I took into consideration the naturalism of how a bedroom should be set up, for example, most people would keep a hairbrush or drink at arms reach when in bed. So when placing those items, I decided to make them look accessible from the bed to enhance a naturalistic environment.

The usage of crystals was also used to use the environment to add more personality to Hannah's character, such as her interests and beliefs.

The lighting department had also placed a light behind the bed, it was a struggle at first as the bed is the only thing that can hold it in place. I assisted with propping it up there.

For versatility, a movie poster 'Lost Boys' was added to remove any empty space on the wall above the bed. Unfortunately, the Barry Manilow poster didn't arrive in time, it was planned to be placed on the wall next to the bed side table.

Some vinyls were placed on top of the wardrobe to further show Hannah's interest in singing and music.

The flowers were also ready as a prop for the scene, for when Hannah reads the note on them. Me and Joe decided to both write the 'Best first date ever' and 'WE KNOW YOU KNOW' in different handwriting, so therefore I wrote the 'Best first date ever' and Joe wrote 'WE KNOW YOU KNOW' to show as if different people had written the notes with differing handwriting.

A bottle of water was added, as it's usually associated with performers and singers to prepare for a performance or for intervals.

The knife also worked as a prop for my character when unsheathing it and showing my madness, so it wasn't actually placed in the scene and wasn't visible until my character took it out from underneath the cloak.

The bottle was used for which Kirstie's character would drink from to swallow the coffee beans.

Unfortunately, one of the vinyls in this shot fell down behind the radiator and got quite scratched. But I managed to get it out by suggesting someone pushes it from underneath as I grab it, therefore retrieving one of our props.

We also used other pieces of trash to add onto the clutter, such as plastic and paper bags.

When being criticised for his liking for blood, I involved the naturalism further by showing looks of disappointment and disinterest from George and Kirstie. Then the previous excitement is rekindled when Mystic Michael backs up Ryan, returning to my previous expression and mannerism.

We then sang a Copacabana parody 'Hannah-cabana' to show our worship towards her. We would all forget certain lines of it and then go back on track. I did this by shyly hiding in my cloak and looking around as if to distract my attention from the awkward situation, then go back to dancing and swaying my shoulders whilst smiling, heavily endorsing the comedic choice made by the director.

Within this shot, it was a great opportunity to show off my emotions in the role when reacting to the scene. I had to hit my mark on the floor to make sure I was in the frame correctly at the right time.

I took my role in the direction of being even more psychotic in this scene, specifically at the line 'and so blood spills'. Widening my eyes, and grinning widely. My hand movements did get too much in the shot at times so I had to keep them minimal and be mindful of how it would affect the shot.

We had the chair in which the kidnapped victim would be tied to with a light beaming on his face, it would be turned on as soon as Hannah discovers him.

Previously, props were transported from near the Lowry, which made it harder, especially given the weather conditions and how cold it was. But this time, we had received the props right outside the building of our location, so it was much more convenient to transport.

It assisted me greater having the rest of the cast with me on the shoot, as I had an eyeline to go off. It also assisted me in feeling more immersed within the scene as my character as I wasn't having to pretend that people were there. Hearing their dialogue and seeing their reactions allowed me to react well too.

I decided to communicate my characters emotional rollercoaster throughout the scene by acting afraid at the conflict between Hannah and Morgan, and being fearful and hurt by Hannah's insults by shying away and bending my body structure to show retreat within the scene.

It also felt more naturalistic to have the heavier bottles in the centre as that's where the placement tends to be when it comes to much larger bottles, and having the light and drinkable cans and glasses on the outside.

A chart was made to show this and was colour-coded to who would bring what between myself, Joe and Callum.

We brought into thought the budget and how we could find affordable props. Also, we decided to make sure to keep the receipts for any props we provided for our production.

When reading over the script, I got the notion that Ryan was comedically psychotic, being quite melodramatic with his dialogue when expressing his desire for blood.

So within my acting choice, I decided to show him as lacking context by randomly appearing with a manic state, shown through my wide eyes and wide grin.

I adapted a lot of my work from my previous modules when looking at Stanislavsky's naturalism and applied it to my character whilst adding my own personal touch to it.