<?xml version="1.0"?>
<rss version="2.0">
   <channel>
      <title>Brave New World - Huxley&#39;s Context by </title>
      <link>https://padlet.com/aliferisa/BNWCONTEXT</link>
      <description>1920- 1930&#39;s  ~
A period of tension between traditional literature and mass produced popular culture with an emphasis on entertainment, popular genres and the commercialisation of the new codes of sexual liberation and pleasure. Americanisation of England; the spread of the Jazz Age and mass production (The Machine Age - Ford and mass production are significant). Along with this came the rise of mass culture and the silent cinema, radio and recorded popular music and popular dance. Sexual freedoms and fashionable sophistication (and sophisticated wit) are intertwined in the rise of mass culture, furthering the popularity of these forms as mediums for changing sexual expression and freedoms. Fashionable English culture was deeply immersed in these new sexual freedoms, along with great sophistication, and the latter part of the 1920&#39;s was a blend of world weariness, scepticism, cynicism and celebration. It is important to consider scientific advancements (Freud, Pavlov, Einstein, hypnopaedia, artificial insemination) that led to these ideas. The rise of the Communist Revolution in Russia was also an influential factor. Huxley critiques both Communism and Capitalism in this hybrid text by representing a strictly controlled society based on consumerist ideals. 

Huxley writes at this point of transition between the 1920&#39;s into the 1930&#39;s.</description>
      <language>en-us</language>
      <pubDate>2016-07-26 00:11:02 UTC</pubDate>
      <lastBuildDate>2023-03-19 06:49:48 UTC</lastBuildDate>
      <webMaster>hello@padlet.com</webMaster>
      <image>
         <url></url>
      </image>
      <item>
         <title>The Great Gatsby</title>
         <author>aliferisa</author>
         <link>https://padlet.com/aliferisa/BNWCONTEXT/wish/116958626</link>
         <description><![CDATA[<div>Mass Hysteria, 1920's opulence, shifts in popular culture, sexuality, materialism, pleasure through dance and song; promiscuity of the Roaring 20's and the 30's.&nbsp;Mass production &amp; industrialised pleasure.</div>]]></description>
         <enclosure url="https://www.youtube.com/watch?v=rARN6agiW7o" />
         <pubDate>2016-07-26 00:13:42 UTC</pubDate>
         <guid>https://padlet.com/aliferisa/BNWCONTEXT/wish/116958626</guid>
      </item>
      <item>
         <title>Top 100 Songs from the 1920&#39;s</title>
         <author>aliferisa</author>
         <link>https://padlet.com/aliferisa/BNWCONTEXT/wish/116958789</link>
         <description><![CDATA[<div>Consider the titles and lyrics quoted - what do they reflect ?&nbsp;</div>]]></description>
         <enclosure url="https://musictodiefor.wordpress.com/100-favourite-songs-from-the-1920s/" />
         <pubDate>2016-07-26 00:15:41 UTC</pubDate>
         <guid>https://padlet.com/aliferisa/BNWCONTEXT/wish/116958789</guid>
      </item>
      <item>
         <title>Charleston Craze (1925) &#39;Yes Sir, That&#39;s My Baby&#39; - Coon- Sanders Nighthawk Orchestra</title>
         <author>aliferisa</author>
         <link>https://padlet.com/aliferisa/BNWCONTEXT/wish/116959548</link>
         <description><![CDATA[]]></description>
         <enclosure url="https://www.youtube.com/watch?v=lm-gAmzo0EY" />
         <pubDate>2016-07-26 00:27:13 UTC</pubDate>
         <guid>https://padlet.com/aliferisa/BNWCONTEXT/wish/116959548</guid>
      </item>
      <item>
         <title>Eddie Cantor &#39;Makin Whoopee&#39; (1928-1930).</title>
         <author>aliferisa</author>
         <link>https://padlet.com/aliferisa/BNWCONTEXT/wish/116959625</link>
         <description><![CDATA[<div>Popular culture of the time. Note the emphasis on sexual freedom, freedom for women with a culture focused on pleasure. Changing traditions and a representation of class. Note also the clear comments on the nature of marriage/being tied down.</div>]]></description>
         <enclosure url="https://www.youtube.com/watch?v=ANRPmTZRqkg" />
         <pubDate>2016-07-26 00:28:15 UTC</pubDate>
         <guid>https://padlet.com/aliferisa/BNWCONTEXT/wish/116959625</guid>
      </item>
      <item>
         <title>&#39;Private Lives&#39; Noel Coward &amp;amp; Gertrude Lawrence - Radio Drama</title>
         <author>aliferisa</author>
         <link>https://padlet.com/aliferisa/BNWCONTEXT/wish/116959860</link>
         <description><![CDATA[<div>Elyot &amp; Victor were previosly married &amp; divorced... By chance they meet on adjioning hotel baclonies in France when they are both on honeymoons in new marriages. They fall in love again and run away together.&nbsp;** Representation of glamour, romance, liberated sexual codes, witty fashionable comedy. Understanding this is useful for understanding H.'s mode of satiric representation in BNW.</div>]]></description>
         <enclosure url="https://www.youtube.com/watch?v=UJCtMSIeTvU" />
         <pubDate>2016-07-26 00:30:45 UTC</pubDate>
         <guid>https://padlet.com/aliferisa/BNWCONTEXT/wish/116959860</guid>
      </item>
      <item>
         <title>Anita Loos &#39;Gentlemen Prefer Blondes&#39; (1925).</title>
         <author>aliferisa</author>
         <link>https://padlet.com/aliferisa/BNWCONTEXT/wish/116961245</link>
         <description><![CDATA[<div>Shifting notions of sexuality, identity, mass culture and value systems.</div>]]></description>
         <enclosure url="https://padletuploads.blob.core.windows.net/aws/122530100/54fa76370062065df99889f87157f3bc8e82bbeb/21b829d1ce8d71a2639ac1b77996bddc.png" />
         <pubDate>2016-07-26 00:44:53 UTC</pubDate>
         <guid>https://padlet.com/aliferisa/BNWCONTEXT/wish/116961245</guid>
      </item>
      <item>
         <title>F. Scott Fitzgerald&#39;s &#39;The Beautiful and Damned&#39; (1922).</title>
         <author>aliferisa</author>
         <link>https://padlet.com/aliferisa/BNWCONTEXT/wish/116994770</link>
         <description><![CDATA[<div><em>an extract...</em></div>]]></description>
         <enclosure url="https://padletuploads.blob.core.windows.net/aws/122530100/fbc739bf227aa5628b3bd8c2f986fdd8ca7c1e31/e50a761b5d13d92d329ea2d7b31d9fb8.jpg" />
         <pubDate>2016-07-26 11:33:56 UTC</pubDate>
         <guid>https://padlet.com/aliferisa/BNWCONTEXT/wish/116994770</guid>
      </item>
      <item>
         <title>1920&#39;s Party - Dancing at the Famous Tower Ballroom</title>
         <author>aliferisa</author>
         <link>https://padlet.com/aliferisa/BNWCONTEXT/wish/116994862</link>
         <description><![CDATA[<div>The rise of popular music in the 1920's &amp; 1930's; couples danced together in formal (and  more sexualised) rituals. * This, and other forms of dance, provide rich insight to the contemporary context Huxley is building on.</div>]]></description>
         <enclosure url="https://www.youtube.com/watch?v=02bmo1U9HO8" />
         <pubDate>2016-07-26 11:36:08 UTC</pubDate>
         <guid>https://padlet.com/aliferisa/BNWCONTEXT/wish/116994862</guid>
      </item>
      <item>
         <title>&amp;lt;div&amp;gt;&amp;lt;/div&amp;gt;&amp;lt;div&amp;gt;More on Jazz Age Social Dancing&amp;lt;/div&amp;gt;</title>
         <author>aliferisa</author>
         <link>https://padlet.com/aliferisa/BNWCONTEXT/wish/116995003</link>
         <description><![CDATA[]]></description>
         <enclosure url="http://walternelson.com/dr/1920s-dance" />
         <pubDate>2016-07-26 11:40:32 UTC</pubDate>
         <guid>https://padlet.com/aliferisa/BNWCONTEXT/wish/116995003</guid>
      </item>
      <item>
         <title>&amp;lt;i&amp;gt;An extract...&amp;lt;/i&amp;gt;&amp;amp;nbsp;T.S. Eliot &#39;The Waste Land&#39; (1922)</title>
         <author>aliferisa</author>
         <link>https://padlet.com/aliferisa/BNWCONTEXT/wish/116995138</link>
         <description><![CDATA[<div>What catalysed humanity's fall ? What were the impacts of the first great war ? Eliot's disjointed, Modernist composition echoes a deep, dark undercurrent and reveals humanity's despair and disillusionment. How may this link to Mass Hysteria and the shifts in Popular Culture of the era ?</div>]]></description>
         <enclosure url="https://padletuploads.blob.core.windows.net/aws/122530100/a4b0487cb5d547ff00dd47d36d4592d0678ef07c/56ec613821872aaabcd31f08fdbb44df.jpg" />
         <pubDate>2016-07-26 11:43:46 UTC</pubDate>
         <guid>https://padlet.com/aliferisa/BNWCONTEXT/wish/116995138</guid>
      </item>
      <item>
         <title>The Fox Trot</title>
         <author>aliferisa</author>
         <link>https://padlet.com/aliferisa/BNWCONTEXT/wish/116995257</link>
         <description><![CDATA[<div>Swept the nation and popular culture - consider the birds eye view of the people dancing...</div>]]></description>
         <enclosure url="https://www.youtube.com/watch?v=DrLqM8mZhis" />
         <pubDate>2016-07-26 11:48:07 UTC</pubDate>
         <guid>https://padlet.com/aliferisa/BNWCONTEXT/wish/116995257</guid>
      </item>
      <item>
         <title>Ford and Mass Production</title>
         <author>aliferisa</author>
         <link>https://padlet.com/aliferisa/BNWCONTEXT/wish/116995608</link>
         <description><![CDATA[<div>In the 1920s the motorcar came to represent the American dream, by offering independence and adventure.</div>]]></description>
         <enclosure url="http://www.eyewitnesstohistory.com/ford.htm" />
         <pubDate>2016-07-26 12:01:01 UTC</pubDate>
         <guid>https://padlet.com/aliferisa/BNWCONTEXT/wish/116995608</guid>
      </item>
      <item>
         <title>Ford, Mass Production &amp;amp; Brave New World</title>
         <author>aliferisa</author>
         <link>https://padlet.com/aliferisa/BNWCONTEXT/wish/116995719</link>
         <description><![CDATA[<div>The mentality of the society is that progress, through invention, is the key goal of mankind. Consumerism and productivity are the purpose of life in Huxley’s industrial utopia. <br><br><em>"It also came to be believed that </em><strong><em>the engine of technological progress worked most efficiently when people are conceived</em></strong><em> of not as children of God or even as citizens but </em><strong><em>as consumers”</em></strong>&nbsp; (Postman, 1993).</div>]]></description>
         <enclosure url="https://padletuploads.blob.core.windows.net/aws/122530100/7749f668d68e12a08107f047d8d07244c7824741/03259678c82f37535074befd7fd9f995.png" />
         <pubDate>2016-07-26 12:05:08 UTC</pubDate>
         <guid>https://padlet.com/aliferisa/BNWCONTEXT/wish/116995719</guid>
      </item>
      <item>
         <title>Ford&#39;s Assembly Line</title>
         <author>aliferisa</author>
         <link>https://padlet.com/aliferisa/BNWCONTEXT/wish/265599873</link>
         <description><![CDATA[<div>Watch a collection of images depicting Ford's Assembly line, and gain some insight into his ideology. Consider the links to excessive capitalism and mass production; socio-economic 'progress' Huxley was alarmed by.</div>]]></description>
         <enclosure url="https://www.youtube.com/watch?v=f5_mQpR2_Uo" />
         <pubDate>2018-06-05 10:36:04 UTC</pubDate>
         <guid>https://padlet.com/aliferisa/BNWCONTEXT/wish/265599873</guid>
      </item>
   </channel>
</rss>
