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      <title>Colonial Masterpiece or Colonialist Propoganda? by Amanda L</title>
      <link>https://padlet.com/alautermilch/7t1zghoqqwnh</link>
      <description>Controversial Painting Depicting Māori Warriors Slated for Display in New Plymouth</description>
      <language>en-us</language>
      <pubDate>2018-11-27 19:08:29 UTC</pubDate>
      <lastBuildDate>2025-04-21 18:39:56 UTC</lastBuildDate>
      <webMaster>hello@padlet.com</webMaster>
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      <item>
         <title>In the News</title>
         <author>alautermilch</author>
         <link>https://padlet.com/alautermilch/7t1zghoqqwnh/wish/308486352</link>
         <description><![CDATA[<div>Māori outraged as gallery considers exhibiting 'racist' painting</div>]]></description>
         <enclosure url="http://a.msn.com/01/en-nz/AAwgigT?ocid=st" />
         <pubDate>2018-11-27 19:24:00 UTC</pubDate>
         <guid>https://padlet.com/alautermilch/7t1zghoqqwnh/wish/308486352</guid>
      </item>
      <item>
         <title>Controversy Summarized</title>
         <author>alautermilch</author>
         <link>https://padlet.com/alautermilch/7t1zghoqqwnh/wish/308492527</link>
         <description><![CDATA[<div>In Strutt's work, <em>View of Mt Egmont, Taranaki, New Zealand, taken from New Plymouth, with Maoris driving off settlers’ cattle </em>(1861), Māori warriors are depicted attacking British settlers and livestock. The work, acquired by Te Papa in 2015, is considered a masterpiece for its style and depiction of historic conflicts in New Zealand, but critics argue the painting is a piece of dangerous propaganda reinforcing racist depictions of the Māori as murderers and thieves. </div>]]></description>
         <enclosure url="" />
         <pubDate>2018-11-27 19:34:05 UTC</pubDate>
         <guid>https://padlet.com/alautermilch/7t1zghoqqwnh/wish/308492527</guid>
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      <item>
         <title>View of Mt Egmont, Taranaki, New Zealand, taken from New Plymouth, with Maoris driving off settlers’ cattle</title>
         <author>alautermilch</author>
         <link>https://padlet.com/alautermilch/7t1zghoqqwnh/wish/308513102</link>
         <description><![CDATA[<div><em>William Strutt, 1861, oil on canvas.</em></div>]]></description>
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         <pubDate>2018-11-27 20:09:30 UTC</pubDate>
         <guid>https://padlet.com/alautermilch/7t1zghoqqwnh/wish/308513102</guid>
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      <item>
         <title>Controversy and Artwork Explained in Depth</title>
         <author>alautermilch</author>
         <link>https://padlet.com/alautermilch/7t1zghoqqwnh/wish/308513500</link>
         <description><![CDATA[<div>Te Papa Museum of Wellington, NZ has come under scrutiny along with a New Plymouth, NZ Art Gallery for the proposed loan and display of a colonial era painting by William Strutt. In this podcast episode, Amelia Langford of <a href="https://www.radionz.co.nz/programmes/ours">Ours: Treasures from Te Papa</a> investigates the history and controversy of Strutt's painting. </div>]]></description>
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         <pubDate>2018-11-27 20:10:13 UTC</pubDate>
         <guid>https://padlet.com/alautermilch/7t1zghoqqwnh/wish/308513500</guid>
      </item>
      <item>
         <title>Buzz Words</title>
         <author>alautermilch</author>
         <link>https://padlet.com/alautermilch/7t1zghoqqwnh/wish/308513736</link>
         <description><![CDATA[<div>Decolonization, Revisionist History, White Supremacy, Diversity, <br>Exoticism</div>]]></description>
         <enclosure url="" />
         <pubDate>2018-11-27 20:10:41 UTC</pubDate>
         <guid>https://padlet.com/alautermilch/7t1zghoqqwnh/wish/308513736</guid>
      </item>
      <item>
         <title>Critical Race Theory and Tribal Critical Race Theory</title>
         <author>alautermilch</author>
         <link>https://padlet.com/alautermilch/7t1zghoqqwnh/wish/308513804</link>
         <description><![CDATA[<div>“Indigenous scholars began employing [Critical Race Theory (CRT)] to examine the effects of race, racism, and power in our communities and on ourselves and utilized CRT as a mechanism to perform truth-telling—to speak back to colonization and oppression. . . I offer and advocate for CRT and [Tribal Critical Race Theory] as ontological and epistemological frameworks to construct [multicultural education] as social justice; to function as a means to access and understand the “story” of colonization of Indigenous Peoples; to understand how colonization is continually enacted upon Indigenous Peoples; and to change that enactment of colonization” (Haynes Writer, 2008, pg. 3).</div>]]></description>
         <enclosure url="" />
         <pubDate>2018-11-27 20:10:51 UTC</pubDate>
         <guid>https://padlet.com/alautermilch/7t1zghoqqwnh/wish/308513804</guid>
      </item>
      <item>
         <title>Reaction to Incident</title>
         <author>alautermilch</author>
         <link>https://padlet.com/alautermilch/7t1zghoqqwnh/wish/308514125</link>
         <description><![CDATA[<div>The situation is a complicated one for the Govett-Brewster Art Gallery. When the artwork was purchased by Te Papa in 2015, there was no public backlash when the museum announced it had spent half its yearly budget to acquire the work. At the time, Te Papa chief executive Rick Ellis (since retired) said "There are very few paintings that reflect the historical events that were unfolding during this period – it captures a powerful moment in our history" (Edwards, 2015, para. 8), and museum art curator Rebecca Rice called the work an "exotic spectacle," stating "the national art collection doesn't have any other significant oil paintings from the 1850s and 1860s, so this painting is particularly precious" (Edwards, 2015, para. 11). <br><br>Paintings by William Strutt are considered rare and valuable pieces to any New Zealand collection. Given this as well as the overwhelmingly positive response at the time of Te Papa's acquisition, I think it unlikely the Govett-Brewster Art Gallery could have anticipated the degree of fallout their decision to display the painting would incite. This does not absolve them, but I can see how they would have assumed public reception would have been as positive as that experienced by Te Papa in 2015. To this end, the reputation of Te Papa further complicates the issue. When the museum first opened in 1998, there was significant criticism that the museum was too niche and focused on indigenous works and culture. Standing fast to their values, the museum has become a popular repository for indigenous art with a reputation of taking an active role in revitalization the of Māori culture as a direct response to the country's colonialist history. </div>]]></description>
         <enclosure url="" />
         <pubDate>2018-11-27 20:11:31 UTC</pubDate>
         <guid>https://padlet.com/alautermilch/7t1zghoqqwnh/wish/308514125</guid>
      </item>
      <item>
         <title>Actions Taken</title>
         <author>alautermilch</author>
         <link>https://padlet.com/alautermilch/7t1zghoqqwnh/wish/308514479</link>
         <description><![CDATA[<div>In response to criticism, the Govett-Brewster Art Gallery exhibit intended to feature the painting was postponed as of April 24, 2018 to allow time for further review of complaints and seek consultation for next steps. No further announcements have been made. </div>]]></description>
         <enclosure url="" />
         <pubDate>2018-11-27 20:12:19 UTC</pubDate>
         <guid>https://padlet.com/alautermilch/7t1zghoqqwnh/wish/308514479</guid>
      </item>
      <item>
         <title>The History Behind the Painting</title>
         <author>alautermilch</author>
         <link>https://padlet.com/alautermilch/7t1zghoqqwnh/wish/308523779</link>
         <description><![CDATA[<div><strong>New Zealand Wars</strong><br>"In the 1840s and 1860s conflict over sovereignty and land led to battles between government forces and some Māori tribes. The largest campaign was the clash between the Māori king and the Crown. Land confiscations to punish tribes that fought against the Crown have left a long legacy of grievances" (Keenan, 2017, para 1)<br><br></div><div><strong>Conflict in the</strong> <strong>1860s</strong></div><div>"The most sustained and widespread campaign was the clash between the British Empire and the Māori king fought in Taranaki, Waikato and the Bay of Plenty between 1860 and 1864" (Keenan, 2017, para 3)</div>]]></description>
         <enclosure url="" />
         <pubDate>2018-11-27 20:32:09 UTC</pubDate>
         <guid>https://padlet.com/alautermilch/7t1zghoqqwnh/wish/308523779</guid>
      </item>
      <item>
         <title>&quot;The War in New Zealand. The 57th Regiment taking a Maori Redoubt on the Katikara River, Taranaki.&quot;</title>
         <author>alautermilch</author>
         <link>https://padlet.com/alautermilch/7t1zghoqqwnh/wish/308536961</link>
         <description><![CDATA[<div>Published in the Illustrated London News, 1863</div>]]></description>
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         <pubDate>2018-11-27 21:02:14 UTC</pubDate>
         <guid>https://padlet.com/alautermilch/7t1zghoqqwnh/wish/308536961</guid>
      </item>
      <item>
         <title>Decolonization </title>
         <author>alautermilch</author>
         <link>https://padlet.com/alautermilch/7t1zghoqqwnh/wish/309151198</link>
         <description><![CDATA[<div>“Indigenous knowledge is part of the struggle of self-determination, political and intellectual sovereignty of Indigenous peoples. Claiming Indigenous knowledge in the Western academy is an anti-colonial struggle for independence from exploitative relations of schooling and knowledge production. For critical learning, the strength of Indigeneity lies in the synergies of culture, history and identity” (Mclaughlin and Whatman, 2011, pg. 14).</div>]]></description>
         <enclosure url="" />
         <pubDate>2018-11-29 06:51:45 UTC</pubDate>
         <guid>https://padlet.com/alautermilch/7t1zghoqqwnh/wish/309151198</guid>
      </item>
      <item>
         <title>What Action Could Have Been Taken?</title>
         <author>alautermilch</author>
         <link>https://padlet.com/alautermilch/7t1zghoqqwnh/wish/309157379</link>
         <description><![CDATA[<div>It is unclear why the initial purchase of the work was uncontentious, but regardless, it seems Te Papa and the Govett-Brewster Art Gallery missed an opportunity to make this a learning moment for all involved while sending a clear message to the public: Any representation or presentation of Māori history without Māori input is an act of colonialism and indigenous erasure, and this is not in line with the gallery or museum's values. Perhaps the most obvious response to the controversy would have been a public commitment to consulting Māori leaders on the display of the work and reassurance that any display of the painting will be accompanied by in depth analysis and context for the painting, focusing on its role in perpetuating dangerous and racist stereotypes.  </div>]]></description>
         <enclosure url="" />
         <pubDate>2018-11-29 07:32:00 UTC</pubDate>
         <guid>https://padlet.com/alautermilch/7t1zghoqqwnh/wish/309157379</guid>
      </item>
      <item>
         <title></title>
         <author>alautermilch</author>
         <link>https://padlet.com/alautermilch/7t1zghoqqwnh/wish/309162373</link>
         <description><![CDATA[]]></description>
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         <pubDate>2018-11-29 07:57:40 UTC</pubDate>
         <guid>https://padlet.com/alautermilch/7t1zghoqqwnh/wish/309162373</guid>
      </item>
      <item>
         <title></title>
         <author>alautermilch</author>
         <link>https://padlet.com/alautermilch/7t1zghoqqwnh/wish/309162712</link>
         <description><![CDATA[]]></description>
         <enclosure url="https://padlet-uploads.storage.googleapis.com/337492082/21390a45d1063e3a422ee6c869f40948/MA_I417149_TePapa_Mount_Egmont_Taranaki_full.jpg" />
         <pubDate>2018-11-29 07:59:07 UTC</pubDate>
         <guid>https://padlet.com/alautermilch/7t1zghoqqwnh/wish/309162712</guid>
      </item>
      <item>
         <title>Works Cited</title>
         <author>alautermilch</author>
         <link>https://padlet.com/alautermilch/7t1zghoqqwnh/wish/309162951</link>
         <description><![CDATA[<ul><li>Baird, A. (2018, April 24). Māori outraged as gallery considers exhibiting 'racist' painting. Retrieved from https://www.msn.com/en-nz/news/national/māori-outraged-as-gallery-considers-exhibiting-racist-painting/ar-AAwgigT</li><li>Chevalier, N. (n.d.). <em>Maori war canoe approaching Taranaki</em>[Photograph found in Art Collection, Te Papa, Wellington, NZ]. Retrieved from https://collections.tepapa.govt.nz/object/37318 (Originally photographed 1879)</li><li>Edwards, J. (2015, October 27). Te Papa buys $1.5 million William Strutt colonial painting. Retrieved from https://www.stuff.co.nz/dominion-post/capital-life/73379860/te-papa-buys-15-million-william-strutt-colonial-painting</li><li>Haynes Writer, J. (2008). Unmasking, Exposing, and Confronting: Critical Race Theory, Tribal Critical Race Theory and Multicultural Education. <em>International Journal of Multicultural Education,10</em>(2). doi:10.18251/ijme.v10i2.137</li><li>Illustrated London News. (1863, August 29). "The War in New Zealand. The 57th Regiment taking a Maori Redoubt on the Katikara River, Taranaki". Retrieved from https://collection.pukeariki.com/objects/26673</li><li>Keenan, D. (2017, August 16). New Zealand wars', Te Ara - the Encyclopedia of New Zealand. Retrieved from https://teara.govt.nz/en/new-zealand-wars</li><li>Langford, A. (2018, May 01). Jamie Tuuta and the Strutt Painting. Retrieved from https://www.radionz.co.nz/programmes/ours/story/2018641597/jamie-tuuta-and-the-strutt-painting</li><li>Mclaughlin, J., &amp; Whatman, S. (2011). The potential of critical race theory in decolonizing university curricula. <em>Asia Pacific Journal of Education,31</em>(4), 365-377. doi:10.1080/02188791.2011.621243</li><li>Muir &amp; Moodie Studio. (n.d.). <em>Mount Egmont, Taranaki, New Zealand</em>[Photograph found in Photography Collection, Te Papa, Wellington, NZ]. Retrieved from https://collections.tepapa.govt.nz/object/321145 (Originally photographed 1908)</li><li>Oakley, W. (n.d.). <em>View of Mount Egmont (Taranaki)</em>[Photograph found in Photography Collection, Te Papa, Wellington, NZ]. Retrieved from https://collections.tepapa.govt.nz/object/125883 (Originally photographed 1930)</li></ul>]]></description>
         <enclosure url="" />
         <pubDate>2018-11-29 08:00:10 UTC</pubDate>
         <guid>https://padlet.com/alautermilch/7t1zghoqqwnh/wish/309162951</guid>
      </item>
      <item>
         <title></title>
         <author>alautermilch</author>
         <link>https://padlet.com/alautermilch/7t1zghoqqwnh/wish/309163603</link>
         <description><![CDATA[]]></description>
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         <pubDate>2018-11-29 08:03:19 UTC</pubDate>
         <guid>https://padlet.com/alautermilch/7t1zghoqqwnh/wish/309163603</guid>
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