To what extent do traditional Chinese painting and Western painting shape Shining's style? by Yu-Hsuan Shih https://padlet.com/6743421/6ovybcypu5hn 梦想的推动结果 en-us 2019-08-27 20:41:26 UTC 2019-08-28 17:04:17 UTC hello@padlet.com To what extent do traditional Chinese painting and Western painting shape Shining’s style? 6743421 https://padlet.com/6743421/6ovybcypu5hn/wish/377682560 It would perhaps be better just to say 'To what extent did traditional Chinese painting shape Shining's style?' You would still have an argument (that it did substantially shape Shining's style) and a counter-argument (that there were still elements of his paintings that were 'western' in style - i.e influenced by his earlier training in Italy.)

What is your 'tentative conclusion' about Shining's style?

Another question to think about:
Why is it important to identify Shining's influences? Try this link:
https://sites.google.com/site/digihumanlab/research/artistic-influence

  •  Choose one style for argument, counter argument could say others didn’t agree with that. For me, I will focus on Western and its methods shape his style more than traditional Chinese methods.


  • How did Shining influence in Chinese or Western painting?
This is a separate question, isn't it?
]]> 2019-08-27 22:26:58 UTC https://padlet.com/6743421/6ovybcypu5hn/wish/377682560 Lang Shining (Giuseppe Castiglione) was born in Milan, Italy, and studied painting sinceyouth, joining the Jesuit society in Genoa at the age of 19. When the Qing court in Chinamade a request for a Western painter, the Vatican in Rome and Castiglione chose Shining to go and also spread the faith. By the end of 1715, Castiglione had reached Beijing and worked for painting in the court. In addition, Shining served the Qing imperial household under the Kangxi, Yongzheng, and Qianlong emperors for nearly 51 years. In conclusion, Shining was an Italian, but he stayed in China for nearly 51 years because he was a Jesuit missionary as well as China court artist. Also, three Chinese emperors (Kangxi, Yongzheng, and Qianlong) all love his painting since he mixed traditional Chinese methods and Western methods in his painting. Therefore, traditional Chinese painting and Western painting impact on Shining’s style and this his solid integration of Chinese and Western styles. 6743421 https://padlet.com/6743421/6ovybcypu5hn/wish/377682725 Thank you - this helps me understand your topic a bit better. Where did you get the information from?]]> 2019-08-27 22:27:32 UTC https://padlet.com/6743421/6ovybcypu5hn/wish/377682725 How does Western methods of painting shape Shining’s style?1.Definition of Western methods in Shining’s painting(e.g. dark and light skill, three-dimensional skill, chiaroscuro-shading)2.Cause/Effect 6743421 https://padlet.com/6743421/6ovybcypu5hn/wish/377682841
Ref:



]]> 2019-08-27 22:28:06 UTC https://padlet.com/6743421/6ovybcypu5hn/wish/377682841 How does traditional Chinese painting shape Shining’s style?1.Definition of traditional Chinese skills in Shining’s painting2.Cause/Effect 6743421 https://padlet.com/6743421/6ovybcypu5hn/wish/377684059
Ref:


You definitely need more academic references than these. 
]]> 2019-08-27 22:35:34 UTC https://padlet.com/6743421/6ovybcypu5hn/wish/377684059