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      <title>Kriss by Kriss Alegria</title>
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      <pubDate>2022-08-16 18:42:18 UTC</pubDate>
      <lastBuildDate>2022-08-16 18:45:29 UTC</lastBuildDate>
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         <author>krissalegria2006</author>
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         <description><![CDATA[<div>Munch's reflections are like the links that unite the first links presented by Van Gogh and Ensor, which are but the beginning of a new path. Munch, for his part, linked the Northern European Expressionist tradition with the elegance of Paris, laying the foundations of the modern German school and interpreting themes that had been developed in parallel in the literary sphere by writers such as Ibsen. The artist's own words reflect his pictorial ideology: "It is not always possible to depict a woman sewing or a man reading. I want to portray people who breathe, feel, love and suffer. The viewer must understand that there is something sacred in them.</div>]]></description>
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         <pubDate>2022-08-16 18:42:31 UTC</pubDate>
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         <title></title>
         <author>krissalegria2006</author>
         <link>https://padlet.com/krissalegria2006/69ukyly71s8ewdkb/wish/2262541175</link>
         <description><![CDATA[<div>Shy and withdrawn, Munch experienced a series of tragic events in his childhood that shaped his hypersensitive, existential, and imaginative nature, which he incorporated into his paintings. He was originally an impressionist painter, but over time he expanded his figurative ideas to include themes of the human psyche, perhaps his greatest obsession. But Munch also expected a reaction from the viewer. His paintings project onto us a conflict that seems to need to be resolved within us. His figures are almost ethereal, weightless, masked, voluptuous, skeletal, with only a glimpse of their intense eyes.<br><br></div>]]></description>
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         <pubDate>2022-08-16 18:44:18 UTC</pubDate>
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         <title>The Scream, Edvard Munch, 1893.</title>
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         <pubDate>2022-08-16 18:44:40 UTC</pubDate>
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