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      <title>Week 1 - Contemporary Production by Production Analysis</title>
      <link>https://padlet.com/productionanalysispb/contemporary</link>
      <description>George Martin /  Rick Rubin / Quincy Jones
</description>
      <language>en-us</language>
      <pubDate>2021-04-12 15:22:01 UTC</pubDate>
      <lastBuildDate>2021-04-14 09:14:02 UTC</lastBuildDate>
      <webMaster>hello@padlet.com</webMaster>
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         <author>productionanalysispb</author>
         <link>https://padlet.com/productionanalysispb/contemporary/wish/1407863097</link>
         <description><![CDATA[<div>Given the continuing democratisation and affordability of modern music making brought about by modern <strong>DAW</strong> (Digital Audio Workstation) in 1993, and the birth of home recording, the role of 'producer' is often folded together with that of 'artist'. This can be confusing as it blurs the lines as to what exactly is expected of each, creating a potentially damaging false narrative of having to do everything yourself.</div><div>Aspiring artists today often make music alone on a single laptop or even a phone, so whether consciously or not they are wearing many hats; artist, performer, mixer, sound designer, programmer, producer, sound engineer and not forgetting marketing, A&amp;R and possibly label owner!</div><div>The danger can be that they end up excelling at none of these roles and creating sub standard work. Most music fans are unaware of the number of highly skilled individuals that are involved in the making of their favourite records, or even that it’s ok to ask for help or assistance from others, that it's not "cheating".</div><div>For every sole genius like Prince who played every instrument and composed all his own music, there is a David Bowie who relied heavily on collaboration with the likes of Brian Eno, Nile Rogers, Tony Vis­conti and an army of world class session musicians at his disposal. Tools like <a href="https://www.loopcloud.com/cloud/?gclid=EAIaIQobChMIkraikO3u7wIViNeyCh27IwCyEAAYASAAEgIvbfD_BwE">Loopcloud </a>and <a href="https://splice.com/features/sounds?utm_source=google&amp;utm_medium=cpc&amp;utm_campaign=Google_Search_Alpha_Acquisition_Sounds_Purebrand_ROW&amp;utm_content=splice&amp;utm_term=null&amp;gclid=EAIaIQobChMI97iAke3u7wIVDKWyCh0i6QOeEAAYASAAEgI0C_D_BwE">Splice</a> have further democratised the access of artists to professional sounding recordings that can be used as a launchpad for their songs - consider that Lil’ Nas X bought the beat for ‘<em>Old Town Road</em>’ for $50 from the BeatStars website (link: <a href="https://www.beatstars.com/">https://www.beatstars.com/</a>) (Wang, 2019) He was exercising his <strong>taste </strong>in picking this beat which perfectly reflected his ‘country meets trap’ theme.</div>]]></description>
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         <pubDate>2021-04-12 15:23:21 UTC</pubDate>
         <guid>https://padlet.com/productionanalysispb/contemporary/wish/1407863097</guid>
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         <title>Hip Hop / Beat Makers</title>
         <author>productionanalysispb</author>
         <link>https://padlet.com/productionanalysispb/contemporary/wish/1407868336</link>
         <description><![CDATA[<div>In the following video, Timbaland is auditioning beats for Jay-Z - notice his reaction when the beat which will become the song '<em>Dirt Off Your Shoulder</em>' is played :</div>]]></description>
         <enclosure url="https://youtu.be/_SMMO5KR1zM" />
         <pubDate>2021-04-12 15:24:14 UTC</pubDate>
         <guid>https://padlet.com/productionanalysispb/contemporary/wish/1407868336</guid>
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         <title></title>
         <author>productionanalysispb</author>
         <link>https://padlet.com/productionanalysispb/contemporary/wish/1407872809</link>
         <description><![CDATA[<ul><li>Is a beat maker an ‘artist’? Or a ‘producer’?</li><li>Would Jay-Z have written ‘Dirt Off Your Shoulder’ without Timbaland’s beat to inspire him?</li><li>Is Jay-Z’s contribution to the song more valuable than Timbaland’s? Explain why.</li></ul><div><br></div>]]></description>
         <enclosure url="" />
         <pubDate>2021-04-12 15:25:01 UTC</pubDate>
         <guid>https://padlet.com/productionanalysispb/contemporary/wish/1407872809</guid>
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         <title>Pop / EDM</title>
         <author>productionanalysispb</author>
         <link>https://padlet.com/productionanalysispb/contemporary/wish/1407877388</link>
         <description><![CDATA[<div>In the below video, successful EDM artist KSHMR discusses the many different types of creative artist producer that is so common in today's music, the power of collaboration, genre splicing, branding and finding your identity.</div>]]></description>
         <enclosure url="https://vle.pointblankmusicschool.com/notes/london/6052/production-analysis-pbc406/lesson1/page8.php" />
         <pubDate>2021-04-12 15:25:49 UTC</pubDate>
         <guid>https://padlet.com/productionanalysispb/contemporary/wish/1407877388</guid>
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         <title></title>
         <author>productionanalysispb</author>
         <link>https://padlet.com/productionanalysispb/contemporary/wish/1415539353</link>
         <description><![CDATA[<div>•&nbsp;Which one of his suggested archetypes fits your personal style? If you struggle, which would be your ideal to move towards?&nbsp;<br>•&nbsp;What actions might you take to move towards it?</div>]]></description>
         <enclosure url="" />
         <pubDate>2021-04-14 08:49:45 UTC</pubDate>
         <guid>https://padlet.com/productionanalysispb/contemporary/wish/1415539353</guid>
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