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      <title>11.5 Ch11-14 (35-44) by Charlotte Wells</title>
      <link>https://padlet.com/charlotte_wells/6lbtktglquua</link>
      <description>A Box of Chewing Gum; MS Nella Dan 29th Oct 1986; Aalborg Harbour, Denmark 3rd July 1986; MS Nella Dan 1st Nov 1986</description>
      <language>en-us</language>
      <pubDate>2018-03-04 03:25:17 UTC</pubDate>
      <lastBuildDate>2025-10-25 05:45:50 UTC</lastBuildDate>
      <webMaster>hello@padlet.com</webMaster>
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      <item>
         <title>Chapter 13 (What happens, setting and characters)</title>
         <author></author>
         <link>https://padlet.com/charlotte_wells/6lbtktglquua/wish/238402653</link>
         <description><![CDATA[<div>The chapter is based on a 16 year old Bo. He is with his family in Denmark most likely at a wharf and is about to go on his first trip on the Nella Dan. The chapter sees Bo saying goodbye to his grandmother whilst watching another boy named Erik saying goodbye to his own family. Once on the ship he meets Soren again and meets Erik in person.</div>]]></description>
         <enclosure url="" />
         <pubDate>2018-03-06 00:11:59 UTC</pubDate>
         <guid>https://padlet.com/charlotte_wells/6lbtktglquua/wish/238402653</guid>
      </item>
      <item>
         <title>Chapter 11 (what happens, character, setting)</title>
         <author></author>
         <link>https://padlet.com/charlotte_wells/6lbtktglquua/wish/238402730</link>
         <description><![CDATA[<div>The chapter is based on Isla, and  her family is visiting Bo on the Nella Dan. Bo made them lunch and they also meet Soren. Her brother gets to take home a box of chewing gum. </div>]]></description>
         <enclosure url="" />
         <pubDate>2018-03-06 00:12:26 UTC</pubDate>
         <guid>https://padlet.com/charlotte_wells/6lbtktglquua/wish/238402730</guid>
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      <item>
         <title>Chapter 11 (language features/techniques)</title>
         <author></author>
         <link>https://padlet.com/charlotte_wells/6lbtktglquua/wish/238403837</link>
         <description><![CDATA[<div>Isla describes the Nella Dan as a ship that is "cosy and comfortable and lived in and loved." This is in contrast to how Isla describes the ships all lined up as "grey and clean and organised. Compartmentalised". The polysyndeton shows that Isla is excited to get on the Nella Dan. <br><br>As Isla goes inside the Nella Dan she uses polysyndeton again talking about the "many floors and cabins and corridors and outside decks..."</div>]]></description>
         <enclosure url="" />
         <pubDate>2018-03-06 00:18:51 UTC</pubDate>
         <guid>https://padlet.com/charlotte_wells/6lbtktglquua/wish/238403837</guid>
      </item>
      <item>
         <title>Chapter 13 (language features/techniques)</title>
         <author></author>
         <link>https://padlet.com/charlotte_wells/6lbtktglquua/wish/238404514</link>
         <description><![CDATA[<div>In the first sentence emphasis is used when it is stated that Bo is "a young man-a boy-is standing tall".<br><br>Continuous inner-monologue is used. "Why do you have to go?" and "Forgive me".<br><br>The chapter also keeps switching between what is happening with Bo and what is happening with Erik.<br><br>Description of the "<strong>vast</strong> Baltic Sea" suggests that it will be a long journey.<br><br>Simile- "his teeth are long like horses teeth".<br><br><br></div>]]></description>
         <enclosure url="" />
         <pubDate>2018-03-06 00:22:37 UTC</pubDate>
         <guid>https://padlet.com/charlotte_wells/6lbtktglquua/wish/238404514</guid>
      </item>
      <item>
         <title>Chapter 12 (what happens, setting, character)</title>
         <author></author>
         <link>https://padlet.com/charlotte_wells/6lbtktglquua/wish/238406175</link>
         <description><![CDATA[<div>The chapter is set early in the morning in the gallery on the Nella Dan. Bo is speaking about how it is lonely and quiet, while they all wait for breakfast. In this chapter we also meet Leo (baker), Erik, Jonas and Klaus. </div>]]></description>
         <enclosure url="" />
         <pubDate>2018-03-06 00:32:12 UTC</pubDate>
         <guid>https://padlet.com/charlotte_wells/6lbtktglquua/wish/238406175</guid>
      </item>
      <item>
         <title>Chapter 13 (Questions)</title>
         <author></author>
         <link>https://padlet.com/charlotte_wells/6lbtktglquua/wish/238406219</link>
         <description><![CDATA[<div> </div><div><strong>Chapter 13: Aalborg Harbour, Denmark 3</strong><strong><sup>rd</sup></strong><strong> July, 1986 (pp. 40 - 42)</strong> <br><br></div><div>1.    <em> Bo watches Erik farewell his family before the voyage, what does that event evoke in him? </em><br> <br><strong>Watching Erik farewell his family before the voyage evokes the event of Bo saying farewell to his own family.<br><br></strong>  </div><div>2.     Although Bo is reminiscing about departing from his family many years ago, what is the technical term used for this effect in a story?  <br><strong>A flashback. </strong><br> <br> </div><div>3.     What significant insight about human nature does Parrett achieve by use of flashback? <br><strong>Parrett builds on the character of Bo and shows us where he has come from and where his journey began which led to where he is today. Parrett suggests that leaving home is a difficult but necessary part of growing up for a lot of people, especially if they were raised on an island or in a remote area where there are generally fewer opportunities.</strong></div><div><strong><br></strong> <br><br></div>]]></description>
         <enclosure url="" />
         <pubDate>2018-03-06 00:32:25 UTC</pubDate>
         <guid>https://padlet.com/charlotte_wells/6lbtktglquua/wish/238406219</guid>
      </item>
      <item>
         <title>Chapter 11 (questions)</title>
         <author></author>
         <link>https://padlet.com/charlotte_wells/6lbtktglquua/wish/238406239</link>
         <description><![CDATA[<div><strong><em>How is Nella Dan characterised toward the bottom of p.35? </em></strong><br>The Nella Dan is characterised when Isla describes the ships as "bigger then you expected". She states how there are "places to sit and all of them felt cosy and comforting and lived in and loved". The polysyndeton suggests that she likes this place "much better" than Hobart. <br>There are references to time and place - "It was like she came from some other time and some other place."<br><br><strong><em>At the top of p. 36 we see “tiny people … fairies … giant[s]. How does the remainder of this chapter continue to develop characterisation and demonstration of relationships?</em></strong><br>After it is stated that they are "like tiny people, like fairies..." the mood of the chapter is lifted a little, and Isla's brother is mentioned a few times. Her brother is happy after he meets Soren. His brother "really laughed" and Isla "saw his eyes, how big they were". At the end of the chapter it is shown that her brother is in a good mood as he said that he would "share the chewing gum". <br>A number of innocent, fun incidents again show the caring side of the 'giant' men and the lovely relationship between Isla and her brother.</div>]]></description>
         <enclosure url="" />
         <pubDate>2018-03-06 00:32:33 UTC</pubDate>
         <guid>https://padlet.com/charlotte_wells/6lbtktglquua/wish/238406239</guid>
      </item>
      <item>
         <title>Chapter 14 (What happens, setting and characters)</title>
         <author></author>
         <link>https://padlet.com/charlotte_wells/6lbtktglquua/wish/238409177</link>
         <description><![CDATA[<div>During this chapter, Bo is on the Nella Dan which is struggling through packs of ice. The ship is a day away from Casey where the Nell Dan will be resupplied. Bo is extremely tired however,  and is unable to sleep due to the boats screeching sound on the ice.  Soren takes notice of this and asks how he is.</div>]]></description>
         <enclosure url="" />
         <pubDate>2018-03-06 00:46:01 UTC</pubDate>
         <guid>https://padlet.com/charlotte_wells/6lbtktglquua/wish/238409177</guid>
      </item>
      <item>
         <title>Chapter 12 (questions)</title>
         <author></author>
         <link>https://padlet.com/charlotte_wells/6lbtktglquua/wish/238409942</link>
         <description><![CDATA[<div>In which part of the ship is the chapter set? <br>In the galley<br><em><br></em><br></div><div>How does Parrett evoke a realistic setting?<br>Parrett is attentive to small but specific details that create a vivd spatial image of the galley <br><br><br></div><div>What is the mood at the end of the chapter? <br><br></div>]]></description>
         <enclosure url="" />
         <pubDate>2018-03-06 00:49:43 UTC</pubDate>
         <guid>https://padlet.com/charlotte_wells/6lbtktglquua/wish/238409942</guid>
      </item>
      <item>
         <title>Chapter 14 (language features/techniques)</title>
         <author></author>
         <link>https://padlet.com/charlotte_wells/6lbtktglquua/wish/238410203</link>
         <description><![CDATA[<div>Imagery-"Bits of ice hit the hull of the ship, like giant hailstones on a tin roof".<br><br>Onomatopoeia/repitition-"clip, clip, clip".<br><br>simile/Anthropomorphism- "like the howl of a wolf" when describing the sound of the Nella Dan hitting the ice.</div>]]></description>
         <enclosure url="" />
         <pubDate>2018-03-06 00:51:07 UTC</pubDate>
         <guid>https://padlet.com/charlotte_wells/6lbtktglquua/wish/238410203</guid>
      </item>
      <item>
         <title>Chapter 14 (Questions)</title>
         <author></author>
         <link>https://padlet.com/charlotte_wells/6lbtktglquua/wish/238411356</link>
         <description><![CDATA[<div> </div><div><em>1.     What is the narrator’s general mood in this chapter?  </em></div><div><strong> The narrator's mood is very tired. This can be sees through the slow speed and short length of the sentences. "I am tired. I feel the heaviness."</strong></div><div> </div><div><em>2.     The pack ice is beginning to thicken, how does Parrett convey a sense of danger? </em><br> <br><strong> Parrett creates a sense of danger by using hyphens. Parrett depicts the ice as wolfish (anthropomorphism). This is evident by her use of simile "like the howl of a wolf" to describe the sound of the ice against the ship, and later reinforced by a metaphor "a <br></strong><br></div>]]></description>
         <enclosure url="" />
         <pubDate>2018-03-06 00:57:12 UTC</pubDate>
         <guid>https://padlet.com/charlotte_wells/6lbtktglquua/wish/238411356</guid>
      </item>
      <item>
         <title>The voice is warm and the reader is enticed into the easy familiarity of routine on the ship with the immersion in food, camaraderie and an extended sense of family.</title>
         <author>charlotte_wells</author>
         <link>https://padlet.com/charlotte_wells/6lbtktglquua/wish/238468690</link>
         <description><![CDATA[]]></description>
         <enclosure url="" />
         <pubDate>2018-03-06 07:01:38 UTC</pubDate>
         <guid>https://padlet.com/charlotte_wells/6lbtktglquua/wish/238468690</guid>
      </item>
      <item>
         <title>The voice is warm and the reader is enticed into the easy familiarity of routine on the ship with the immersion in food, camaraderie and an extended sense of family.</title>
         <author>charlotte_wells</author>
         <link>https://padlet.com/charlotte_wells/6lbtktglquua/wish/238468691</link>
         <description><![CDATA[]]></description>
         <enclosure url="" />
         <pubDate>2018-03-06 07:01:38 UTC</pubDate>
         <guid>https://padlet.com/charlotte_wells/6lbtktglquua/wish/238468691</guid>
      </item>
      <item>
         <title>We are offered Erik&#39;s backstory </title>
         <author>charlotte_wells</author>
         <link>https://padlet.com/charlotte_wells/6lbtktglquua/wish/238468888</link>
         <description><![CDATA[]]></description>
         <enclosure url="" />
         <pubDate>2018-03-06 07:02:57 UTC</pubDate>
         <guid>https://padlet.com/charlotte_wells/6lbtktglquua/wish/238468888</guid>
      </item>
      <item>
         <title>We are offered Erik&#39;s backstory which is related with sensitivity and understanding on Bo&#39;s part. The creation of family from shared experience is suggested - &quot;I want to tell him that by the time we reach the equator, the crew will be a tight family unit, the ship our island - and home will not be such a painful thing to think on.&quot;</title>
         <author>charlotte_wells</author>
         <link>https://padlet.com/charlotte_wells/6lbtktglquua/wish/238468893</link>
         <description><![CDATA[]]></description>
         <enclosure url="" />
         <pubDate>2018-03-06 07:02:58 UTC</pubDate>
         <guid>https://padlet.com/charlotte_wells/6lbtktglquua/wish/238468893</guid>
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