within this session we focused on the opening of the performance and how we would set the chairs out of the stage for the audience to see both left and right sides of our made ' catwalk' simple motifs and cannons

In this session me connie and Jessy adapted the choreography to the new bit of music and finished off the music section we needed to choreograph too. Also added transitions but need to create a contrasting floor section too add levels within the piece and think about who's going to be on stage during this time before the 2nd piece starts which will be heavily commerical based so we need to allow time for people to have breaks.

Vogue inspired motif using 'Vogue' magazines as a possible prop and idea for the piece. we dint end up using this in the piece as now I believe we will be starting in the audience although someone could still be using a magazine for this as an idea to set the scene.

This will be in the last section of the piece (section 3) that will be contrasting the first section of classical vogue emphasising how the vogue catwalk is changing to more robotic fast movements enhancing the sense of fast fashion in the future on a wider scale than it is now.

Within this session we figured out some group transitions brining me, Abbie, Nicole, cam and eve will come off from the jazz break section whilst connie, Jessy, violet, and ebony do a 4 group section. when that ends me and Abbie come onto stage with Nicole to do a duet around Nicole modelling throughout.

within this session I taught the jazz choreography to the rest of the group with added transitions and changes so that we are creating the illusion of contrasting movements and shapes within the positioning for example people on the left doing the left legs and reversing the choreo to mirror the right.

After performing our piece to jasmine we realised that some of the movements were not fitting in time with the music and took into some consideration that we will also be wearing some la ducas so we decided to take out the illusion turn and slow it down slightly to fit the music. we would like to have some feather fans for this section as this would fit the madonna vibe so well but we need to possibly use the budget on this.

we had to ensure everyone was in time for these sections so it looks clean and well put together. Nicole was cleaning these as she's not in the sections.

• Helping cleaning Connie's solo

Connie's solo just needed more model featured elements throughout so we were finding the time for this within her solo

• Counts and cleaning of mine and Abbies duet

• Throughout the piece I wanted to replicate the idea of being the girl with a balloon, mirroring Banksy's graffiti stencil

• This would be either a plain black or white dress to recreate this image as I'm dancing

• White felt like the right decision as I feel this resembles an innocence in the colour and a childhood like colour that could resonate with the audience more

Motif 2 - tying balloon to arm

Motif 3 - tying balloon to foot

Motif 4 - Floor work with balloon

Motif 5 - tying balloon to arm and foot same time

Motif 6 - dodging the balloon floating through choreography

Motif 7 - Forward choreography

• Fish wire to create the invisible line connecting to the the floor and to stop the balloon from flying away when letting it go

• Helium to inflate the balloons and create the elavation effect

'going, going, gone'