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      <title>Homegoing generations padlet by Margot Venesy</title>
      <link>https://padlet.com/mvenesy23/7vzi5y08pgx60ts0</link>
      <description>Margot, Calan, Harry, Myles</description>
      <language>en-us</language>
      <pubDate>2021-02-25 14:13:59 UTC</pubDate>
      <lastBuildDate>2021-02-25 14:54:05 UTC</lastBuildDate>
      <webMaster>hello@padlet.com</webMaster>
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         <title>Effia</title>
         <author>mvenesy23</author>
         <link>https://padlet.com/mvenesy23/7vzi5y08pgx60ts0/wish/1241134674</link>
         <description><![CDATA[<div>1. Is expected to have a certain life by each of her parents/parental figures. Is beat by Baaba throughout her childhood up until she leaves the village. Her future is dependent on what path she gets forced down and who she is forced to marry.<br>a. The stone pendant that was given to her mother is a symbol that reminds Effia about her past and where she came from. It is also a connection to her sister Esi without her knowing.<br>b. "Within a week, he had come back to the village to ask Baaba for Effia's hand in marriage. Cobbe's rage at the proposal filled every room like hot steam" (14).<br>c. The primary conflict is whether Effia should marry in the village or marry someone at Cape Castle and the conflict between Baaba and Cobbe deciding what to do. The resolution is that she marries James Collins and lives at Cape Castle for the rest of her life. <br><br></div>]]></description>
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         <pubDate>2021-02-25 14:16:33 UTC</pubDate>
         <guid>https://padlet.com/mvenesy23/7vzi5y08pgx60ts0/wish/1241134674</guid>
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      <item>
         <title>Esi</title>
         <author>mvenesy23</author>
         <link>https://padlet.com/mvenesy23/7vzi5y08pgx60ts0/wish/1241135204</link>
         <description><![CDATA[<div>1. Her mother dies and gives her the stone. She is brought into the slave trade at Cape Coast Castle. This exposes her to the evil of the white men. After being taken away from her family she has to find strength.<br>a. Symbol: the "golden-black stone" that was given to her from her mother. <br>b. "She was tied to others; how many, she didn't know. She didn't see anyone from her compound. Not her stepmothers or half siblings. Not her mother" (43).<br>c. The primary source of conflict for her generation is the slave trade. She is put into the horrible conditions in the dungeons of the castle in which women are suffering and dying. Being taken away from family and now forced to suffer and watch as others die around her. <br>c1. At the end to the chapter she is taken out of the dungeon in the castle and brought down to the ocean. <br><br></div>]]></description>
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         <pubDate>2021-02-25 14:16:39 UTC</pubDate>
         <guid>https://padlet.com/mvenesy23/7vzi5y08pgx60ts0/wish/1241135204</guid>
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         <title>Quey</title>
         <author>mvenesy23</author>
         <link>https://padlet.com/mvenesy23/7vzi5y08pgx60ts0/wish/1241135944</link>
         <description><![CDATA[<div>1. Quey's generation has changed in a major way - the family has gone from an important line in their Fante village to a family that became rich because of the slave trade. Also, when Effia was young, her father had been certain that she would marry an important Fante man, but now the family line is intermingled with the British, something Effia's father did not expect.<br>- "He would not be weak. He was in the business of slavery, and sacrificed had to be made" (69).<br>- "Every time he saw the bomboys set off with a canoe full of slaves, he thought of his father standing on the shores of the Cape Coast Castle, ready to receive them. On this shore, watching the canoe push off, Quey brimmed with the same shame that accompanied each slave departure. What had his father felt on this shore?" (62).<br>- "But, Quey, your mother is not my sister. She is not the daughter of my mother, and when she married a white man from the Castle, I began to lose her, and because my mother had always hated her, I began to hate her too" (68).<br><br>2. A symbol in Quey's chapter is the name Richard, because it symbolizes his relationship with Cudjo, and his identity struggle ("Richard is bad like the British", but his father is British).<br><br>3. The primary conflict of this generation is Quey's uncertainty about his racial and sexual identities. <br>- The "resolution" to this conflict is when Quey decides to accept Fiifi's offer to inherit his position and power.<br><br></div>]]></description>
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         <pubDate>2021-02-25 14:16:46 UTC</pubDate>
         <guid>https://padlet.com/mvenesy23/7vzi5y08pgx60ts0/wish/1241135944</guid>
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         <title>James</title>
         <author>mvenesy23</author>
         <link>https://padlet.com/mvenesy23/7vzi5y08pgx60ts0/wish/1241136369</link>
         <description><![CDATA[<div>1. At the beginning of the chapter James does not know his true identity but by the end he choses to live with the Ashante people.<br>"Among the Asantes, the warmth he'd felt from his mothers people. the longer he stayed in Fanteland, the sonner he wished to get away" (102).<br>2. A symbol that represents James coming to reality with his  Identity is Mampanyin. Mampanyin allows James to see what he really truly desires. She doesn't do any witchcraft on him but allows him to see what he truly wants.<br>"People thinkg ther are coming to me for advice,' Mampanyin said,'but really, they come to me for permission" (105)<br><br><br></div>]]></description>
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         <pubDate>2021-02-25 14:16:51 UTC</pubDate>
         <guid>https://padlet.com/mvenesy23/7vzi5y08pgx60ts0/wish/1241136369</guid>
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