on Daphne.
- It was an accident.
- You were marking your territory.
You don't have the scrote for this job.
Listen up, losers.
The time has come to appoint me
your unquestioned leader.
Either that, or I'm out of here.
What's the idea? You can't do
this to me. People adore me.
I'm as cute as a Powerpuff Girl.
I'll get my own show.
Puppy power, huh?
And he wasn't even a puppy.
He had a gland disorder.
Help me! Help me!
Monsters! Monsters!
This is the most embarrassing thing
you've done...
...since you cleaned your beans
at Don Knotts' Christmas party.
How many times
do I have to tell you?
There are no such things as ghouls,
ghosts, goblins or monsters.
Now listen up. There is absolutely...
...absolutely no such thing as...
Monster!
Fred!
Scooby...
Save Daphne.
My glasses.
I can't find my glasses.
Help me find my glasses.
Here they are.
Thank you.
Nice mask.
Bad breath.
Here.
Jinkies.
Velma!
Come on!
Velma!
This is, like, the opposite
of what I wanted to do today.
Leave it!
Stand back, sir.
I'll protect you.
Mr. Mondevarious!
Daphne, go!
Scooby-Doo, where are you?
Running suitcase.
Run suitcase. Run...
Thank you.
- Where's Scooby?
- I hope he's okay.
- Right here. Scooby-Dooby-Doo!
- Hey, Scoob.
I have a sinking feeling these dudes
aren't brainwashed cult members.
What do they want with the students?
We need to follow them.
- Say what?
- Defeat them and save Fred and Velma.
Sort of like my plan: Get out of here,
let the creatures eat Fred and Velma.
No way. Fred and Velma
always figured out everything.
Now it's our turn.
For the first time, they're
the damsels in distress, not me.
- Help?
- Timber.
- Okay, I'm calling for help.
- No. I got this. I got this.
I don't got this.
- Coast Guard, Fitzgibbon.
- Hello, sir. We're on Spooky Island.
Our friends were...
...kidnapped.
We need someone here right away.
We do have a unit in the vicinity.
Can you meet them at the pier?
All right, they'll be right there.
"Our friends have been kidnapped."
- Something messed up is happening.
- Is the Coast Guard here?
What happened to the shattered windows
and busted walls?
Yo, Red. The ball.
Let's go.
Anyone else think this is strange?
- Okay, we need to split up.
- Why?
- We need to find Fred and Velma.
- I'll go this way.
And we'll go with you.
Come on, Scoob.
Fred?
Yo, the bitch was like, "What?"
And I was like, "Later on!"
What up, dog? And...
- ...dog.
- Keeping it real.
- What happened last night?
- We got beats like it was the lizz-nizz.
- You know what I'm saying, G?
- No.
You hear that?
Get the dog.
- Damsel in distress.
- Let go of me. Help!
Hurry, get the door!
- Why is Fred in a bad mood?
- He's not in a bad mood, Scoob...
...he's a monster.
- Shaggy, bikes!
- I know, "yikes!"
No, bikes!
Scoob!
Shaggy, look out!
I just saw my friend Beth Ann.
Something's wrong with her eyes.
Like, hop on!
Like, what a drag!
Like, duck!
- Yes!
- That was great!
- Are you all right? You were great.
- You too.
- Scooby, what are you doing, man?
- Mary Jane is a man in a mask.
- Mary Jane is a man in a mask?
- Scooby.
What are you doing, man?
Step off, Scoob.
Shaggy, you're whipped.
I'm whipped? Yeah?
Why don't you say that to my face?
Okay, I will.
Your mommy eats cat poop!
No, Scooby-Doo,
your mom eats cat poop!
Bring it.
You want a piece of the Shagster?
- Feel the pain, Scoob.
- Okay.
Come on! Two shots! Two shots!
Me and you, me and you again.
I'll give you some right now, buddy.
Scoob!
I gotta save him.
You stay here, I'll be right back.
No, Shaggy.
I mean, it's too dangerous.
I've got to. He's, like, my best pal.
Friends don't quit.
Scoob?
Scooby-Doo...
...where are you?
Scoob?
Shaggy. Shaggy.
Shaggy!
Velma.
I'll save you.
Thanks, Shaggy.
Boy, am I glad to see you.
Let me go so I can return to my body.
Get out of here...
...before they steal
your protoplasm too.
I always knew you were a hero, Shaggy.
Jinkies!
- Hey, buddy.
- Shaggy!
Someone must have spiked my root beer
last night. Talk me down, man.
Fred, you're a frigging
protoplasmic head.
I know.
But I'm still the best-looking
protoplasmic head here.
How do you drive this?
The Darkopalypse's upon us.
Get what you need for the ceremony.
On your right. Your left.
I'm coming, good-looking!
- Thank you, you've saved me.
- Sorry, I'm looking for my friends.
But...
Put me back, Shaggy.
I'll figure a way out myself.
- Like, how?
- I don't know.
I'll use my tongue as an oar
and swim to the edge.
Sorry.
Yo, yo, you, yo.
What the...?
You could use a little sunlight.
That's one part of the mystery solved.
The creatures need our bodies
to survive in sunlight.
Like a human suit.
SPF 1,000,000.
But what are they doing here
in the first place?
Daphne, you okay?
Yeah.
- But I'm not Daphne!
- Fred?
I couldn't get to my body.
I didn't know where else to go.
It's not easy to steer
when you're pure spirit.
I can look at myself naked.
Oh, brother.
- Get your hands off me.
- Daphne?
- He planned this somehow, didn't he?
- Hey, good-looking.
Fred, you egocentric...
- Please tell me you guys are you.
- Fred keeps touching me.
Makes you nostalgic
for the homicidal creatures.
I stole this. I hope it helps.
The Daemon Ritus.
- I'm me again.
- Yippee for you.
Man, like, why am I wearing a dress?
Everyone remain calm.
Velma, what the heck's going on?
If I am correct...
...due to the instability of protoplasm
in the proximity of the Daemon Ritus...
...we're going to continue
randomly changing bodies until...
Jinkies!
...until the protoplasm realigns
with the correct bodies.
I'm Fred again!
Daph, what's wrong with you?
Don't you ever eat?
I'm me.
- I'm back.
- Like, me too.
Told you so.
- Oh, no.
- Let's go.
I guess that was the wrong ingredient.
Wait.
I know how to handle this guy.
Hey, you! What're you doing?
Yes. That is masterful.
I'm doing a voodoo ritual.
I need to get the right ingredients.
The only way to protect myself is
by blessing this dead Arnouki beast.
They're about to perform
their evil Darkopalypse ritual.
- Darkopalypse ritual?
- Right.
- That's what the ancient text describes.
- Don't open that!
They use the protoplasm
in the vat as an energy source.
And the leader needs to absorb a purely
good soul to complete the ritual.
Legend has it,
once the ritual is performed...
...the creatures will rule on Earth
for 10,000 years.
That's why I have this in my house.
To protect myself.
You have another one of those?
Those creatures are taking over
the world? That is so mean.
They can't do the ritual without a pure
human soul. Where will they get one?
I didn't say human.
Oh, boy.
Hello, puppy.
If the person behind all this
needs Scooby-Doo...
Then that person is the one
who brought Scooby here.
Scoobert. How are you, my friend?
Sit down, please.
Okay.
Scooby Snack?
Maybe one.
We'll need some more of those.
That's me!
It certainly is.
And that's because... why?
We love you, Scooby-Doo.
Unlike that alleged friend
of yours, Shaggy.
He wouldn't believe you about
that nasty girl Mary Jane, would he?
No.
But I believe you, my friend.
And that's why I've got
a very important job for you.
What's that?
That's a cat with a bobbing head.
Please don't touch it.
I would like you...
...to be a sacrifice.
A sacrifice?
If Mondorajagaga wanted Scooby,
why'd he invite the rest of us?
It doesn't matter.
We gotta, like, go save Scoob.
Our area of expertise is nut jobs
in Halloween costumes.
We're supposed to be heroes, man.
So I'm gonna do what I always do:
I'm gonna eat myself a Scooby Snack,
and I'm gonna save my best pal.
Velmster?
You think I'm gonna fall for that?
Giving me my own nickname?
Trying to make me feel like...
...part of the gang?
We could make a plan.
What can I do? The only thing
I'm good for is getting caught.
But you never let that
stop you before.
And if that's not a true hero,
then I don't know what is.
Let's get jinkie with it.
Okay, so we use the pulleys
to tip over the vat.
Daphne will open the air vents
and release the disco skull.
The light will refract off the skull...
The creatures will explode, I'll find
Scoob, and we'll have saved the world.
Oh, no. The ritual's beginning.
Quick. Attach this to the vat.
We're here to save you.
Shaggy, faster.
All systems go.
Wait, no!
Mystery Inc. rides again.
Quick, hide the Daemon Ritus.
Would you like another Scooby Snack?
Okay.
Scooby-Doo!
Yo, yo, yo. Yo, homedogs.
You forgot the next part
of the dance...
...where we do the Electric Slide,
you know...
Hurry up, Velma.
Welcome to my little
end-of-the-world party.
I've waited a long time
for this moment.
Thank you for returning
the ultimate party favor:
The Daemon Ritus.
And now, behold the sacrifice.
Thank you. Thank you.
Hello, thank you.
Thank you. Shaggy?
Let's run for it.
We gotta get out of here.
- I'm a sacrifice. Hello.
- A sacrifice?
Dude, that's not a good thing, Scoob.
I'm sorry I yelled at you.
And I'm sorry I haven't been
a very good friend since we got here.
- But you gotta trust me now.
- You don't trust me.
I do trust you.
Now, look. Who's your best buddy?
- Shaggy.
- Right.
And who's my best buddy?
- Scooby-Doo?
- That's right.
You are. And we're like two trippy peas
in a far-out pod, man.
Best buddies trust each other.
Let's do what we do best.
Let's run out of here screaming
in fear like two lunatics, okay?
On the count of...
Let's make it five. One.
Two.
Hey, look at me!
The moment is at hand.
Through the Daemon Ritus,
I shall absorb the energy source.
And now, to complete
the transformation...
...I shall absorb the pure one.
Ultimate power shall be mine!
Nobody absorbs my pal!
Come on!
I'm free!
Look at me!
Get him!
Let's get the Daemon Ritus.
Get off my pincer!
Cowabunga!
Look, Velms. A man in a mask.
We love you, Scooby-Doo. We love you.
That alleged friend of yours, Shaggy.
I shall absorb...
Puppy power! I've outsmarted...
Scrappy-Doo.
Correction.
The new, improved Scrappy.
Because I, Scrappy-Dappy-Doo,
have absorbed enough energy...
...to rule the world
with my all-powerful army!
And I've brought you here,
puny, pathetic Mystery Inc...
...to witness my moment of triumph.
All I need to complete
my transformation is Scooby-Doo.
Me? Don't you mean Melvin Doo?
Seize them!
Like, let's get out of here!
Take that, pretty boy!
This is totally un-groovy, Scoob.
Scooby-Doo, where are you?
Yield to my puppy power!
- We gotta tip over the protoplasm vat.
- How?
The pincer. Come on.
You all need to step back,
because Fredster's got his groove on.
Got you! You look
so much bigger on TV.
You're done!
Come back here, you lazy beatnik.
- Crud.
- Told you so.
Like, wow!
Give me the dog!
Down! Sit! Bad Scrappy!
Let's finish this puppy! Now!
Not again.
Captured again, seorita?
Not this time!
- Now who's the damsel in distress?
- Me?
Straight up.
Mystery Inc., this ain't over!
Not by a long shot!
I'll rock you and sock you...
...and crush you like...
- Like, dude?
- What?
You're a bad puppy!
Come on, I can still take you.
Put them up, you mangy mutt.
Is that all you got?
- We did it!
- Yes, we did.
Cut it out.
Mr. Mondevarious, is that you?
Thank goodness!
Thank you! Thank you!
Velma! Thank you!
You're fogging up my glasses.
Two years ago, that little pest...
...turns up at a casting session
for our evil elves.
Next thing I know,
I'm stuck in a hole...
...and he's cavorting about
in a mechanical version of me.
But look, thank you so much.
What a delight. Fantastic!
Fantastic!
I love you, Shaggy.
I love you too, Scoob.
Now get off me, buddy.
Thanks. You saved my life.
Like, no problem.
And thank you, Scooby-Doo.
- My little schmookem-wookem.
- Shucks.
Fred, can you tell us
how you solved the case?
It all started when I was giving
a speech on my new book and...
And I think the Velmster
should take it from here.
Go.
Through the combined
intuitive powers of Mystery Inc...
...we've discovered the real villain
is, in fact, Scrappy Cornelius Doo...
...who sadly was corrupted
by the power of the Daemon Ritus.
Get over it!
So I got a little cranky.
It's no reason to freak out like a jerk
and try to kill all of humanity.
I would've gotten away with it too,
if not for you meddling sons of...
Now that Mystery Inc.
is back together...
...any comment on the Mud Bog Ghoul
who's been terrorizing London?
Whatever the case,
Mystery Inc. will be there.
Solving mysteries, man.
- Righting wrongs.
- Looking for clues and kicking butt.
How groovy is this, man?
Spooky Island finally came through
with its all-you-can-eat deal.
And there's nobody I'd rather
gorge myself with than you, Scooby-Doo.
- My best friend.
- You're my best friend, buddy.
You're beautiful like a beautiful
piece of pizza.
Zoinks! Them peppers is, like, hot.
- Wimp.
- Wimp? You think you can handle it?
Why don't you put your mouth
where your mouth is?
Okay.
Scooby-Doo, you feeling okay?
Here you go, dude.
- Like, how'd that taste, man?
- Delicious.
Well, let's get two more.
On the count of three.
One, two, three!

]]> 2016-12-09 13:15:21 UTC https://padlet.com/3004584/7xrmyk94mst7/wish/142778587 https://padlet.com/3004584/7xrmyk94mst7/wish/142779224 "FORREST GUMP" Screenplay by Eric Roth Based on a novel by Winston Groom EXT. A SAVANNAH STREET - DAY (1981) A feather floats through the air. The falling feather. A city, Savannah, is revealed in the background. The feather floats down toward the city below. The feather drops down toward the street below, as people walk past and cars drive by, and nearly lands on a man's shoulder. He walks across the street, causing the feather to be whisked back on its journey. The feather floats above a stopped car. The car drives off right as the feather floats down toward the street. The feather floats under a passing car, then is sent flying back up in the air. A MAN sits on a bus bench. The feather floats above the ground and finally lands on the man's mudsoaked shoe. The man reached down and picks up the feather. His name is FORREST GUMP. He looks at the feather oddly, moves aside a box of chocolates from an old suitcase, then opens the case. Inside the old suitcase are an assortment of clothes, a pingpong paddle, toothpaste and other personal items. Forrest pulls out a book titled "Curious George," then places the feather inside the book. Forrest closes the suitcase. Something in his eyes reveals that Forrest may not be all there. Forrest looks right as the sound of an arriving bus is heard. A bus pulls up. Forrest remains on the bus bench as the bus continues on. A BLACK WOMAN in a nurse's outfit steps up and sits down at the bus bench next to Forrest. The nurse begins to read a magazine as Forrest looks at her. FORREST Hello. My name's Forrest Gump. He opens a box of chocolates and holds it out for the nurse. FORREST You want a chocolate? The nurse shakes her head, a bit apprehensive about this strange man next to her. FORREST I could eat about a million and a half of these. My momma always said, "Life was like a box of chocolates. You never know what you're gonna get." Forrest eats a chocolate as he looks down at the nurse's shoes. FORREST Those must be comfortable shoes. I'll bet you could walk all day in shoes like that and not feel a thing. I wish I had shoes like that. BLACK WOMAN My feet hurt. FORREST Momma always says there's an awful lot you could tell about a person by their shoes. Where they're going. Where they've been. The black woman stares at Forrest as he looks down at his own shoes. FORREST I've worn lots of shoes. I bet if I think about it real hard I could remember my first pair of shoes. Forrest closes his eyes tightly. FORREST Momma said they'd take my anywhere. INT. COUNTRY DOCTOR'S OFFICE - GREENBOW, ALABAMA - DAY (1951) A little boy closes his eyes tightly. It is young Forrest as he sits in a doctor's office. FORREST (V.O.) She said they was my magic shoes. Forrest has been fitted with orthopedic shoes and metal leg braces. DOCTOR All right, Forrest, you can open your eyes now. Let's take a little walk around. The doctor sets Forrest down on its feet. Forrest walks around stiffly. Forrest's mother, MRS. GUMP, watches him as he clanks around the room awkwardly. DOCTOR How do those feel? His legs are strong, Mrs. Gump. As strong as I've ever seen. But his back is as crooked as a politician. Forrest walks foreground past the doctor and Mrs. Gump. DOCTOR But we're gonna straighten him right up now, won't we, Forrest? A loud thud is heard as, outside, Forrest falls. MRS. GUMP Forrest! EXT. GREENBOW, ALABAMA Mrs. Gump and young Forrest walk across the street. Forrest walks stiffly next to his mother. FORREST (V.O.) Now, when I was a baby, Momma named me after the great Civil War hero, General Nathan Bedford Forrest... EXT. RURAL ALABAMA A black and white photo of General Nathan Bedford Forrest. The photo turns into live action as the General dons a hooded sheet over his head. The General is in full Ku Klux Klan garb, including his horse. The General rides off, followed by a large group of Klan members dressed in full uniform. FORREST (V.O.) She said we was related to him in some way. And, what he did was, he started up this club called the Ku Klux Klan. They'd all dress up in their robes and their bedsheets and act like a bunch of ghosts or spooks or something. They'd even put bedsheets on their horses and ride around. And anyway, that's how I got my name. Forrest Gump. EXT. GREENBOW Mrs. Gump and Forrest walk across the street. FORREST (V.O.) Momma said that the Forrest part was to remind me that sometimes we all do things that, well, just don't make no sense. Forrest stops suddenly as his brace gets stuck. Forrest's brace is caught in a gutter grate. Mrs. Gump bends down and tries to free Forrest. Two old cronies sit in front of a barber shop and watch. MRS. GUMP Just wait, let me get it. Mrs. Gump struggles to pull the stuck brace from the grate. MRS. GUMP Let me get it. Wait, get it this way. Hold on. Forrest pulls his foot out of the grate. MRS. GUMP All right. Mrs. Gump helps Forrest up onto the sidewalk. She looks up and notices the two old man. MRS. GUMP Oooh. All right. What are you all staring at? Haven't you ever seen a little boy with braces on his legs before? Mrs. Gump and Forrest walk along the sidewalk past the two old men. Mrs. Gump holds tightly onto Forrest's hand. MRS. GUMP Don't ever let anybody tell you they're better than you, Forrest. If God intended everybody to be the same, he'd have given us all braces on our legs. FORREST (V.O.) Momma always had a way of explaining things so I could understand them. EXT. OAK ALLEY/THE GUMP BOARDING HOUSE Mrs. Gump and Forrest walk along a dirt road. A row of mailboxes stands left. FORREST (V.O.) We lived about a quarter mile of Route 17, about a half mile from the town of Greenbow, Alabama. That's in the county of Greenbow. Our house had been in Momma's family since her grandpa's grandpa's grandpa had come across the ocean about a thousand years ago. Something like that. Mrs. Gump and Forrest walk along the Gump Boarding House driveway. FORREST (V.O.) Since it was just me and Momma and we had all these empty rooms, Momma decided to let those rooms out. Mostly to people passing through. Like from, oh, Mobile, Montgomery, place like that. That's how me and Mommy got money. Mommy was a real smart lady. MRS. GUMP Remember what I told you, Forrest. You're no different than anybody else is. Mrs. Gump heads Forrest to the porch. She bends down to look Forrest in the eye. MRS. GUMP Did you hear what I said, Forrest? You're the same as everybody else. You are no different. INT. ELEMENTARY SCHOOL / PRINCIPAL'S OFFICE - DAY PRINCIPAL Your boy's... different, Mrs. Gump. Now, his I.Q. is seventy-five. MRS. GUMP Well, we're all different, Mr. Hancock. The principal sighs, then stands up. INT. HALLWAY Forrest sits outside the principal's office and waits. FORREST (V.O.) She wanted me to have the finest education, so she took me to the Greenbow County Central School. I met the principal and all. The principal stands in front of Mrs. Gump. Forrest, sitting left, listens. PRINCIPAL I want to show you something, Mrs. Gump. Now, this is normal. The principal holds up a chart with a designations according to I.Q. and points to the center of the graph, labeled "Normal." A red line below the normal area is labeled "State Acceptance." The principal points to the section below the acceptance line labeled "Below." PRINCIPAL Forrest is right here. The state requires a minimum I.Q. of eighty to attend public school, Mrs. Gump. He's gonna have to go to a special school. Now, he'll be just fine. MRS. GUMP What does normal mean, anyway? He might be a bit on the slow side, but my boy Forrest is going to get the same opportunities as everyone else. He's not going to some special school to learn to how to re-tread tires. We're talking about five little points here. There must be something can be done. INT. HALLWAY Forrest sits outside the principal's office. PRINCIPAL We're a progressive school system. We don't want to see anybody left behind. INT. PRINCIPAL'S OFFICE PRINCIPAL Is there a Mr. Gump, Mrs. Gump? MRS. GUMP He's on vacation. EXT. GUMP BOARDING HOUSE - NIGHT Forrest sits on a swing outside the house. Loud organic male grunts are heard coming from inside the house. Forrest sits on the swing as the grunts continue. The principal steps out of the Gump House and wipes the sweat from his face. Forrest is sitting on the porch. PRINCIPAL Well, your momma sure does care about your schooling, son. Mm-mm-mm. The principal wipes the sweat from his neck, then looks back at Forrest. PRINCIPAL You don't say much, do you? Forrest grunts, imitating him. The principal, embarrassed, turns and walks away. INT. GUMP BOARDING HOUSE/FORREST'S BEDROOM Mrs. Gump reads from the book "Curious George" as Forrest sits on the bed and listens. MRS. GUMP Finally, he had to try it. It looked easy, but, oh, what happened. First there... FORREST Momma, what's vacation mean? MRS. GUMP Vacation? FORREST Where Daddy went? MRS. GUMP Vacation's when you go somewhere, and you don't ever come back. Forrest lies down on his bed and looks up. FORREST (V.O.) Anyway, I guess you could say me and Momma was on our own. EXT. GUMP BOARDING HOUSE - DAY A cab driver closes the trunk of the car as two women walk toward the house. A milkman steps down from the porch. FORREST (V.O.) But we didn't mind. Our house was never empty. There was always folks comin' and goin'. MRS. GUMP (V.O.) Suppa. INT. GUMP BOARDING HOUSE Mrs. Gump steps forward and speaks to all the boarders. MRS. GUMP It's suppa, everyone. Forrest... A MAN WITH A CANE steps left across the hall. MAN WITH CANE My, my. That sure looks special. Mrs. Gump looks into a sitting room and informs the boarders about dinner. MRS. GUMP Gentlemen, would you care to join us for supper? Hurry up and get it before the flies do. I prefer you don't smoke that cigar so close to mealtime. FORREST (V.O.) Sometimes we had so many people stayin' with us that every room was filled with travelers. You know, folks livin' out of their suitcases, and hat cases, and sample cases. MRS. GUMP Well, you go ahead and start. I can't find Forrest. Mrs. Gump walks up the stairs. MRS. GUMP Forrest... Forrest... FORREST (V.O.) One time a young man was staying with us, and he had him a guitar case. Mrs. Gump looks into Forrest's room. She hears singing coming from another room and walks over to a closed door. Mrs. Gump opens the door, revealing a young man with long sideburns as he plays the guitar and sings. Forrest holds onto a broom and dances oddly. The young man is ELVIS PRESLEY. ELVIS PRESLEY (sings) "Well, you ain't never caught a rabbit, and you ain't no friend of mine." Forrest's legs rock back and forth to the guitar. MRS. GUMP Forrest! I told you not to bother this nice young man. ELVIS Oh, no, that's all right, ma'am. I was just showin' him a thing or two on the guitar here. MRS. GUMP All right, but your supper's ready if y'all want to eat. ELVIS Yeah, that sounds good. Thank you, ma'am. Mrs. Gump leaves and closes the door. Elvis sits back down. Forrest stands left, and looks himself in a mirror. ELVIS Say, man, show me that crazy little walk you just did there. Slow it down some. Forrest begins to dance again as Elvis plays the guitar and sings. ELVIS (sings) "You ain't nothin' but a hound, hound dog..." FORREST (V.O.) I liked that guitar. Forrest dances as he watches himself in the mirror. FORREST (V.O.) It sounded good. ELVIS (sings) "...cryin' all the time" Forrest rocks up and down on his braced legs, then begins to step. ELVIS (sings) "You ain't nothin' but a hound dog..." FORREST (V.O.) I started moving around to the music, swinging my hips. This one night me and Momma... EXT. GREENBOW - NIGHT Mrs. Gump and Forrest walk along a sidewalk. A television inside a store window reveals Elvis Presley as he performs "Houng Dog" on a stage. FORREST (V.O.) ...was out shoppin', and we walked right by Benson's Furniture and Appliance store, and guess what. The television reveals Elvis as he thrusts his hips and sings. ELVIS (sings) You ain't nothin' but a hound dog... Mrs. Gump and Forrest watch the television. Elvis dances around in the same manner Forrest did. A woman in the audience screaming and applauding. ELVIS (sings) You ain't nothin' but a hound dog... MRS. GUMP This is not children's eyes. Mrs. Gump walks away, pulling Forrest with her. Forrest stops and takes one last look. Elvis continues to perform over the television. ELVIS (sings) "Well, you ain't never caught a rabbit and you ain't no friend of mine." FORREST (V.O.) Some years later, that handsome young man who they called "The King," well, he sung too many songs, had himself a heart attack or something. EXT. SAVANNAH/BUS BENCH - DAY Forrest is still sitting on the bus bench. The black nurse looks at him. FORREST Must be hard being a king. You know, it's funny how you remember some things, but some things you can't. EXT. COUNTRY ROAD/ALABAMA - MORNING (1954) Mrs. Gump and Forrest wait for the school bus. The bus pulls up as Mrs. Gump prepares Forrest for his first day of school. MRS. GUMP You do your very best now, Forrest. FORREST I sure will, Momma. FORREST (V.O.) I remember the bus ride on the first day of school very well. The bus driver opens the door and looks down. Forrest walks to the steps of the bus and looks at the bus driver. She is smoking a cigarette. BUS DRIVER Are you comin' along? FORREST Momma said not to be taking rides from strangers. BUS DRIVER This is the bus to school. FORREST I'm Forrest Gump. BUS DRIVER I'm Dorothy Harris. FORREST Well, now we ain't strangers anymore. The bus driver smiles as Forrest steps up into the bus. INT. BUS Forrest steps up onto the bus. Mrs. Gump waves to Forrest as the bus drives away. Forrest begins to walk down the aisle. TWO YOUNG BOYS look up from the seat. BOY #1 This seat's taken. BOY #2 It's taken! Forrest looks around. A larger girl slides over so Forrest can't sit next to her. She shakes her head. Forrest looks to the other side where a boy sits alone on a larger seat. They boy glares up at Forrest. BOY #3 You can't sit here. FORREST (V.O.) You know, it's funny what a young man recollects. 'Cause I don't remember being born. EXT. SAVANNAH/BUS BENCH - DAY Forrest continues talking as he sits on the bus bench. FORREST (V.O.) I, I... don't recall what I got for my first Christmas and I don't know when I went on my first outdoor picnic. But, I do remember the first time I heard the sweetiest voice... INT. BUS - MORNING (1954) Young Forrest is still standing in the aisle on the bus. FORREST (V.O.) ...in the wide world. GIRL You can sit here if you want. Forrest looks back at JENNY CURRAN, a young girl about Forrest's age. FORREST (V.O.) I had never seen anything so beautiful in my life. She was like an angel. JENNY Well, are you gonna sit down, or aren't ya? Forrest sits down next to Jenny. JENNY What's wrong with your legs? FORREST Um, nothing at all, thank you. My legs are just fine and dandy. FORREST (V.O.) I just sat next to her on that bus and had conversation all the way to school. JENNY Then why do you have those shoes on? FORREST My momma said my back's crooked like a question mark. These are going to make me as straight as an arrow. They're my magic shoes. FORREST (V.O.) And next to Momma, no one ever talked to me or asked me questions. JENNY Are you stupid or something. FORREST Mommy says stupid is as stupid does. Jenny puts her hand out toward Forrest. Forrest reaches over and shakes her hand. JENNY I'm Jenny. FORREST I'm Forrest Gump. Forrest Gump. FORREST (V.O.) From that day on, we was always together. Jenny and me was like peas and carrots. EXT. OAK TREE - DAY Young Jenny and Forrest run toward a large oak tree. FORREST (V.O.) She taught me how to climb... Jenny sits on a large branch and calls down to Forrest. JENNY Come on, Forrest, you can do it. Forrest dangles from the branch. FORREST (V.O.) ...I showed her how to dangle. Jenny and Forrest sit on a tree branch and read. FORREST "...a good little monkey and..." FORREST (V.O.) She helped me to learn how to read. Forrest hangs upside down from a branch and swings back and forth. Forrest's braces are wedged in the tree. FORREST (V.O.) And I showed her to swing. EXT. OAK TREE - NIGHT The silhouete of the oak tree, Jenny and Forrest as they sit on a branch. FORREST (V.O.) Sometimes we'd just sit out and wait for the stars. FORREST Momma's gonna worry about me. Jenny puts her hand on Forrest's hand. JENNY Just stay a little longer. FORREST (V.O.) For some reason, Jenny didn't never want to go home. FORREST Okay, Jenny. I'll stay. FORREST (V.O.) She was my most special friend. INT. SAVANNAH/BUS STOP - DAY Forrest nods as he remembers. FORREST My only friend. Forrest continues talking to the black woman. She doesn't seem to be listening as she reads her magazine. She looks up from her magazine. FORREST Now, my Momma always told me that miracles happen every day. Some people don't think so, but they do. EXT. OAK ALLEY - ANOTHER DAY (1954) Jenny and Forrest walk. A dirt clod hits Forrest in the back of the head. Jenny looks as Forrest rubs his head. THREE YOUNG BOYS get off their bikes and pick up more rocks. BOY #1 Hey... dummy! Forrest is hit in the eye with another dirt clod. Forrest falls backward onto the ground as the boys glare at him. BOY #2 Are you retarded, or just plain stupid? BOY #3 Look, I'm Forrest Gump. Jenny helps Forrest back up. Boy #1 and Boy #2 throw more dirt clods at Forrest. JENNY Just run away, Forrest. Another dirt clod hits Forrest in the arm. JENNY Run, Forrest! Forrest tries to run along the road, but his braces makes it impossible. He hobbles along as Jenny yells after him. JENNY Run away! Hurry! Boy #1 and Boy #2 turn back toward the bikes. BOY #2 Get the bikes! BOY #3 Hurry up! The boys pick up their bikes and ride after Forrest. BOY #3 Let's get him! Come on! BOY #2 Look out, dummy, here we come! The boys ride after Forrest. Jenny stands and watches. BOY #2 We're gonna get you! JENNY Run, Forrest! Run! Forrest hobbles along the dirt road. JENNY Run, Forrest! Forrest looks over his shoulder. The three boys race on their bikes. BOY #1 Come back here, you! Forrest begins to run faster with his braces on. Forrest continues running as the boys chase him. Blood drips down from a cut on his head. The boys on the bikes are gaining on Forrest. Forrest hobbles along. He begins to gain speed. JENNY Run, Forrest! Run! SLOW MOTION -- Forrest runs from the chasing room. He looks over his shoulder in fear. The boys on the bikes peddle faster as they gain on Forrest, running. Forrest tries to run even faster to get away. Suddenly his braces shatter, sending steel and plastic flying into the air. Forrest runs and look down at his legs in surprise. Forrest continues to run faster as the metal braces and straps fly off his legs. Forrest runs free of his braces and begins to pick up speed. The chasing boys ride over the remains of Forrest's braces. FORREST (V.O.) Now, you wouldn't believe it if I told you. EXT. SAVANNAH/ BUS BENCH - DAY FORREST But I can run like the wind blows. The black woman continues to read her magazine. Forrest smiles as he remembers. FORREST From that day on, if I was going somewhere, I was running! EXT. OAK ALLEY - DAY (1954) Forrest sprints away from the boys. The boys stop the chase and watch in disbelief. Forrest is already at the far end of the road, clear of the chasing boys. BOY #2 He's gettin' away! Stop him! Boy #1 throws his bike down in frustration. Forrest runs across a field. EXT. COUNTRY ROAD Forrest runs past a chain gang in their prison uniforms. They are cutting at the weeds on the side of the road. EXT. GREENBOW Forrest runs across the street. THE TWO OLD MEN sit in front of the barber shop. OLD CRONY That boy sure is a running fool. EXT. JENNY'S HOUSE Forrest runs down a driveway toward Jenny's small house. FORREST (V.O.) Now remember how I told you that Jenny never seemed to want to go home? Well, she lived in a house that was as old as Alabama. Her Momma had gone up to heaven when she was five and her daddy was some kind of a farmer. Forrest knocks on Jenny's door. FORREST Jenny? Jenny? Forrest look around the field at the left. He notices Jenny and runs toward her. FORREST (V.O.) He was a very lovin' man. He was always kissing and touchin' her and her sisters. And then this one time, Jenny wasn't on the bus to go to school. Forrest runs to Jenny. FORREST Jenny, why didn't you come to school today? JENNY Hsh! Daddy's takin' a nap. Jenny grabs Forrest's hand and runs into the field. Jenny's DAD drunk, steps out onto the porch and shouts. JENNY'S DAD Jenny! JENNY Come on! JENNY'S DAD Jenny, where'd you run to? You'd better come back here, girl! Jenny's dad steps out toward the field. Jenny leads Forrest into the thick tobacco field. Jenny's dad runs through the field searching for Jenny with a liquor bottle in his hand. JENNY'S DAD Where you at? Jenny and Forrest run into a corn field as Jenny's dad tries to chase her. JENNY'S DAD Jenny! Jenny! Where you at? Jenny! Jenny drops to her knees and pulls Forrest down with her. JENNY Pray with me, Forrest. Pray with me. JENNY'S DAD Jenny! JENNY Dear God, make me a bird so I can fly far, far, far away from here. Dear God, make me a bird so I can fly far, far, far away from here. FORREST (V.O.) Momma always said that God is mysterious. JENNY'S DAD Jenny! Get back here! FORREST (V.O.) He didn't turn Jenny into a bird that day. Instead... EXT. TRAILER PARK/ALABAMA - DAY (1955) A police officer escorts Jenny to her grandmother's trailer. Jenny's grandmother meets Jenny outside and leads her toward the trailer. FORREST (V.O.) ...he had the police say Jenny didn't have to stay in that house no more. She went to live with her grandma just over on Creekmore Avenue, which made me happy 'cause she was so close. EXT. GUMP HOUSE - NIGHT (1955) Jenny climbs over a second-floor railing and enters the house. FORREST (V.O.) Some nights, Jenny'd sneak out and come over to my house, just 'cause she said she was scared. Scared of what, I don't know... INT. GUMP HOUSE/FORREST'S BEDROOM Jenny lies in bed next to young Forrest. She hugs him. FORREST (V.O.) ...but I think it was her grandma's dog. He was a mean dog. Anyway, Jenny and me was best friends... EXT. GREENBOW/OAK ALLEY - DAY (1961) Forrest and Jenny are teenagers now. They walk along an oaklined road. FORREST (V.O.) ...all the way to high school. Suddenly Forrest is hit in the back with a rock. Forrest and Jenny turn around. OLDER BOY #1 Hey, stupid! JENNY Quit it! A teenage boy throws another rock as a pickup truck pulls up behind him. Jenny turns and looks at Forrest. JENNY Run, Forrest, run! OLDER BOY #1 Hey. Did you hear me, stupid? JENNY Run, Forrest! Forrest drops his books and runs down the road. The teenage boy jumps into the back of the pickup truck with another boy as the truck speeds after Forrest. Jenny steps left and gets out of the way. OLDER BOY #2 Come on, he's getting away! Move it! JENNY Run, Forrest! Run! OLDER BOY #1 You better be runnin', stupid. Forrest runs along the road. The truck speeds after him. OLDER BOY #2 Come on, dummy! OLDER BOY #1 Haul ass, dummy! Older Boy throws rocks at Forrest. OLDER BOY #1 Yeah, you better be runnin'! INT. TRUCK BOY Ya-hoo! EXT. OAK ALLEY The boys in the back of the truck throw rocks at Forrest as they drive up to him. OLDER BOY #1 Move it, jack rabbit! The truck follows right on Forrest's heels. A rebel flag license plate adorns the truck's grill. OLDER BOY #1 Come on! Forrest runs along the road as the truck chases him. The boys in the back of the truck pound on the roof as the truck turns right, after Forrest. The truck drives into a field. Forrest runs toward a fence. BOY Run! Faster! Yeah! Go! Go! Come on, Forrest! Yeah! JENNY Run, Forrest! Forrest leaps over a five-foot fence as the boys try to catch him. EXT. SAVANNAH/BUS BENCH - DAY (1981) Forrest looks left as he continues telling his life story. FORREST Now, it used to be, I ran to get where I was goin'. I never thought it would take me anywhere. EXT. HIGH SCHOOL/ROAD - DAY (1961) Forrest runs along the road in front of the high school. The truck continues to chase him as the boys pound on the roof. OLDER BOY Come on. Whoo-hoo! The truck speeds past Forrest as he turns from the road and runs onto the high school football field. Forrest runs across the field during a football scrimmage. In the stands watching the scrimmage is the legendary University of Alabama football coach BEAR BRYANT, wearing his trademark plaid hat. A group of assistant coaches sit around him, as well as the high school football coach. The quarterback throws the ball into the air. Forrest runs past the quarterback. The receiver catches the ball. Forrest runs past the receiver as an opposing player tackles the stunned receiver. The football coach stands, followed by the assistant coaches. FOOTBALL COACH Who in the hell is that? HIGH SCHOOL COACH That there is Forrest Gump. Coach. Just a local idiot. Forrest runs under the field goal post and through the end zone. FORREST (V.O.) And can you believe it? I got to go to college, too. EXT. UNIVERSITY OF ALABAMA STADIUM - DAY (1962) The crowd roars with excitement as a football is kicked off. The football players run around on the field. The crowd of cheering fans create a huge sign that reads: "GO." Forrest is in a University of Alabama football uniform. He looks up into the cheering crowd as his teammate fields the kickoff. The teammate runs over to Forrest and hands him the ball. FOOTBALL COACH Okay! Run! The football coach, the assistants, and Alabama players cheer for Forrest. FOOTBALL COACH Run, you stupid son-of-a-bitch! Run! Forrest runs across the field. He speeds past the defending players. Forrest runs past the opposite players. The crowd cheers wildly, holding up cards, making a large sign that reads: "Go." They turn the cards over, creating the word: "ALABAMA." The football coach runs along the sidelines as he yells. FOOTBALL COACH You stupid son-of-a-bitch! Run! Go! Run! Forrest cuts and runs toward the sidelines. Two opposing players collide. The football coach, the assistants and the players all motion for Forrest to run toward the end zone. FOOTBALL COACH Run! Turn! Go! Forrest turns up the sidelines and runs toward the end zone. Some opposing players fall down. Forrest runs along the sidelines. The opposing players try to catch him. Forrest runs into the end zone as an opposing player dives at his feet. The referee holds up his arm, signaling a touch down. The crowd cheers wildly. Forrest continues to run, smashing through the band members, then all the way toward the team tunnel. The football coach looks at an assistant coach. FOOTBALL COACH He must be the stupidest son-of-a- bitch alive. But he sure is fast! FORREST (V.O.) Now, maybe it was just me but college was very confusing times. INT. GREENBOW/BARBER SHOT - BLACK & WHITE TELEVISION (JUNE 11, 1963) An anchorman named CHET HUNTLEY appears over the television. CHET HUNTLEY (on TV) Federal troops enforcing a court order integrated the University of Alabama today. EXT. UNIVERSITY OF ALABAMA - DAY Forrest walks through a crowd of people. CHET HUNTLEY Governor George Wallace had carried out his symbolic threat to stand in the schoolhouse door. GOVERNOR WALLACE We hereby denounce and forbid this illegal and unwarranted action by the central government. INT. GREENBOW/BARBER SHOP A black & white television reveals George Wallace as he stands in the doorway of the schoolhouse. KATZENBACH (on TV) Governor Wallace, I take it from that, uh... EXT. UNIVERSITY OF ALABAMA Forrest steps over to a young man as the crowd looks at the demonstration. KATZENBACH ...statement that you are going to stand in that door, and that you are not going to carry out the orders of this court, and that you are going to resist us from doing so. I would ask you once again to responsibility step aside and if you do not, I'm going to assure you... FORREST Earl, what's going on? EARL Coons are tryin' to get into school. FORREST Coons? When raccoons try to get on our back porch, Momma just chase 'em off with a broom. EARL Not raccoons, you idiot, niggas. And they want to go to school with us. FORREST With us? They do? Forrest walks toward the schoolhouse. INT. COACHES' OFFICE A football coach looks at a black and white television as a newsman outside the schoolhouse speaks to the camera. NEWSMAN (on TV) ...block the doorway, President Kennedy ordered the Secretary of Defense then to use the military force. BLACK AND WHITE FOOTAGE The footage cuts to Governor Wallace as he speaks to General Graham. NEWSMAN Here by videotape is the encounter by General Graham, Commander of the National Guard, and Governor Wallace. Forrest stands next to George Wallace and listens. GOVERNOR WALLACE We must have no violence today, or any other day, because these National Guardsmen are here today as Federal Soldiers for Alabamans. And they live within our borders and they are all our brothers. We are winning in this fight because we are awakening the American people to the dangers that we have spoken about so many times, just so evident today, the trend toward military dictatorship in this country. EXT. UNIVERSITY OF ALABAMA Some of the Alabama policeman and citizens clap their hands as the National Guardsmen stand at attention with their weapons in front of them. Forrest walks through the crowd. Two black students were being led toward the schoolhouse. NEWSMAN And so at day's end the University of Alabama in Tuscaloosa had been desegregated and students Jimmy Hood and Vivian Malone had been signed up for summer classes. The young black girl drops one of her books. Forrest notices and steps past the policeman toward the book on the ground. Forrest steps out from the crowd and picks up the book. He brings it up to the girl. FORREST Ma'am, you dropped your book. Ma'am. INT. COACHES' OFFICE - NIGHT (1963) A coach looks at the television. The television reveals Forrest as he stands at the schoolhouse door. He looks around, then waves. CHET HUNTLEY (on TV) Governor Wallace did what he promised to do. By being on the Tuscaloosa campus, he kept the mob from gathering and prevented violence. An assistant coach looks at the television, then at the other coaches. ASSISTANT COACH Say, wasn't that Gump? The football coach and two assistant coaches look. Forrest dries himself off with a towel as he steps from the showers. CHET HUNTLEY (on TV) NBC News will present a special program on the Alabama integration story at 7:30 p.m. tonight... ASSISTANT COACH Naw, that couldn't be. FOOTBALL COACH It sure as hell was. CHET HUNTLEY ...standard Eastern Daylight Time. Now a word from Anacin. Forrest steps up to the coaches' area and grabs a clean towel. The coaches turn and stare at Forrest. Forrest gives them one of his silly waves, then walks away. COLOR FOOTAGE - Governor Wallace waves to the crowd as he stands behind a podium with his wife. FORREST (V.O.) A few years later, that angry little man at the schoolhouse door thought it would be a good idea, and ran for President. COLOR FOOTAGE - Governor Wallace mingles in a crowd. Gunshots are fired, wounding him. Some men wrestle the shooter. Wallace lies wounded on the ground. FORREST (V.O.) But, somebody thought that it wasn't. EXT. SAVANNAH/BUS BENCH - DAY (1981) Forrest sits on the bench as the black woman looks at him. A WHITE WOMAN with a bay sits left. FORREST But he didn't die. A bus pulls up to the bus stop. The BLACK WOMAN looks down at her watch. BLACK WOMAN My bus is here. FORREST Is it the number 9? BLACK WOMAN No, it's the number 4. The Black Woman gets up and steps over to the bus. FORREST It was nice talkin' to you. The white woman sits closer to Forrest. WHITE WOMAN I remember when that happened, when Wallace got shot. I was in college. FORREST Did you go to a girls' college, or to a girls' and boys' together college? WHITE WOMAN It was co-ed. FORREST 'Cause Jenny went to a college I couldn't go to. It was a college just for girls. EXT, GIRLS' COLLEGE/JENNY'S DORM - NIGHT (1963) Forrest sits outside Jenny's dorm in the rain. FORREST (V.O.) But, I'd go and visit her every chance I got. A car pulls up. A song is heard from the radio. Forrest, holding a box of chocolates, looks at the car. The two people inside the car begins to kiss and embrace each other. Jenny is inside the car with a boy. She leans back against the passenger side door as they struggle to get comfortable. JENNY Ouch! That hurts. Forrest gets up and runs toward the car. He tries to look in the window as he steps over to the driver's side door. He opens the door and begins to punch the boy inside. Jenny jump out of the car and runs over to Forrest. JENNY Forrest! Forrest! Forrest, stop it! Stop it! BILLY Jesus! JENNY What are you doing? FORREST He was hurtin' you. Jenny's date, named BILLY, gets out of the car angrily. BILLY What the hell is going on here? JENNY No, he's not! BILLY Who is that? Who is that? JENNY Get over there! Jenny turns and looks at Billy. He shoves Jenny's hands away from him. JENNY Billy, I'm sorry. BILLY What in the hell, git, would you git away from me! JENNY Don't... Wait a second! BILLY Git, just git away from me! JENNY Don't go! Billy, wait a second! Billy gets back into the car. JENNY He doesn't know any better! Billy pulls away as Jenny steps toward Forrest. JENNY Forrest, why'd you do that? Forrest holds out the box of chocolates. FORREST I brought you some chocolates. I'm sorry. I'll go back to my college now. JENNY Forrest, look at you! Come on. Come on. Jenny grabs Forrest hand and leads him toward the dorm. INT. JENNY'S DORM/HALLWAY Jenny and Forrest sneak to Jenny's door. FORREST Is this your room? JENNY Shh! Jenny unlocks the door and they step inside. INT. JENNY'S DORM ROOM Jenny pulls a robe off of her sleeping roommate's bed. Jenny hands the robe to Forrest, sitting on Jenny's bed. JENNY Do you ever dream, Forrest, about who you're gonna be? FORREST Who I'm gonna be? JENNY Yeah. FORREST Aren't I going to be me? JENNY Well, you'll always be you, just another kind of you. You know? I want to be famous. Jenny picks up a towel, then walks back toward Forrest. Jenny dries the water from her hair. JENNY I want to be a singer like Joan Baez. I just want to be an empty stage with my guitar, my voice... just me. Jenny takes off her slip and sits on the bed next to him. She is only wearing her bra and panties. Forrest looks at Jenny like he's never seen a woman in her underwear before. JENNY And I want to reach people on a personal level. I want to be able to say things, just one-to-one. Forrest looks down at Jenny's breasts. Jenny realizes that he is looking at her. JENNY Have you ever been with a girl, Forrest? FORREST I sit next to them in my home economics class all the time. DJ (over radio) You're listening to WHHY in Birmingham, the clear A.M. voice of Northern Alabama. I'm Joel Dorn... Forrest looks at Jenny as she removes her bra. Forrest looks away, a bit shamed. Jenny takes his hand and guides it up to her breast. DJ (over radio) ...coming to you on a night that is anything but clear. The weatherman says that rain's gonna fall all night long so stay with us, get warm, get cozy, get under the covers to the cool sounds of WHHY. Forrest looks over at Jenny's breasts, the shudder as he has an orgasm. FORREST Ohh... Oh... I'm sorry. Sorry. JENNY It's okay. DJ (over radio) ...444-6789, with ya till sunrise, playing the music you want to hear when you want to hear it. If you have a request or dedication, give us a call. We guarantee you'll hear your requests within one hour. Forrest breathes heavily. Jenny puts her bra back on. JENNY It's all right. Jenny leans over and puts her head on Forrest's shoulder. DJ (over radio) Candy is on the line tonight. Candy's answering the phones, give Candy your request, your dedication, and ask her why she won't go out with me, would you? Here's more music. JENNY It's okay. FORREST Oh, I'm dizzy. A song is coming over the radio. Jenny hugs Forrest. JENNY I bet that never happened in home ec. FORREST No. Jenny laughs and kisses Forrest on the cheek. Forrest and Jenny hug on the bed as Jenny's roommate pretends to be asleep, but is listening, horrified, with her eyes open. FORREST I think I ruined your roommate's bathrobe. JENNY I don't care. I don't like her, anyway. EXT. UNIVERSITY OF ALABAMA/FOOTBALL STADIUM - DAY (1963) Forrest runs across the field as the defending team chases him. The crowd yells for Forrest. They flip a sign that reads: "Go Forrest." CROWD Run! Run! Run! Forrest runs along the field. The crowd cheers. CROWD Run! Run! Run! Forrest runs into the end zone. The band members rush toward Forrest with their hands up, signaling him to stop. The crowd flips over cards, creating a sign that reads "STOP." CROWD Stop! Forrest stops in the end zone as he hears the crowd yells. The band motions for Forrest to stop and stay in the end zone. A group of defending players fall over each other in the end zone. Forrest looks as the crowd cheers wildly. FORREST (V.O.) College ran by real fast 'cause I played so much football. BLACK AND WHITE PARAMOUNT NEWSREEL - DAY (1963) The White House with the words "The eyes and ears of the world Paramount News" superimposed. FORREST (V.O.) They even put me on a thing called the All-America Team where you get to meet the President of the United States. BLACK AND WHITE NEWSREEL PRESIDENT KENNEDY holds an autographed football as the All- American Team stands behind him. Forrest is among the players in suits. ANNOUNCER (over newsreel) President Kennedy met with the Collegiate All-American Football Team at the Oval Office today. INT. WHITE HOUSE RECEPTION AREA - DAY (1963) The All-American players mingle around the food table. Forrest steps up to the table. A large spread of food and soda is on the table. FORREST (V.O.) Now, the real good thing about meeting the President of the United States is the food. Forrest takes a bottle of Dr. Pepper from the buffet table. Numerous bottle of Dr. Pepper are displayed on the table. A servant opens the bottle for him. FORREST (V.O.) They put you in this little room with just about anything you'd want to eat or drink. And since number one, I wasn't hungry, but thirsty... Forrest begins to guzzle the Dr. Pepper. FORREST (V.O.) ...and number two, they was free, I musta drank me about fifteen Dr. Peppers. Forrest sets down an empty Dr. Pepper bottle next to a large number of other empty bottles. Forrest holds his stomach and burps. BLACK AND WHITE FOOTAGE - President Kennedy shakes hands with the All-American football players. PRESIDENT KENNEDY Congratulations. How does it feel to be an All-American? 1ST PLAYER It's an honor, Sir. Another player steps up to the President and shakes the President's hand. PRESIDENT KENNEDY Congratulations. How does it feel to be an All-American? 2ND PLAYER Very good, Sir. PRESIDENT KENNEDY Congratulations. How does it feel to be an All-American? 3RD PLAYER Very good, Sir. The player walks away. Forrest steps up to the President. The President shakes his hand. PRESIDENT KENNEDY Congratulations. How do you feel? FORREST I gotta pee. President Kennedy turns and smiles. PRESIDENT KENNEDY I believe he said he had to go pee. INT. WHITE HOUSE/BATHROOM Forrest urinates in the bathroom, then lowers the lid and flashes. Forrest washes his hands, then notices an autographed photo from Marilyn Monroe and a photo of John with his brother Bobby. FORREST (V.O.) Sometime later, for no particular reason, somebody shot that nice young President when he was ridin' in his car. ARCHIVAL FOOTAGE - DAY SLOW MOTION - President Kennedy rises in a convertible and smiles. FORREST And a few years after that... ARCHIVAL FOOTAGE - Robert Kennedy stands at a podium as people around him applaud. FORREST (V.O.) ...somebody shot his little brother, too, only he was in a hotel kitchen. EXT. SAVANNHA/BUS BENCH - DAY (1981) Forrest sits on the bench and shakes his head. FORREST It must be hard being brothers. I wouldn't know. EXT. UNIVERSITY OF ALABAMA - DAY - GRADUATION DAY (1966) Students in their caps and gowns step forward the podium to receive their diplomas. Forrest's name is called. He steps up and accepts his diploma. DEAN Forrest Gump. FORREST (V.O.) Now can you believe it? After only five years of playing football, I got a college degree. The dean shakes Forrest's hand vigorously. Forrest looks out into the crowd. DEAN Congratulations, son. Mrs. Gump, sitting in the audience, cries. FORREST (V.O.) Momma was proud. Forrest and Mrs. Gump have their picure taken in front of a large statue. A military recruiter spots Forrest and steps up to him. MRS. GUMP Forrest, I'm so proud of you. Here, I'll hold this for you. Mrs. Gump takes the diploma from Forrest. The recruiter slaps Forrest on the shoulder and hands him some military literature. MILITARY RECRUITER Congratulations, son. Have you given any thought to your future? FORREST Thought? Forrest looks at a pamphlet with a photo of "Uncle Sam" and the caption "EXCELLENT CAREERS FOR EXCELLENT YOUNG MAN. Apply now at your local U.S. Army Recruiting Center." FORREST (V.O.) Hello, I'm Forrest... INT. ARMY BUS - DAY (1966) Forrest steps onto the army bus. Rain pours outside as the army bus driver yells at Forrest. FORREST ...Forrest Gump. ARMY BUS DRIVER Nobody gives a hunk of shit who you are, fuzzball! You're not even a lowlife scum sucking maggot! Get your faggoty ass on the bus. You're in the Army now! Forrest is about to sit on the first available seat, but the recruit sitting there refuses Forrest. RECRUIT #1 This seat's taken. Forrest tries to sit on the next seat, but the 2nd recruit slides over, blocking him. RECRUIT #2 It's taken. Forrest steps forward, looking much like he did on his first bus ride to school years ago. FORREST (V.O.) At first, it seemed like I made a mistake. A large black recruit with a strange look on his face, much like Forrest's, looks up from his seat. His name is BUBBA. FORREST (V.O.) ...seeing how it was my induction day and I was already gettin' yelled at. Bubba moves his case over, making room for Forrest to sit down. BUBBA You can sit down... if you want to. FORREST (V.O.) I didn't know who I might meet or what they might ask. Bubba hands Forrest a handkerchief. BUBBA You ever been on a real shrimp boat? FORREST No, but I been on a real big boat. BUBBA I'm talkin' about a shrimp catchin' boat. I've been workin' on shrimp boats all my life. I started out my uncle's boat, that's my mother's brother, when I was about maybe nine. I was just lookin' into buyin' a boat of my own and got drafted. My given name is Benjamin Buford Blue. Bubba and Forrest shake hands. BUBBA People call me Bubba. Just like one of them redneck boys. Can you believe that? FORREST My name's Forrest Gump. People call me Forrest Gump. FORREST (V.O.) So Bubba was from Bayou La Batre, Alabama, and his momma cooked shrimp. INT. LOUISIANA/KITCHEN - DAY (1966) Bubba's mother, a robust woman in a cook's uniform, carries a bowl of shrimp into a dining room. She sets it down on a table in front of a wealthy white man. FORREST (V.O.) And her momma before her cooked shrimp. INT. SOMEWHERE IN THE SOUTH/KITCHEN - DAY (EARLY DAYS OF SLAVERY) Bubba's grandmother carries a bowl of shrimp into a dining room. She sets it down on a table in front of a wealthy white man. FORREST (V.O.) And her momma before her momma cooked shrimp, too. Bubba's family knew everything... INT. ARMY BUS - DAY (1966) FORREST (V.O.) ...there was to know about the shrimpin' business. BUBBA I know everything there is to know about the shrimpin' business. Matter of fact, I'm goin' into the shrimpin' business for myself after I get out the Army. FORREST Okay. INT. BARRACKS - DAY A DRILL SERGEANT is in Forrest's face as Forrest stands in line with the other recruits. DRILL SERGEANT Gump! What's your sole purpose in this Army? FORREST To do whatever you tell me, Drill Sergeant! DRILL SERGEANT Godamnit, Gump! You're a goddamned genius! That's the most outstanding answer I've ever heard. You must have a godamned I.Q. of a hundred and sixty! You are godamned gifted, Private Gump! The Drill Sergeant moves down the line to the next man. DRILL SERGEANT Listen up, people... FORREST (V.O.) Now, for some reason, I fit in the Army like one of them round pegs. It's not really hard. You just make your bed real neat and remember to stand up straight. DRILL SERGEANT That is one very intelligent individual! You lock your scuzzy bodies up behind that private and do exactly what he does and you will go far in this man's army! FORREST (V.O.) And always answer every question with "Yes, Drill Sergeant!" DRILL SERGEANT Is that clear? FORREST & RECRUITS Yes, Drill Sergeant! ANOTHER DAY The recruits are sitting at the base of their bunks assembling their rifles. Bubba speaks to Forrest. BUBBA What you do is you just drag your nets across the bottom. On a good day, you can catch over a hundred pounds of shrimp. If everything goes all right, two men shrimpin' ten hours, less what you spends on gas, you can... Forrest finishes assembling his rifle as the other recruits are still working on theirs. FORREST Done, Drill Sergeant! DRILL SERGEANT Gump! The Drill Sergeant rushes up to Forrest. DRILL SERGEANT Why did you put that weapon together so quickly, Gump? FORREST You told me to, Drill Sergeant. The Drill Sergeant looks at his stop watch. DRILL SERGEANT Jesus Christ! This is a new company record. If it wouldn't be a waste of such a damn fine enlisted man, I'd recommended you for O.C.S., Private Gump. You are gonna be a General some day, Gump! Now, disassemble your weapon and continue! The Drill Sergeant walks away as Forrest begins to disassemble his rifle. After the Drill Sergeant walks past Bubba, Bubba looks up at Forrest. Bubba continues talking about shrimp in his slow southern drawl. BUBBA Anyway, like I was sayin', shrimp is the fruit of the sea. You can barbecue it, boil it, broil it, bake it, saute it. There, uh, shrimp kabobs, shrimp creole... ANOTHER DAY Bubba and Forrest shine their boots. BUBBA ...shrimp gumbo, panfried, deep fried, stir fried. There's pineapple shrimp, lemon shrimp, coconut shrimp, pepper shrimp... ANOTHER DAY Bubba and Forrest are on their hands and knees as they scrub the floor with toothbrushes. BUBBA ...shrimp soup, shrimp stew, shrimp salad, shrimp and potatoes, shrimp burger, shrimp sandwich... that's, that's about it. NIGHT Bubba lies in his bunk and looks up quietly. FORREST (V.O.) Nighttime in the Army is a lovely time. Forrest lies in his bunk and looks up. FORREST (V.O.) We'd lay there in our bunks, and I'd miss my momma. And I'd miss Jenny. A young private tosses a Playboy magazine onto Forrest. YOUNG PRIVATE Hey, Gump. Get a load of the tits on her! Forrest pick up the magazine and turns the page, revealing Jenny as she poses with a school sweater on, and that's all. The pictorial is titled: "Girls of the South." Forrest looks up with shock. He cranes his head up for a closer look. FORREST (V.O.) Turns out, Jenny had gotten into some trouble over... some photos of her in her college sweater. And she was thrown out of school. SONG "My baby does the hanky-panky..." INT. NASHVILLE/NIGHT CLUB - NIGHT (1966) Forrest, in his army uniform, steps into the foyer of the club. FORREST (V.O.) But that wasn't a bad thing. Because a man who owns a theater in Memphis, Tennessee, saw those photo and offered Jenny a job singing in a show. The first chance I got, I took the bus up to Memphis to see her perform in that show. EMCEE steps out onto the stage. EMCEE That was Amber, Amber Flame. Give her a big hand, guys. Good job, Amber. And now, for your listening and viewing pleasure, direct from Hollywood, California, our very own beatnik beauty, let's give a big round of applause to the luscious Bobbie Dylan. CROWD Bobbie... Bobbie... The emcee walks back off the stage and the curtain opens, revealing Jenny as she sits on a stool on the stage. She holds a guitar up and begins to play. She is topless. JENNY (sings) "Yes, and how many seas must the white dove said, before she sleeps in the sand." FORREST (V.O.) Her dream had come true. She was a folk singer. JENNY (sings) "Yes, how many times must the cannonballs fly before they're forever banned." MAN #1 You gotta lose the guitar, darling. MAN #2 Hey, come on, baby. Shake it up. Shake it up now. MAN #3 Hey, somebody ought to get her a harmonica. The men laugh. JENNY (sings) "The answer, my friend is blowing in the wind. The answer is blowing in... MAN # ...skin, honey. This isn't Captain Kangaroo. MEN Yeah! Come on! Man #5 reaches up and tries to stick some money in Jenny's shoe. MAN #5 : Hey, honey, I got something here for you. Jenny kicks his hand. He yells angrily as he sits back down, then tosses his drink on her. MAN #5 Goddamnit! JENNY Hey! Hey! Stupid jerk! I'm singing a song here. Polly, get out here! MAN # Hey, show us some stuff, honey! JENNY Shut up! Oh, shut up! Forrest walks up to Man #5 and grabs him and tosses him down on the ground. Man #4 tries to grab Forrest, but Forrest shoves him down too. JENNY Forrest, what are you doing here? What are you doing? Forrest climbs up onto the stage and picks Jenny up, guitar and all, and carries her. FORREST Come on. JENNY What are you doing? Forrest, let me down! Jenny struggles and frees herself from Forrest. Forrest steps back in surprise. Jenny shoves the guitar at Forrest. Jenny walks off as Forrest holds the guitar. He follows after her. EXT. MEMPHIS BRIDGE - NIGHT Forrest follows Jenny over a bridge outside the night club. JENNY You can't keep doing this, Forrest. You can't keep tryin' to rescue me all the time. FORREST They was tryin' to grab you. JENNY A lot of people try to grab me. Just -- you can't keep doing this all the time! FORREST I can't help it. I love you. JENNY Forrest, you don't know what love is. Jenny turns and looks over the bridge. JENNY You remember that time we prayed, Forrest? We prayed for God to turn me into a bird so I could fly far, far away? FORREST Yes, I do. JENNY You think I can fly off this bridge? FORREST What do you mean, Jenny? JENNY Nothing. Jenny turns and looks at the light of an approaching vehicle. She steps into the street. JENNY I gotta get outta here. Jenny runs and flags down the approaching vehicle. FORREST But wait. Jenny! JENNY Forrest, you stay away from me, okay? You just stay away from me, please. A pickup truck pulls over as Jenny looks at the driver. JENNY Can I have a ride? DRIVER Where you going? JENNY I don't care. DRIVER Get in the truck. FORREST So bye-bye, Jenny. They sendin' me to Vietnam. It's this whole other country. Jenny walks toward Forrest. She looks at the driver. JENNY Just hang on a minute. Jenny walks up to Forrest. JENNY Listen, you promise me something, okay? Just if you're ever in trouble, don't try to be brave, you just run, okay? Just run away. FORREST Okay. Jenny, I'll write you all the time. Jenny takes a last look at Forrest, then climbs into the truck. Forrest watches Jenny in the pickup as it drives away. FORREST (V.O.) And just like that. EXT. GREENBOW/GUMP BOARDING HOUSE/RIVER - DAY Forrest, dressed in his uniform, sits on a log and looks out at a river. FORREST (V.O.) ...she was gone. Mrs. Gump walks toward Forrest and sits down next to him on the log. Forrest leans down, placing his head on his mother's shoulder. MRS. GUMP You come back safe to me, do ya hear? EXT. VIETNAM/MEKONG DELTA - MORNING (1967) The shadow of a helicopter over the rice field below. A soldier is manning a gun from inside the helicopter. The solider looks left, Forrest and Bubba ride in the helicopter. EXT. FIREBASE/4TH PLATOON The helicopter circles overhead, then lands at the firebase. SONG "Some folks are born made to wave the flag. Ooh, they're red, white and blue. And when the band plays "Hail to the Chief," ohh, they point the cannon at you all. It ain't me. It ain't me. I ain't no Senator's son, no. It ain't me. It ain't me..." Bubba and Forrest jump out of the helicopter with their gear/ They walk and look around oddly. FORREST (V.O.) Now, they told us that Vietnam was gonna be very different from the United Sates of America. The soldier places a case of beer on a large stack of cases. He takes two beers out and walks away. In the background, soldiers are barbecuing steaks and drinking beer. FORREST (V.O.) Except for all the beer cans and the barbecue, it was. BUBBA Y'know, I bet there's shrimp all in these waters. They tell me these Vietnams is good shrimp. You know, after we win this war, and we take over everything we can get American shrimpers to come on here and shrimp these waters. We'll just shrimp all the time, man. So much shrimp, why, you wouldn't believe it. Lieutenant DAN TAYLOR steps out of a tent. Shirtless, he holds a roll of toilet paper in his hand. LT. DAN You must be my F.N.G.'s. BUBBA AND FORREST Morning', sir! LT. DAN Ho! Get your hands down. Do not salute me. There are goddamned snipers all around this area who would love to grease an officer. I'm Lieutenant Dan Taylor. Welcome to Fourth Platoon. Lt. Dan looks at Bubba. LT. DAN What's wrong with your lips? BUBBA I was born with big gums, sir. LT. DAN Yeah, well, you better tuck that in. Gonna get that caught on a trip wire. Where you boys from in the world? BUBBA & FORREST Alabama, sir! LT. DAN You twins? Forrest and Bubba look at each other oddly, they don't get the joke. FORREST No, we are not relations, sir. LT. DAN Look, it's pretty basic here. Lt. Dan starts to walk. Bubba and Forrest grab their gear and follow him. LT. DAN You stick with me, you learn from the guys who been in country awhile, you'll be right. There is one item of G.I. gear that can be the difference between a live grunt and a dead grunt. Lt. Dan stops and looks at the boys. LT. DAN Socks, cushion, sole, O.D. green. Try and keep your feet dry when we're out humpin'. I want you boys to remember to change your socks wherever we stop. The Mekong will eat a grunt's feet right off his legs. Lt. Dan steps over to a large black soldier named SERGEANT SIMS. LT. DAN Sergeant Sims! Goddamnit, where is that sling-rope I told you to order. SGT. SIMS I put in requisitions at Battalion. LT. DAN Yeah, yeah, yeah, well you call those sonabitches again, call them again and again and again. I don't care how much it takes... FORREST (V.O.) Lt. Dan sure knew his stuff. I felt real lucky he was my lieutenant. He was from a long, great military tradition. Somebody in his family had fought and died in every single American war. EXT. VALLEY FORGE/THE REVOLUTIONARY WAR - DAY (1778) A distant relative of Lt. Dan's, wearing a revolutionary war uniform, falls dead in the snow. EXT. GETTYSBURG/THE CIVIL WAR - DAY (1863) Another relative, wearing a civil war uniform and bearing a striking resemblance to Lt. Dan, falls down dead. EXT. NORMANDY/WORLD WAR II - DAY (1944) Another relative, wearing a World War II, falls down dead on the beach at Normandy. EXT. VETNAM/MEKONG DELTA/FIREBASE - DAY (1967) LT. DAN Goddamnit, kick some ass! SGT. SIMS I'm on it, Lieutenant. LT. DAN Get on it! Lt. Dan steps back up to Bubba and Forrest. FORREST (V.O.) I guess you could say he had a lot to live up to. Lt. Dan walks along the walkway and Bubba and Forrest follow. LT. DAN So, you boys are from Arkansas, huh? Well, I've been through there. Little Rock's a fine town. Now, go shake down your gear, see the platoon sergeant, draw what you need for the field. Lt. Dan steps inside the latrine, still holding the roll of toilet paper. LT. DAN If you boys are hungry, we got steaks burnin' right here. Lt. Dan sits down out of sight in the latrine, then stands up, looking at the boys. LT. DAN Two standing orders in this platoon. One, take good care of your feet. Two, try not to do anything stupid, like gettin' yourself killed. Lt. Dan sits back down out of sight in the latrine. Bubba and Forrest look at each other. FORREST I sure hope I don't let him down. EXT. RICE FIELD - ANOTHER DAY Forrest, Bubba, and other soldiers in the Fourth Platoon walk across the rice field. Some Vietnamese rice farmers are working as the soldiers walk past. FORREST (V.O.) I got to see a lot of countryside. We would take these real long walks. EXT. JUNGLE/DIRT ROAD - ANOTHER DAY Forrest's unit walks along a dirt road. SONG And we were always lookin' for this guy named Charlie. I can't get no relief. Suddenly Lt. Dan holds up his fist, a signal for the unit to stop. He motions for them to get down. LT. DAN Hold it up! SGT. SIMS Hold up, boys! Forrest gets down and looks around. FORREST (V.O.) It wasn't always fun. Lt. Dan always gettin' these funny feelings about a rock or a trail, or the road, so he'd tell you to get down, shut up! LT. DAN Get down! Shut up! FORREST (V.O.) So we did. Lt. Dan motions for the lead soldier to get down. Lt. Dan crouches down. Lt. Dan looks at the soldiers and points to his eyes. He lies down on the dirt road and crawls. FORREST (V.O.) Now, I don't know much about anything, but I think some of American's best young men served in this war. There was Dallas, from Phoenix. Cleveland, he was from Detroit. CLEVELAND Hey, Tex. Hey, Tex. Man, what the hell's going on? Tex holds up his hand, motioning that he doesn't know. FORREST (V.O.) And Tex was, well, I don't remember where Tex come from. LT. DAN Ah, nothin'. Fourth Platoon, on your feet! Still got ten clicks to go to that river. Forrest stands up and begins to walk with the platoon. LT. DAN All right, move out! Comin' out. Look alive out there. FORREST (V.O.) The good thing about Vietnam is there was always someplace to go. LT. DAN (V.O.) Fire in the hole! EXT. VIETNAM/VIET CONG FOXHOLE - ANOTHER DAY Lt. Dan walks away as Forrest rushes over, aims two pistols in the hole, then climbs inside. FORREST (V.O.) And there was always something to do. LT. DAN Mount 'em up. SGT. SIMS Spread out! Cover his back. ANOTHER DAY - The platoon walks through a rice paddy, waits deep in water. It begins to rain. FORREST (V.O.) One day it started raining, and it didn't quit for four months. EXT. JUNGLE The rain pours down on Forrest and Bubba as they sit in a foxhole. FORREST (V.O.) We been through every kind of rain there is. Little bitty stingin' rain... ANOTHER DAY - The platoon walks through the jungle as rain pours down on them. FORREST (V.O.) ...and big ol' fat rain. ANOTHER DAY - The platoon shelters themselves as they walk through the wind and rain. FORREST (V.O.) Rain that flew in sideways. ANOTHER DAY - Forrest and other soldiers walk chest-deep through a river. The rain splatters back up from the river, hitting the soldiers. Forrest holds his hand up to protect his face. FORREST (V.O.) And sometimes rain even seemed to come straight up from underneath. EXT. ENCAMPMENT - NIGHT The rain pours down on the men of the platoon as they sit in a camp. Bubba sits down next to Forrest. FORREST (V.O.) Shoot, it even rained at night. Bubba leans his back up against Forrest's back. BUBBA Hey Forrest... FORREST Hey Bubba... BUBBA I'm gonna lean up against you, you just lean right back against me. BUBBA This way, we don't have to sleep with our heads in the mud. You know why we a good partnership, Forrest? 'Cause we be watchin' out for one another. Like brothers and stuff. Hey, Forrest, there's somethin' I've been thinkin' about. I got a very important question to ask you. How would you like to go into the shrimpin' business with me? FORREST Okay. BUBBA Man, I tell you what, I got it all figured out, too. So many pounds of shrimp to pay off the boat, so many pounds for gas, we can just live right on the boat. We ain't got to pay no rent. I'll be the captain; we can just work it together. Split everything right down the middle. Man, I'm tellin' you, fifty-fifty. And, hey, Forrest, all the shrimp you can get. FORREST That's a fine idea. FORREST (V.O.) Bubba did have a fine idea. ANOTHER NIGHT - Some soldiers patrol the area. Forrest lies in a pup tent and writes a litter as the rain pours down. He uses his flashlight to see. FORREST (V.O.) I even wrote Jenny and told her all about it. I sent her letters. Not every day, but almost. I told her what I was doin' and asked her what she was doing, and I told her how I thought about her always. EXT. JENNY'S GRANDMOTHER'S TRAILER - DAY Jenny steps out of the trailer with a backpack and a guitar. She hugs a hippie guy, then jumps into the back of a Volkswagen bus with another guy. FORREST (V.O.) And how I was looking forward to getting a letter from her just as soon as she had the time I'd always let her know that I was okay. EXT. VIETNAM - NIGHT Forrest writes a letter in his tent. FORREST (V.O.) Then I'd sign each letter, "Love, Forrest Gump." EXT. JUNGLE - DAY The Fourth Platoon makes their way through the jungle and rain. SONG "There's something happenin' here. What it is ain't exactly clear. There's a man with a gun over there, telling' me I got to beware." FORREST (V.O.) This one day, we was out walking, like always, and then, just like that, somebody turned off the rain and the sun come out. Forrest looks up as the sun suddenly appears. Forrest's platoon is attacked. A bullet kills the soldier standing next to Forrest. Bombs explode all around as the soldiers scramble to the ground. LT. DAN Take cover! Forrest crawls over a berm as bullets fly overhead and explode all around him. Forrest rolls over and pulls his pack off Lt. Dan lies next to Forrest. LT. DAN Get that pig up here, goddammit! BUBBA Forrest, you okay? Two soldiers with a machine gun fire into the jungle. Lt. Dan shouts into the radio. Forrest begins firing his weapon into the jungle. LT. DAN ...Strongarm, please be advised... Two soldiers pull a wounded soldier into the jungle. BUBBA Medic, we got a man down! LT. DAN Strongarm, this is Leg Lima 6, over! LT. DAN Roger, Strongarm, be advised we have incoming from the treeline at point blue plus two. A.K's and rockets... The machine gunner fires into the treeline. Another soldier helps him with the ammunition. The machine gun jams. SOLDIER WITH BIG MACHINE GUN Misfire! Misfire! LT. DAN Goddammit, Mac! Get that pig unfucked and get it in the treeline! A rocket explodes on the machine gunner and the other soldier, killing them. Forrest looks down and covers his head as rockets explodes all around him. LT. DAN (into radio) Ah, Jesus! My unit is down hard and hurting! 6 pulling back to the blue line, Leg Lima 6 out! Pull back! Pull back! BUBBA Forrest! Run! Run, Forrest! LT. DAN Pull back! BUBBA Forrest! Run! Run, Forrest! Run! Run! SGT. SIMS Pull back! Let's go! Lt. Dan gets up and grabs Forrest by the collar. LT. DAN Run, goddammit, run! The platoon gets up and runs toward the cover of the jungle. Rockets explode all around the field. Forrest runs into the jungle. The soldiers run through the jungle as bullets explode all around. A soldier is blown up by a rocket. A soldier runs through the jungle. Forrest runs past the soldier. SOLDIER Medic! Medic! Jesus, can I get a medic? FORREST (V.O.) I ran and ran, just like Jenny told me to. Rockets explode in the jungle as Forrest runs out toward a clearing. FORREST (V.O.) I ran so far and so fast that pretty soon I was all by myself, which was a bad thing. FORREST Bubba! Forrest turns around, then runs back into the jungle. FORREST (V.O.) Bubba was my best good friend. I had to make sure he was okay. Rockets explode in the jungle. Forrest runs back into the jungle to look for Bubba. 1ST SOLDIER Any friendlies out there? 2ND SOLDIER Yeah, I've got three over there. 1ST SOLDIER Where the hell are you? Forrest stops and aims his weapon. He looks around, scared. FORREST Bubba? Something moves. Forrest turns and looks, then rushes over. FORREST (V.O.) And on my way back to find Bubba, well, there was this boy laying on the ground. FORREST Tex! Tex lies on the ground, his face distorted with pain. FORREST Okay. Forrest reaches down and picks up Tex from the ground. Forrest pulls Tex up over his shoulder, then runs. FORREST (V.O.) I couldn't just let him lay there all alone, scared the way he was, so I grabbed him up and run him out of there. Forrest carries Tex out of the jungle and into the clearing. He sets Tex down on the bank of a river, and runs back into the jungle. FORREST (V.O.) And every time I went back looking for Bubba, somebody else was saying, "Help me, Forrest. Help me." Forrest drops another wounded soldier down at the bank of the river next to Tex, and then runs back toward the jungle. Forrest grabs the third wounded soldier up from the ground and turns him over. It is DALLAS. DALLAS Can't hear... Can't hear... Dallas is dropped off at the bank next to the other wounded soldiers. Forrest turns to go back to the jungle. 2ND WOUNDED SOLDIER No sweat, man. Just lay back. You're gonna be okay. You're gonna be okay. FORREST (V.O.) I started to get scared that I might never find Bubba. STRONGARM (over radio) You're danger close for crack air, over. Forrest trips over something and falls to the ground. He looks up to find two bloody legs. It is Lt. Dan, who is wounded. He speaks into the radio. LT. DAN (into radio) Roger, Strongarm, I know my position is danger close! We got Charlie all over this area! I gotta have those fast movers in here now! Over! STRONGARM (over radio) Six, Strongarm, we want... FORREST Lieutenant Dan, Coleman's dead! LT. DAN I know he's dead! My whole goddamned platoon is wiped out! STRONGARM (over radio) Leg Lima 6, Leg Lima 6, how copy you this transmission? Over. Forrest tries to pick up Lt. Dan, who tries to push Forrest away. LT. DAN Goddammit! What are you doing? Leave me here! Get away. Just leave me here! Get out! Forrest pulls Lt. Dan over his shoulder and runs through the jungle. STRONGARM Leg Lima 6, Leg Lima 6. This is Strongarm, be advised, your fast movers are inbound at this time, over. FORREST (V.O.) Then it felt like something just jumped up and bit me. Forrest falls down. FORREST Ah, something bit me! Forrest gets up as Lt. Dan yells. Lt. Dan fires his pistol at the unseen enemy as Forrest pulls him away. LT. DAN You dink son-of-a-bitch! I can't leave the platoon! I told you to leave me there, Gump. Forget about me. Get yourself out! Did you hear what I said! Goddammit, pull me down! Get your ass out of here! Forrest drops Lt. Dan down at the bank, next to the other wounded soldiers. Lt. Dan grabs Forrest by the shirt, angry. LT. DAN I didn't ask you to pull me out of there, goddamn you! What the hell do you think you're going? FORREST To get Bubba. LT. DAN I got an air strike inbound right now. They're gonna nape the whole area. Forrest gets up and runs as Lt. Dan yells after him. LT. DAN Gump, you stay here, goddammit! That's an order! FORREST I gotta find Bubba! Forrest runs through the jungle searching for Bubba. Forrest slows down and looks around carefully. BUBBA Forrest... FORREST Bubba... Bubba looks up as he lies on the ground. BUBBA I'm okay. Bubba holds a palm frond over his wound. Forrest removes the frond to look at the wound. Bubba's chest has been blown open. FORREST Oh, Bubba, no... BUBBA Naw, I'm gonna be all right. Forrest looks around as he hear the voices of the enemy. FORREST Come on. Come on. Come here... Forrest carries Bubba through the jungle. The sound of approaching planes fills the air. BUBBA I'm okay, Forrest. I'm all right. The roar of approaching planes is deafening. Forrest looks up in fear. Three planes dive down toward the jungle. They fire napalm as the jungle explodes with massive fireballs. Forrest runs, carrying Bubba. The fireballs explode behind him. The entire jungle area is in flames as Forrest runs. Forrest carries Bubba to the bank of the river. Lt. Dan and the other wounded soldiers wait for a rescue helicopter. LT. DAN Helo's inbound. Pop smoke, get it up there! FORREST (V.O.) If I'd a known this was gonna be the last time me and Bubba was gonna talk, I'd a thought of something better to say. Forrest looks down at Bubba. A soldier releases a smoke canister. FORREST Hey, Bubba... BUBBA Hey, Forrest. Forrest, why'd this happen? FORREST You got shot. FORREST (V.O.) Then Bubba said something I won't even forget. BUBBA I wanna go home. FORREST (V.O.) Bubba was my best good friend. And even I know that ain't something you can find just around the corner. Bubba was gonna be a shrimpin' boat captain, but instead he died right there by that river in Vietnam. The helicopter fly overhead. BUS STATION - DAY Forrest continues with his life story. A MAN is sitting next to Forrest on the bus bench. FORREST That's all I have to say about that. MAN It was a bullet, wasn't it? FORREST A bullet? MAN That jumped up and bit you. FORREST Oh, yes sir. Bit me directly in the buttocks. They said it was a million dollar wound, but the Army must keep that money, 'cause I still ain't seen a nickel of that million dollars. The only good thing about being wounded in the buttocks... FLASHBACK - INT. US. ARMY HOSPITAL/VIETNAM - DAY Forrest holds two ice cream cones in his hands as he is wheeled on a rolling stretcher. FORREST (V.O.) ...is the ice cream. They gave me all the ice cream I could eat. And guess what. A good friend of mine was in the bed right next door. Forrest, lying on his stomach, is wheeled to his bed. Forrest's butt sticks up and is bandaged. Forrest looks at Lt. Dan lying on the bed. Forrest holds out an ice cream cone for Lt. Dan. FORREST Lieutenant Dan, I got you some ice cream. Lieutenant Dan, ice cream. Lt. Dan, annoyed, takes the ice cream cone and drops it into his bed pan. Forrest slides himself onto his bed. A NURSE reaches toward Lt. Dan. MALE NURSE It's time for your bath, Lieutenant. The male nurse places Lt. Dan's hands on a pull-up bar, then picks up Lt. Dan, whose legs have been amputated. MALE NURSE Harper... Another nurse wheels the rolling bed under Lt. Dan. The male nurse sets Lt. Dan down on the rolling bed. Forrest looks up at Lt. Dan as he is wheeled away. A soldier reads the names from a pile of letters. SOLDIER Cooper, Larson, Webster, Gump, Gump... FORREST I'm Forrest Gump. The soldier hands Forrest a large pile of letters. "Undeliverable as addressed. No forwarding order on file." Jenny Curran Rural Route 2 Greenbow, Ala. 39902 Forrest looks down at the pile of letters. INT. ARMY HOSPITAL/VIETNAM - DAY A group of wounded soldiers hang out in the hospital, recuperating. Forrest sits and watches "Gomer Pyle" on the television. SOLDIER Gump, how can you watch that stupid shit? Turn it off! ANNOUNCER From the D.M.Z. to the Delta, you are tuned to the American Forces Vietnam Network. This is Channel 6, Saigon. Forrest turns the TV off and he is hit on the back of the head by a ping-pong ball. SOLDIER Good catch, Gump. You know how to play this? Forrest shakes his head. SOLDIER Come on, let me show you. Here. The wounded ping-pong player hands Forrest a paddle. Forrest and the wounded ping-pong player step toward the ping-pong table. SOLDIER Now the secret to this game is, no matter what happens, never, never take your eye off the ball. He holds the ball up and moves it back and forth. Forrest keeps his eyes on the ball. SOLDIER All right... The wounded ping-pong player tosses the ball down onto the table. Forrest begins to hit the ball back to the other player. FORREST (V.O.) For some reason, ping pong came very natural to me. SOLDIER See, any idiot can play. FORREST (V.O.) So I started playing it all the time. Forrest hits ping-pong balls. FORREST (V.O.) I played ping-pong even when I didn't have anyone to play ping-pong with. The balls at land in a bed pan positioned on a chair. A group of wounded soldier sit and watch Forrest play with himself. Forrest hits two balls at a time against the opposite side of the table. FORREST (V.O.) The hospital's people said it made me look like a duck in water, whatever that means. Even Lieutenant Dan would come and watch me play. Lt. Dan stares out the window. Forrest lies in his bed asleep. A hand reaches and grabs him. FORREST (V.O.) I played ping-pong so much, I even played it in my sleep. Lt. Dan pulls Forrest to the floor, and holds Forrest down. LT. DAN Now, you listen to me. We all have a destiny. Nothing just happens, it's all part of a plan. I should have died out there with my men! But now, I'm nothing but a goddamned cripple! A legless freak. Look! Look! Look at me! Do you see that? Do you know what it's like not to be able to use your legs? FORREST Well... Yes, sir, I do. LT. DAN Did you hear what I said? You cheated me. I had a destiny. I was supposed to die in the field! With honor! That was my destiny! And you cheated me out of it! You understand what I'm saying, Gump? This wasn't supposed to happen. Not to me. I had a destiny. I was Lieutenant Dan Tyler. FORREST Yo-You're still Lieutenant Dan. Lt. Dan looks at Forrest, lets go of Forrest and rolls. Lt. Dan sits up as Forrest looks at him. LT. DAN Look at me. What am I gonna do now? What am I gonna do now? INT. REC ROOM/VIETNAM HOSPITAL - ANOTHER DAY Forrest plays ping-pong by himself. An OFFICER walks up to him. OFFICER P.F.C. Gump? Forrest immediately grabs the ball and places it down on the table under its paddle. Stands at attention. FORREST Yes, sir! OFFICER As you were. The officer holds up an envelope. OFFICER Son, you've been awarded the Medal of Honor. INT. VIETNAM HOSPITAL WARD Forrest steps up to Lt. Dan's bed. FORREST Guess what, Lieutenant Dan, they want to give me a me... Forrest stops in mid-sentence as he looks down at the bed. A heavily bandaged soldier with bloodstains lies there. Forrest turns and look at the NURSE. FORREST Ma'am, what'd they do with Lieutenant Dan? NURSE They sent him home. FORREST (V.O.) Two weeks later, I left Vietnam. INT. BARBER SHOP/GREENBOW - DAY ANCHORMAN (on T.V.) The ceremony was kicked off with a candid speech by the President regarding the need for further escalation of the war in Vietnam. President Johnson awarded four Medals of Honor to men from each of the Armed Services. The television reveals Forrest as he is awarded the Medal of Honor by President Johnson. PRESIDENT JOHNSON America owes you a debt of gratitude, son. Color footage revealing President Johnson as he places the award around Forrest's neck and shakes hands. PRESIDENT JOHNSON I understand you were wounded. Where were you hit? FORREST In the buttocks, sir. PRESIDENT JOHNSON Oh, that must be a sight. President Johnson leans and whispers into Forrest's ear. PRESIDENT JOHNSON I'd kinda like to see that. INT. BARBER SHOP The television revealing Forrest as he drops his pants, bends over and shows the bullet wound on his bare buttocks. President Johnson looks down and smiles. The three men in the barber shop look up in disbelief. Mrs. Gump looks up in shock. PRESIDENT JOHNSON Goddamn, son. EXT. LINCOLN MEMORIAL - DAY Forrest walks by the Lincoln Memorial. A fence surrounds the Memorial, as well as armed military guards. FORREST (V.O.) After that, Momma went to the hotel to lay down, so I went out for a walk to see our national capital. ISABEL Hilary, all right, I've got the vets, what do you want me to do with them? HILARY What are you doing here so late? Forrest takes a photo of the memorial as a woman named Hilary gathers together some veterans against the Vietnam War. HILARY We've been waiting for you for half an hour, so just get them in a line, will you. Hey, hey, come on, pictures later. You look great. Oh come on, get in this line, come on, come on right in line. Come on, let him here, let him in here. Hilary grabs Forrest and puts him in the line with the other vets against the war. FORREST (V.O.) It's a good thing Momma was resting, 'cause the street was awful crowded with people looking at all the statues and monuments. And some of them people were loud and pushy. Hilary leads the line of vets toward the large anti-Vietnam War rally. HILARY Okay, follow me! Come on. The group of vets walk as Forrest tries to take another picture. A vet behind him pushes him along. HILARY Let's move it out. VET Hey, buddy, come on. We could use your help. Forrest walks in the line. A banner reads "Veterans against the War in Vietnam." FORREST (V.O.) Everywhere I went, I had to stand in line. HILARY Follow me, let's go! Hilary leads the vets through a crowd of people outside the rally. Another woman, named Isabel, leads the vets toward the back of a stage. ISABEL All right, come on, guys. HILARY Stand here. VET Hey, you're a good man for doin' this. Good! FORREST Okay. A man, wearing an American flag shirt, stands on the stage. He is anti-war activist ABBIE HOFFMAN. ABBIE HOFFMAN We must declare to that fucking impostor in the White House -- Johnson. We ain't going to work on your farm no more! Yeah! FORREST (V.O.) There was this man, giving a little talk. And for some reason, he was wearing an American flag for a shirt... ABBIE HOFFMAN Now, I'm going to bring up some soldiers that are going to talk about the war, man... FORREST (V.O.) ...and he liked to say the "F" word. A lot. "F" this and "F" that. And every time... ABBIE HOFFMAN ...that war has come home, and we have to stop these politicians... FORREST (V.O.) ...he said "F" word, people, for some reason, well, they'd cheer. ABBIE HOFFMAN ...these guys just told Lyndon Johnson where to stick this fucking war! Yeah! Forrest looks up at the cheering crowd. Abbie turns and motions for Forrest to come up on the stage. ABBIE HOFFMAN Come on, man. Come up here, man. HILARY Come on. Come on. Yeah, you! Hilary pulls Forrest up onto the stage. HILARY Come on, get up there. Come on. Move, move. Let's go! Let's go. The other vets follow Forrest pushes onto the stage and push him toward the microphones. VET Come on, go. You can do it. Just get up there. Go on. That's it. Thousands of cheering protesters stand around the Washington Monument. Forrest looks at the crowd. Abbie Hoffmann steps up to Forrest. ABBIE HOFFMAN Tell us a little bit about the war, man. FORREST The war in Vietnam? ABBIE HOFFMAN The war in Viet-fucking-nam! Abbie raises his fist as the crowd cheers wildly. FORREST Well... FORREST (V.O.) There was only one thing I could say about the war in Vietnam. FORREST ...there was only one thing I could say about the war in Vietnam. Forrest looks at the crowd as he speaks. A policeman looks around as he sneaks over to the audio circuit board. FORREST In Vietnam war... The policeman pulls the patch cords out of the audio board. Forrest's amplified voice becomes inaudible. Forrest continues to speak into the microphone, even though no one can hear what he is saying. Hilary looks over and notices the policeman. Hilary rushes over toward the audio board, pushes the policeman away and grabs his night stick. Another protester grabs the policeman and pulls him away. POLICEMAN Hey, what the hell are you doing? HILARY I'll beat your head in, you goddamned oinker! Isabel, Hilary and another protester try to plug the tangled mess of wires back into the audio board. ISABEL Christ, what'd they do with this? Forrest continues to speak into the microphone. The crowd grows restless. CROWD We can't hear you! We can't hear anything! HILARY This one! This one! Give me that! Hilary plugs in the right patch cord. HILARY That's it. FORREST ...and that's all I have to say about that. Forrest looks at the massive crowd. They are silent. Abbie Hoffman steps over to Forrest and pats him on the shoulder. ABBIE HOFFMAN That's so right on, man. You said it all. What's your name, man? FORREST My name is Forrest Gump. Forrest Gump. ABBIE HOFFMAN Forrest Gump! Abbie raises his fist into the air. Abbie steps away from Forrest. The crowd cheers. CROWD Forrest Gump! JENNY (screaming) Forrest! Forrest! Jenny wades out into the reflection pool and waves her hand into the air. Forrest recognizes her. FORREST Jenny! Forrest rushes off the stage as Jenny makes her way out into the pool. JENNY Forrest! Forrest jumps down into the crowd and runs. Jenny smiles as she tries to run through the water. The crowd parts as Forrest runs into the pool. Jenny rushes toward him. JENNY Hey! Hey! The massive crowd cheers for the embracing couple in the pool. FORREST (V.O.) It was the happiest moment of my life. EXT. WASHINGTON MONUMENT/PROTESTER'S ENCAMPMENT - NIGHT Forrest and Jenny walk past the protesters who are camping out on the lawn. FORREST (V.O.) Jenny and me were just peas and carrots again. She showed me around, and even introduced me... INT. BLACK PANTHER HEADQUARTERS/STOREFRONT, D.C. - NIGHT Forrest stands at an open window and looks at the White House. FORREST (V.O.) ...to some of her new friends. A Black Panther, named RUBEN, steps over and pulls the shades down. RUBEN Shut that blind, man. And get your white ass away from that window. Don't you know we in war here? Another Black Panther named MASAI grabs Forrest and pats him down. JENNY Hey man, he's cool. He's cool. He's one of us. He's one of us. MASAI Let me tell you about us. WESLEY Where the hell have you been? JENNY I ran into a friend. MASAI Our purpose here is to protect our black leaders from the racial onslaught of the pig who wishes to brutalize our black leaders, rape our women, and destroy our black communists. BLACK PANTHER Masai, phone. Talk to these guys. WESLEY Who's the baby killer? JENNY This is my good friend I told you about. This is Forrest Gump. Forrest, this is Wesley. Wesley and I live together in Berkeley, and he's the president of the Berkeley chapter of S.D.S. MASAI Let me tell you something else. WESLEY I want to talk to you. JENNY Okay, but... WESLEY No. Now! Goddammit! MASAI We are here to offer protection and help for all of those who need our help, because we, the Black Panthers, are against the war in Vietnam. Yes, we are against any war where black soldiers are sent to the front line to die for a country that hates them. Yes, we are against any war where black soldiers go to fight and come to be brutalized and killed in their own communities as they sleep in their beds at night. Yes, we are against all these racists and imperial dog acts. JENNY You are a fucking asshole! Wesley hits Jenny across the face. Slow motion -- Jenny falls back. Slow motion -- Forrest steps forward with rage. Slow motion -- Wesley turns and looks at Forrest. Forrest tackles Wesley and slams him onto a table. Jenny turns and looks as Masai pulls out a gun. JENNY Forrest! Quit it! Quit it! Forrest! Stop it! Jenny rushes over to Forrest and pulls Forrest off Wesley. JENNY Stop it! Jenny tries to help Wesley as he moans on the floor. Wesley knocks Jenny's hand away. He gets up, holding his bloody lip. WESLEY Oh, God. I shouldn't have brought you here. I should have known it was just gonna be some bullshit hassle. FORREST He should not be hitting you, Jenny. JENNY Come on, Forrest. Jenny steps out the door as Forrest picks up his hat. FORREST Sorry I had a fight in the middle of your Black Panther party. The group of Black Panthers glare at Forrest. Forrest turns and walks out the room. EXT. WASHINGTON D.C. - NIGHT Forrest and Jenny walk past the White House. Protesters hold a candlelight vigil behind them. JENNY He doesn't mean it when he does things like this. He doesn't. FORREST I would never hurt you, Jenny. JENNY I know you wouldn't, Forrest. FORREST I wanted to be your boyfriend. They walk in silence. Jenny touches Forrest's uniform. JENNY That uniform is a trip, Forrest. You look handsome in it. You do. FORREST You know what? JENNY What? FORREST I'm glad we were here together in our national capitol. JENNY Me too, Forrest. I have so much to tell you, you won't believe what's been going on... FORREST (V.O.) We walked around all night, Jenny and me, just talkin'. EXT. ROUTE 66 - FLASHBACK - DAY Jenny stands in the rain, hitchhiking. A car pulls over to pick her up. Jenny and other other girls get into the car. FORREST (V.O.) She told me about all the travellin' she's done. EXT. COMMUNE IN NEW MEXICO - NIGHT A hippie gives Jenny a sugar cube of acid as they sit in front of a roaring fire. FORREST (V.O.) And how she'd discovered ways to expand her mind and learn how to live in harmony... EXT. HOLLYWOOD/WALK OF FAME - DAY A star with the name "Jean Harlow" on the sidewalk. Jenny and two other girls sing on the sidewalk and collect change from the passersby. Jenny plays the guitar. FORREST (V.O.) ...which must be out west somewhere, 'cause she made it all the way to California. JENNY (sings) "Smile on your brother, everybody get together, try to love on another right now" A young hippie looks over his faded Volkswagen at the girls. YOUNG HIPPIE Hey, anybody want to go to San Francisco? JENNY I'll go. YOUNG HIPPIE Far out! EXT. WASHINGTON D.C. - DAWN Forrest and Jenny walk through the park. FORREST (V.O.) I was a very special night for the two of us. I didn't want it to end. EXT. PARKING LOT - EARLY MORNING Jenny carries a backpack as she prepares to board a bus back to Berkeley. FORREST I wish you wouldn't go, Jenny. JENNY I have to, Forrest. WESLEY Jenny? Things got a little out of hand. It's just this war and that, that lyin' son-of-a-bitch Johnson. I would never hurt you. You know that. FORREST You know what I think? I think you should go home to Greenbow. Alabama! JENNY Forrest, we have very different lives, you know. Forrest looks down at Jenny. He pulls his Medal of Honor from around his neck. FORREST I want you to have this. Forrest places the Medal of Honor in Jenny's hand. Jenny looks up at him. JENNY Forrest, I can't keep this. FORREST I got it just by doing what you told me to do. JENNY Why're you so good to me? FORREST You're my girl. JENNY I'll always be your girl. Jenny and Forrest hug each other. Wesley waits for Jenny. Jenny turns and walks up to Wesley. They walk toward the entrance of the bus. Forrest smiles as Jenny looks at her. Jenny climbs up into the bus. Wesley glares at Forrest. Forrest gives Wesley the "evil eye." Jenny through the near window of the bus, knocks on the window. Forrest turns and looks. Jenny waves to Forrest. Forrest looks up and smiles sadly. Jenny gives Forrest the peace sign as the bus pulls away. The sign on the back of the bus reads "Berkeley to D.C." Forrest gives Jenny the peace sign. FORREST (V.O.) And just like that, she was gone out of my life again. INT. VETERANS ADMINISTRATION HOSPITAL/REC ROOM - DAY A footage of Neil Armstrong's first step on the moon on television. NEIL ARMSTRONG That's one small step for man, one giant leap for mankind. The, uh, the surface is fine and powdery. I can, I can pick it up loosely. Forrest demonstrates a ping-pong to some wounded vets. FORREST (V.O.) I thought I was going back to Vietnam, but instead, they decided the best way for me to fight communists was to play ping-pong. So I was in the Special Services, traveling around the country cheering up all them wounded veterans and showing them how to play... BUS STOP - PRESENT - DAY Forrest looks at a man. FORREST ...ping-pong. I was so good that some years later... EXT. CHINA/PING-PONG TOURNAMENT - FLASHBACK - DAY Forrest plays ping-pong against a Chinese player. A large mural of Mao Tse-tung hangs on the wall. A crowd of communist leaders sit and watch. FORREST (V.O.) ...the Army decided I should be on the All-American Ping-Pong Team. We were the first Americans to visit the land of China in like a million years or something like that, and somebody said that world peace was in our hands. But all I did was play ping-pong. When I got home... BUS STOP - PRESENT - DAY FORREST ...I was national celebrity. Famouser even than Captain Kangaroo. Color footage of the DICK CAVETT Show. Dick Cavett stands up as he introduces Forrest. DICK CAVETT Here he is, Forrest Gump, right here. Forrest makes his way onto the stage, shakes hands with Dick Cavett. DICK CAVETT Mr. Gump, have a seat. Forrest sits down between JOHN LENNON and Dick Cavett. DICK CAVETT Forrest Gump, John Lennon. JOHN LENNON Welcome home. DICK CAVETT You had quite a trip. Can you, uh, tell us, uh, what was China like? John Lennon lights a cigarette. FORREST Well, in the land of China, people hardly got nothing at all. JOHN LENNON No possessions? FORREST And in China, they never go to church. JOHN LENNON No religion, too? DICK CAVETT Oh. Hard to imagine. JOHN LENNON Well, it's easy if you try, Dick. Forrest looks oddly at John Lennon. FORREST (V.O.) Some years later, that nice young man from England was on his way home to see his little boy and was signing some autographs. For no particular reason at all, somebody shot him. EXT. STUDIO - LATER A guard lets Forrest out a side entrance door. Forrest steps, an then stops as he hears s man sitting in a wheelchair speak to him. LT. DAN They gave you the Congressional Medal of Honor. FORREST Now that's Lieutenant Dan. Lieutenant Dan! Forrest looks at Lt. Dan. He is a dirty with long hair. LT. DAN They gave you the Congressional Medal of Honor! FORREST Yes sir, they sure did. LT. DAN They gave you an imbecile, a moron who goes on television and makes a fool out himself in front of the whole damn country, the Congressional Medal of Honor. FORREST Yes, sir. LT. DAN Well, then, that's just perfect! Yeah, well I just got one thing to say to that. Goddamn bless America. Lt. Dan's wheelchair begins to slide down the ramp and spins around on the icy ground. Forrest looks down at Lt. Dan crashes at the bottom of the ramp. FORREST Lieutenant Dan! EXT. NEW YORK CITY STREETS - NIGHT Taxi cabs crowd the street as Forrest pushes Lt. Dan along the sidewalk. FORREST (V.O.) Lieutenant Dan said he was living in a hotel. And because he didn't have no legs, he spent most of his time exercising his arms. LT. DAN Take a right, take a right. A taxi driver honks his horn as Forrest wheels Lt. Dan out in front of the taxi. TAXI DRIVER #1 Hey! Come on already! LT. DAN Ah! FORREST What are you doing here in New York, Lieutenant Dan? LT. DAN I'm living off the government tit. Sucking it dry. A taxi skids to a stop, almost hitting them as they cross the street. The taxi honks at Lt. Dan. Lt. Dan slaps the bumper of the taxi. LT. DAN Hey! Hey! Hey! Are you blind? I'm walking here! Ah, get out... TAXI DRIVER #2 Why don't you go home before you kill yourself? Get out of the way! LT. DAN Come on, go! Go! Go! EXT. LT. DAN'S HOTEL ROOM - LATER A Bob Hope Christmas special in Vietnam on television. Lt. Dan and Forrest watch the television. FORREST (V.O.) I stayed with Lieutenant Dan and celebrated the holidays. BOB HOPE You have a great year and hurry home. God bless you. LT. DAN Have you found Jesus yet, Gump? FORREST I didn't know I was supposed to be looking for him, sir. Lt. Dan chuckles, drinks the rest of a bottle of wine and tosses it down. He looks at Forrest. He wheels himself over to television and turns it off. LT. DAN That's all these cripples, down at the V.A., that's all they ever talk about. Lt. Dan picks up another bottle of port wine, but it is empty. He tosses it onto the floor. LT. DAN Jesus this and Jesus that. Have I found Jesus? They even had a priest come and talk to me. He said God is listening, but I have to help myself. Now, if I accept Jesus into my heart, I'll get to walk beside him in the Kingdom of Heaven. Lt. Dan tosses the empty liquor bottle down and picks another bottle. He becomes enraged as he throws the bottle and looks at Forrest. LT. DAN Did you hear what I said? Walk beside him in the Kingdom of Heaven. Well, kiss my crippled ass. God is listening. What a crock of shit. FORREST I'm going to heaven, Lieutenant Dan. LT. DAN Huh? Ah, well, before you go, why don't you get your ass down to the corner and get us another bottle of wine. FORREST Yes, sir. INT. TIMES SQUARE BAR - NIGHT A television shows DICK CLARK as he emcees the Times Square New York Eve celebration. DICK CLARK We are at approximately 45th Street in New York City at One Astor Plaza. This is the site of the old Astor Hotel. Down below us, well over a hundred thousand people are milling about, cheering with horns and whistles and hats... LT. DAN What the hell's in Bayou La Batre? FORREST Shrimpin' boats. LT. DAN Shrimpin' boats? Who gives a shit about shrimpin' boats? FORREST I gotta buy me one of them shrimpin' boats as soon as I have some money. I made me a promise to Bubba in Vietnam, that as soon as the war was over, we'd go in partners. He'd be the captain of the shrimpin' boat and I'd be his first mate. But now that he's dead, that means that I gotta be the captain. LT. DAN A shrimp boat captain. FORREST Yes, sir. A promise is a promise, Lieutenant Dan. LT. DAN Now hear this! Private Gump here is gonna be a shrimp boat captain. Well, I tell you what, Gilligan, the day that you are a shrimp boat captain, I will come and be your first mate. FORREST Okay. LT. DAN If you're ever a shrimp boat captain, that's the day I'm an astronaut. Two sleazy women, named LENORE and CARLA, walk up to Lt. Dan. LENORE Danny, what are you complaining about? CARLA What are you doing, huh? LENORE Mr. Hot Wheels. Who's your friend? FORREST My name is Forrest, Forrest Gump. LT. DAN This is Cunning Carla, and Long-Limbs Lenore. Carla puts a "Happy New Year" crown on Lt. Dan's head. Lenore fixes her makeup. CARLA So where you been, baby-cakes, huh? Haven't seen you around lately. You know, you should have been here for Christmas 'cause Tommy bought a round on the house and gave everybody a turkey sandwich. LT. DAN Well, well, I had, uh, company. LENORE Hey, hey! We was, we was just there. That's at Times Square. Lenore leans and speaks into Forrest's ear. LENORE Don't you just love New Year's? You get to start all over. CARLA Hey, Lenore. LENORE Everybody gets a second chance. FORREST (V.O.) It's funny, but in the middle of all that fun, I began to think about Jenny. DICK CLARK (on television) ...getting wild out there. It's beginning to... INT. APARTMENT/L.A. - NIGHT The New Year's Eve celebration over the T.V. DICK CLARK (over television) ...pour here in Times Square. It's been off-and-on all night, but these people hang in there. Jenny fills her bag with her belongings. FORREST (V.O.) Wondering how she was spending her New Year's night out in California. A man lies passed out on the bed. Jenny looks at her black eye in a mirror, then leaves the apartment. The TV shows the ball in Times Square. CROWD (over television) INT. TIMES SQUARE BAR - NIGHT The ball is lowered, lighting up a sign that reads "1972." CROWD (over television) ...1! Happy New Year! The people in the bar cheer and kiss each other. They blow horns and toss confetti into the air. Forrest looks around as Carla and Lenore lean over and kiss him. PATRONS (sing) "Should auld acquaintance be forgot and never brought to mind... FORREST Happy New Year, Lieutenant Dan! PATRONS (sing) Should auld acquaintance be forgot and days of auld lang syne." INT. LT. DAN'S HOTEL ROOM - LATER Carla removes her top and sits on top of Dan in his wheelchair. They kiss and play around. Forrest sits in a chair. Lenore leaps on him and begins to kiss Forrest. She reaches down to Forrest's crotch. Forrest stands up nervously, causing Lenore to fall down on the floor. Lenore stands up, angry. LENORE What are you, stupid or something? What's your problem? What's his problem? Did you lose your pecker in the war or something? CARLA What, is your friend stupid or something? LT. DAN What did you say? CARLA I said, is your friend stupid or something? LT. DAN Hey! Don't call him stupid! Lt. Dan throws Carla back onto the bed. CARLA Don't push me like that! LENORE Hey, don't you push her! LT. DAN You shut up! Don't you ever call him stupid! CARLA What's the matter, baby? Why you treating me like shit? LT. DAN Get the hell out of here! LENORE You stupid gimp. You belong in "Ripley's Believe It Or Not." LT. DAN Get the hell out of here! Go on! LENORE You should be in a side show! LT. DAN Go on! Get out of here! Get out of here! LENORE You big loser! CARLA Come on, Lenore. We don't need this shit! LENORE You're so pathetic. LT. DAN Get out of here! Lt. Dan falls out of his wheelchair and lands down on the floor. Carla and Lenore laugh as they leave the apartment. CARLA You retard! LENORE You loser! You freak! Forrest tries to help Lt. Dan. Lt. Dan pushes Forrest away. LT. DAN No! Forrest steps back as Lt. Dan flips back over, then pulls himself back up onto his wheelchair. He breathes heavily. FORREST I'm sorry I ruined your New Year's Eve party, Lieutenant Dan. She tastes like cigarettes. FORREST (V.O.) I guess Lieutenant Dan figured there's some things you just can't change. He didn't want to be called crippled, just like I didn't want to be called stupid. LT. DAN Happy New Year. EXT. WHITE HOUSE - NIGHT An ANCHORMAN reports in front of the White House. ANCHORMAN The U.S. Ping-Pong Team met with President Nixon today at an Oval Office ceremony... FORREST (V.O.) And wouldn't you know it... PRESENT - BUS STOP Forrest looks at the fat man on the bus bench. FORREST ...a few months later they invited me and the ping-pong team to visit the White House. So I went again. And I met the President of the United States again. INT. WHITE HOUSE - DAY A plaque, presented to Forrest, reads "Presented to Forrest Gump, member of the United States table tennis team as player of the year for 1971. President NIXON holds the plaque. FORREST (V.O.) Only this time they didn't get us rooms in a real fancy hotel. PRESIDENT NIXON So are you enjoying yourself in our national capital, young man? FORREST Yes, sir. PRESIDENT NIXON Well, where are you staying? FORREST It's called the Hotel Ebbott. PRESIDENT NIXON Oh, no, no, no, no. I know of a much nicer hotel. It's brand-new. Very modern. I'll have my people take care of it for you. INT. WATERGATE HOTEL ROOM - NIGHT Forrest speaks on the phone. SECURITY GUARD Security, Frank Wills. Forrest steps over to a window. Flashlights are moving around in an office across from Forrest's room. FORREST Yeah, sir, you might want to send a maintenance man over to that office across the way. The lights are off, and they must be looking for the fuse box or something, 'cause them flashlights they're, they're keeping me awake. SECURITY GUARD Okay, sir. I'll check it out. FORREST Thank you. SECURITY GUARD No problem. FORREST Good night. SECURITY GUARD Good night. Forrest hangs up the phone. The camera tilts down, revealing the hotel stationary, which reads "The Watergate Hotel." INT. GYMNASIUM - DAY President Nixon makes a resignation speech on TV. PRESIDENT NIXON (over television) Therefore, I shall resign the Presidency effective at noon tomorrow. The television cuts to a shot of President Nixon standing outside Air Force One with his hands in the peace sign. PRESIDENT NIXON (over television) Vice President Ford will be sworn in as President at that hour in this office. As I recall the high hopes for America with which we began this second term, I feel a great sadness that I will not be here in this office... Forrest is playing ping-pong by himself at the gymnasium. An officer steps up to him. OFFICER Sergeant Gump! FORREST Yes, sir! OFFICER As you were. I have your discharge papers. Your service is up, son. The officer hands Forrest an envelope, then walks away. FORREST Does this mean I can't play ping pong no more? OFFICER For the Army it does. FORREST (V.O.) And just like that, my service in the United States Army was over. So I went home. Forrest takes his paddle and runs out of the gymnasium. EXT. GUMP HOUSE - DAY Mrs. Gump walks out of the house and smiles. Forrest walks up to the house, wearing his uniform. FORREST I'm home, Momma. MRS. GUMP I know, I know. INT. GUMP HOUSE Mrs. Gump and Forrest walk into the house. MRS. GUMP Louise, he's here. He's here, everybody. FORREST (V.O.) Now, when I got home, I had no idea that Momma had had all sorts of visitors. In the house are stacks of ping-pong paddles and life-sized cardboard cutouts of Forrest playing ping-pong. The name on the ping-pong paddles boxes reads: "Gump-Mao table tennis." MRS. GUMP We've had all sorts of visitors, Forrest. Everybody wants you to use their ping-pong stuff. One man even left a check for twenty-five thousand dollars if you'd be agreeable to saying you like using their paddle. FORREST Oh, Momma. I only like using my own paddle. Hi, Miss Louise. LOUISE Hey, Forrest. MRS. GUMP I know that. I know that. But it's twenty-five thousand dollars, Forrest. I thought maybe you could hold it for a while, see if it grows on you. Oh, you look good, Forrest. You look real good. FORREST (V.O.) That Momma, she sure was right. It's funny how things work out. EXT. BAYOU LA BATRE/BUBBA'S MOM'S HOUSE - DAY Forrest walks up to a shack on the edge of the Bayou. A group of black kids play in the front yard. FORREST (V.O.) I didn't stay home for long, because I'd made a promise to Bubba. And I always try to keep my promise. So I went on down to Bayou La Batre to meet Bubba's family and make their introduction. Bubba's mother named MRS. BLUE and her other children look at Forrest. MRS. BLUE Are you crazy, or just plain stupid? FORREST Stupid is as stupid does, Mrs. Blue. MRS. BLUE I guess. EXT. BUBBA'S GRAVE - DAY Forrest steps over to Bubba's tombstone. FORREST (V.O.) And of course, I paid my respect to Bubba himself. FORREST Hey, Bubba, it's me, Forrest Gump. I remember everything you said, and I got it all figured out. Forrest pulls out notes from his pocket. FORREST I'm taking the twenty-four thousand, five hundred and six-two dollars and forty-seven cents that I got... EXT. BAYOU - DAY Forrest walks across a yard where men are cleaning shrimp. FORREST (V.O.) ...well, that's left after a new hair cut and a new suit and I took Momma out to real fancy dinner and I bought a bus ticket and three Doctor Peppers. Forrest walks along a wooden pier. Forrest pays an old black shrimper a large wad of cash. OLD SHRIMPER Tell me something. Are you stupid or something? FORREST Stupid is as stupid does, sir. EXT. BUBBA'S GRAVE Forrest stands at the grave. FORREST Well, that's what's left after me saying, "When I was in China on the All-America Ping-Pong Team, I just loved playing ping-pong with my Flex- O-Ping-Pong Paddle." Which everybody knows it isn't true, but Momma says it's just a little white lie so it wouldn't hurt nobody. So, anyway, I'm putting all that on gas, ropes and new nets and a brand-new shrimpin' boat. EXT. BAYOU - DAY Forrest steers his shrimping boat. The boat is old and rusty. Forrest unleashes his nets as his catch of the day drops to the deck. It is a bunch of garbage and shells. Forrest picks up one shrimp. FORREST (V.O.) Now, Bubba had told me everything he knows about shrimpin', but you know what I found out? Shrimpin' is tough. EXT. DOCKS Forrest pulls a couple of shrimp out of a bucket. FORREST I only caught five. OLD SHRIMPER A couple of more, you can have yourself a cocktail. The old shrimper begins to walk away, then stops and looks at Forrest. OLD SHRIMPER Hey, you ever think about namin' this old boat? FORREST (V.O.) I'd never named a boat before, but there was only one I could think of. Forrest paints a name on the side of his boat. The name is "Jenny." FORREST (V.O.) The most beautiful name in the wide world. INT. DISCO Disco lights flash and people dance. A guy asks a girl to dance. GIRL Okay. Jenny sits at a table with some other people. She is snorting cocaine. FORREST (V.O.) Now, I hadn't heard from Jenny in a long while. But... EXT. BAYOU LA BATRE - DAY Forrest stands at the helm as the boat glides across the water. FORREST (V.O.) But I thought about her a lot. And I hoped that whatever she was doing made her happy. INT. APARTMENT - NIGHT Drug paraphernalia and a large wad of cash are spread out on a table. A man drops a syringe on the table. He reaches over and touches Jenny. She is pale with dark lines under her eyes. INT. BATHROOM Jenny smears some lines of cocaine on a mirror. She looks at herself in the mirror. EXT. BALCONY Jenny steps out onto the high-rise balcony. She steps up on a table and stands on the edge of the balcony. A busy street lies many stories below. Jenny looks down to the intersection below. She slips over the edge, regains her balance, turns and looks back at the intersection below, and begins to get down from the edge. Jenny grabs a hold of the ledge and carefully climbs down. She sits down on a chair. Jenny rocks back and forth as she cries. She looks up at the sky. EXT. BAYOU LA BATRE/FORREST'S BOAT - NIGHT The moon shines above in the sky. Forrest lies in a hammock on his boat. FORREST (V.O.) I thought about Jenny all the time. EXT. FORREST'S BOAT/BAYOU DOCK - DAY Forrest stands at the helm of his boat and slowly glides by the docks. Forrest looks around and notices something and bends down to get a clear view. Lt. Dan sits in his wheelchair on the deck. Forrest looks at Lt. Dan. He smiles, surprised. FORREST Hi! Forrest leaps off of his moving boat and into the water. The boat continues as Forrest clumsily swims. Lt. Dan sits in his wheelchair at the edge of the dock. Forrest flails his arms as he swims up to the dock. Lt. Dan waits for Forrest, smoking a cigar. Forrest climbs up a ladder onto the dock. FORREST Lieutenant Dan, what are you doing here? LT. DAN Well, I thought I'd try out my sea legs. FORREST Well, you ain't got no legs, Lieutenant Dan. LT. DAN Well, well, Captain Forrest Gump. I had to see this for myself. And I told you if you were ever a shrimp boat captain, that I'd be your first mate. Well, here I am. I am a man of my word. FORREST Okay. Forrest shakes Lt. Dan's hand. LT. DAN Yeah, but don't you be thinking that I'm gonna be calling you sir. FORREST No, sir. Forrest's boat glides, crushing a dock. Forrest and Lt. Dan look at it. FORREST That's my boat. EXT. BAYOU LA BATRE WATERS - DAY Forrest's shrimping boat is alone on the gulf waters. LT. DAN I have a feeling if we head the east, we'll find some shrimp. So, take a left. Take a left. Forrest looks up. Lt. Dan is sitting in the rigging. FORREST Which way? LT. DAN Over there! They're over there! Get, get on the wheel and take a left! FORREST Okay. LT. DAN Gump, what are you doing? Take a left! Left! That's where we're gonna find those shrimp, my boy! That's where we'll find 'em. Forrest empties the net. Their "catch" is debris that falls to the deck. FORREST Still no shrimp, Lieutenant Dan. LT. DAN Okay, so I was wrong. FORREST Well, how we gonna find them? LT. DAN Well, maybe you should just pray for shrimp. INT. SMALL CHURCH - DAY The all-black gospel choir sings and claps their hands. FORREST (V.O.) So I went to church every Sunday... Lt. Dan is sitting in his chair at the back of the church. He takes swigs from a liquor bottle. FORREST (V.O.) Sometimes Lieutenant Dan came, too. Though I think he left the praying up to me. EXT. BOAT - ANOTHER DAY A catch of junk is dumped onto the deck. Lt. Dan lowers himself from the rigging. FORREST No shrimp. LT. DAN Where the hell's this God of yours? The wind begins to blow strong. FORREST (V.O.) It's funny Lieutenant Dan said that, 'cause right then, God showed up. EXT. BOAT - NIGHT Water sprays on deck during a hurricane. Lt. Dan on the rigging, shouts and shakes his fist as he is pelted by wind and rain. LT. DAN You'll never sink this boat! FORREST (V.O.) Now me, I was scared. But Lieutenant Dan, he was mad. LT. DAN Come on! You call this a storm? Forrest slides back and forth as he attempts to steer the boat. LT. DAN Blow, you son-of-a-bitch! Blow! It's time for a showdown! You and me. I'm right here. Come and get me! You'll never sink this boat! INT. GUMP HOUSE - DAY An ANCHORMAN over TV, is standing in front of a pier. ANCHORMAN (over television) Hurricane Carmen came through here yesterday... EXT. BAYOU DOCKS - DAY The anchorman is standing in front of the ruined pier and boats. ANCHORMAN ...destroying nearly everything in its path. And as in other towns up and down the coast, Bayou La Batre's entire shrimping industry... INT. GUMP HOUSE ANCHORMAN ...has fallen victim to Carmen and has been left in utter ruin. Speaking with local officials, this reporter has learned, in fact, only one shrimping boat actually survived the storm. Forrest's boat comes down the river. MRS. GUMP Louise. Louise, there's Forrest! FORREST (V.O.) After that, shrimpin' was easy. FORREST'S BOAT - DAY Lt. Dan and Forrest empty their net. A huge catch of shrimp falls onto the deck. Lt. Dan opens another big catch. Another catch drops open on top of yet another huge catch. Forrest and Lt. Dan smile. FORREST (V.O.) And since people still needed them shrimps for shrimp cocktails and barbecues and all... EXT. BUS STOP - PRESENT The man sitting on the bench listens to Forrest. An ELDERLY WOMAN sits next to the man. FORREST ...and we were the only boat left standing "Bubba-Gump" shrimp's what they got. We got a whole bunch of boats. Twelve Jenny's, a big ol' warehouse, we even have hats that says "Bubba-Gump" on 'em. "Bubba- Gump Shrimp." It's a household name. MAN Hold on there, boy. Are you telling me you're the owner of the Bubba- Gump Shrimp Corporation? FORREST Yes, sir. We've got more money than Davy Crocket. MAN Boy, I've heard some whoppers in my time, but that tops them all. We was sitting next to a millionaire! The man laughs as he walks away. ELDERLY WOMAN Well, I thought it was a very lovely story. And you tell it so well. With such enthusiasm. FORREST Would you like to see what Lieutenant Dan looks like? ELDERLY WOMAN Well, yes, I would! Forrest shows her the cover of a "Fortune" magazine with Forrest and Lt. Dan on the cover. FORREST That's him right there. The elderly woman looks at the magazine and at Forrest with surprise. FORREST And let me tell you something about Lieutenant Dan. EXT. BOAT/DECK - DAY Forrest and Lt. Dan are working on the boat. LT. DAN Forrest, I never thanked you for saving my life. Forrest looks a little surprised. Lt. Dan smiles, then looks away. Lt. Dan pulls himself out of his chair to the railing and jumps into the water. FORREST (V.O.) He never actually said so, but I think he made his peace with God. EXT. BOAT Forrest and Lt. Dan have dinner on the deck. The television shows an assassination attempt on President Gerald Ford. ANCHORMAN (over television) For the second time in seventeen days, President Ford escaped possible assassination today when a woman, Sarah Jane Moore, fired on him as he stepped out of a hotel in San Francisco. MARGO (over radio) Base to Jenny One. Base to Jenny One. LT. DAN Jenny One, go Margo. MARGO (over radio) Forrest has a phone call. LT. DAN Yeah, well you'll have to tell them to call him back. He is indisposed at the moment. MARGO (over radio) His momma's sick. ANCHORMAN (over television) Lynett Alice Fromme, a follower of Charles Manson better known as "Squeaky," attempted to assassinate the President as he was... Forrest dives into the water as he reacts. EXT. ROAD/GUMP HOUSE - DAY Forrest carries a suitcase as he runs down the road. Forrest runs past the row of mailboxes and turns into the drive. Louise and others are on the front porch. FORREST Where's Momma? LOUISE She's upstairs. INT. GUMP HOUSE - WOMAN'S BED ROOM Forrest opens the door, the doctor stands next to Mrs. Gump in bed. MRS. GUMP Hi, Forrest. DOCTOR I'll see you tomorrow. MRS. GUMP Oh, all right. The doctor looks down at Forrest's legs. DOCTOR We sure got you straightened out, didn't we, boy? The doctor leaves and closes the door. Forrest takes off his hat and steps over to her. FORREST What's the matter, Momma? MRS. GUMP I'm dyin', Forrest. Come on in, sit down over here. FORREST Why are you dyin', Momma? MRS. GUMP It's my time. It's just my time. Oh, now, don't you be afraid, sweetheart. Death is just a part of life. It's something we're all destined to do. I didn't know it, but I was destined to be your momma. I did the best I could. FORREST You did good, Momma. MRS. GUMP Well, I happened to believe you make your own destiny. You have to do the best with what God gave you. FORREST What's my destiny, Momma? MRS. GUMP You're gonna have to figure that out for yourself. Life is a box of chocolates, Forrest. You never know what you're gonna get. FORREST (V.O.) Momma always had a way of explaining things so I could understand them. MRS. GUMP I will miss you, Forrest. FORREST (V.O.) She had got the cancer and died on a Tuesday. I bought her a new hat with little flowers on it. EXT. BUS STOP - PRESENT The elderly woman and Forrest sit. The woman is crying and wipes her eyes with a hankie. FORREST And that's all I have to say about that. A bus stops. Forrest looks at the elderly woman. FORREST Didn't you say you were waiting for the Number Seven bus? ELDERLY WOMAN There'll be another one along shortly. FORREST Now, because I had been a football star, and a war hero, and a national celebrity, and a shrimpin' boat captain, and a college graduate, the city of fathers of Greenbow, Alabama, decided to get together and offered me a fine job. EXT. FOOTBALL FIELD - DAY Forrest rides a lawn tractor as he moves the football field lawn. FORREST (V.O.) So, I never went back to work for Lieutenant Dan. EXT. GUMP HOUSE MAILBOXES Forrest takes out a letter and opens it. FORREST (V.O.) Though he did take care of my Bubba- Gump money. He got me invested in some kind of fruit company. And so then I got a call from him saying we don't have to worry about money no more. EXT. BUS STOP FORREST And I said, "That's good. One less thing." INT. CHURCH - DAY The choir and members are singing. FORREST (V.O.) Now, Momma said there's only so much fortune a man really needs... EXT. CHURCH The sign reads: "Four Square Baptist Church." A new cross is placed on the steeple. New furniture is taken inside. REVEREND Praise the Lord. FORREST (V.O.) ...and the rest is just for showing off. So, I gave a whole bunch of it to the Four Square Gospel Church. EXT. HOSPITAL - DAY The sign reads: "Gump Medical Center Bayou La Batre, Alabama." The ribbon-cutting ceremony. FORREST (V.O.) And I gave a whole bunch to the Bayou La Batre Fishing Hospital. EXT. BUBBA'S MOM'S HOUSE A postman delivers a letter to Bubba's mom. She opens the letter. FORREST (V.O.) And even though Bubba was dead, and Lieutenant Dan said I was nuts. I gave Bubba's mommy Bubba's share. She is surrounded by her many children. She looks at the check and faints. EXT. BUS STOP FORREST And you know what... INT. FLORIDA CONDO A door opens as a white woman serves Bubba's mom some shrimp. FORREST (V.O.) She didn't have to work in nobody's kitchen no more. MRS. BLUE Smells wonderful! EXT. FOOTBALL FIELD Forrest rides the mower. FORREST (V.O.) And 'cause I was godzillionaire and I liked doing it so much. I cut that grass for free. EXT. GUMP HOUSE BALCONY - NIGHT Forrest looks down the road as he steps onto the porch. FORREST (V.O.) But at nighttime, when there was nothing to do and the house was all empty, I'd always think of Jenny. Jenny's image walks, then vanishes. Forrest looks away. He turns and walks into the house. EXT. GUMP HOUSE - DAY Jenny walks across the lawn to Forrest. FORREST (V.O.) And then, she was there. JENNY Hello, Forrest. FORREST Hello, Jenny. FORREST (V.O.) Jenny came back and stayed with me. INT. GUMP HOUSE Jenny lies asleep in bed. FORREST (V.O.) Maybe it was because she had nowhere else to go. Or maybe it was because she was so tired, because she went to bed and slept and slept like she hadn't slept in years. It was wonderful having her home. EXT. COUNTRYSIDE - DAY Forrest and Jenny walking. FORREST (V.O.) Every day we'd take a walk, and I'd jabber on like a monkey in a tree. And she'd listen about ping-pong and shrimpin' boats and Momma makin' a trip to heaven. I did all the talkin'. Jenny most of the time was real quiet. FORREST ...big ol' gobs of rain and little bitty stinging rain and rain... Jenny's old house stands at the end of the dirt road. It appears to be deserted. Jenny walks toward the house and stops. She stares at the house. Forrest walks toward Jenny. Jenny suddenly heaves a rock angrily at the house. She throws other things at the house. JENNY How could you do this? She breaks a window. Jenny collapses to the ground and sobs. Forrest knees down next to her. FORREST (V.O.) Sometimes I guess there just aren't enough rocks. EXT. OLD OAK TREE - DAY Jenny and Forrest sit on a limb together. FORREST (V.O.) I never really knew why she came back, but I didn't care. It was like olden times. We was like peas and carrots again. INT. GUMP HOUSE - DAY Jenny sits by the vase of flowers and look out the window. FORREST (V.O.) Every day I'd pick pretty flowers and put them in her room for her. EXT. GUMP HOUSE - DAY Forrest closes his eyes as he sits on the porch. Jenny places a box of Nike running shoes in his lap. FORREST (V.O.) And she gave me the best gift anyone could ever get in the wide world. JENNY Okay, you can open your eyes. FORREST New shoes. JENNY They make them just for running. EXT. GUMP HOUSE - NIGHT Through the windows, Forrest and Jenny are dancing as it rains outside. FORREST (V.O.) And she even showed me how to dance. And, well, we was like family... Jenny and me. EXT. RIVER - NIGHT Jenny and Forrest sit on a log together and look at the river. Jenny places her arms around Forrest. FORREST (V.O.) And it was the happiest time of my life. The fireworks explode in the sky. INT. GUMP'S HOUSE - NIGHT The Statue of Liberty is shown on the TV. Fireworks go off. Forrest and Jenny are watching the 4th of July celebration on TV. ANNOUNCER (over television) And this Fourth is witnessing one of the largest fireworks displays in the nation's two-hundred year history... JENNY You done watching it? FORREST Mm-hmm. ANNOUNCER (over television) ...here in New York Harbor. After the spectacular display of tall ships earlier, the Statue of Liberty... Jenny stands up and kisses Forrest on the cheek. JENNY I'm going to bed. Jenny turns off the TV and walks outside. Forrest stands as he puts down his Dr. Pepper. Jenny walks toward the stairs. FORREST Will you marry me? I'd make a good husband, Jenny. JENNY You would, Forrest. FORREST But you won't marry me. JENNY You don't want to marry me. FORREST Why don't you love me, Jenny? I'm not a smart man, but I know what love is. Forrest turns and walks toward the door. Jenny turns and walks up the stairs. Forrest stands outside. EXT. GUMP HOUSE - NIGHT The house stands in the rain. EXT. GUMP HOUSE - NIGHT Forrest lies in his bed as the door opens. Jenny gets into bed next to Forrest. FORREST Jenny? JENNY Forrest, I do love you. Jenny and Forrest kiss. Jenny takes off her nightgown as they make love. EXT. GUMP HOUSE - MORNING Jenny carries her purse and walks toward a waiting cab. CAB DRIVER Where are you running off to? JENNY I'm not running. INT. GUMP HOUSE The cab drives away as Forrest is asleep in his bed. The Congressional Medal lies on a table by a ping-pong paddle. Forrest holds a glass of milk and wears his bathrobe. He looks at the medal he had give to Jenny. Jenny's bed is made. Forrest stands in the doorway looking at the room and bed where Jenny had been. EXT. FRONT PORCH - DAY Forrest sit on a rocking chair with his running shoes on. He is still, as if in a trance. He slowly puts on his Bubba- Gump cap. Forrest stands. He walks off the porch. He begins to jog across the lawn. His speed increases as he runs farther away. Forrest runs down the drive away from his house. FORREST (V.O.) That day, for no particular reason, I decided to go for a little run. Forrest runs to the end of the drive, then turns right and runs down the highway. FORREST (V.O.) So I ran to the end of the road, and when I got there, I thought maybe I'd run to the end of town. INT. BARBER SHOP - DAY The three men sit as they watch the television. Forrest runs through the main street of town. NEWSCASTER President Carter, suffering from heat exhaustion fell into the arms of security agents. FORREST (V.O.) And when I got there... EXT. ALABAMA ROAD The sign reads "Entering Greenbow County." FORREST (V.O.) ...I thought maybe I'd just run across Greenbow County. And I figured since I run this far, maybe I'd just run across the great... Forrest runs by a sign that reads "Mississippi welcomes you. The Magnolia State." FORREST (V.O.) ...state of Alabama. And that's what I did I ran clear across Alabama. EXT. BUS STOP - PRESENT FORREST For no particular reason, I just kept on going. I ran clear to the ocean. EXT. SANTA MONICA - DAY The sign reads "Santa Monica yacht harbor sports fishing - boating - cafes." Forrest runs under the sign and onto the pier. FORREST (V.O.) And when I got there, I figured since I'd gone this far, I might as well turn around, just keep on going. EXT. ATLANTIC OCEAN Forrest runs to a pier at the Atlantic Ocean. FORREST (V.O.) When I got to another ocean, I figured since I've gone this far, I might as well just turn back, keep right on going. Forrest runs across the pier. A lighthouse stands at the end of the pier. FORREST (V.O.) When I got tired, I slept. When I got hungry, I ate. EXT. BUS STOP - PRESENT FORREST When I had to go, you know, I went. ELDERLY WOMAN And so, you just ran? FORREST Yeah. EXT. HIGHWAY Forrest is running along the highway. Forrest runs down a road between field of wheat. A Mountain river. Forrest runs across a cobble-stone bridge. The Rocky Mountains are behind him in distance. Forrest runs through some meadowland. Split rail fences line the road. FORREST (V.O.) I'd think a lot about Momma and Bubba, and Lieutenant Dan, but most of all, I thought about Jenny. I thought about her a lot. EXT. BARBER SHOP The three men in the barber shop watch the news on television. NEWSCASTER For more than two years now, a man named Forrest Gump, a gardener from Greenbow, Alabama, stopping only to sleep, has been running across America. INT. COFFEE SHOP Jenny fills customer's coffee cups. NEWSCASTER Charles Cooper brings us this report. NEWSMAN For the fourth time on his journey across America, Forrest Gump, a gardener from Greenbow, Alabama, is about to cross the Mississippi River again today. The TV shows Forrest runs across a bridge that reads "Mississippi River." JENNY I'll be damned. Forrest... EXT. MISSISSIPPI BRIDGE NEWSMAN Sir, why are you running? 1ST REPORTER Why are you running? 2ND REPORTER Are you doing this for world peace? 3RD REPORTER Are you doing this for women's right? NEWSMAN Or for the environment? REPORTER Or for animals? 3RD REPORTER Or for nuclear arms? FORREST (V.O.) They just couldn't believe that somebody would do all that running for no particular reason. 2ND REPORTER Why are you doing this? FORREST I just felt like running. EXT. BUS STOP - PRESENT FORREST I just left like running. EXT. SMALL EASTERN TOWN Forrest runs as a YOUNG MAN runs up to him. YOUNG MAN It's you. I can't believe it's really you. EXT. BUS STOP - PRESENT FORREST Now, for some reason what I was doing seemed to make sense to people. EXT. SMALL EASTERN TOWN The young man jobs behind Forrest. YOUNG MAN I mean, it was like an alarm went off in my head, you know. I said, here's a guy that's got his act together. Here's somebody who's got it, all figured out. Here's somebody who has the answer. I'll follow you anywhere, Mr. Gump. FORREST (V.O.) So, I got company. Forrest runs up a slope on a high mountain road. A group of people are jogging behind him. FORREST (V.O.) And after that I got more company. And then... A large group jogs behind Forrest across the desert road. FORREST (V.O.) ...even more people joined in. Somebody later told me... EXT. BUS STOP - PRESENT FORREST ...it gave people hope. Now... Now, I don't know anything about that, but... Forrest and his followers job through a small town. A man runs up and talks to Forrest. FORREST (V.O.) Some of those people asked me if I could help them out. AGING HIPPIE Hey, man, hey, listen. I was wondering if you might help me, huh? Listen, I'm in the bumper sticker business and I've been trying to think up a good slogan. And since you have been such a big inspiration to the people around here, I thought you might be able to help me jump into... Whoa! Man, you just ran through a big pile of dogshit! The hippie jumps over the "dogshit" as he runs along Forrest. FORREST It happens. AGING HIPPIE What, shit? FORREST Sometimes. The hippie stops to ponder this profound thought. FORREST (V.O.) And some years later I heard that fella did come up with a bumper sticker slogan... A bumper sticker reads "Shit Happens." FORREST (V.O.) ...and he make a lot of money off of it. The truck with the bumper sticker drives into an intersection. It collides with a car. EXT. TRUCK STOP Forrest runs, followed by his group, as a man runs up to him. FORREST (V.O.) Another time I was running along, somebody who had lost all his money in the T-shirt business, and he wanted to put my face on a T-shirt, but he couldn't draw that well and he didn't have a camera. WILD-EYED MAN I think it would be really fortunate for me if I could get your name on these, oh, your face and name on these T-shirts. It would be wonderful. A truck splashes mud onto Forrest as it goes by. The man hands Forrest a yellow T-shirt to use as a rag to wipe the mud off. WILD-EYED MAN Here, use this one. Nobody likes that color anyway. Forrest wipes his face on the towel and hands it back to the man. FORREST Have a nice day. The man looks at the T-shirt. He holds it up displaying the "Happy Face." FORREST (V.O.) And some years later I found out that that man did come up with a idea for a T-shirt and he made a lot of money off of it. EXT. MONUMENT VALLEY Forrest runs with a group that follows behind him. FORREST (V.O.) Anyway, like I was saying, I had a lot of company. My Momma always said you got to put the past behind you before you can move on. And I think that's what my running was all about. I had run for three years, two months, fourteen days, and sixteen hours. Forrest stops running. The group stops behind him. Forrest stands and looks as the group waits expectantly. Forrest turns and look. YOUNG MAN Quiet. Quiet, he's gonna say something. FORREST I'm pretty tired. I think I'll go home now. Forrest walks toward the group. The group parts for Forrest as he walks down the middle of the road. YOUNG MAN Now what are we supposed to do? FORREST (V.O.) And just like that, my running days was over. So, I went home to Alabama. A television shows President Reagan and his staff as they react to gunshots in front of a limo. NEWSCASTER (over television) Moments ago, at two twenty-five p.m., as President Reagan was leaving the Washington Hilton Hotel... INT. GUMP HOUSE - DAY Forrest sits eating a sandwich, watching the news of the assassination attempt. NEWSCASTER ...five or six gunshots were fired by an unknown would-be assassin. The President was shot in the chest and the assailant was immediately tackled by a half a dozen lawmen. As the Presidential... LOUISE I picked up the mail. FORREST Oh, thank you, Miss, Miss Louise. FORREST (V.O.) One day, out of the blue clear sky, I got a letter from Jenny... EXT. BUS STOP - PRESENT Forrest takes the letter out of his pocket. FORREST ...wondering if I could come down to Savannah to see her, and that's what I'm doing here. She saw me on TV, running, I'm supposed to go on the Number Nine bus to Richmond Street and get off and go one block left to 1-9-4-7 Henry Street, Apartment 4. The elderly woman looks at the letter. ELDERLY WOMAN Why, you don't need to take a bus. Henry Street is just five or six blocks down that way. FORREST Down that way? ELDERLY WOMAN Down that way. Forrest hastily grabs his suitcase and letter as he stands. FORREST It was nice talking' to you. Forrest runs, the elderly woman shouts from the bus stop bench. A truck honks its horn as Forrest runs across the street past the truck. ELDERLY WOMAN I hope everything works out for you. INT. JENNY'S APARTMENT - DAY Jenny opens the door. JENNY Hey! Forrest! How you doing? FORREST Hi. JENNY Come in. Come in. FORREST I got your letter. JENNY Oh, I was wondering about that. Jenny shuts the door. Forrest looks around. FORREST Is this your house? JENNY Yeah, it's messy right now. I just got off work. FORREST It's nice. You got air conditioning. Forrest hands Jenny the box of chocolates. FORREST Ah... JENNY Thank you. FORREST I ate some. Jenny picks up a scrapbook and turns the pages. JENNY Hey, I kept, I kept a scrapbook of your, of your clippings and everything. There you are. This, I got your running. FORREST I ran a long way. For a long time. JENNY There. Listen, Forrest. I don't know how to say this. Um, I just... I want to apologize for anything that I ever did to you, 'cause I was messed up for a long time, and... There is a knock at the door. LYNN MARIE enters as she opens the door. LYNN MARIE Yoo-hoo. JENNY Hey. LYNN MARIE Hi. Jenny grabs a young boy. JENNY Hey, you. This is an old friend from Alabama. LYNN MARIE Oh, how do you do? JENNY Ah, listen, next week my schedule changes, so I'll be able to... but thanks for picking up. LYNN MARIE No problem. Got to go, Jen. I'm double parked. JENNY Okay. Lynn Marie closes the door and waves bye to Forrest. LYNN MARIE Bye. JENNY Thanks. This is very good friend, Mr. Gump. Can you say hi to him? LITTLE BOY Hello, Mr. Gump. FORREST Hello. LITTLE BOY Now, can I go watch TV now? JENNY Yes, you can. Just keep it low. The little boy runs into other room and picks up TV remote control. FORREST You're a momma, Jenny. JENNY I'm a momma. His name is Forrest. FORREST Like me. JENNY I named him after his Daddy. FORREST He got a daddy named Forrest, too? JENNY You're his daddy, Forrest. Forrest continues to stare at Forrest Jr. Forrest then looks frightened and starts to back away. JENNY Hey, Forrest, look at me. Look at me, Forrest. There's nothing you need to do, okay? You didn't do anything wrong. Okay? Jenny turns and looks at Forrest Jr. in the other room. JENNY Isn't he beautiful? FORREST He's the most beautiful thing I've ever seen. But... is, is he smart, or is he... JENNY He's very smart. He's one of the smartest in his class. Forrest breathes deep. He looks at Jenny, then at Forrest Jr. JENNY Yeah, it's okay. Go talk to him. Forrest walks into the room and sits down next to Forrest Jr. "Sesame Street" is on the TV. BERT Oh, great. ERNIE Hey, Bert, can you give me a hand? BERT A hand? Well, yeah, what do you want, Ernie? FORREST What are you watching. FORREST JR. Bert and Ernie. ERNIE Well, it's the first stage. Bert. It's planning to write a story, Bert. I have pencils right here to write with, Bert. Now, we got, uh, paper. I'll take that paper, Bert. See, we have the paper to write on. EXT. PARK - DAY Forrest and Jenny sit on a bench. Forrest Jr. swings behind them. JENNY Forrest, I'm sick. FORREST What, do you have a cough due to cold? JENNY I have some kind virus. And the doctors don't, they don't know what it is. And there isn't anything they can do about it. FORREST You could come home with me. Jenny, you and little Forrest could come stay at my house in Greenbow. I'll take care of you if you're sick. JENNY Would you marry me, Forrest? FORREST Okay. EXT. GUMP HOUSE - DAY A group has gathered on the lawn for the wedding. Louise walks up to Forrest. MINISTER Please take your seats. LOUISE Forrest, it's time to start. Jenny walks out of the house. Forrest walks over to greet her. She wears a white dress. She walks up to Forrest and adjusts his necktie. JENNY Hi. Your tie. Lt. Dan is walking across the lawn. He uses a cane. A WOMAN is walking next to him. FORREST Lieutenant Dan? Lieutenant Dan! LT. DAN Hello, Forrest. Jenny walks over to Forrest and Lt. Dan. FORREST You got new legs. New legs! LT. DAN Yeah, I got new legs. Lt. Dan lifts his pant leg to display his metal leg. LT. DAN Custom-made titanium alloy. It's what they use on the space shuttle. FORREST Magic legs. LT. DAN This is my fiancee, Susan. FORREST Lieutenant Dan! Susan shakes Forrest's hand. SUSAN Hi, Forrest. FORREST Lieutenant Dan, this is my Jenny. JENNY Hey, it's nice to meet you, finally. Jenny steps forward and kisses Lt. Dan's cheek. The group is seated as they watch Forrest and Jenny take vows on the front lawn. Forrest Jr. stands next to Jenny. MINISTER Do you, Forrest, take Jenny to be your wife? Do you, Jenny, take Forrest to be your husband? If so, I pronounce you man and wife. The wind blows fallen leaves across the ground. Jenny, Forrest, and Forrest Jr. walk toward the house. They all hold hands as they walk. INT. GUMP HOUSE - MORNING Forrest steps into Jenny's bedroom. He carries a tray with breakfast on it. Forrest looks at Jenny as she sleeps. Slowly she wakes up and looks at Forrest. FORREST Hey. JENNY Hey. Forrest sets the tray down next to Jenny as she sits up in bed. Forrest opens a window, then sits down next to the bed. JENNY Hey, Forrest, were you scared in Vietnam? FORREST Yes. Well, I, I don't know. EXT. VIETNAM - FLASHBACK - NIGHT Forrest looks up into the sky as the rain stops. Forrest removes his helmet. The stars emerge from behind the clouds. FORREST (V.O.) Sometimes it would stop raining long enough for the stars to come out. And then it was nice. It was like just before the sun goes to bed down on the bayou... EXT. BAYOU - FLASHBACK - SUNSET Forrest stands on his boat and looks at a deep orange and red sunset. FORREST (V.O.) There was over a million sparkles on the water. Like that mountain lake. EXT. MOUNTAIN LAKE - FLASHBACK - DAY Forrest runs along a highway. A lake reflects the mountains and the sky. FORREST (V.O.) It was so clear, Jenny. It looks like there were two skies, one on top of the other. And then in the desert, when the sun comes up... EXT. DESERT - FLASHBACK - SUNRISE Forrest runs along a desert highway. The morning light casts an orange glow over the desert. FORREST (V.O.) I couldn't tell where heavens stopped and the earth began. It was so beautiful. INT. GUMP HOUSE - MORNING Forrest looks at Jenny. Jenny looks out the window. JENNY I wish I could have been there with you. FORREST You were. Jenny reaches over and takes Forrest's hand. JENNY I love you. FORREST (V.O.) You died on a Saturday morning. EXT. JENNY'S GRAVE AT OLD OAK TREE - DAY Forrest stands under the old oak tree where Jenny has been buried. FORREST And I had you placed here under our tree. Jenny's grave marker. Forrest tries to hold back his tears. FORREST And I had that house of your father's bulldozed to the ground. EXT. JENNY'S OLD HOUSE - DAY Forrest watches as Jenny's dad's house is knocked down by a bulldozer. FORREST (V.O.) Momma... EXT. JENNY'S GRAVE FORREST ...always said dyin' was a part of life. Jenny's grave marker reads: JENNY GUMP July 16, 1945 -- March 22, 1982 Beloved Mother, Wife and Friend FORREST I sure wish it wasn't. Little Forrest, he's doing just fine. INT. GUMP HOUSE - NIGHT Forrest Jr. reads a book to Forrest sitting next to him. FORREST JR. (reading) "But he wasn't quite sure. Everywhere they went, the new guests... FORREST (V.O.) About to start school again soon. I make his breakfast, lunch, and dinner... EXT. JENNY'S GRAVE Forrest looks down as he sobs. FORREST ...every day. I make sure he combs his hair and brushes his teeth every day. Teaching him how to play ping pong. EXT. GUMP HOUSE - NIGHT Forrest tries to teach Forrest Jr. how to play ping-pong. FORREST Okay... FORREST (V.O.) He's really good. FORREST Forrest, you go. Forrest Jr. serves the ball, causing Forrest dive and miss it. EXT. GUMP HOUSE/RIVER - DAY Forrest and Forrest Jr. sit on a log by the river and fish. FORREST (V.O.) We fish a lot. EXT. JENNY'S GRAVE Forrest looks down at the grave marker. FORREST And every night, we read a book. He's so smart, Jenny. You'd be so proud of him. I am. He, uh, wrote a letter, and he says I can't read it. I'm not supposed to, so I'll just leave it here for you. Forrest places the letter down at the grave marker, next to fresh flowers. The name on the envelope reads: "Mom." Forrest steps back and looks down at the grave. FORREST Jenny, I don't know if Momma was right or if, if it's Lieutenant Dan. I don't know if we each have a destiny, or if we're all just floating around accidental-like on a breeze, but I, I think maybe it's both. Maybe both is happening at the same time. I miss you, Jenny. If there's anything you need, I won't be far away. As Forrest walks away, a flock of birds flies overhead and lands in the tree. Forrest turns and watches. EXT. ROAD - MORNING Forrest walks with Forrest Jr. for the bus. The bus drives toward them. FORREST Here's your bus. Okay. Forrest pulls "Curious George" out of Forrest Jr.'s backpack. FORREST Hey, I know this. FORREST JR. I'm gonna show that for show-and- tell because grandma used to read it to you. Forrest looks at the book. The feather from the beginning of the movie drops out of the book, unnoticed. FORREST My favorite book. The bus comes to a stop. The door opens. FORREST Well... Forrest puts the book back into Forrest Jr.'s backpack and hands it to him. FORREST ...okay. Hey, there you go. Forrest Jr. walks toward the bus. Forrest stands up. FORREST Hey, Forrest. Don't... I wanted to tell you I love you. FORREST JR. I love you too, Daddy. FORREST I'll be right here when you get back. Forrest Jr. looks into the bus and at the bus driver. It is the same bus driver, only older now, who drove Forrest to school when he was a young boy. SCHOOLD BUS DRIVER You understand this is the bus to school now, don't you? FORREST JR. Of course, and you're Dorothy Harris and I'm Forrest Gump. Forrest Jr. looks over and waves to his father. Forrest nods approvingly. Forrest Jr. gets on the bus. The bus pulls away. Forrest stands next to the mailbox. Forrest sits down. The camera cranes down, revealing the feather as it lies at Forrest's feet. A gust of wind picks the feather up. The feather floats up into the air. Forrest sits at the side of the road. The feather floats higher into the air. The feather soars up into the sky and travels up and down, then covers the camera lens. THE END




]]> 2016-12-09 13:18:04 UTC https://padlet.com/3004584/7xrmyk94mst7/wish/142779224 https://padlet.com/3004584/7xrmyk94mst7/wish/245466322 2018-03-23 14:02:45 UTC https://padlet.com/3004584/7xrmyk94mst7/wish/245466322