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      <title>Michelangelo the Sculptor by Daniel Diaz-Arias</title>
      <link>https://padlet.com/ddiazarias23/7ng29qb5cl2ul9jn</link>
      <description></description>
      <language>en-us</language>
      <pubDate>2022-02-14 23:27:04 UTC</pubDate>
      <lastBuildDate>2022-02-16 15:21:58 UTC</lastBuildDate>
      <webMaster>hello@padlet.com</webMaster>
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         <title>Michelangelo Buonarroti, Pietà, ca. 1498–1500. Marble, 5’8.5’’ high. Saint Peter’s, Vatican City, Rome</title>
         <author>ddiazarias23</author>
         <link>https://padlet.com/ddiazarias23/7ng29qb5cl2ul9jn/wish/2047385556</link>
         <description><![CDATA[<div>Michelangelo’s Pieta is one of the most notable Renaissance masterpiece. In this work, he is able to depict the theme of “piety” as Mary holds Jesus’ lifeless body. While he was not the first artist to depict this image, as it originated in Germany, he was able to truly make this remarkable image of both Jesus and Mary. In this sculpture, Mary’s veil is almost visible as a cloth-like material, as well as her facial expression. We are able to notice the emotion that he expressed from his sculpture and also the close details regarding the body of Jesus. Mary’s eyes are the most visible feature of emotion that is apparent in this work, as he was able to portray the sadness that she had at that moment.</div>]]></description>
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         <pubDate>2022-02-14 23:34:46 UTC</pubDate>
         <guid>https://padlet.com/ddiazarias23/7ng29qb5cl2ul9jn/wish/2047385556</guid>
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         <title>Michelangelo, David, from Piazza della Signoria, Florence, Italy, 1501–1504. Marble, 17’ high. </title>
         <author>ddiazarias23</author>
         <link>https://padlet.com/ddiazarias23/7ng29qb5cl2ul9jn/wish/2047389795</link>
         <description><![CDATA[<div>While using a marble block that was not considered structurally sound from another artist, Michelangelo was able to create another Renaissance masterpiece. Unlike many depictions, he showed David as a strong, muscular man who is deemed to be brave. He is able to depict the veins in his hand, the muscles in his body, as well as accurate human anatomy. He is also inspired from the Classical Era, as this figure stands in contrapposto. This is considered by many, one of the greatest sculptures of all time, which shows the expertise of Michelangelo. His hair also shows the details of his sculpting technique, as David’s curls are visible. </div>]]></description>
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         <pubDate>2022-02-14 23:39:45 UTC</pubDate>
         <guid>https://padlet.com/ddiazarias23/7ng29qb5cl2ul9jn/wish/2047389795</guid>
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         <title></title>
         <author>ddiazarias23</author>
         <link>https://padlet.com/ddiazarias23/7ng29qb5cl2ul9jn/wish/2047398258</link>
         <description><![CDATA[<div>Michelangelo, Moses, from the tomb of Pope Julius II, Rome, Italy, ca. 1513–1515. Marble, 7’ 8.5’’ high. San Pietroin Vincoli, Rome.</div>]]></description>
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         <pubDate>2022-02-14 23:48:34 UTC</pubDate>
         <guid>https://padlet.com/ddiazarias23/7ng29qb5cl2ul9jn/wish/2047398258</guid>
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         <title>Michelangelo Buonarroti, Bound Slave (Rebellious Prisoner), Rome, Italy, ca. 1513–1516. Marble, 7’ 5/8’’ high. Musée du Louvre, Paris.</title>
         <author>ddiazarias23</author>
         <link>https://padlet.com/ddiazarias23/7ng29qb5cl2ul9jn/wish/2047403663</link>
         <description><![CDATA[]]></description>
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         <pubDate>2022-02-14 23:54:05 UTC</pubDate>
         <guid>https://padlet.com/ddiazarias23/7ng29qb5cl2ul9jn/wish/2047403663</guid>
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         <title></title>
         <author>ddiazarias23</author>
         <link>https://padlet.com/ddiazarias23/7ng29qb5cl2ul9jn/wish/2047429575</link>
         <description><![CDATA[<div>I believe that Michelangelo should be known more as a sculptor than a painter because of the influence his sculptures have had, as well as his expert technique displayed by them. While the Sistine Chapel artworks are arguably one of the most well-known artworks, the extensive influence and expertise displayed by sculptures like Pieta or David better demonstrate Michelangelo’s artistic ability. Not only do these sculptures display his magnificent ability to sculpt marble, but they are able to also display strong emotion and specific details. One example of this behavior is the Pieta, which displays the Virgin Mary holding Jesus’ body. In this work, the audience can clearly see the sad expression Mary has on her face, as well as Jesus’ lifeless body. Michelangelo was able to take Jean de Bilhères de Lagraulas‘ commission and truly make it a work of art. Also, this depiction parallels to the image of the Virgin Mary holding baby Jesus in her lap, except now she contains a deeply sorrow expression. Finally, Michelangelo was able to use the respective sizes of both Jesus and Mary in order to contrast the typical large body and smaller Mary/</div>]]></description>
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         <pubDate>2022-02-15 00:16:43 UTC</pubDate>
         <guid>https://padlet.com/ddiazarias23/7ng29qb5cl2ul9jn/wish/2047429575</guid>
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         <title></title>
         <author>ddiazarias23</author>
         <link>https://padlet.com/ddiazarias23/7ng29qb5cl2ul9jn/wish/2047436390</link>
         <description><![CDATA[<div>Another artwork that demonstrates Michelangelo’s artistic ability is Moses. In this sculpture, one can notice the extreme detail taken into account when the muscles were being sculpted. This, along with Moses’ serious expression and detailed drapery, continue the exhibition of Michelangelo’s ability. Another work that shows his expertise is the statue of David. While other artists decided to portray him as a younger boy, Michelangelo displayed David as a larger man who looks confident and brave. In this sculpture, the details of human anatomy and expression are visible as David seems like a lifelike portrayal of himself. Having the ability to create something so precise and detailed from a rock, highlights Michelangelo’s artistic creativity and skill as a sculptor. Not only was this a regular rock, but he was able to recycle the rock from another sculptor who disliked it and create a masterpiece. Also, being influenced by the Classical Era, he depicted David in contrapposto pose, a staple of that time period.</div>]]></description>
         <enclosure url="" />
         <pubDate>2022-02-15 00:22:46 UTC</pubDate>
         <guid>https://padlet.com/ddiazarias23/7ng29qb5cl2ul9jn/wish/2047436390</guid>
      </item>
      <item>
         <title>Sources:</title>
         <author>ddiazarias23</author>
         <link>https://padlet.com/ddiazarias23/7ng29qb5cl2ul9jn/wish/2047543206</link>
         <description><![CDATA[<div><a href="http://www.italianrenaissance.org/michelangelos-david/">http://www.italianrenaissance.org/michelangelos-david/</a>&nbsp;<br><a href="https://michelangelo.ace.fordham.edu/exhibits/show/vatican-pieta/vatican-pieta-history">https://michelangelo.ace.fordham.edu/exhibits/show/vatican-pieta/vatican-pieta-history</a></div>]]></description>
         <enclosure url="http://www.italianrenaissance.org/michelangelos-pieta/" />
         <pubDate>2022-02-15 01:44:22 UTC</pubDate>
         <guid>https://padlet.com/ddiazarias23/7ng29qb5cl2ul9jn/wish/2047543206</guid>
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      <item>
         <title>Sergio Abreu’s Comment</title>
         <author>sabreu23</author>
         <link>https://padlet.com/ddiazarias23/7ng29qb5cl2ul9jn/wish/2051108629</link>
         <description><![CDATA[<div>Overall I think that was a well organized and well structured padlet. I really like how he wrote information about&nbsp;the artworks and then explained why he things Michelangelo should be considered a sculptor. I like how when describing why his sculptures were so influential, he not only said that he was skilled but also included how he put extreme detail into it such as the veins on the David sculpture. </div>]]></description>
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         <pubDate>2022-02-16 15:21:58 UTC</pubDate>
         <guid>https://padlet.com/ddiazarias23/7ng29qb5cl2ul9jn/wish/2051108629</guid>
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