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      <title>Remake of Singstil und instrumentalstil by Rosalie Apfel</title>
      <link>https://padlet.com/rosalie250869/6totz6k2l2ayrrag</link>
      <description>Ede Müller 2020</description>
      <language>en-us</language>
      <pubDate>2020-08-17 16:49:20 UTC</pubDate>
      <lastBuildDate>2023-02-21 06:12:22 UTC</lastBuildDate>
      <webMaster>hello@padlet.com</webMaster>
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      <item>
         <title>Beethoven und seine Tempi...</title>
         <author>rosalie250869</author>
         <link>https://padlet.com/rosalie250869/6totz6k2l2ayrrag/wish/683185514</link>
         <description><![CDATA[<div>Das ist das Probelm und hier kommen viele Möglichkeiten</div>]]></description>
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         <pubDate>2020-08-17 16:49:20 UTC</pubDate>
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      <item>
         <title>Beethoven und die richtige Interpretation</title>
         <author>rosalie250869</author>
         <link>https://padlet.com/rosalie250869/6totz6k2l2ayrrag/wish/683185517</link>
         <description><![CDATA[<div>hier die letzte Aufgabe für euch:<br><br>Ihr habt im Unterricht den 1. und 2. Satz der Eroica in unterschiedlichen Interpretationen gehört:<br><br>a. Arturo Toscanini             1949         NBC Sinfonie Orchestra<br>b. Wilhelm Furtwängler     1953         Wiener Philharmoniker<br><br>diese beiden Interpretationen habe ich ausgewählt, da sie sehr unterschiedlich sind:<br><br>TOSCANINI versucht den Schwung und die „revolutionäre“ Energie von Beethoven heraus zu arbeiten.  dieser Tradition stehen auch Hermann Scherchen und Rene Leibowitz<br>FURTWÄNGLELer steht für die romantische Auffassung  von Beethoven. Diesen Ansatz findet man auch bei Klemperer und Karajan.</div><div><br><br></div><div><br><br></div><div>Auf dem Padlet gibt es noch zum direkten Vergleich:</div><div><br><br></div><div>JOHN E. GARDINER      Aufnahme mit historischen Instrumenten im sogenannten "historisch angenäherten Interpretationsmodus. Wer noch mehr in diesem Stil hören möchte, dem die Gesamtaufnahme mit <strong>Jordi Savall</strong> im Padlet nebenan empfolen.<br><br></div><div><br><br></div><div>PARVO JÄRVI            hier ein eher moderner Stil, der die Kontraste sehr deutlich rausarbeitet und wirken läst.     <br><br></div><div><br><br></div><div><br></div>]]></description>
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         <pubDate>2020-08-17 16:49:20 UTC</pubDate>
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      <item>
         <title>Aufgabe:</title>
         <author>rosalie250869</author>
         <link>https://padlet.com/rosalie250869/6totz6k2l2ayrrag/wish/683185521</link>
         <description><![CDATA[<div>Was meint ihr:</div><ul><li>welche der Aufnahmen hätte Wagner am besten gefallen?</li><li>Welche der Aufnahmen findet ihr für Beethoven angemessen?</li><li>Welche der Aufnahmen gefällt dir am besten?</li></ul>]]></description>
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         <pubDate>2020-08-17 16:49:20 UTC</pubDate>
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      <item>
         <title>Beethoven 3.3</title>
         <author>rosalie250869</author>
         <link>https://padlet.com/rosalie250869/6totz6k2l2ayrrag/wish/683185522</link>
         <description><![CDATA[<div>Wilhelm Furtwängler 1953</div>]]></description>
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         <pubDate>2020-08-17 16:49:20 UTC</pubDate>
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      <item>
         <title>Beethoven 3.3. deutsche Kammerphilharmonie, Paavo Järvi</title>
         <author>rosalie250869</author>
         <link>https://padlet.com/rosalie250869/6totz6k2l2ayrrag/wish/683185523</link>
         <description><![CDATA[<div>Super Tempo!<br>Leicht und locker und wenn sich der Dirigent durch die Haare fährt...</div>]]></description>
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         <pubDate>2020-08-17 16:49:20 UTC</pubDate>
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      <item>
         <title>Beethoven Eroica 3.3.</title>
         <author>rosalie250869</author>
         <link>https://padlet.com/rosalie250869/6totz6k2l2ayrrag/wish/683185524</link>
         <description><![CDATA[<div>Toscanini 1953 </div>]]></description>
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         <pubDate>2020-08-17 16:49:20 UTC</pubDate>
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      <item>
         <title>Und zum Schluss Gardiner mit seiner Interpretation </title>
         <author>rosalie250869</author>
         <link>https://padlet.com/rosalie250869/6totz6k2l2ayrrag/wish/683185525</link>
         <description><![CDATA[<div>Auf historischen Instrumenten </div>]]></description>
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         <pubDate>2020-08-17 16:49:20 UTC</pubDate>
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      </item>
      <item>
         <title>Was ist jetzt &quot;richtig&quot;?</title>
         <author>rosalie250869</author>
         <link>https://padlet.com/rosalie250869/6totz6k2l2ayrrag/wish/683185527</link>
         <description><![CDATA[<div><em>Scherzo:<br></em><br></div><div><em>„Das Scherzo nimmt seit Beethoven in der Sonate häufig die Stelle des Menuetts ein. Von diesem unterscheidet es sich kaum durch die Form, wohl aber wesentlich durch den Charakter. Durchgehend ist im Scherzo das Tempo schneller. Das Menuett hat den Charakter des geschrittenen, ziemlich langsamen, zierlichen oder gravitätischen Tanzes, das Scherzo geht über den Tanz hinaus in ein rasches Laufen, oft ein atemloses Dahinjagen.<br></em><br></div><div><em>Wie der Name besagt, ist Scherz, Humor seine Haupteigenschaft. Den Presto-Charakter des Scherzo bringt besonders Beethoven auf glänzende zum Ausdruck; ... Eilige, prickelnde Rhythmen, plötzliche, scharfe Akzentwirkungen, Akzentverschiebungen durch Synkopen, geistvolle Ausnutzung des Staccato, der großen Sprünge in den melodischen Konturen, scharfe dynamische Kontrastwirkung sind die Hauptkennzeichen des Beethovenschen Scherzo.<br></em><br></div><div><em>Das rasche Tempo des Scherzo führt dazu, daß es eine viel größere räumliche Ausdehnung haben kann als das Menuett, ohne zeitlich viel ausgedehnter zu werden.<br></em><br></div><div><br><br><br><br><br><br><br><br><br><br></div><div>(Hugo Leichtentritt: Musikalische Formenlehre, Leipzig 5. Aufl. 1952 zit. nach Christoph Richter: Interpretation von Musik, MuBi 6/96 S.9)<br><br></div>]]></description>
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      <item>
         <title>Beethoven Interpretation als Abiturthema ?</title>
         <author>rosalie250869</author>
         <link>https://padlet.com/rosalie250869/6totz6k2l2ayrrag/wish/683185529</link>
         <description><![CDATA[<div>nur mal als Ausblick: Dieses Abiturthema haben meine Leute 1998 im schriftlichen Abitur bekommen.</div>]]></description>
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         <pubDate>2020-08-17 16:49:20 UTC</pubDate>
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      <item>
         <title>Glory to god</title>
         <author>rosalie250869</author>
         <link>https://padlet.com/rosalie250869/6totz6k2l2ayrrag/wish/683185534</link>
         <description><![CDATA[<div>Noten (mit Farbmarkierungen)</div>]]></description>
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      <item>
         <title>Glory to god Aufgabe </title>
         <author>rosalie250869</author>
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      <item>
         <title>GLory to god Musik</title>
         <author>rosalie250869</author>
         <link>https://padlet.com/rosalie250869/6totz6k2l2ayrrag/wish/683185536</link>
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      </item>
      <item>
         <title>Glory to god Lösung</title>
         <author>rosalie250869</author>
         <link>https://padlet.com/rosalie250869/6totz6k2l2ayrrag/wish/683185537</link>
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      </item>
      <item>
         <title>&quot;and the glory...&quot; Noten</title>
         <author>rosalie250869</author>
         <link>https://padlet.com/rosalie250869/6totz6k2l2ayrrag/wish/683185539</link>
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      </item>
      <item>
         <title>&quot;and the glory,,,&quot; Musik</title>
         <author>rosalie250869</author>
         <link>https://padlet.com/rosalie250869/6totz6k2l2ayrrag/wish/683185541</link>
         <description><![CDATA[]]></description>
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         <pubDate>2020-08-17 16:49:20 UTC</pubDate>
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      </item>
      <item>
         <title>&quot;and the glory...&quot; Aufgaben</title>
         <author>rosalie250869</author>
         <link>https://padlet.com/rosalie250869/6totz6k2l2ayrrag/wish/683185542</link>
         <description><![CDATA[<div>LNW zu Messias und "and the glory..."</div>]]></description>
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         <pubDate>2020-08-17 16:49:20 UTC</pubDate>
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      </item>
      <item>
         <title>&quot;and the glory ...Lösunng</title>
         <author>rosalie250869</author>
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         <pubDate>2020-08-17 16:49:20 UTC</pubDate>
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      <item>
         <title>Händel Messias Infos</title>
         <author>rosalie250869</author>
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         <description><![CDATA[]]></description>
         <enclosure url="https://de.wikipedia.org/wiki/Messiah" />
         <pubDate>2020-08-17 16:49:20 UTC</pubDate>
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      </item>
      <item>
         <title>and he shall purify Noten</title>
         <author>rosalie250869</author>
         <link>https://padlet.com/rosalie250869/6totz6k2l2ayrrag/wish/683185545</link>
         <description><![CDATA[]]></description>
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         <pubDate>2020-08-17 16:49:20 UTC</pubDate>
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      </item>
      <item>
         <title>ands he shall purify LNW</title>
         <author>rosalie250869</author>
         <link>https://padlet.com/rosalie250869/6totz6k2l2ayrrag/wish/683185546</link>
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         <pubDate>2020-08-17 16:49:20 UTC</pubDate>
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      </item>
      <item>
         <title>and he shall purify Loesung</title>
         <author>rosalie250869</author>
         <link>https://padlet.com/rosalie250869/6totz6k2l2ayrrag/wish/683185551</link>
         <description><![CDATA[]]></description>
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      </item>
      <item>
         <title>Monophonie-Homophonie-Polyphonie</title>
         <author>rosalie250869</author>
         <link>https://padlet.com/rosalie250869/6totz6k2l2ayrrag/wish/683185555</link>
         <description><![CDATA[<div>Am Beispiel des „Halleluja“ chor</div>]]></description>
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         <pubDate>2020-08-17 16:49:20 UTC</pubDate>
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      <item>
         <title>And he shall purify musik</title>
         <author>rosalie250869</author>
         <link>https://padlet.com/rosalie250869/6totz6k2l2ayrrag/wish/683185556</link>
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         <pubDate>2020-08-17 16:49:20 UTC</pubDate>
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      </item>
      <item>
         <title>Händel feature</title>
         <author>rosalie250869</author>
         <link>https://padlet.com/rosalie250869/6totz6k2l2ayrrag/wish/683185558</link>
         <description><![CDATA[]]></description>
         <enclosure url="https://podcasts.apple.com/de/podcast/stichwort-lexikon-der-alten-musik/id353111796?i=1000109236882" />
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      </item>
      <item>
         <title></title>
         <author>rosalie250869</author>
         <link>https://padlet.com/rosalie250869/6totz6k2l2ayrrag/wish/683185562</link>
         <description><![CDATA[Musiktheorie]]></description>
         <enclosure url="http://musik.bplaced.net/theorie/index.htm" />
         <pubDate>2020-08-17 16:49:20 UTC</pubDate>
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      </item>
      <item>
         <title>Beethoven Game</title>
         <author>rosalie250869</author>
         <link>https://padlet.com/rosalie250869/6totz6k2l2ayrrag/wish/683185565</link>
         <description><![CDATA[Beethoven Game zum kennenlernen]]></description>
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         <pubDate>2020-08-17 16:49:20 UTC</pubDate>
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      </item>
      <item>
         <title>Startfenster - Suchen</title>
         <author>rosalie250869</author>
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         <description><![CDATA[]]></description>
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      </item>
      <item>
         <title>Startfenster - Suchen</title>
         <author>rosalie250869</author>
         <link>https://padlet.com/rosalie250869/6totz6k2l2ayrrag/wish/683185570</link>
         <description><![CDATA[]]></description>
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      </item>
      <item>
         <title>Startfenster - Suchen</title>
         <author>rosalie250869</author>
         <link>https://padlet.com/rosalie250869/6totz6k2l2ayrrag/wish/683185573</link>
         <description><![CDATA[]]></description>
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      <item>
         <title>ängler 1953</title>
         <author>rosalie250869</author>
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      </item>
      <item>
         <title>Beethoven 3. Sinfonie </title>
         <author>rosalie250869</author>
         <link>https://padlet.com/rosalie250869/6totz6k2l2ayrrag/wish/683185584</link>
         <description><![CDATA[<div>Die Idee </div>]]></description>
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         <pubDate>2020-08-17 16:49:20 UTC</pubDate>
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      </item>
      <item>
         <title>Beethoven 3. Sinfonie</title>
         <author>rosalie250869</author>
         <link>https://padlet.com/rosalie250869/6totz6k2l2ayrrag/wish/683185587</link>
         <description><![CDATA[<div>Lecture with Leonhard Bernstein </div>]]></description>
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      <item>
         <title>Beethoven 3. Sinfonie, 1. Satz als Cartoon </title>
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      <item>
         <title>Beethoven 3. Sinfonie, 1. Satz, Noten und Aufnahme </title>
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         <description><![CDATA[<div>Herbert von Karajan (mit viel Hall)</div>]]></description>
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      <item>
         <title>Beethoven 3. Sinfonie, 2. Satz </title>
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         <title>Beethoven, 3.4. deutsche kammerphilharmonie, Paavo Järvi</title>
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         <title>Beethoven 3. Sinfonie, Finale </title>
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         <title>Werkeinführung </title>
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      <item>
         <title>Beethoven 3.3. </title>
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      <item>
         <title>Klemperer 1959</title>
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         <title>Beethoven eroica komplett</title>
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         <description><![CDATA[<div>Jordan Savall, der spanische Spezialist für alte Musik </div>]]></description>
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         <title>Beethoven eroica. In kammerbesetzung </title>
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         <title>Beethoven 3. Sinfonie , 3. Satz scherzo</title>
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         <description><![CDATA[<div>René Leibowitz</div>]]></description>
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      <item>
         <title>Beethoven 3. Sinfonie komplett, Scherzo ab Minute 28</title>
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         <description><![CDATA[<div>Hermann Scherchen, (1958) historische Aufnahme im „richtigen“ Tempo</div>]]></description>
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      <item>
         <title>Noch eine werkeinführung</title>
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         <description><![CDATA[<div>Joachim Kaiser und Christian thilemann (diesmal auf deutsch)</div>]]></description>
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      <item>
         <title>Klassik Grundlagen </title>
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      <item>
         <title>Satz und Periode </title>
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      <item>
         <title>Satz und Periode </title>
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      <item>
         <title>Die sonatenhauptsatzform</title>
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      <item>
         <title>Musikalische Fachbegriffe</title>
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      <item>
         <title>Barock-Klassik</title>
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      <item>
         <title></title>
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      </item>
      <item>
         <title>Bach gegen Rokoko</title>
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      </item>
      <item>
         <title>Unterschiede Barock-Klassik</title>
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      <item>
         <title>Generalbass Tutorial</title>
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      </item>
      <item>
         <title>Generalbassbezifferungen Überblick</title>
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      </item>
      <item>
         <title>Generalbassübungen</title>
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         <description><![CDATA[<div>entweder: Das Programm muse score (kostenlos) laden und dort mit Hörkontrolle ausprobieren</div>]]></description>
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         <title>oder Generalbassübungen ausdrucken und mit Hand ausfüllen</title>
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         <title>Genralbassaufgaben Lösung</title>
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         <title>Generalbassübungen ausgefüllt pdf</title>
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         <title></title>
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         <description><![CDATA[]]></description>
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         <pubDate>2020-08-17 16:49:20 UTC</pubDate>
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      <item>
         <title>Allegri: miserere ( 1630) die Verbindung aus Psalm und vokalpolyphonie. Diese Komposition erklang 150 Jahre lang nur in der sixtinischen Kapelle im Vatikan , bis Mozart nach einmaligem hören das Stück aufgeschrieben und „rausgeschmuggelt“ hat.</title>
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      <item>
         <title>Hausaufgabenueberprüfung</title>
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         <description><![CDATA[<div>Mittelalter-Renaissance</div>]]></description>
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      <item>
         <title>Hausaufgabenueberpruefung Lösung</title>
         <author>rosalie250869</author>
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      <item>
         <title>Miserere Vertonungen</title>
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         <description><![CDATA[]]></description>
         <enclosure url="https://podcasts.apple.com/de/podcast/stichwort-lexikon-der-alten-musik/id353111796?i=1000455118359" />
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      <item>
         <title>Barock Gesamtdarstellung</title>
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      <item>
         <title>Materialgliederung Barock</title>
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      <item>
         <title>Bach Brandenburger Nr. 2 klingende Werkbetrachtung</title>
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         <description><![CDATA[<div>Musikstart ist unten!</div>]]></description>
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         <title>Bach, brandenburgisches Konzert Nr. 2</title>
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         <description><![CDATA[<div>Aufnahme und Noten </div>]]></description>
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         <title>Brandenburgisches Konzert Nr. 2, 1. Satz mit Analyse</title>
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         <description><![CDATA[]]></description>
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         <title>Bach Brandenburger 1. Satz, Analyse</title>
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         <title>Aufgabe Brandenburger Nr. 2, 3. Satz Analyse</title>
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         <title>Brandenburgisches Konzert Nr. 2, 3. Satz Aufnahme</title>
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      <item>
         <title>Bac h Brandenburger Nr. 2, 3. Satz Noten</title>
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         <title>Bach Brandenburger Nr. 2, 3. Satz</title>
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         <description><![CDATA[<div>Hiier hab ich alles farbig eingegeben, leider fehlt der Schluss</div>]]></description>
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         <title>Bach Brandenburger Nr. 2, 3. Satz. </title>
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         <title>Monteverdi: O, Mirtillo</title>
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         <title>O Mirtillo</title>
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         <description><![CDATA[<div>Harmonische Detailanalyse, besonders erster Akkord in der zweiten Zeile (von unten nach oben): G A H D F C "grausamste"</div>]]></description>
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         <title>Orfeo Anfang Toccata (Ouvertüre) und Prolog</title>
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         <title>Monteverdi, Orfeo, tu se morte „Du bist tod“</title>
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         <title>prima pratica - seconda pratica</title>
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         <description><![CDATA[<div>Musik oder Text, was ist wichtiger?</div>]]></description>
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         <title>Aufgabe</title>
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         <title>Lösung Vergleich Palästrina-Monteverdi</title>
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         <title></title>
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         <title>Elektronischer Unterricht OK MU JGS 2020 Müller</title>
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         <title>Renaissance Gesamtdarstellung</title>
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         <title></title>
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      <item>
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         <title></title>
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         <title></title>
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         <title></title>
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      <item>
         <title>Und hier die „niedliche“ Schlacht</title>
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         <title></title>
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         <title></title>
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         <title></title>
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         <title></title>
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         <title>soziologischer Text zur Gregorianik</title>
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         <title>Perotin: sederunt principed Noten und Aufnahme </title>
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         <title></title>
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         <title>Aufgaben &quot;Organa&quot;</title>
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         <title>Aufgaben &quot;Organa&quot; Lösungen</title>
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