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      <title>EN 387 Monday Jan 24th, 2022 by Rubén Parra</title>
      <link>https://padlet.com/rubenbulondon/7oyniu0bae97p37u</link>
      <description>Natasha Brown&#39;s interview</description>
      <language>en-us</language>
      <pubDate>2022-01-24 11:42:15 UTC</pubDate>
      <lastBuildDate>2022-01-24 11:58:42 UTC</lastBuildDate>
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         <title>Topics to cover for Natasha Brown&#39;s Interview</title>
         <author>rubenbulondon</author>
         <link>https://padlet.com/rubenbulondon/7oyniu0bae97p37u/wish/2008585588</link>
         <description><![CDATA[<ul><li>Formative influences (key teacher?)</li><li>Academic background (mathematical solutions vs. poetry?)</li><li>Influential works: poetry, non-fiction (Roland Barthes and bell hooks)</li><li>Remarks on characterisation (also in relation to hooks' essay 'postmodern blackness')</li><li>Remarks on form, tone (humour?) and structure</li><li>External voices?</li></ul><div><br></div>]]></description>
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         <pubDate>2022-01-24 11:51:28 UTC</pubDate>
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         <title>In preparation for our discussion with Sarah you should:</title>
         <author>rubenbulondon</author>
         <link>https://padlet.com/rubenbulondon/7oyniu0bae97p37u/wish/2008590279</link>
         <description><![CDATA[<div><br></div><ol><li>Read the handout 'Critical Perspective: Sarah Waters and Historical Fiction (I'll put it on Blackboard)</li><li>'Laid to rest at last'. This is an article taken from <em>The Independent</em> (available on Blackboard Session 4 now). Can you identify areas of crossover between Edith Thompson's tragic story and <em>The</em> <em>Paying Guests</em>?&nbsp;</li><li>If you have time, you should start to solidify thoughts on style and structure, and the novel's key features.&nbsp;</li></ol><div><br></div>]]></description>
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         <pubDate>2022-01-24 11:55:02 UTC</pubDate>
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