Softened Sports Set, Tie-Front Swimsuit, Strappy Bikini and in terms of cover ups 

Floor-Skimming Kaftan and Twisted-Strap Cover-Up. This report was compiled in August last year so I looking at the very beginning trends emerging on a large scale from trade shows and catwalk shows for the season at the early adaptors stage. Seeing a lot of swimsuits
https://www.wgsn.com/content/board_viewer/#/80331/page/1

 

ECONYL uses synthetic that is exactly the same quality as ordinary nylon

This regeneration system focuses on 6 steps that form a closed loop and uses less water and creates less waste than traditional nylon production methods. Waste is collected, then cleaned and shredded, depolymerised to extract nylon, polymerised, transformed into yarn and then re-commercialised into textile products.

Traditional production methods for nylon are not eco-friendly, they require huge amounts of water and produce a hefty amount of nitrous oxide, which is 10 times more potent than carbon dioxide. What’s more, nylon is not biodegradable, and it is estimated that up 40% of man made plastic waste in the oceans are nylon.

The CTTC museum also supports the community through its “Weaving Lives” exhibition, offering an educational journey through Andean past and present cultural identity. The exhibition describes the weaving processes and the origins of natural dyes, as well as showcasing the designs, styles, and the importance of woven textiles in both daily life and ceremonies.

Collecting high-quality vintage Peruvian textiles is another important mission and, through donations and purchases, CTTC has built a unique collection of ethnic Cusqueñan textiles. It currently includes nearly 1,500 pieces, with some rare items dating back to the 1920s and 1930s. CTTC also frequently shows pieces from this collection in temporary exhibits at other museums — but intends to open its own museum to exhibit their permanent collection once space and funds allow.

CTTC founder and director Nilda Callañaupa Alvarez says she has pledged herself to restoring community pride in these indigenous arts through the center’s exhibitions and community education efforts. This may be a challenge for her: Cultural identities that were, in centuries past, quite literally woven into clothing have become looked down upon by young and urban people today, 

Alvarez says, however, she believes minds are slowly changing: “Today, children wear their traditional clothing comfortably during festivals or celebrations. We have been educating in many ways, but we still have a lot to do — especially with city people.”

Seeing shift towards integrating technology and what methods customers are reacting to in stores.