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      <title>Show boat by </title>
      <link>https://padlet.com/06scesar/7h6vathis9wi</link>
      <description>Conçu avec du charme</description>
      <language>en-us</language>
      <pubDate>2017-05-19 08:09:16 UTC</pubDate>
      <lastBuildDate>2026-02-15 23:39:13 UTC</lastBuildDate>
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         <title></title>
         <author>06scesar</author>
         <link>https://padlet.com/06scesar/7h6vathis9wi/wish/172750541</link>
         <description><![CDATA[<div><strong><em>Show Boat</em></strong> is a 1927 <a href="https://en.wikipedia.org/wiki/Musical_theatre">musical</a> in two acts, with music by <a href="https://en.wikipedia.org/wiki/Jerome_Kern">Jerome Kern</a> and book and lyrics by <a href="https://en.wikipedia.org/wiki/Oscar_Hammerstein_II">Oscar Hammerstein II</a>. Based on <a href="https://en.wikipedia.org/wiki/Edna_Ferber">Edna Ferber</a>'s best-selling <a href="https://en.wikipedia.org/wiki/Show_Boat_(novel)">novel of the same name</a>, the musical follows the lives of the performers, stagehands and dock workers on the <em>Cotton Blossom</em>, a <a href="https://en.wikipedia.org/wiki/Mississippi_River">Mississippi River</a> <a href="https://en.wikipedia.org/wiki/Showboat">show boat</a>, over 40 years, from 1887 to 1927. Its themes include racial prejudice and tragic, enduring love. The musical contributed such classic songs as "<a href="https://en.wikipedia.org/wiki/Ol%27_Man_River">Ol' Man River</a>", "<a href="https://en.wikipedia.org/wiki/Make_Believe_(Jerome_Kern_song)">Make Believe</a>" and "<a href="https://en.wikipedia.org/wiki/Can%27t_Help_Lovin%27_Dat_Man">Can't Help Lovin' Dat Man</a>".</div>]]></description>
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         <pubDate>2017-05-19 08:24:19 UTC</pubDate>
         <guid>https://padlet.com/06scesar/7h6vathis9wi/wish/172750541</guid>
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         <title></title>
         <author>06scesar</author>
         <link>https://padlet.com/06scesar/7h6vathis9wi/wish/172750589</link>
         <description><![CDATA[<div>The premiere of <em>Show Boat</em> on <a href="https://en.wikipedia.org/wiki/Broadway_theatre">Broadway</a> was a watershed moment in the history of American musical theatre. Compared to the trivial and unrealistic <a href="https://en.wikipedia.org/wiki/Operetta">operettas</a>, light <a href="https://en.wikipedia.org/wiki/Edwardian_musical_comedy">musical comedies</a> and "Follies"-type musical <a href="https://en.wikipedia.org/wiki/Revue">revues</a> that defined Broadway in the 1890s and early 20th century, <em>Show Boat</em> "was a radical departure in musical storytelling, marrying spectacle with seriousness".</div>]]></description>
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         <pubDate>2017-05-19 08:24:35 UTC</pubDate>
         <guid>https://padlet.com/06scesar/7h6vathis9wi/wish/172750589</guid>
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         <title></title>
         <author>06scesar</author>
         <link>https://padlet.com/06scesar/7h6vathis9wi/wish/172750652</link>
         <description><![CDATA[<div>In doing research for her proposed novel <a href="https://en.wikipedia.org/wiki/Show_Boat_(novel)"><em>Show Boat</em></a>, writer <a href="https://en.wikipedia.org/wiki/Edna_Ferber">Edna Ferber</a> spent several weeks on the <em>James Adams Floating Palace Theatre</em> in <a href="https://en.wikipedia.org/wiki/Bath,_North_Carolina">Bath, North Carolina</a>, gathering material about a disappearing American entertainment venue, the river <a href="https://en.wikipedia.org/wiki/Showboat">showboat</a>. In a few weeks, she gained what she called a "treasure trove of show-boat material, human, touching, true". <a href="https://en.wikipedia.org/wiki/Jerome_Kern">Jerome Kern</a> was impressed by the novel and, hoping to adapt it as a musical, asked the critic <a href="https://en.wikipedia.org/wiki/Alexander_Woollcott">Alexander Woollcott</a> to introduce him to Ferber in October 1926. Woollcott introduced them that evening during the intermission of Kern's latest musical, <em>Criss Cross</em>.</div>]]></description>
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         <pubDate>2017-05-19 08:24:59 UTC</pubDate>
         <guid>https://padlet.com/06scesar/7h6vathis9wi/wish/172750652</guid>
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         <title></title>
         <author>06scesar</author>
         <link>https://padlet.com/06scesar/7h6vathis9wi/wish/172750686</link>
         <description><![CDATA[<div>Ferber was at first shocked that anyone would want to adapt <em>Show Boat</em> as a musical. After being assured by Kern that he did not want to adapt it as the typical frivolous "girlie" show of the 1920s, she granted him and his collaborator <a href="https://en.wikipedia.org/wiki/Oscar_Hammerstein_II">Oscar Hammerstein II</a> the rights to set her novel to music. After composing most of the first-act songs, Kern and Hammerstein auditioned their material for producer <a href="https://en.wikipedia.org/wiki/Florenz_Ziegfeld">Florenz Ziegfeld</a>, thinking that he was the person to create the elaborate production they felt necessary for Ferber's sprawling work.<a href="https://en.wikipedia.org/wiki/Show_Boat#cite_note-Kantor-5"><sup>[5]</sup></a> Ziegfeld was impressed with the show and agreed to produce it, writing the next day, "This is the best musical comedy I have ever been fortunate to get a hold of; I am thrilled to produce it, this show is the opportunity of my life..."<a href="https://en.wikipedia.org/wiki/Show_Boat#cite_note-Kantor-5"><sup>[5]</sup></a><em>Show Boat</em>, with its serious and dramatic nature, was considered an unusual choice for Ziegfeld, previously known mainly for <a href="https://en.wikipedia.org/wiki/Revues">revues</a> such as the <a href="https://en.wikipedia.org/wiki/Ziegfeld_Follies"><em>Ziegfeld Follies</em></a>.</div>]]></description>
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         <pubDate>2017-05-19 08:25:17 UTC</pubDate>
         <guid>https://padlet.com/06scesar/7h6vathis9wi/wish/172750686</guid>
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         <title></title>
         <author>06scesar</author>
         <link>https://padlet.com/06scesar/7h6vathis9wi/wish/173580134</link>
         <description><![CDATA[<div>The Sheriff, the Stevedores, the Townspeople, the Dandies, the Dockworkers, the Gals, the Flappers, the Nuns, the Chorus, the Sightseers, the Barkers, the Jubilee Singers and Dahomey Dancers are all somewhat of ensemble parts. The Sheriff incriminates Julie and Steve by order of Pete. The Stevedores are the workers and performers of the <em>Cotton Blossom</em>. The Townspeople sing the opening song and others, and watch the performances of the show boat. The Dandies sing <em>"At the Fair"</em> with the Sightseers and Barkers. The Dockworkers sing with Joe in all the versions of <em>"Ol' Man River"</em>. The Gals back up Frank and Ellie in most of their songs, including "I Might Fall Back on You". The Flappers back up Kim during <em>"Why Do I Love You? (reprise)"</em>. The Nuns sing <em>"Nuns' Processional"</em>. The Chorus sings at Magnolia and Ravenal's wedding. The Jubilee Singers and Dahomey Dancers sing <em>"In Dahomey"</em>.</div>]]></description>
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         <pubDate>2017-05-24 09:19:01 UTC</pubDate>
         <guid>https://padlet.com/06scesar/7h6vathis9wi/wish/173580134</guid>
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         <title>Original 1927 production</title>
         <author>06scesar</author>
         <link>https://padlet.com/06scesar/7h6vathis9wi/wish/173580737</link>
         <description><![CDATA[<div><em>Show Boat</em> premiered in New York on December 27, 1927. Ziegfeld <a href="https://en.wikipedia.org/wiki/Preview_(theatre)">previewed</a> the production in a pre-Broadway tour from November 15 to December 19, 1927. The locations included the <a href="https://en.wikipedia.org/wiki/National_Theatre_(Washington,_D.C.)">National Theatre</a> in <a href="https://en.wikipedia.org/wiki/Washington,_D.C.">Washington, D.C.</a>, the <a href="https://en.wikipedia.org/wiki/Regional_Enterprise_Tower#Nixon_Theater">Nixon Theatre</a> in <a href="https://en.wikipedia.org/wiki/Pittsburgh">Pittsburgh</a>, the <a href="https://en.wikipedia.org/wiki/Ohio_Theatre_(Cleveland,_Ohio)">Ohio Theatre</a> in <a href="https://en.wikipedia.org/wiki/Cleveland">Cleveland</a>, and the <a href="https://en.wikipedia.org/wiki/Erlanger_Theatre">Erlanger Theatre</a> in <a href="https://en.wikipedia.org/wiki/Philadelphia">Philadelphia</a>.The show opened on Broadway at the <a href="https://en.wikipedia.org/wiki/Ziegfeld_Theatre_(1927)">Ziegfeld Theatre</a> on December 27, 1927. The critics were immediately enthusiastic, and the show was a great popular success, running a year and a half, for a total of 572 performances.</div>]]></description>
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         <pubDate>2017-05-24 09:22:05 UTC</pubDate>
         <guid>https://padlet.com/06scesar/7h6vathis9wi/wish/173580737</guid>
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         <title></title>
         <author>06scesar</author>
         <link>https://padlet.com/06scesar/7h6vathis9wi/wish/173580863</link>
         <description><![CDATA[<div>The production was staged by Oscar Hammerstein II.<a href="https://en.wikipedia.org/wiki/Show_Boat#cite_note-16"><sup>[16]</sup></a> Choreography for the show was by Sammy Lee. The original cast included <a href="https://en.wikipedia.org/wiki/Norma_Terris">Norma Terris</a> as Magnolia Hawks and her daughter Kim (as an adult), <a href="https://en.wikipedia.org/wiki/Howard_Marsh">Howard Marsh</a> as Gaylord Ravenal, <a href="https://en.wikipedia.org/wiki/Helen_Morgan">Helen Morgan</a> as Julie LaVerne, <a href="https://en.wikipedia.org/wiki/Jules_Bledsoe">Jules Bledsoe</a> as Joe, <a href="https://en.wikipedia.org/wiki/Charles_Winninger">Charles Winninger</a> as Cap'n Andy Hawks, <a href="https://en.wikipedia.org/wiki/Edna_May_Oliver">Edna May Oliver</a> as Parthy Ann Hawks, <a href="https://en.wikipedia.org/wiki/Sammy_White_(actor)">Sammy White</a> as Frank Schultz, <a href="https://en.wikipedia.org/wiki/Eva_Puck">Eva Puck</a> as Ellie May Chipley, and <a href="https://en.wikipedia.org/wiki/Tess_Gardella">Tess Gardella</a> as Queenie. The orchestrator was <a href="https://en.wikipedia.org/wiki/Robert_Russell_Bennett">Robert Russell Bennett</a>, and the conductor was <a href="https://en.wikipedia.org/wiki/Victor_Baravalle">Victor Baravalle</a>. The <a href="https://en.wikipedia.org/wiki/Scenic_design">scenic design</a> for the original production was by <a href="https://en.wikipedia.org/wiki/Joseph_Urban">Joseph Urban</a>, who had worked with Ziegfeld for many years in his <a href="https://en.wikipedia.org/wiki/Ziegfeld_Follies"><em>Follies</em></a> and had designed the elaborate new Ziegfeld Theatre itself. Costumes were designed by John Harkrider.<br><br></div>]]></description>
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         <pubDate>2017-05-24 09:22:53 UTC</pubDate>
         <guid>https://padlet.com/06scesar/7h6vathis9wi/wish/173580863</guid>
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         <title>London productions</title>
         <author>06scesar</author>
         <link>https://padlet.com/06scesar/7h6vathis9wi/wish/173580998</link>
         <description><![CDATA[<div><br>The original London <a href="https://en.wikipedia.org/wiki/West_End_theatre">West End</a> production opened May 3, 1928, at the <a href="https://en.wikipedia.org/wiki/Theatre_Royal,_Drury_Lane">Theatre Royal, Drury Lane</a> and featured among the cast, <a href="https://en.wikipedia.org/wiki/Cedric_Hardwicke">Cedric Hardwicke</a> as Capt. Andy, <a href="https://en.wikipedia.org/wiki/Edith_Day">Edith Day</a> as Magnolia, Paul Robeson as Joe, and <a href="https://en.wikipedia.org/wiki/Alberta_Hunter">Alberta Hunter</a> as Queenie. <a href="https://en.wikipedia.org/wiki/Mabel_Mercer">Mabel Mercer</a>, later famed as a cabaret singer, was in the chorus. Other West End presentations include a 1971 production at the <a href="https://en.wikipedia.org/wiki/Adelphi_Theatre">Adelphi Theatre</a>, which ran for 909 performance,<a href="https://en.wikipedia.org/wiki/Show_Boat#cite_note-27"><sup><br></sup></a><br></div><div>The Hal Prince production ran at the <a href="https://en.wikipedia.org/wiki/Prince_Edward_Theatre">Prince Edward Theatre</a> in 1998,and was nominated for the Olivier Award, Outstanding Musical Production (1999). Other notable revivals in England have included the joint <a href="https://en.wikipedia.org/wiki/Opera_North">Opera North</a>/<a href="https://en.wikipedia.org/wiki/Royal_Shakespeare_Company">Royal Shakespeare Company</a> production of 1989, which ran at the <a href="https://en.wikipedia.org/wiki/London_Palladium">London Palladium</a> in 1990, and the 2006 production directed by <a href="https://en.wikipedia.org/wiki/Francesca_Zambello">Francesca Zambello</a>, presented by <a href="https://en.wikipedia.org/wiki/Raymond_Gubbay">Raymond Gubbay</a> at London's <a href="https://en.wikipedia.org/wiki/Royal_Albert_Hall">Royal Albert Hall</a>. It was the first fully staged musical production in the history of that venue.<a href="https://en.wikipedia.org/wiki/Show_Boat#cite_note-30"><sup><br></sup></a><br></div>]]></description>
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         <pubDate>2017-05-24 09:23:45 UTC</pubDate>
         <guid>https://padlet.com/06scesar/7h6vathis9wi/wish/173580998</guid>
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         <title>The word &quot;nigger&quot;</title>
         <author>06scesar</author>
         <link>https://padlet.com/06scesar/7h6vathis9wi/wish/173582453</link>
         <description><![CDATA[<div><br>The show has generated controversy for the subject matter of interracial marriage, the historical portrayal of blacks working as laborers and servants in the 19th-century South, and the use of the word <a href="https://en.wikipedia.org/wiki/Nigger"><em>niggers</em></a> in the lyrics (this is the first word in the opening chorus of the show). Originally the show opened with the black chorus onstage singing:<br><br></div><div>Niggers all work on the Mississippi,<br><br></div><div>Niggers all work while the white folks play.<br><br></div><div>Loadin' up boats wid de bales of cotton,<br><br></div><div>Gittin' no rest till de Judgement Day.<br><br></div>]]></description>
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         <pubDate>2017-05-24 09:31:41 UTC</pubDate>
         <guid>https://padlet.com/06scesar/7h6vathis9wi/wish/173582453</guid>
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         <title>African-American English</title>
         <author>06scesar</author>
         <link>https://padlet.com/06scesar/7h6vathis9wi/wish/173584009</link>
         <description><![CDATA[<div><br>Those who consider <em>Show Boat</em> racially insensitive often note that the dialogue and lyrics of the black characters (especially the <a href="https://en.wikipedia.org/wiki/Stevedore">stevedore</a> Joe and his wife Queenie) and choruses use various forms of <a href="https://en.wikipedia.org/wiki/African_American_Vernacular_English">African American Vernacular English</a>. An example of this is shown in the following text:<br><br></div><div>Hey!<br><br></div><div>Where yo' think you're goin'?<br><br></div><div>Don't yo' know dis show is startin' soon?<br><br></div><div>Hey!<br><br></div><div>Jes' a few seats left yere!<br><br></div><div>It's light inside an' outside dere's no moon<br><br></div><div>What fo' you gals dressed up dicty?<br><br></div><div>Where's yo' all gwine?<br><br></div><div>Tell dose stingy men o' yourn<br><br></div><div>To step up here in line!<br><br></div>]]></description>
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         <pubDate>2017-05-24 09:41:54 UTC</pubDate>
         <guid>https://padlet.com/06scesar/7h6vathis9wi/wish/173584009</guid>
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