2.Stuck outside their flying contraption, Sergei struggles to find the keys for the door; pulling most everything (including the kitchen sink) out of his ‘hatterspace’ top hat; eventually, Svetlana finds the keys in his pocket.

3. Travelling through the air in their flying contraption, Sergei and Svetlana find that they have run out of charcoal for their engine’s furnace, they panic to yank out more things from their ‘hatterspace’ to throw in to burn as fuel so they can avoid crashing into the upcoming mountains; they eventually manage to narrowly propel themselves way over the mountains, although straight up into a field of stormy clouds where electrocution by lightning is imminent.

Culture: I wish to be able to appeal to all if not most demographics, but I suspect at the way the show would be produced that it would probably appeal to B-D (middle to working class). At this moment in time, I do not really view the characters particularly needing execute heavy lines of dialogue between each other, personally as I feel I do not have enough of the expertise this early on in my practices to consistently output enthralling and witty dialogue. I imagine that having the story flow through the specific actions of the characters, sort of in the same vein as pantomime performances would allow the show to be universally understood thus allowing it the potential to be internationally appealing as well due to the elimination of the need for translation. No exclusion of audiences of different genders or cultures, no need for gender or racial coding or anything like that. It would be rather satisfying if the world inside the show were to develop its own unique subset of creative cultures as the characters roam through it as it would make it stay somewhat detached to reality and thus relate to the audience more to an extent, despite it still being based in an entirely imaginary landscape.