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      <title>Streetcar: The Negro woman, the Mexican woman and the tamale vendor  by AM</title>
      <link>https://padlet.com/angelina_mok/Streetcar_woman_vendor2021</link>
      <description>Minor characters: In your comment, you must include the scene, page number and evidence (quote) to support your answer. Your answers cannot overlap with your groupmates.</description>
      <language>en-us</language>
      <pubDate>2021-11-04 12:51:42 UTC</pubDate>
      <lastBuildDate>2026-01-11 18:20:03 UTC</lastBuildDate>
      <webMaster>hello@padlet.com</webMaster>
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         <title>1) Negro woman 2) Mexican woman 3) Tamale vendor</title>
         <author>1611151</author>
         <link>https://padlet.com/angelina_mok/Streetcar_woman_vendor2021/wish/1874934755</link>
         <description><![CDATA[<div>1) Scene 1, dialogue w/ Eunice and Blanche;&nbsp;Scene 5, calls over the young man before he meets Blanche; Scene 10, picks up bag outside Kowalski home<br><br>2) Scene 9, lines are intertwined with Blanche and Mitch's dialogue<br><br>3) Scene 2, final line; Scene 6, mentioned by Blanche</div>]]></description>
         <enclosure url="" />
         <pubDate>2021-11-08 13:05:07 UTC</pubDate>
         <guid>https://padlet.com/angelina_mok/Streetcar_woman_vendor2021/wish/1874934755</guid>
      </item>
      <item>
         <title>1) Negro woman 2) Mexican woman 3) Tamale vendor</title>
         <author>1611151</author>
         <link>https://padlet.com/angelina_mok/Streetcar_woman_vendor2021/wish/1874934999</link>
         <description><![CDATA[<div>1) She shows the multiracial population of 1940s post-war New Orleans, as well as the 'rough' aspect of the Quarter, in order to contrast with Blanche's delicate nature.<br><br>2) She is only seen in Blanche's fight with Mitch in scene 9 and repeats "Flores para los muertos, Corones para los muertos." Her presence here symbolises Blanche's realisation that she has lost everything, and the "flowers and crowns for the dead" are a bleak foreshadowing of Blanche's spiritual death at the end of the play.<br><br>3) The crying of "Red-hot!" at the end of scene 2 is symbolic of the male-dominated physical world that Blanche is thrust into when entering the Quarter.</div>]]></description>
         <enclosure url="" />
         <pubDate>2021-11-08 13:05:13 UTC</pubDate>
         <guid>https://padlet.com/angelina_mok/Streetcar_woman_vendor2021/wish/1874934999</guid>
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      <item>
         <title>1) Negro woman 2) Mexican woman 3) Tamale vendor</title>
         <author>1611151</author>
         <link>https://padlet.com/angelina_mok/Streetcar_woman_vendor2021/wish/1874935138</link>
         <description><![CDATA[<div>1) She doesn't actually contribute anything to the plot. Her purpose is primarily for the world-building and realism of 1940s post-war New Orleans.<br><br>2) She acts as a symbol of death and despair as Blanche's spiritual death at the end draws closer, and the ultimate effect of the climactic tragedy is foreshadowed.<br><br>3) Like the Negro woman, the Tamale vendor only exists for world-building, to show the intermingling of cultures in the Quarter, with tamales being a traditional Mesoamerican food.</div>]]></description>
         <enclosure url="" />
         <pubDate>2021-11-08 13:05:16 UTC</pubDate>
         <guid>https://padlet.com/angelina_mok/Streetcar_woman_vendor2021/wish/1874935138</guid>
      </item>
      <item>
         <title>1) Negro woman 2) Mexican woman 3) Tamale vendor</title>
         <author>1611151</author>
         <link>https://padlet.com/angelina_mok/Streetcar_woman_vendor2021/wish/1874935255</link>
         <description><![CDATA[<div>1) She is meant to represent the roughness of the Quarter, which contributes to the contrast and juxtaposition of someone like Blanche living there. She is meant to show the conflict between the Old South and the New South.<br><br>2) She is highlighting the theme of death and desire, as her presence and lines remind Blanche of the haunting memory of her ex-husband's suicide.<br><br>3) The vendor's presence doesn't really develop much thematically, however, his call of "Red hots!" is representative of the theme of the conflict between the Old South and the New South, as it acts as a symbol of the power physical world over the ideas and dreams of the past.</div>]]></description>
         <enclosure url="" />
         <pubDate>2021-11-08 13:05:18 UTC</pubDate>
         <guid>https://padlet.com/angelina_mok/Streetcar_woman_vendor2021/wish/1874935255</guid>
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      <item>
         <title></title>
         <author>itsb0b</author>
         <link>https://padlet.com/angelina_mok/Streetcar_woman_vendor2021/wish/1875334507</link>
         <description><![CDATA[<div>1. The negro woman appears in scene 1 page 1<br><br>2. The first time the Mexican women appears is in scene 9 page 89<br><br>3. The tamale vendor appears in scene 2 page 26</div>]]></description>
         <enclosure url="" />
         <pubDate>2021-11-08 14:59:41 UTC</pubDate>
         <guid>https://padlet.com/angelina_mok/Streetcar_woman_vendor2021/wish/1875334507</guid>
      </item>
      <item>
         <title></title>
         <author>itsb0b</author>
         <link>https://padlet.com/angelina_mok/Streetcar_woman_vendor2021/wish/1875346005</link>
         <description><![CDATA[<div>1. The negro woman <br><br>2. The Mexican women was selling flowers for the dead, this symbolises with the end of Blanche and Mitch's relationship. In addition, the Mexican women helps show the diversity that existed in the area.&nbsp;<br><br>3.&nbsp; The tamale vendors don't help further the plot, except they show the low social classes present at that time.&nbsp;</div>]]></description>
         <enclosure url="" />
         <pubDate>2021-11-08 15:03:05 UTC</pubDate>
         <guid>https://padlet.com/angelina_mok/Streetcar_woman_vendor2021/wish/1875346005</guid>
      </item>
      <item>
         <title></title>
         <author>itsb0b</author>
         <link>https://padlet.com/angelina_mok/Streetcar_woman_vendor2021/wish/1875376202</link>
         <description><![CDATA[<div>1. The negro woman ...<br><br>2. The Mexican woman...<br><br>3. The </div>]]></description>
         <enclosure url="" />
         <pubDate>2021-11-08 15:11:39 UTC</pubDate>
         <guid>https://padlet.com/angelina_mok/Streetcar_woman_vendor2021/wish/1875376202</guid>
      </item>
      <item>
         <title></title>
         <author>itsb0b</author>
         <link>https://padlet.com/angelina_mok/Streetcar_woman_vendor2021/wish/1875384438</link>
         <description><![CDATA[<div>1. The idea of racial conflict within the society. The fact that we only know her as a 'negro' shows racism.&nbsp;<br><br>2. The idea of death, Blanche and Mitch's relationship, and Blanches end as well.&nbsp;<br><br>3.&nbsp;</div>]]></description>
         <enclosure url="" />
         <pubDate>2021-11-08 15:14:01 UTC</pubDate>
         <guid>https://padlet.com/angelina_mok/Streetcar_woman_vendor2021/wish/1875384438</guid>
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