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      <title>26·01·24 — Ateliers. Pavillon de l&#39;Arsenal, Salle de la Verrière by </title>
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      <description>[AD•REC] limit / no limit — notes de session, Holly Bartley</description>
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      <pubDate>2024-01-25 17:14:22 UTC</pubDate>
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         <title>Step 1: Write a name tag</title>
         <author>hollybartley01</author>
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         <title>Round table presenting ourselves</title>
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         <pubDate>2024-01-26 14:01:18 UTC</pubDate>
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         <title>Maori culture (inspiration)</title>
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         <description><![CDATA[<p>Whakawhanaungatanga</p><p>Recitation:</p><p>My mountain is...My river is...My tribe is...</p><p>Build connection through place.</p><p>Now language has changed: The place that speaks to my heart.</p><p><br/></p>]]></description>
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         <title>Workshop 1: write on formal side (white)</title>
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         <title>Example: Exercise ball of wool</title>
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         <description><![CDATA[<p>Ball of wool paced around when it resonates (connect threads)</p>]]></description>
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         <pubDate>2024-01-26 14:22:00 UTC</pubDate>
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         <title>Workshop 2: Share the other half of who you are (blue side)</title>
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         <title>&quot;To collaborate together we need to know each other better.&quot;</title>
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         <title>Working on womens health this : health sector dont see you as a whole.</title>
         <author>hollybartley01</author>
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         <description><![CDATA[<p>Designing for only one part.</p><p>This pragmatique tool allows to design hollisticly.</p>]]></description>
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         <title>&quot;It&#39;s like an accupunture effect.&quot;</title>
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         <title>This workshop is like an ordinary miracle, connecting people and sharing our time. What a probability!</title>
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         <pubDate>2024-01-26 15:13:17 UTC</pubDate>
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         <title>Wrangeling the tentacles of co-production research</title>
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         <pubDate>2024-01-28 10:30:47 UTC</pubDate>
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         <pubDate>2024-01-28 14:45:23 UTC</pubDate>
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         <title>Working with alive material meants considering the ethics of its use.</title>
         <author>hollybartley01</author>
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         <pubDate>2024-01-28 15:36:25 UTC</pubDate>
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         <title>Her practice: Kintsugi repare with mycelium</title>
         <author>hollybartley01</author>
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         <pubDate>2024-01-28 15:37:58 UTC</pubDate>
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         <title>&quot;How to build a relationship with mycelium?&quot;</title>
         <author>hollybartley01</author>
         <link>https://padlet.com/conferencelimitnolimit/6xaw1bpzz6ujf11k/wish/2864202750</link>
         <description><![CDATA[<p>There are landscapes of relationships.</p>]]></description>
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         <pubDate>2024-01-28 15:39:06 UTC</pubDate>
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         <title>&quot;How to democratise a lab?&quot;</title>
         <author>hollybartley01</author>
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         <description><![CDATA[<p>Microbiological work instructions.</p>]]></description>
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         <pubDate>2024-01-28 15:39:38 UTC</pubDate>
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         <title>Hands on workshop: Create a medium(food) ball to grow mycellium.</title>
         <author>hollybartley01</author>
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         <description><![CDATA[<p>The ball is formed on a sterile, disinfected surface with gloves: we combined straw, sand, grains, and water, and added mycelium dust. To grow, it then needs a humid environment with some airflow. Now, I need to wait a few weeks!</p><p><br></p>]]></description>
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         <pubDate>2024-02-09 10:02:02 UTC</pubDate>
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         <title>Lev Shusharichev </title>
         <author>conferencelimitnolimit</author>
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         <description><![CDATA[<p>"Dans le cadre de la conférence limite/non limite je propose faire un atelier consacré à l'analyse du système des compromis professionnels et créatifs."</p>]]></description>
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         <pubDate>2024-02-09 10:03:47 UTC</pubDate>
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         <link>https://padlet.com/conferencelimitnolimit/6xaw1bpzz6ujf11k/wish/2878957760</link>
         <description><![CDATA[<p>J'étudie les stratégies des artistes, naviguant entre expression personnelle et demandes du marché, indépendance et institutions, contrôle social et liberté. Je fais des entretiens approfondis avec différents membres de la communauté artistique afin d'identifier les principaux points de compromis et les stratégies typiques pour choisir entre eux. Le cadre méthodologique de la recherche est une combinaison d'outils qualitatifs et quantitatifs de sociologie de la culture.</p>]]></description>
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         <title>enquête</title>
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         <description><![CDATA[<p>La notion d’enquête est aujourd’hui largement mobilisée dans les communautés de recherche en design et de recherche création, au point que l’on pourrait aujourd’hui parler de l’émergence d’une recherche en design investigatif ou forensique. Manquant parfois de clarification quant à ses objets, ses modalités de production de connaissances, ses partis pris épistémologiques et ses méthodes, il n’est pas toujours évident de savoir ce qu’elle déplace par rapport à des pratiques académiques éprouvées, notamment en SHS.</p>]]></description>
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         <pubDate>2024-02-09 10:06:44 UTC</pubDate>
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         <title>Deux temps </title>
         <author>conferencelimitnolimit</author>
         <link>https://padlet.com/conferencelimitnolimit/6xaw1bpzz6ujf11k/wish/2878960697</link>
         <description><![CDATA[<ol><li><p>une série de cas concrets portant sur des objets techniques controversés (dispositifs d’IA, projets d’occupation de territoires, infrastructures numériques, infrastructures énergétiques, ...) et mettant en jeu des techniques d’enquête qui mêlent pratiques de design avec des approches OSINT, participatives et ethnographiques est présentée</p></li><li><p>une discussion structurée organisée autour de trois axes : 1/ la question des objets d’enquête du design forensique, 2/ son répertoire de méthodes, enfin 3/ ses cadres d’action</p></li></ol>]]></description>
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         <pubDate>2024-02-09 10:07:33 UTC</pubDate>
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         <title>Pauline Gourlet, Robin de Mourat</title>
         <author>conferencelimitnolimit</author>
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         <title>Anna Brown </title>
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         <title>Christina Stadlbauer, Lynn Hyun Kieffer</title>
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         <pubDate>2024-02-09 10:08:39 UTC</pubDate>
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         <title></title>
         <author>marieboishus</author>
         <link>https://padlet.com/conferencelimitnolimit/6xaw1bpzz6ujf11k/wish/2887944441</link>
         <description><![CDATA[<p>D’abord nous avons eu une présentation sur la manière dont elles travaillent en laboratoire et les différences qu’il y a dans le fait de travailler chez soi, sans tout le gros matériel, les choses auxquelles être attentif. Nous apprenons que Lynn Hyun Kieffer travaille pour inclure le mycelium à l’architecture.</p><p><br/></p><p>Puis nous avons réalisé un atelier, nous avons désinfecté tout notre matériel, nous avons agencés ensemble des matériaux tels que de la laine, des graines, des morceaux de carton, avec du mycelium, le tout imbibé d’eau stérilisée. L’objectif était de nouer des relations avec le mycelium, ainsi qu’avec nos partenaires humains dans l’atelier, ce que nous avons fait, c’était très joyeux et convivial.</p><p><br/></p><p>Nous avons rangé nos expérimentations dans un sac plastique hermétique et répondu à un questionnaire sur l’évolution de notre rapport au mycelium au cours de l’atelier. Quels étaient nos appréhension, nos ressentis avant et après. Avons-nous noué des relations avec le mycelium, lui avons-nous parlé ?…</p><p><br/></p><p>Nous avons inscrit nos adresse e-mail, nous ramenons nos échantillons chez nous, nous devons les placer dans une boîte hermétique et à l’abris de la lumière. D’ici 3 ou 4 semaines, ils devraient avoir pris de l’ampleur et Christina Stadlbauer et Lynn Hyun Kieffer attendent de voir les photos de notre mycelium.</p>]]></description>
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         <pubDate>2024-02-19 10:05:14 UTC</pubDate>
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         <title></title>
         <author>marieboishus</author>
         <link>https://padlet.com/conferencelimitnolimit/6xaw1bpzz6ujf11k/wish/2887993356</link>
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         <pubDate>2024-02-19 10:51:14 UTC</pubDate>
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         <title></title>
         <author>marieboishus</author>
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         <pubDate>2024-02-19 10:52:07 UTC</pubDate>
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      <item>
         <title></title>
         <author>marieboishus</author>
         <link>https://padlet.com/conferencelimitnolimit/6xaw1bpzz6ujf11k/wish/2887995947</link>
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         <pubDate>2024-02-19 10:53:43 UTC</pubDate>
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      <item>
         <title></title>
         <author>marieboishus</author>
         <link>https://padlet.com/conferencelimitnolimit/6xaw1bpzz6ujf11k/wish/2888001826</link>
         <description><![CDATA[<p>Tous les participant.es réfléchissent, cherchent des exemples d'investigation en design et écrivent ce qui les intéresse à propos de ces expérimentations</p>]]></description>
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         <pubDate>2024-02-19 10:59:48 UTC</pubDate>
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      <item>
         <title>Forensic Architecture</title>
         <author>marieboishus</author>
         <link>https://padlet.com/conferencelimitnolimit/6xaw1bpzz6ujf11k/wish/2888003688</link>
         <description><![CDATA[<p>- Forensic architecture is a research group, based in London, Eyal Weizman, her book <em>vérité en ruines, manifeste pour une architecture forensique</em></p><p>Constituted of architects not focused on production of architecture but more focused on unfolding contested events thanks to architectural methods (3D mapping for example), in order to reconstitute events (protests, episodes of killing, it usually deals with violent situations)</p><p>They oppose conter-nvestigations to the state’s ones</p><p><br/></p><p>Lot of different methods, lots of data sources</p><p><br/></p><p>They worked on Zineb Redouane’s death : killed during gilets jaunes protests</p><p>The official investigation said that the policeman was not responsible and that the shot was réglementaire</p><p><br/></p><p>The counterfactual inquiry showed that it was actually not a regulatory shot</p><p><br/></p><p>They worked based on an open source data (video surveillance, journalists’ video, witness videos)</p><p>Then they remodeled the environment and could see that what the policeman was watching in direction of Redouane’s apartment and that he shot in its direction.</p><p><br/></p><p>What is a lawful shot ? (1 angle of the shot, 2 making sure to not reach anyone with the projectile)</p><p><br/></p><p>Then, knowing he was watching the window, he should have evaluated the risk and should not have shot</p><p><br/></p><p>There is creativity behind their methods</p><p><br/></p><p>Architecture might be three things in their work : an object of inquiry, a method, a way of presenting their work (they had a pavilion in Venezia)</p><p><br/></p><p>Theoretical framework</p><p>1 field, 2 lab, 3 form (where you activate those data, in order for your work to have effects)</p><p>(this division might be reductive ? Is there a way to link them ?)</p><p>Is it what investigating design should be about ?</p><p>Really narrative</p><p><br/></p><p>Establishment of facts</p><p>Police inquiries</p><p>Do we want to expand this definition of inquiry ?</p><p><br/></p><p>John Dewey has a definition of inquiry</p><p><br/></p><p>Question of temporality</p><p><br/></p><p>They work toward the past rather than the future</p><p>Design can also be focused on the past</p>]]></description>
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         <pubDate>2024-02-19 11:01:44 UTC</pubDate>
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      <item>
         <title></title>
         <author>marieboishus</author>
         <link>https://padlet.com/conferencelimitnolimit/6xaw1bpzz6ujf11k/wish/2888005586</link>
         <description><![CDATA[<p>A project seen during Pauline Gourlet’s phd</p><p>Enquête sur l’IA au service de la lutte contre la fraude, bilan de l’expérimentation «&nbsp;foncier innovant&nbsp;»</p>]]></description>
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         <pubDate>2024-02-19 11:03:39 UTC</pubDate>
         <guid>https://padlet.com/conferencelimitnolimit/6xaw1bpzz6ujf11k/wish/2888005586</guid>
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      <item>
         <title></title>
         <author>marieboishus</author>
         <link>https://padlet.com/conferencelimitnolimit/6xaw1bpzz6ujf11k/wish/2888007815</link>
         <description><![CDATA[<p>Robin de Mourat, Clémence Serat, Thomas Tari, <em>le champ des possibles</em>, 369 eds, 2023</p><p>Enquête sur un projet du grand Paris</p>]]></description>
         <enclosure url="" />
         <pubDate>2024-02-19 11:06:02 UTC</pubDate>
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      <item>
         <title>Proposition de définition pour un design forensique :</title>
         <author>marieboishus</author>
         <link>https://padlet.com/conferencelimitnolimit/6xaw1bpzz6ujf11k/wish/2888009658</link>
         <description><![CDATA[<p>Pratique qui convoque l’ensemble des techniques issues de la formation des designers, orientée vers la conception de dispositifs d’enquête pour produire des descriptions et les rendre agissantes dans les milieux et situations qu’elles concernent.</p><p>L’enquête est avant tout une attitude (plutôt qu’une méthode ou un objet) : celle de se rendre attentive aux choses telles qu’elles sont agencées et agissantes dans le présent des situations où l’enquête advient, toute tendue vers les conséquences des actions qu’elle engage sur ces situations.</p><p><br/></p><p>4 verbes qui reprennent des gestes qui comptent pour nous dans cette proposition :</p><p>Ces gestes interrogent en creux les méthodes et pratiques des sciences humaines et sociales et/ou du design</p><ul><li><p>Mobiliser (mobilisation d’affects, mobilisation d’un public)</p></li><li><p>Différer (suspendre acte de création)</p></li><li><p>Faire importer</p></li><li><p>disposer</p></li></ul>]]></description>
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         <pubDate>2024-02-19 11:07:26 UTC</pubDate>
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      <item>
         <title></title>
         <author>marieboishus</author>
         <link>https://padlet.com/conferencelimitnolimit/6xaw1bpzz6ujf11k/wish/2888011597</link>
         <description><![CDATA[<p>Suivi d'une discussion, chacun.e explique le ou les projets qu'iel avait noté et ce qui l'intéresse dans ce projet</p>]]></description>
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         <pubDate>2024-02-19 11:09:28 UTC</pubDate>
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      <item>
         <title></title>
         <author>marieboishus</author>
         <link>https://padlet.com/conferencelimitnolimit/6xaw1bpzz6ujf11k/wish/2896053412</link>
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         <pubDate>2024-02-26 14:30:13 UTC</pubDate>
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