Week 12 - 12 pm tutorial by Georgina Walker https://padlet.com/walker_g/AHIS20018_wk12_12pm_tutorial From ‘Bad Risk’ to ‘Solid Investment’: criticism and the cultivation of reputation. en-us 2021-10-21 02:17:56 UTC 2025-12-30 19:02:59 UTC hello@padlet.com walker_g https://padlet.com/walker_g/AHIS20018_wk12_12pm_tutorial/wish/1832227592 2021-10-21 02:17:56 UTC https://padlet.com/walker_g/AHIS20018_wk12_12pm_tutorial/wish/1832227592 Damien Hirst scales back business activities to focus on making art walker_g https://padlet.com/walker_g/AHIS20018_wk12_12pm_tutorial/wish/1832227593 The Art Newspaper ANNY SHAW
1st October 2018
]]> 2021-10-21 02:17:56 UTC https://padlet.com/walker_g/AHIS20018_wk12_12pm_tutorial/wish/1832227593 3. What role has François Pinault and his private museums - Punta della Dogana and Palazzo Grassi, Venice - played in rebuilding and repositioning Damien Hirst's reputation and value within the market? walker_g https://padlet.com/walker_g/AHIS20018_wk12_12pm_tutorial/wish/1832227594 Consider this within the context of the exhibition entitled “Treasures of the Wreck of the Unbelievable.”

https://www.theguardian.com/artanddesign/2017/apr/16/damien-hirst-treasures-from-the-wreck-of-the-unbelievable-review-venice

http://www.artnews.com/2017/05/08/a-disastrous-damien-hirst-show-in-venice/

http://www.artnews.com/2017/04/21/one-mans-trash-is-damien-hirsts-treasure-in-venice-the-artist-offers-his-grandest-work-yet/]]> 2021-10-21 02:17:56 UTC https://padlet.com/walker_g/AHIS20018_wk12_12pm_tutorial/wish/1832227594 2. How can a powerful group of individuals - artist, dealers, art advisers, private collectors and critics - influence Damien Hirst’s reputation, career and sale of his art? walker_g https://padlet.com/walker_g/AHIS20018_wk12_12pm_tutorial/wish/1832227597 2021-10-21 02:17:56 UTC https://padlet.com/walker_g/AHIS20018_wk12_12pm_tutorial/wish/1832227597 walker_g https://padlet.com/walker_g/AHIS20018_wk12_12pm_tutorial/wish/1832245173 2021-10-21 02:25:28 UTC https://padlet.com/walker_g/AHIS20018_wk12_12pm_tutorial/wish/1832245173 walker_g https://padlet.com/walker_g/AHIS20018_wk12_12pm_tutorial/wish/1832246989 2021-10-21 02:26:14 UTC https://padlet.com/walker_g/AHIS20018_wk12_12pm_tutorial/wish/1832246989 walker_g https://padlet.com/walker_g/AHIS20018_wk12_12pm_tutorial/wish/1832255497 2021-10-21 02:29:57 UTC https://padlet.com/walker_g/AHIS20018_wk12_12pm_tutorial/wish/1832255497 1. What do the careers of artists like Ken Done and KAWS tell us about the creation of artistic reputations?                                                                         Were Done’s unfavourable reviews owing to the fact that he is ‘not a good artist’ or because his work, with its strong market sensibility, challenges the various assumptions about artists and their careers? (Peter Anderson, ‘Ken Done’s image problem’, Art Monthly Australia, 1995, pp.4-6 )                                 walker_g https://padlet.com/walker_g/AHIS20018_wk12_12pm_tutorial/wish/1834848787


]]> 2021-10-21 23:08:21 UTC https://padlet.com/walker_g/AHIS20018_wk12_12pm_tutorial/wish/1834848787 walker_g https://padlet.com/walker_g/AHIS20018_wk12_12pm_tutorial/wish/1834854109 2021-10-21 23:13:13 UTC https://padlet.com/walker_g/AHIS20018_wk12_12pm_tutorial/wish/1834854109 walker_g https://padlet.com/walker_g/AHIS20018_wk12_12pm_tutorial/wish/1834858289 2021-10-21 23:16:34 UTC https://padlet.com/walker_g/AHIS20018_wk12_12pm_tutorial/wish/1834858289