Printing with moveable type was introduced to the Western world in the 1450s by Johann Gutenberg in Mainz, Germany. Gutenberg invented the printing press: this new print technology involved setting pages of type from individually cast metal letter forms that were then run off on a hand press. For the first time it was possible to rapidly and mechanically reproduce multiple copies of the same work. This new technology heralded the beginnings of a massive cultural revolution. Before Gutenberg’s invention, books were usually copied by hand, in manuscript, a laborious and cost-intensive process. The potentialities of Gutenberg’s machine were quickly grasped and printing spread rapidly throughout Europe in the second half of the 15th century. 

Caxton learns to print 

Caxton seems to have learnt how to print in Cologne, in what is now Germany. The first evidence of his interest in this new technology was his involvement in the printing there, in 1472, of a massive Latin encyclopaedic work, Bartholomaeus Anglicus’s De Proprietatibus Rerum [‘On the Properties of Things’]. Wynkyn de Worde, Caxton’s associate and successor, who printed an English translation of Bartholomaeus in Westminster in 1495/96, says in the verse epilogue to it that ‘William Caxton [was] first printer of this book | In Latin tongue at Cologne’. In fact, the Cologne edition was probably undertaken by a German printer, possibly Johannes Schilling, who organised the production of this book for Caxton and instructed him in the techniques of printing while he was resident there. It is possible that Caxton published other books while in Cologne, but the evidence is not conclusive. 

Subsequently, Caxton applied the experience he had gained in Cologne by printing various books in the Low Countries. He seems to have published the first book in English in Ghent, in around 1473. This was his own translation of the Recuyell of the Histories of Troy, an account of the Trojan legend. Caxton states in the preface that he had completed the translation while he was in Cologne in September 1471. In the following year he printed another of his own English translations, the Game of Chess. In Bruges, in 1475, he printed a few more books. 

In around 1476 Caxton returned to England and set up the first printing shop in the country near Westminster Cathedral. From here he issued over a hundred books between 1476 and 1492, the year of his death. The size of his organisation is unclear. But since from early in his career he had been publishing large books he must have had a number of workmen to undertake the various aspects of printing, including typesetting, operating the press, proofreading and binding. The great majority of these books were written in English, although a few were in Latin. One of the first major books he printed, in 1477, was Geoffrey Chaucer’s The Canterbury Tales. Caxton was evidently keen to make available to his readers the writings of the most widely known of medieval English poets. He printed a second edition of The Canterbury Tales in 1483, as well as other poems by Chaucer: his Parliament of Fowls and Anelida and Arcite (both c. 1477–78), and his Troilus and Criseyde and House of Fame, both in 1483. He also printed Chaucer’s prose translation of Boethius’s Consolation of Philosophy (1478). Thus Caxton established the tradition of Chaucer in print that has continued over the centuries. 

Creating new reading markets 

But Caxton was not content to simply draw on pre-existing markets for manuscripts for his readership. He also used print to create new markets for novel and different kinds of writing. His most sustained effort of this kind was the publication of a series of prose romances, essentially a new literary form in England in the later 15th century. The most famous work of this kind was his edition of Thomas Malory’s prose Arthurian romance, Le Morte Darthur (1485), one of the biggest books his press produced. He printed a number of other romances of this kind, all in his own translations, including Godfrey of Boulogne (1481), The Knight of the Tower (1484), Charles the Great and Paris and Vienne (both in 1485) and Blanchardin and Eglantine and The Four Sons of Aymon (both in 1490). 

Caxton’s direct involvement in the books he printed was not limited to publishing his own translations. He was also an editor and publicist who adopted various methods to make the books he printed more accessible – and attractive – to his audiences. Many of the books he published contain his own prefaces or epilogues, explaining the contents and/or the circumstances that led him to publish them. And at times he took an active role in editing a work. He made extensive changes to the manuscript of Malory’s Morte Darthur, dividing it into books and chapters and modifying some parts of the text where he felt the language could pose difficulties for his readers. On occasions, he added substantial material of his own to a work. He appended an additional ‘Liber ultimus’ [‘Final Book’] to his edition of the Polychronicon to bring its account of history closer to modern times. Caxton clearly felt it necessary and appropriate to consider what he felt were the needs of his audience in preparing his books for publication. 

Caxton’s cultural and historical impact 

It has been estimated that Caxton published over three million words of his own writings during his career, either in direct translation or in passages he added to books he printed. His own prose made important contributions to the English language, including the introduction of a large number of new words into the lexicon: his writings provide the first recorded use of such nouns as ‘concussion’, ‘fortification’, ‘servitude’ and ‘voyager’ for example. In all, he provides the first usage of over 1,300 words. 

Caxton also introduced a limited number of technical changes to the production of his books over the course of his career. He used a variety of different type fonts and he was the first English printer to commission woodcuts to illustrate his books. They appear for the first time in his edition of Mirror of the World (1481) and thereafter in a number of other books, perhaps most famously in his second edition of Chaucer’s The Canterbury Tales, with its portraits of the pilgrims. 

Further reading 

The standard biography of Caxton is by George Painter, William Caxton (London: Chatto & Windus, 1976). This now needs to be read in conjunction with Lotte Hellinga, William Caxton and Early Printing in England (London: British Library, 2010), which modifies a number of Painter’s conclusions. 

A. S. G. Edwards, PhD, FSA, FEA, is Honorary Professor of Medieval English Manuscripts at the University of Kent at Canterbury and Visiting Professor in the English Department at University College, London. He writes mainly about late medieval English manuscripts and early printed books 

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