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      <title>Plausible Futuristic Scenario by Etoile Strategy Creations</title>
      <link>https://padlet.com/etoilestrategycreations/7mxy2hubw9d5xil0</link>
      <description>Achieving harmony and peace of mind in today&#39;s fast-paced and constantly evolving world is crucial to our overall well-being, and having a designated area for that purpose can be immensely advantageous. As a technology enthusiast and someone deeply interested in envisioning realistic futuristic scenarios, I am thrilled to explore the potential of utilizing technology to elevate our Equanimity Spaces. This blog post marks the commencement of my journey, and I am eager to witness where it leads me.</description>
      <language>en-us</language>
      <pubDate>2023-07-11 21:17:08 UTC</pubDate>
      <lastBuildDate>2023-07-18 20:30:48 UTC</lastBuildDate>
      <webMaster>hello@padlet.com</webMaster>
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         <title>AI am your father</title>
         <author>etoilestrategycreations</author>
         <link>https://padlet.com/etoilestrategycreations/7mxy2hubw9d5xil0/wish/2642929694</link>
         <description><![CDATA[<div>Who would have thought that the day would come when an AI completely replaced actors' speaking skills? Well, it is possible. James Earl Jones, the actor behind the iconic voice of Darth Vader, is handing over stewardship of the character to machine intelligence. He will permanently retire from the role by signing over his archival voice recordings to Respeecher, so they and Disney can create an AI version of his Darth Vader voice for future productions.<br><br></div><div>Signal of change</div><div>Respeecher is a start-up that creates an all-purpose AI voice platform in which they can envisage a future in which famous actors and ordinary content creators deploy cloned versions of their voices. It raises the possibility of films, TV shows, and podcasts spoken entirely by voice clones. These possibilities raises a couple of issues. Firstly, Jones signed over the rights to his voice to Disney and Respeecher. Meaning that this new age of AI reincarnation will mean new revenue streams for both living creatives and the estates of those who have died. If the price is right, Elvis's voice can be used as a character in a future Disney animated film. Secondly, paying to use a dead person's voice means that the living human actor will be deprived of the chance to take on certain roles. Such as the Darth Vader one. We're witnessing the birth of entirely new art forms. But more controversy, including criticism from marginalized creatives, surely lies ahead.<br><br>-JF<br>03-Jan-'23</div>]]></description>
         <enclosure url="https://newworldsamehumans.substack.com/i/75781909/ai-am-your-father" />
         <pubDate>2023-07-11 21:28:00 UTC</pubDate>
         <guid>https://padlet.com/etoilestrategycreations/7mxy2hubw9d5xil0/wish/2642929694</guid>
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         <title></title>
         <author>etoilestrategycreations</author>
         <link>https://padlet.com/etoilestrategycreations/7mxy2hubw9d5xil0/wish/2642933041</link>
         <description><![CDATA[<div>Getting rid of the law, Section 230, could make things much worse for both social media companies and the government. This law protects social media platforms and other websites and can quickly be acquitted against HB20. A Texas law passed last summer bans large social media platforms from doing anything to discriminate against the vast majority of content posted on their sites.<br><br></div><div>For example, it will soon be illegal in Texas for YouTube, Twitter, Facebook, TikTok, and Instagram to ban videos from white supremacists or ISIS. In fact, with a few limited exceptions, any content moderation these sites do, including "de-boosting" or "de-monetizing" videos or posts, will open them up to being sued in Texas. In effect, they are legally compelled not to curate their sites in that state.<br><br></div><div>Signal of change</div><div>As Texas takes the lead to get rid of "the special immunity of tech companies," known as Section 230 of the Communications and Decency Act of 1996, and the First Amendment right of tech and social media companies, many others will follow or adopt the HB20 law. The consequence will be that in many more cities, social media companies will be provented the right to decide what content they want to host and what content they prefer to ban. Furthermore, providing the governments the right to compel social media companies to publish or leave up content even though they find them offensive or objectionable. No curation of sites means freedom of hate speech and no power over oneself property. In this case, it can be either a social media platform or a website. Ultimately, when the government starts attacking censorship and making social media companies publish content they would otherwise ban, people and social media companies will start looking for other ways that are not open or regulated by the governments to enjoy their experience online.&nbsp;<br><br>-JF<br>06-Feb-'23</div>]]></description>
         <enclosure url="https://www.fastcompany.com/90789428/texas-hb20-social-media-section-230?partner=rss&amp;utm_source=rss&amp;utm_medium=feed&amp;utm_campaign=rss+fastcompany&amp;utm_content=rss" />
         <pubDate>2023-07-11 21:40:42 UTC</pubDate>
         <guid>https://padlet.com/etoilestrategycreations/7mxy2hubw9d5xil0/wish/2642933041</guid>
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         <title>Artists Sue Stable Diffusion and Midjourney for Using Their Work to Train AI That Steals Their Jobs</title>
         <author>etoilestrategycreations</author>
         <link>https://padlet.com/etoilestrategycreations/7mxy2hubw9d5xil0/wish/2642934748</link>
         <description><![CDATA[<div>A group of artists is suing the creators of image generators Stable Diffusion and Midjourney for using their art to train AI that steals their jobs. The creators of these algorithms use these artists' work to create a system threatening their livelihoods and copyright in content owned or represented by an artist. With this action by companies like Stability AI, the content owners are getting nothing out of the arrangement.<br><br></div><div>While the outcome of these lawsuits is anything but certain, they indicate a groundswell in action being taken against companies like Stability AI. Artists everywhere are furious that their work is being used to train AI algorithms without being asked first or reasonably compensated. But whether this could successfully be argued that it infringes on copyright may be more complex than one might think. For instance, creators of AI art tools say that they are protected under the U.S. fair use laws. More so, there is the fact that the AI dataset is simply indexed to the internet, and it never stores copyrighted images or texts.<br><br></div><div>Signal of change</div><div>filing a class-action lawsuit claiming the machine learning systems infringe millions of artists' rights will set a precedent in the nascent field. Knowing how deeply exploitative AI media model practices are with no legal precedent to set means that these models can do whatever they want without any consequence. Trying to make AI fair and eth­i­cal for every­one is going to be challenging. However, without it, does this mean the traditional artists are out of work, or will this be the beginning of new job applications? Such as conventional artists needed for AI database training. Whether the promise made by companies like Stability AI to work with artists to find new ways to reimburse artists for the use of their work is held is still to be seen if it benefits both parties.&nbsp;<br><br>-JF<br>9-Feb-'23</div>]]></description>
         <enclosure url="https://futurism.com/artists-sue-stabile-diffusion-midjourney" />
         <pubDate>2023-07-11 21:47:56 UTC</pubDate>
         <guid>https://padlet.com/etoilestrategycreations/7mxy2hubw9d5xil0/wish/2642934748</guid>
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         <title></title>
         <author>etoilestrategycreations</author>
         <link>https://padlet.com/etoilestrategycreations/7mxy2hubw9d5xil0/wish/2647375015</link>
         <description><![CDATA[<div>The article showed how the Blind Burners collective opened pathways for non-visual access to VR.&nbsp;<br><br>The SoC is that this movement is leading VR to a more inclusive future since present VR is still mainly designed for people with visionary. Blind people are not being taken into account in most of the cases.&nbsp;<br><br>-Joyce (Chao-Yi) Liu<br>18-Mrt-'23</div>]]></description>
         <enclosure url="https://medium.com/m/global-identity-2?redirectUrl=https://immerse.news/vr-beyond-sight-6a086f24147c" />
         <pubDate>2023-07-18 20:27:42 UTC</pubDate>
         <guid>https://padlet.com/etoilestrategycreations/7mxy2hubw9d5xil0/wish/2647375015</guid>
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         <title></title>
         <author>etoilestrategycreations</author>
         <link>https://padlet.com/etoilestrategycreations/7mxy2hubw9d5xil0/wish/2647376320</link>
         <description><![CDATA[<div>Sony introduced Mocopi, small devices that you can adjust to your limbs, these make sure your whole body will be visible in the metaverse.&nbsp;<br><br>Mocopi is a new motion-caption method that can be used not only in the metaverse. For example, people who make their own games can use their motion capture in programs such as Unity, VRChat and Autodesk MotionBuilder. The advantage is that it is not a very expensive system: for about 360 euros, creatives can add more realistic movements to their games in a fairly approachable way. Think 3D artists, for example. Vtubers are also identified as a target group: these are YouTubers and streamers who are not themselves on screen, but are virtual avatars. For them, Mocopi would in many cases be a much cheaper way than the many more expensive solutions out there for virtual, moving avatars.<br><br>- Jin Vonk<br>20-Mrt-'23</div>]]></description>
         <enclosure url="https://www.dutchcowboys.nl/metaverse/sonys-nieuwe-vr-systeem-scant-je-hele-lijf-voor-het-metaverse" />
         <pubDate>2023-07-18 20:30:48 UTC</pubDate>
         <guid>https://padlet.com/etoilestrategycreations/7mxy2hubw9d5xil0/wish/2647376320</guid>
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